168 lines
25 KiB
JSON
168 lines
25 KiB
JSON
{
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"event": {
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"canonicalName": "唐灭东突厥之战（李靖灭东突厥·太宗称天可汗）",
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"aliases": ["灭东突厥·天可汗", "唐灭东突厥之战", "贞观灭东突厥"],
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"era": "唐太宗贞观三年至四年",
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"date": "629年十一月至630年四月",
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"place": "马邑、恶阳岭、定襄、白道、阴山、铁山、长安",
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"summary": "唐太宗命李靖节制诸道唐军，夜袭定襄、雾袭阴山，击溃东突厥并俘获颉利可汗；战后诸部君长请求尊太宗为“天可汗”。"
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},
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"narration": {
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"language": "zh-CN",
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"estimatedSeconds": 88,
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"fullText": "贞观三年冬，东突厥内部离散，薛延陀等部相继反叛。唐太宗命李靖统摄诸道，十余万军分路出塞。次年正月，李靖只带三千精骑，从马邑推进恶阳岭，趁夜袭破定襄。颉利可汗不知唐军虚实，仓促把牙帐迁往碛口。二月，颉利退到铁山，表面请降，实际上想等草青马肥后逃回漠北。李靖与李世勣判断，若让他越过大漠，便难再追及。于是李靖带一万精骑、二十日粮，连夜向阴山推进；苏定方率两百骑乘雾前突，直到离牙帐七里才被发现。东突厥军阵大乱，颉利乘马逃走，李世勣又封住碛口，许多部众和首领相继投降。颉利辗转投奔阿史那苏尼失，又在荒谷中被追获；张宝相将他押送长安，东突厥汗国由此瓦解。三月到四月，诸部君长来到长安，请唐太宗兼称“天可汗”。从此，唐朝授予西北君长的玺书，开始兼用这一称号。它不是战场上的自封，而是在军事胜利、草原秩序重组与诸部政治承认中形成的。"
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},
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"scenes": [
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{
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"id": "01",
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"title": "诸道出塞",
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"timePlace": "629年十一月，马邑、云中、白道等北方边地",
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"purpose": "交代东突厥内部分裂和唐军十余万众分路北进的总体战局。",
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"narration": "贞观三年冬，东突厥内部离散，薛延陀等部相继反叛。唐太宗命李靖统摄诸道，十余万军分路出塞。",
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"overlay": {"heading": "诸道出塞", "line": "十余万兵马分道北进，全部受李靖节度。"},
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"people": [
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{"name": "李靖", "office": "唐兵部尚书、定襄道行军总管", "action": "节度诸道唐军，率部由马邑方向出塞"},
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{"name": "李世勣", "office": "唐并州都督、通汉道行军总管", "action": "由云中方向出兵"},
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{"name": "柴绍", "office": "唐华州刺史、金河道行军总管", "action": "率所部参加分道进击"},
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{"name": "薛万彻", "office": "唐灵州大都督、畅武道行军总管", "action": "率所部参加分道进击"}
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],
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"image": {
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"original": "images/01-routes-beyond-frontier.png",
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"delivery": "images/01-routes-beyond-frontier.webp",
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"alt": "冬日边塞外，李靖立在覆雪坡地观察唐军骑兵和驮队沿不同道路北进，远处是低矮夯土边墙。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, 16:9 landscape. Primary request: Scene 1 of a five-image sequence, The Tang armies ride beyond the frontier, early winter 629 CE during the campaign against the Eastern Turkic Khaganate. Scene/backdrop: A broad, cold frontier north of Mayi at first light. Low Sui–early Tang rammed-earth frontier walls and simple timber watchtowers cross the distant ridge; beyond them opens a tawny steppe under thin snow and a vast ash-blue sky. Several disciplined Tang cavalry columns separate onto different tracks, with remounts and compact pack trains, communicating a multi-route campaign without using a map. Subject: In the near right foreground stands Li Jing, age 58, tall and solid, long rectangular weathered face, high brow, steady deep-set eyes, neatly trimmed moustache and short graying beard. He wears an early-Tang dark oxblood command robe beneath charcoal iron lamellar armor, a restrained faded-crimson cloak, and a simple rounded black iron helmet with a short neck guard. He studies the departing columns with quiet concentration, one gloved hand resting on an unmarked wooden command tally. No heroic pose. Style/medium: premium live-action historical film still, archaeology-inspired early Tang and seventh-century frontier realism. Composition/framing: wide strategic composition, foreground commander, branching cavalry in the midground, earthen frontier and steppe depth in the background. Leave clean cold sky and haze at upper left for later overlay. Lighting/mood: pale winter dawn, restrained resolve, fine windblown snow dust, realistic atmospheric perspective, subtle