188 lines
30 KiB
JSON
188 lines
30 KiB
JSON
{
|
|
"event": {
|
|
"canonicalName": "神龙政变（唐中宗复位）",
|
|
"aliases": ["神龙政变", "神龙革命", "五王政变", "神龙政变·复唐"],
|
|
"era": "武周神龙元年、唐中宗神龙元年",
|
|
"date": "神龙元年正月癸卯至二月甲寅（705年2月20日至3月3日；公历换算仅作参考）",
|
|
"place": "神都洛阳东宫、玄武门、迎仙宫长生殿与通天宫",
|
|
"summary": "张柬之等联合北门禁军，迎皇太子李显入宫，诛杀张易之、张昌宗并迫使武则天传位；李显复位后，朝廷于二月甲寅正式恢复国号唐。"
|
|
},
|
|
"narration": {
|
|
"language": "zh-CN",
|
|
"estimatedSeconds": 86,
|
|
"fullText": "神龙元年正月，武则天病势沉重，张易之、张昌宗居中用事。宰相张柬之联合崔玄暐、敬晖、桓彦范、袁恕己，又说动右羽林卫大将军李多祚，把宫城北门的禁军变成政变的支点。正月癸卯，五百余名左右羽林兵会集玄武门。李多祚、李湛和王同皎赶到东宫迎太子李显。李显担心惊动病中的母亲，一度不肯出宫；诸将以身家性命相劝，他才上马同行。军士斩关入宫，在迎仙宫廊下诛杀二张，继而包围长生殿。武则天惊起，只让太子回东宫。桓彦范却直言：天下久思李氏，请陛下传位。次日，太子监国；随后武则天传位，李显在通天宫重新即皇帝位。二月甲寅，朝廷正式恢复国号唐，宗庙、旗帜、服色和官名等都依旧制。神龙政变没有扩展成京城大战，却在数日内终结武周。只是张柬之等复唐功臣很快失势，中宗朝的权力斗争并未因此结束。"
|
|
},
|
|
"scenes": [
|
|
{
|
|
"id": "01",
|
|
"title": "北门定策",
|
|
"timePlace": "神龙元年正月政变前，神都洛阳北门禁军体系",
|
|
"purpose": "交代张柬之等并非临时闯宫，而是先说动李多祚、调整羽林将领，掌握宫城北门禁军。",
|
|
"narration": "神龙元年正月，武则天病势沉重，张易之、张昌宗居中用事。宰相张柬之联合崔玄暐、敬晖、桓彦范、袁恕己，又说动右羽林卫大将军李多祚，把宫城北门的禁军变成政变的支点。",
|
|
"overlay": {
|
|
"heading": "北门定策",
|
|
"line": "先掌北门禁军，才有玄武门前的五百余骑。"
|
|
},
|
|
"people": [
|
|
{"name": "张柬之", "office": "凤阁侍郎、同凤阁鸾台平章事", "action": "联合崔玄暐等筹划诛除二张，并说动李多祚参与"},
|
|
{"name": "李多祚", "office": "右羽林卫大将军", "action": "承诺不顾身家参与定谋，成为政变禁军主将"},
|
|
{"name": "崔玄暐", "office": "鸾台侍郎、同凤阁鸾台平章事", "action": "参与定策；本幕不直接入画"},
|
|
{"name": "敬晖", "office": "中台右丞，政变前后受命掌羽林兵", "action": "参与定策；本幕不直接入画"},
|
|
{"name": "桓彦范", "office": "司刑少卿，政变前后受命掌羽林兵", "action": "参与定策；本幕不直接入画"},
|
|
{"name": "袁恕己", "office": "相王府司马", "action": "参与定策；政变当日另统南衙兵防备非常"}
|
|
],
|
|
"image": {
|
|
"original": "images/01-zhang-jianzhi-li-duozuo-pact.png",
|
|
"delivery": "images/01-zhang-jianzhi-li-duozuo-pact.webp",
|
|
"alt": "天将破晓的北门禁军值房中，年迈的张柬之向李多祚伸出手，李多祚把手按在带鞘横刀旁接受计划。",
|
|
"prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, first image in a consistent five-image sequence, 16:9 landscape. Primary request: Scene 1 of the Shenlong coup in early 705 CE at the eastern capital Luoyang. Elder statesman Zhang Jianzhi quietly wins the commitment of Right Yulin Guard Grand General Li Duozuo to protect the crown prince and move against Zhang Yizhi and Zhang Changzong. Show one restrained action: Zhang Jianzhi leans over a plain low command table and opens one palm toward Li Duozuo; Li Duozuo answers by laying his ungloved right hand firmly on the table beside a sheathed dao, accepting the dangerous plan. Scene/backdrop: a modest northern palace-gate guard office near the Yulin barracks in the late Wu Zhou / early Tang period, before dawn, timber posts, plaster wall, bamboo blinds, a small shielded oil lamp, cold blue courtyard beyond. No secret tunnel, no luxury throne room. Subjects: Zhang Jianzhi is around eighty, lean and upright despite age, long weathered face, controlled grey moustache and beard, expressive alert eyes, wearing a sober dark tea-brown Tang round-collared court robe and a simple black futou appropriate to the early eighth century, no armor. Li Duozuo is a mature Mohe-born Tang general with a broad weathered face, restrained moustache, calm northern frontier bearing, wearing dark dusty-blue round-collared military robes over historically plausible black-brown lacquered lamellar protection, simple early Tang military headwear; dignified, no exotic stereotype. Style/medium: Chinese semi-realistic hand-painted historical illustration, fine restrained linework, soft color blocks, subtle paper grain, mature faces and expressive eyes, cinematic but not photographic, not CGI. Color palette: low-saturation dusty blue, warm grey, clay red, oatmeal, tea brown, small controlled amber lamp light. Lighting/mood: low-exposure predawn, quiet political resolve and danger. Composition/framing: medium-wide three-quarter view, the two men and their hands form the lower-middle focal triangle, one main action only, generous clean negative space for later overlay. Historical constraints: late Wu Zhou / early Tang Luoyang around 705 CE; early Tang round-collared robes and futou, restrained Yulin guard equipment. No readable writing, no baked-in names, subtitles, calligraphy, logos, signature or watermark. Avoid: battlefield melee, blood, swords drawn, oath ritual fantasy, kneeling humiliation, giant gold armor, dragon throne, Ming/Qing architecture or costume, Song winged hats, Japanese armor, fantasy, magic, modern objects, photorealistic skin, UE5/PBR, plastic CGI, famous adaptation likenesses.",
|
|
"visualInference": "史料明确张柬之以高宗之恩说动李多祚并共同定谋；两人在北门值房同桌交谈、按刀应允、室内陈设、灯火、面貌和衣甲细节均为镜头化补全。"
|
|
},
|
|
"sources": ["《资治通鉴》卷二百七", "《旧唐书·中宗睿宗本纪》"]
|
|
},
|
|
{
|
|
"id": "02",
|
|
"title": "东宫迎驾",
|
|
"timePlace": "神龙元年正月癸卯破晓前，神都洛阳东宫",
|
|
"purpose": "用李显一度不出、继而上马的转折，说明政变参与者先行押上身家，而皇太子并非从容领兵起事。",
|
|
"narration": "正月癸卯，五百余名左右羽林兵会集玄武门。李多祚、李湛和王同皎赶到东宫迎太子李显。李显担心惊动病中的母亲，一度不肯出宫；诸将以身家性命相劝，他才上马同行。",
|
|
"overlay": {
|
|
"heading": "东宫迎驾",
|
|
"line": "诸将已押上家族性命，太子终于跨出东宫。"
|
|
},
|
|
"people": [
|
|
{"name": "李显", "office": "武周皇太子，后复位为唐中宗", "action": "起初因武则天病中而犹疑，经劝说后出宫上马"},
|
|
{"name": "王同皎", "office": "内直郎、驸马都尉、安阳王", "action": "赴东宫劝迎李显，并扶助太子上马"},
|
|
{"name": "李多祚", "office": "右羽林卫大将军", "action": "赴东宫迎太子至玄武门"},
|
|
{"name": "李湛", "office": "右散骑侍郎，政变前受命掌羽林兵", "action": "以诸将家族安危劝太子出宫"}
|
|
],
|
|
"image": {
|
|
"original": "images/02-crown-prince-mounts.png",
|
|
"delivery": "images/02-crown-prince-mounts.webp",
|
|
"alt": "洛阳东宫的冷蓝晨雾中，王同皎扶住太子李显的手臂，李显开始登上由李多祚牵住的黑马。",
|
|
"prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, Scene 2 of the same five-image Shenlong coup sequence, 16:9 landscape. Input image is a strict reference for the exact Chinese semi-realistic hand-painted style, low-saturation palette, paper grain, 705 CE material world, and Li Duozuo's established identity; create a genuinely new composition. Primary request: Before dawn on the guimao day of the first lunar month, 705 CE, at the East Palace in Luoyang, Wang Tongjiao and Li Duozuo have come to bring Crown Prince Li Xian to Xuanwu Gate. Show one decisive action: Wang Tongjiao supports the crown prince by the forearm as Li Xian places one foot in the stirrup and begins to mount a dark horse, finally committing to go. Scene/backdrop: restrained East Palace courtyard in the late Wu Zhou / early Tang eastern capital, predawn blue haze, timber hall and plain tiled eaves, rammed-earth boundary wall, a gate passage opening toward the distant northern palace sector. Subjects: Crown Prince Li Xian is about forty-nine, dignified but visibly tense, medium build, mature oval face, restrained moustache and short beard, wearing a dark muted clay-red Tang round-collared princely robe, leather belt and simple black futou, no imperial crown. Wang Tongjiao is a mature court soldier and imperial son-in-law in sober warm-grey riding robes, supportive rather than dragging. Li Duozuo matches the established broad weathered mature general in dusty-blue military robe and black-brown lacquered lamellar protection. A compact escort of Yulin guards carries sheathed dao and upright spears. Style/medium: exactly the same Chinese semi-realistic hand-painted historical illustration as the input image, fine restrained linework, soft color blocks, subtle paper grain, mature expressive eyes, cinematic but not photorealistic, not CGI. Color palette: low-saturation dusty blue, warm grey, clay red, oatmeal, dark brown. Lighting/mood: cold predawn with small warm lantern glows, restrained urgency, hesitation turning into resolve. Composition/framing: medium-wide side angle, horse and mounting action across the lower middle, generous negative space for later overlay, one main action only. Historical constraints: late Wu Zhou / early Tang Luoyang around 705 CE; do not present Li Xian as already reigning emperor. No readable banners or inscriptions; no baked-in names, subtitles, calligraphy, logos, signature or watermark. Avoid: dragging or kidnapping the crown prince, kneeling crowds, battle, blood, swords drawn, giant army, Ming/Qing palace or clothing, Song winged hats, Japanese armor, ornate crown, fantasy, magic, photorealistic skin, UE5/PBR, plastic CGI, famous adaptation likenesses.",
|
|
"visualInference": "史料明载李显疑而不出，王同皎扶抱上马，李多祚等迎至玄武门；黑马、具体扶臂姿势、东宫院落、护卫人数、晨雾与服色均为视觉补全。"
|
|
},
|
|
"sources": ["《资治通鉴》卷二百七", "《新唐书·五王传》"]
|
|
},
|
|
{
|
|
"id": "03",
|
|
"title": "斩关入宫",
|
|
"timePlace": "神龙元年正月癸卯清晨，神都洛阳宫城玄武门",
|
|
"purpose": "呈现政变的军事核心是以五百余羽林兵控制北门、突入宫禁，而非在洛阳展开大规模会战。",
|
|
"narration": "军士斩关入宫，在迎仙宫廊下诛杀二张，继而包围长生殿。",
|
|
"overlay": {
|
|
"heading": "斩关入宫",
|
|