film grain. Color palette: charcoal iron, dark oxblood, faded crimson, tawny grass, bone-white snow, ash blue. Materials/textures: worn wool, hemp, leather tack, iron lamellae, rammed earth, frost on horse manes. Constraints: period-plausible early Tang equipment and compact steppe horses; signal pennants use plain geometry with no writing; no visible battle or blood. Avoid: any text, Chinese characters, runes, captions, logo, watermark, map graphics, Ming or Qing armor, Mongol imperial costume, Manchu helmets, winged helmets, horned helmets, plate armor, huge stone Great Wall battlements, firearms, cannons, explosions, fantasy army scale, anime, illustration, modern objects, ethnic caricature.",
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"visualInference": "李靖面貌、站位、边墙形制、各路军队同框和雪量为视觉重构；画面用分叉队列象征诸道出塞，不当作精确行军地图。",
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"referenceImages": [],
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"refinementPrompt": ""
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},
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"sources": ["《资治通鉴》卷一百九十三"]
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},
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{
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"id": "02",
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"title": "夜袭定襄",
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"timePlace": "630年正月，恶阳岭至定襄牙帐",
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"purpose": "表现李靖以三千精骑制造战略突然性，迫使颉利仓促迁移牙帐。",
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"narration": "次年正月，李靖只带三千精骑，从马邑推进恶阳岭，趁夜袭破定襄。颉利可汗不知唐军虚实，仓促把牙帐迁往碛口。",
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"overlay": {"heading": "夜袭定襄", "line": "三千精骑突然出现，让颉利误判唐军已经倾国而来。"},
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"people": [
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{"name": "李靖", "office": "唐定襄道行军总管", "action": "率三千精骑进屯恶阳岭，夜袭定襄"},
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{"name": "颉利可汗", "office": "东突厥可汗", "action": "因唐军猝至而惊惧，将牙帐迁往碛口；不在本幕近景"}
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],
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"image": {
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"original": "images/02-night-raid-dingxiang.png",
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"delivery": "images/02-night-raid-dingxiang.webp",
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"alt": "定襄牙帐外的冬夜里，李靖举手示意，唐军骑兵沿低丘悄然进入毡帐营地边缘，守卫刚刚发觉。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, 16:9 landscape. Input images: Image 1 is the visual-world and Li Jing identity reference. Primary request: Scene 2, Night raid on Dingxiang, January 630 CE. Continue the same early-Tang frontier film sequence and preserve Li Jing's exact face, age, armor, faded-crimson cloak, and quiet command presence from Image 1. Scene/backdrop: The outer edge of the Eastern Turkic khagan's winter encampment near Dingxiang in the final blue-black hour before dawn. Low felt tents, tethered compact steppe horses, wooden carts and wind-darkened grass appear through thin ground mist. No large permanent city and no later Mongol imperial camp. Subject: Li Jing has dismounted in the near left foreground and raises one gloved hand in a silent halt-and-advance signal. Behind him, a narrow column of Tang cavalry from his three-thousand-horse force moves quietly between low ridges toward the sleeping camp. Two alert camp sentries only now notice movement in the distance. The suspense comes from surprise and discipline; the fight has not yet begun. Style/medium: premium live-action historical film still, archaeology-inspired early Tang and seventh-century Eastern Turkic material culture. Composition/framing: low wide angle, Li Jing foreground, silent riders forming a diagonal into the tent camp, dark open sky at upper right for overlay. Lighting/mood: moonless predawn blue, a few shielded amber lamps, frost breath, taut silence, subtle film grain. Color palette: charcoal, indigo-black, muted oxblood, felt brown, cold blue. Materials/textures: frost-stiff wool, weathered felt, iron lamellae, leather tack, windblown grass. Constraints: period-plausible compact horses, simple round helmets and plain pennants; no writing; no visible deaths. Avoid: text, Chinese characters, Turkic runes, captions, logo, watermark, flaming camp, explosions, giant siege, duel between Li Jing and Jieli, Mongol or Manchu costume, Ming/Qing armor, horned helmets, plate armor, firearms, fantasy, anime, illustration, gore, modern objects.",
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"visualInference": "夜袭的具体时刻、李靖手势、营帐和哨兵位置为镜头化补全；不表现史书未载的纵火或统帅单挑。",
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"referenceImages": ["images/01-routes-beyond-frontier.png（李靖身份、衣甲、色调与视觉世界参照）"],
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"refinementPrompt": ""
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},
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"sources": ["《新唐书·李靖传》卷九十三", "《资治通鉴》卷一百九十三"]
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},
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{
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"id": "03",
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"title": "雾袭阴山",
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"timePlace": "630年二月，白道至阴山颉利牙帐",
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"purpose": "呈现李靖在请降交涉期间继续追击，以及苏定方前锋乘雾逼近牙帐的决定性突袭。",
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"narration": "二月，颉利退到铁山，表面请降，实际上想等草青马肥后逃回漠北。李靖与李世勣判断，若让他越过大漠，便难再追及。于是李靖带一万精骑、二十日粮，连夜向阴山推进；苏定方率两百骑乘雾前突，直到离牙帐七里才被发现。东突厥军阵大乱，颉利乘马逃走，李世勣又封住碛口，许多部众和首领相继投降。",
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"overlay": {"heading": "雾袭阴山", "line": "两百骑先穿过雾，身后是一万精骑和二十日粮。"},
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"people": [
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{"name": "李靖", "office": "唐定襄道行军总管", "action": "选精骑一万、携二十日粮，连夜推进阴山"},
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{"name": "苏定方", "office": "唐将、李靖前锋", "action": "率两百骑乘雾逼近颉利牙帐"},
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{"name": "李世勣", "office": "唐通汉道行军总管", "action": "继进并扼守碛口，阻止颉利北渡"},
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{"name": "颉利可汗", "office": "东突厥可汗", "action": "牙帐被袭后乘马脱逃"}
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],
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"image": {
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"original": "images/03-fog-assault-yinshan.png",
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"delivery": "images/03-fog-assault-yinshan.webp",
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"alt": "阴山晨雾中，苏定方在马上示意前锋继续推进，李靖与后续骑兵穿雾而来，毡帐营地守卫刚刚转身应对。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, 16:9 landscape. Input images: Image 1 is the visual-world reference and fixes Li Jing's early-Tang equipment; preserve Li Jing if visible. Primary request: Scene 3, Fog assault at Yinshan, February 630 CE. Show Su Dingfang's two-hundred-cavalry vanguard leading Li Jing's larger surprise force toward the Eastern Turkic royal encampment. Scene/backdrop: A broad saddle below the Yinshan range at pale dawn, filled with dense natural fog. Low felt tents and horse lines of Jieli Qaghan's encampment emerge only in fragments; the camp is about to realize the attackers are close. Snow is patchy and spring grass has not yet grown. Subject: In the foreground, Su Dingfang, age 37, square weathered face, short moustache, athletic build, wearing plain dark early-Tang lamellar armor and a rounded iron helmet, leans forward on a compact horse and signals his tightly grouped vanguard to keep moving through the fog. Farther behind and to one side, Li Jing is recognizable from Image 1 with his faded-crimson cloak, controlling the following column. At the camp edge, a few mounted Eastern Turkic guards turn in alarm; no mass slaughter is shown. Style/medium: premium live-action historical film still, grounded early Tang and seventh-century steppe realism. Composition/framing: dynamic wide shot at horse-eye height; riders dissolve into fog, camp silhouettes ahead, clean pale fog at upper left for overlay. Different composition from Scene 2. Lighting/mood: cold diffuse dawn, muffled speed and imminent shock, moist horse breath, subtle film grain. Color palette: fog white, ash blue, charcoal iron, faded crimson, felt brown. Materials/textures: damp wool, frost, iron lamellae, horsehair, rough felt tents. Constraints: communicate surprise at close range without using fire or fantasy; plain unreadable pennants only; no gore. Avoid: text, Chinese characters, runes, captions, logo, watermark, heroic 200-men-alone myth, Li Jing absent from the campaign, huge Mongol ger city, Mongol imperial armor, Manchu or Ming/Qing armor, horned helmets, firearms, explosions, anime, illustration, gore, modern objects.",
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"visualInference": "雾的浓度、双方同框距离、苏定方手势和营帐布局为视觉补全；画面明确两百骑只是前锋，不把胜利归因于孤军神话。",
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"referenceImages": ["images/01-routes-beyond-frontier.png（李靖身份、唐军衣甲、色调与视觉世界参照）"],
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"refinementPrompt": ""
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},