"line": "五百余羽林兵越过玄武门，宫禁的归属已被改写。"
|
|
},
|
|
"people": [
|
|
{"name": "张柬之", "office": "凤阁侍郎、同凤阁鸾台平章事", "action": "与崔玄暐、桓彦范等率羽林兵至玄武门并入宫"},
|
|
{"name": "李多祚", "office": "右羽林卫大将军", "action": "统率禁军入宫"},
|
|
{"name": "崔玄暐", "office": "鸾台侍郎、同凤阁鸾台平章事", "action": "参与率军入宫"},
|
|
{"name": "敬晖", "office": "左羽林将军", "action": "掌禁兵参与突入宫禁"},
|
|
{"name": "桓彦范", "office": "右羽林将军", "action": "掌禁兵参与突入宫禁"},
|
|
{"name": "李显", "office": "武周皇太子", "action": "随众至玄武门并入宫"},
|
|
{"name": "张易之、张昌宗", "office": "麟台监、春官侍郎，武则天病中居中用事", "action": "在迎仙宫廊下被诛；本幕不直接呈现死亡"}
|
|
],
|
|
"image": {
|
|
"original": "images/03-xuanwu-gate-entry.png",
|
|
"delivery": "images/03-xuanwu-gate-entry.webp",
|
|
"alt": "玄武门的深暗门洞内，数名羽林军士合力移开受损的巨大木门闩，张柬之与李多祚从后方示意队伍入宫。",
|
|
"prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, Scene 3 of the same five-image Shenlong coup sequence, 16:9 landscape. The two input images are strict references for the exact hand-painted style, palette, 705 CE world, Zhang Jianzhi, Li Duozuo and Crown Prince Li Xian identities; create a genuinely new composition. Primary request: On the guimao morning of the first lunar month, 705 CE, at Xuanwu Gate of the Luoyang palace city, more than five hundred Left and Right Yulin troops led by Zhang Jianzhi and allied commanders force the gate and enter. Show one main action: several Yulin guards strain together to dislodge a heavy damaged timber crossbar from the inner gate leaves while Zhang Jianzhi makes a low forward gesture and the formation begins to move through. This is a controlled palace seizure, not a citywide battle. Scene/backdrop: early eighth-century eastern capital palace northern gate passage, massive but restrained rammed-earth and timber construction, dark tiled eaves, deep gate tunnel, predawn turning to cold morning. Subjects: Zhang Jianzhi matches the established very elderly lean man with weathered long face, grey beard, sober tea-brown round-collared robe and plain black futou. Li Duozuo matches the established broad weathered general in dusty-blue military robe and restrained black-brown lacquered lamellar armor. Crown Prince Li Xian matches the established mature man in muted clay-red princely robe and black futou, visible behind on horseback, not yet imperial. Disciplined Yulin guards wear period-plausible early Tang lamellar armor and carry upright spears and sheathed dao. Style/medium: exactly the same Chinese semi-realistic hand-painted historical illustration as both references, fine restrained linework, soft color blocks, subtle paper grain, mature expressive eyes, cinematic but not photographic, not CGI. Color palette: low-saturation dusty blue, warm grey, clay red, oatmeal, tea brown, black-brown lacquer. Lighting/mood: cold dawn beams entering the dark passage, contained urgency and irreversible movement. Composition/framing: wide low