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"sources": ["《新唐书·李靖传》卷九十三", "《资治通鉴》卷一百九十三"]
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},
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{
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"id": "04",
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"title": "荒谷擒颉利",
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"timePlace": "630年三月，灵州西北阿史那苏尼失部附近",
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"purpose": "交代颉利逃离阴山后被追获、由张宝相押送长安，完成东突厥汗国瓦解的军事收束。",
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"narration": "颉利辗转投奔阿史那苏尼失，又在荒谷中被追获；张宝相将他押送长安，东突厥汗国由此瓦解。",
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"overlay": {"heading": "荒谷擒颉利", "line": "阴山没有抓住的人，最终在逃亡尽头被追获。"},
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"people": [
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{"name": "颉利可汗", "office": "东突厥可汗", "action": "逃入荒谷后被追获，随后送往长安"},
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{"name": "阿史那苏尼失", "office": "东突厥沙钵罗设", "action": "受唐军逼迫，派人追回逃走的颉利"},
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{"name": "张宝相", "office": "唐大同道行军副总管", "action": "率军到达苏尼失营，俘颉利送京师"},
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{"name": "李道宗", "office": "唐任城王、大同道行军总管", "action": "率军逼近苏尼失部，促成颉利被交出"}
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],
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"image": {
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"original": "images/04-jieli-captured.png",
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"delivery": "images/04-jieli-captured.webp",
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"alt": "覆着薄雪的荒谷中，疲惫的颉利站在战马旁，苏尼失部骑兵和张宝相所部唐军从两侧封住出口。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, 16:9 landscape. Input images: Image 1 is a style, palette, early-Tang equipment and film-world reference only. Li Jing is not present in this scene; do not copy his face onto another officer. Primary request: Scene 4, Jieli Qaghan captured in the barren valley, March 630 CE, after the Yinshan defeat. Scene/backdrop: A remote narrow steppe ravine near the camp of Ashina Sunishi, dry winter grass between dark rock and thin late snow. Jieli has fled with only a few riders and cannot break through the converging forces. Subject: Jieli Qaghan, about 45, dignified but exhausted, Central/East Asian steppe features, high cheekbones, long moustache and short beard, dark felt cap, layered brown wool coat over practical lamellar protection, stands beside a lathered compact horse. He is not kneeling, caged, mocked or injured. Several riders loyal to Ashina Sunishi have caught up behind him. From the opposite side, Tang troops under Zhang Baoxiang arrive and close the exit; Zhang Baoxiang is a distinct middle-aged officer in plain charcoal early-Tang armor, not resembling Li Jing. Jieli slowly lowers an unstrung bow as the capture becomes unavoidable. Weapons remain lowered. Style/medium: premium live-action historical film still, respectful seventh-century steppe and early Tang realism. Composition/framing: wide triangular composition, Jieli central, the two groups closing the ravine from separate directions, open gray sky and rock at upper center for overlay. Lighting/mood: hard quiet dawn after flight, fatigue and finality rather than triumph, restrained film grain. Color palette: weathered brown, charcoal, tawny grass, dirty snow, pale steel-blue sky. Materials/textures: felt, wool, leather tack, iron lamellae, rock, horse sweat. Constraints: show the capture as a sober political-military endpoint; no ethnic caricature; no execution. Avoid: text, Chinese characters, runes, captions, logo, watermark, Li Jing personally capturing Jieli, Jieli in chains or wooden cage, humiliation spectacle, beheading, dead bodies, Mongol imperial clothing, Manchu queues, Ming/Qing armor, horned helmets, firearms, explosions, fantasy, anime, illustration, gore, modern objects.",
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"visualInference": "颉利被追及的具体地形、张宝相到达时的站位、放下弓的动作与两支队伍同时封口为视觉重构；史料只明确他藏入荒谷、被追获并由张宝相俘送京师。",
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"referenceImages": ["images/01-routes-beyond-frontier.png（早唐衣甲、色调与视觉世界参照；不作人物身份参照）"],
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"refinementPrompt": ""
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},
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"sources": ["《旧唐书·太宗本纪》卷三", "《资治通鉴》卷一百九十三"]
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},
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{
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"id": "05",
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"title": "共尊天可汗",