three-quarter view from inside the gate passage, diagonal timber crossbar in the lower foreground, one main action, negative space in upper shadow and dawn haze for later overlay. Historical constraints: late Wu Zhou / early Tang Luoyang around 705 CE; gate form is a plausible visualization, not an exact reconstruction. Do not show the Zhang brothers being killed in this frame. No readable standards or inscriptions; no baked-in names, subtitles, calligraphy, logos, signature or watermark. Avoid: massive battlefield, cavalry charge through fire, corpses, blood, severed heads, civilian panic, crown prince in imperial crown, Ming/Qing palace or clothing, Song winged hats, Japanese armor, fantasy, magic, gunpowder, modern tools, photorealistic skin, UE5/PBR, plastic CGI.",
|
|
"visualInference": "史料明确五百余羽林兵至玄武门并斩关而入，随后在迎仙宫廊下诛二张；画面把“斩关”解释为移开受损门闩，门洞形制、人物站位、阵列和光线均非精确复原。"
|
|
},
|
|
"sources": ["《资治通鉴》卷二百七", "《新唐书·五王传》", "《旧唐书·中宗睿宗本纪》"]
|
|
},
|
|
{
|
|
"id": "04",
|
|
"title": "长生殿请禅",
|
|
"timePlace": "神龙元年正月癸卯，迎仙宫长生殿",
|
|
"purpose": "把政变的政治终点落在传位要求上，同时保持武则天病中、年老而仍有威严的复杂形象。",
|
|
"narration": "武则天惊起，只让太子回东宫。桓彦范却直言：天下久思李氏，请陛下传位。",
|
|
"overlay": {
|
|
"heading": "长生殿请禅",
|
|
"line": "二张已死，真正的问题只剩皇位归属。"
|
|
},
|
|
"people": [
|
|
{"name": "武则天", "office": "武周皇帝，时年八十一", "action": "病中惊起，见李显后令其还东宫，随后面对传位要求"},
|
|
{"name": "李显", "office": "武周皇太子", "action": "随政变众臣进入寝殿，在母亲与群臣之间保持沉默"},
|
|
{"name": "桓彦范", "office": "右羽林将军、政变谋主", "action": "当面拒绝让太子回宫，并请求武则天传位"},
|
|
{"name": "张柬之", "office": "凤阁侍郎、同凤阁鸾台平章事", "action": "参与包围寝殿；画面中退居后方"},
|
|
{"name": "李湛", "office": "羽林将领", "action": "参与寝殿控制，后留宿卫"}
|
|
],
|
|
"image": {
|
|
"original": "images/04-changsheng-hall-transfer.png",
|
|
"delivery": "images/04-changsheng-hall-transfer.webp",
|
|
"alt": "长生殿内，病中的武则天从低榻上转身直视群臣，桓彦范以空手朝礼请求传位，李显站在一旁。",
|
|
"prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, Scene 4 of the same five-image Shenlong coup sequence, 16:9 landscape. The input images are strict references for the exact hand-painted style, palette, early-eighth-century world, and Crown Prince Li Xian identity; create a new interior composition. Primary request: Shortly after the Yulin troops enter the palace and Zhang Yizhi and Zhang Changzong are killed under a corridor, the coup leaders reach Empress Wu Zetian's sleeping chamber at Changsheng Hall within Yingxian Palace. Show the political confrontation, not violence. One main action: Huan Yanfan steps one pace forward, holds both empty hands together in a formal court gesture, and asks the ill empress to transfer power to the crown prince. Li Xian stands behind him, conflicted and silent. Wu Zetian has just risen on her couch and looks directly at her son with shock, authority and exhausted recognition. Scene/backdrop: restrained late Wu Zhou / early Tang palace sleeping hall in Luoyang, timber columns, plaster walls, woven screens, low couch with layered plain textiles, low oil lamps, cold dawn light through lattice windows. Guards and officers form a respectful ring at a distance; weapons remain sheathed. Subjects: Wu Zetian is about eighty-one, visibly ill and physically frail yet mentally commanding, lined mature face, silver hair neatly gathered, wearing layered muted dark maroon and warm-grey court robes, no fantasy crown or disheveled hair. Crown Prince Li Xian matches the established mature face, muted clay-red robe and simple black futou, not yet imperial. Huan Yanfan is a mature official-general in a sober dusty-blue round-collared robe and black futou, empty formal hands. Zhang Jianzhi may appear farther back matching his established identity. Style/medium: exactly the same Chinese semi-realistic hand-painted historical illustration, fine restrained linework, soft color blocks, subtle paper grain, mature expressive eyes, cinematic but not photographic, not CGI. Color palette: low-saturation dusty blue, warm grey, clay red, oatmeal, tea brown, faded maroon. Lighting/mood: cold dawn with residue of warm lamp light; intimate, grave, morally complex, no triumph. Composition/framing: medium-wide layered interior, Wu on the right third, Huan centered, Li Xian behind left-center, respectful distance and negative space for later overlay; one main action only. Historical constraints: late Wu Zhou / early Tang Luoyang around 705 CE; chamber architecture is a plausible visualization, not an exact reconstruction. No bodies, blood, readable screens or inscriptions; no baked-in names, subtitles, calligraphy, logos, signature or watermark. Avoid: Wu Zetian kneeling, being dragged, hair loose, demonized imagery, weapons at her throat, soldiers touching the couch, cheering, Ming/Qing interiors or costume, Song winged hats, giant gold throne, fantasy crowns, Japanese armor, magic, modern furniture, photorealistic skin, UE5/PBR, plastic CGI.",
|
|
"visualInference": "《资治通鉴》记武则天所寝为长生殿，《新唐书·五王传》作迎仙宫集仙殿；本包沿用前者作为幕名，不主张精确宫室复原。榻具、人物距离、衣饰、晨光和朝礼动作均为视觉补全。"
|
|
},
|
|
"sources": ["《资治通鉴》卷二百七", "《新唐书·五王传》"]
|
|
},
|
|
{
|
|
"id": "05",
|
|
"title": "复位复号",
|
|
"timePlace": "神龙元年正月丙午至二月甲寅，神都洛阳通天宫与朝廷礼制空间",
|
|
"purpose": "区分中宗复位与正式恢复唐国号两个时点，并以礼制恢复而非焚旗庆功表现“复唐”。",
|
|
"narration": "次日，太子监国；随后武则天传位，李显在通天宫重新即皇帝位。二月甲寅，朝廷正式恢复国号唐，宗庙、旗帜、服色和官名等都依旧制。神龙政变没有扩展成京城大战，却在数日内终结武周。只是张柬之等复唐功臣很快失势，中宗朝的权力斗争并未因此结束。",
|
|
"overlay": {
|
|
"heading": "复位复号",
|
|
"line": "先复帝位，后复国号；“复唐”并非一刻完成。"
|
|
},
|
|
"people": [
|
|
{"name": "李显", "office": "唐中宗", "action": "受武则天传位后在通天宫复位，并下令恢复唐制"},
|
|
{"name": "张柬之", "office": "复唐功臣，后封汉阳郡王", "action": "参与拥立并受封；不把后来的王爵提前到政变当日"},
|
|
{"name": "崔玄暐", "office": "复唐功臣，后封博陵郡王", "action": "参与拥立并受封"},
|
|
{"name": "敬晖", "office": "复唐功臣，后封平阳郡王", "action": "参与拥立并受封"},
|
|
{"name": "桓彦范", "office": "复唐功臣，后封扶阳郡王", "action": "参与拥立并受封"},
|
|
{"name": "袁恕己", "office": "复唐功臣，后封南阳郡王", "action": "参与拥立并受封"},
|
|
{"name": "武则天", "office": "则天大圣皇帝，徙居上阳宫", "action": "传位后仍受中宗尊号；本幕不入画、不作受辱表现"}
|
|
],
|
|
"image": {
|
|
"original": "images/05-restoration-of-tang.png",
|
|
"delivery": "images/05-restoration-of-tang.webp",
|
|
"alt": "洛阳朝堂上，复位后的唐中宗李显端坐于朴素高台，礼官在无字匣与青铜礼器前行礼，群臣肃立。",
|
|
"prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, Scene 5 and final image of the same five-image Shenlong coup sequence, 16:9 landscape. Input images are strict references for the exact hand-painted style, palette, early-eighth-century world, and Li Xian identity; create a genuinely new ceremonial composition. Primary request: A restrained visual compression of two recorded steps after the coup: Li Xian restored as Emperor Zhongzong in Tongtian Palace on the bingwu day, and the court's formal restoration of the state name Tang on the jiayin day of the next lunar month. Show one main ceremonial action: a senior ritual official kneels at a low offering table and presents an ancestral temple ritual tablet case and bronze vessel before the restored emperor, while rows of civil and military officials make a sober court salute. The objects contain no readable writing. This is institutional restoration, not a triumphal victory parade. Scene/backdrop: spacious but restrained early Tang / late Wu Zhou great hall in Luoyang, timber columns, pale plaster, dark tiled eaves, reed blinds and bronze ritual vessels, cool daylight. Two plain clay-red ceremonial standards without characters stand far to the sides. Subject: Emperor Zhongzong Li Xian closely matches his established mature oval face, restrained moustache and short beard. He is seated upright on a modest raised lacquered platform, wearing a plausible early Tang imperial court robe in deep muted clay red with restrained borders and a sober black headpiece, no huge dragon crown. His expression is relieved yet wary. A senior ritual official presents a case and vessel. Civil officials wear sober early Tang round-collared robes and black futou; military officials wear muted robes with restrained lamellar elements. Wu Zetian is not present and not humiliated. Style/medium: exactly the same Chinese semi-realistic hand-painted historical illustration, fine restrained linework, soft color blocks, subtle paper grain, mature expressive eyes, cinematic but not photographic, not CGI. Color palette: low-saturation dusty blue, warm grey, clay red, oatmeal, tea brown, restrained dark bronze. Lighting/mood: cool daylight, formal, sober, cautiously hopeful, no golden triumph. Composition/framing: wide symmetrical but human-scaled court composition, emperor upper middle, kneeling ritual official lower center, calm receding rows and negative space for later overlay; one main action only. Historical constraints: around 705 CE in Luoyang; this deliberately compresses the restoration of Zhongzong and the later formal return to the state name Tang into one symbolic frame, not a single documented ceremony. No readable character Tang, inscriptions, baked-in names, subtitles, calligraphy, logos, signature or watermark. Avoid: giant golden dragon throne, cheering crowd, raised swords, military parade, burning Wu Zhou banners, Wu Zetian in chains, blood, excessive gold, modern flag, Ming/Qing palace or costume, Song winged hats, Japanese armor, fantasy, magic, photorealistic skin, UE5/PBR, plastic CGI.",
|
|
"visualInference": "正月丙午中宗复位与二月甲寅复国号为唐是两个时点；本幕有意用礼官呈递无字匣与礼器作象征性压缩。史料没有记载这一合并仪式，礼器、群臣站位、旗帜颜色、服饰和殿内陈设均为视觉补全。"
|
|
},
|
|
"sources": ["《旧唐书·中宗睿宗本纪》", "《资治通鉴》卷二百七", "《新唐书·五王传》"]
|
|
}
|
|
],
|
|
"bgm": {
|
|
"catalogId": "seed-music-v1:linjiu:青崖引",
|
|
"title": "青崖引",
|
|
"version": "建议制作 78 BPM、无主唱纯伴奏的神龙政变剪辑版",
|
|
"status": "pending-export",
|
|
"pathOrUrl": "",
|
|
"usage": "以项目设定中的古琴四音动机为骨架，加入低音弦乐、极轻木质鼓和箫气声；全程压低动态并让位于旁白，不制作英雄凯旋式高潮。",
|
|
"reason": "叙事从北门密议、东宫犹疑推进到宫禁突入，再由长生殿的政治对峙转入礼制恢复；《青崖引》的古琴骨架和现代铺陈适合表现克制的倒计时、制度转换与未完全解决的余波。",
|
|
"cues": [
|
|
{"from": "00:00", "to": "00:15", "scene": "01", "direction": "单古琴四音动机与很轻的箫气声起句，灯下定策保持近乎无鼓。"},
|
|
{"from": "00:15", "to": "00:33", "scene": "02", "direction": "低弦持续音进入，木质脉冲保持克制；李显上马时只轻抬一层，不做英雄主题。"},
|
|
{"from": "00:33", "to": "00:49", "scene": "03", "direction": "拨弦节奏加密、低鼓稳定推进；门闩移开时加入短促低音重拍，随即撤去。"},
|
|
{"from": "00:49", "to": "01:08", "scene": "04", "direction": "鼓点完全停下，只留古琴泛音、低弦与呼吸感箫声；传位请求后留一拍空白。"},
|
|
{"from": "01:08", "to": "01:26", "scene": "05", "direction": "四音动机在弦乐中展开但不作大调解决，结尾收回一记孤立古琴音，提示复唐后的权力斗争仍未结束。"}
|
|
]
|
|
},
|
|
"sources": [
|
|
{"claim": "武则天病甚、二张居中用事、张柬之说动李多祚、迎太子、斩关、诛二张、长生殿对峙及监国传位次序", "citation": "《资治通鉴》卷二百七", "url": "https://zh.wikisource.org/zh-hans/資治通鑑/卷207"},
|
|
{"claim": "定策参与者职官、中宗在通天宫复位、武则天徙居上阳宫及二月甲寅正式恢复国号唐和相关制度", "citation": "《旧唐书·中宗睿宗本纪》", "url": "https://zh.wikisource.org/zh-hans/舊唐書/卷7"},
|
|
{"claim": "桓彦范、敬晖掌羽林兵，五百余骑入玄武门、迎仙宫廊下诛二张及桓彦范请求传位的列传叙述", "citation": "《新唐书·五王传》", "url": "https://zh.wikisource.org/zh-hans/新唐書/卷120"},
|
|
{"claim": "癸卯与二月甲寅的公历日期换算，仅作历日参考", "citation": "维基百科《神龙革命》日期与经过栏", "url": "https://zh.wikipedia.org/wiki/神龙革命"},
|
|
{"claim": "项目内原创曲目《青崖引》的古琴动机、现代铺陈设定与当前无实际音频状态", "citation": "digital-me-backend/scripts/seed-music.js"}
|
|
],
|
|
"blacklist": [
|
|
"把神龙政变画成洛阳城内两军大规模会战、百姓起义或宫城火海",
|
|
"把中宗复位与二月甲寅恢复唐国号画成史料明确的同一场仪式",
|
|
"让唐旗在政变当天取代或焚毁周旗，或在图片中直接写出可读的‘唐’字",
|
|
"让太平公主、相王李旦或袁恕己亲自带队从玄武门突入；袁恕己当日主要随相王统南衙兵备变",
|
|
"把张柬之等人在政变当日称作‘五王’；郡王封爵发生在中宗复位之后",
|
|
"把武则天画成跪地、被拖拽、白发散乱、受剑逼迫或妖魔化的形象",
|
|
"把张易之、张昌宗的死亡制作成斩首、血泊、肢解或尸体特写",
|
|
"把具体值房、门闩、宫殿平面、人物面貌、服色、礼器和礼仪合并场面写成史料明载",
|
|
"把正史对二张‘谋反’的政变方说法直接当作不存在争议的司法定论",
|
|
"明清紫禁城、宋代展脚幞头、清宫服饰、京剧脸谱、日本甲胄、板甲、巨型金甲或现代旗帜",
|
|
"复制影视剧、动漫、游戏或现实演员中的武则天、李显、张柬之等人物造型"
|
|
]
|
|
}
|