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"timePlace": "630年三月至四月，长安宫阙",
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"purpose": "把“天可汗”放回战后诸部君长来朝、唐朝重组西北秩序的政治语境。",
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"narration": "三月到四月，诸部君长来到长安，请唐太宗兼称“天可汗”。从此，唐朝授予西北君长的玺书，开始兼用这一称号。它不是战场上的自封，而是在军事胜利、草原秩序重组与诸部政治承认中形成的。",
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"overlay": {"heading": "共尊天可汗", "line": "战场胜负，转化为一套跨越长城的政治称号。"},
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"people": [
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{"name": "李世民", "office": "唐太宗、大唐皇帝", "action": "接受诸部君长请求，在授予西北君长的玺书中兼称天可汗"},
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{"name": "诸部君长", "office": "来朝的西北与草原各部首领", "action": "诣阙请求尊唐太宗为天可汗"}
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],
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"image": {
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"original": "images/05-heavenly-qaghan.png",
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"delivery": "images/05-heavenly-qaghan.webp",
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"alt": "长安早唐木构殿堂中，唐太宗坐在低台上，来自西北和草原的多位首领站立成列，由一人上前行礼请求尊号。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, 16:9 landscape. Input images: Image 1 is the palette, texture and cinematic realism reference. Move the same restrained visual world into early-Tang Chang'an; Li Jing is not the main subject and need not appear. Primary request: Scene 5, The rulers ask for the title Heavenly Qaghan, spring 630 CE, after the collapse of the Eastern Turkic Khaganate. Scene/backdrop: An open audience court beneath a plausible early-Tang timber hall near the Shuntian Gate in Chang'an. Architecture is rammed-earth and wood with restrained mineral red and muted green paint, broad eaves, woven mats and no later imperial excess. Subject: Tang Taizong Li Shimin, age 31, broad alert face, strong brows, neat short moustache and small beard, sits on a low restrained dais wearing a dark crimson round-collar court robe and an early black soft headcloth, without a jeweled crown or dragon throne. In front of him, a group of northwestern and steppe leaders in varied but historically grounded seventh-century felt, wool, silk and lamellar garments stand in a respectful semicircle. One senior leader performs a formal bow with crossed hands while the others assent; Tang civil and military officials witness from the sides. The leaders are political actors, not a defeated ethnic tableau. Jieli is not included. Style/medium: premium live-action historical film still, archaeology-inspired early Tang court realism with respectful ethnographic restraint. Composition/framing: wide symmetrical-but-human court tableau, ruler modestly elevated, envoys upright in the center, side colonnades creating depth, clean shaded eaves at upper left for overlay. Lighting/mood: clear spring daylight entering from the courtyard, sober recognition and a new diplomatic order, subtle film grain. Color palette: dark crimson, charcoal, warm timber, muted mineral green, felt brown, pale spring blue. Materials/textures: silk with limited sheen, woven wool, carved unpainted wood, rammed earth, iron and leather. Constraints: no visible written title, no divine light, no forced kneeling, no ethnic caricature, no battlefield props. Avoid: text, Chinese characters, runes, captions, logo, watermark, Christian-style coronation, halo, worship, all leaders prostrate, Jieli requesting the title, golden dragon throne, Forbidden City architecture, Ming/Qing robes, Mongol imperial court, Manchu costume, firearms, fantasy, anime, illustration, modern objects.",
|
||
"visualInference": "诸部首领具体人数、服饰组合、行礼者、殿堂布局和同场站位属于视觉重构；画面不主张颉利参与推戴，也不把尊号解释为宗教神授。",
|
||
"referenceImages": ["images/01-routes-beyond-frontier.png（整体色调、材质与电影写实风格参照）"],
|
||
"refinementPrompt": ""
|
||
},
|
||
"sources": ["《旧唐书·太宗本纪》卷三", "《资治通鉴》卷一百九十三"]
|
||
}
|
||
],
|
||
"bgm": {
|
||
"catalogId": "seed-music-v1:linjiu:广陵散·今译",
|
||
"title": "广陵散·今译",
|
||
"version": "建议制作 78 BPM、无主唱纯伴奏的北塞历史剪辑版",
|
||
"status": "pending-export",
|
||
"pathOrUrl": "",
|
||
"usage": "使用项目内当代编配，不把古曲当作贞观时期复原音乐；保留箫起、低弦托底的结构，加入克制木质打击与低鼓，旁白期间压低旋律密度。",
|
||
"reason": "项目曲目以公有领域古曲片段为主干、箫与弦乐作当代编配，能够从冬季出塞积蓄张力，在阴山一幕达到峰值，再收回到荒谷与长安政治场景；器乐版本不会压住旁白。",
|
||
"cues": [
|
||
{"from": "00:00", "to": "00:16", "scene": "01", "direction": "单箫与低弦长音进入，马队分路时加入疏缓木质脉冲，不做凯旋节奏。"},
|
||
{"from": "00:16", "to": "00:31", "scene": "02", "direction": "音域下沉，只留低弦、呼吸声与极轻鼓点；夜袭将起时保持克制。"},
|
||
{"from": "00:31", "to": "00:57", "scene": "03", "direction": "雾中前锋出现后逐层加弦与低鼓，在牙帐被发现处达到峰值；颉利逃走后立即减层。"},
|
||
{"from": "00:57", "to": "01:09", "scene": "04", "direction": "撤去鼓组，只留箫的短句和低弦持续音，突出逃亡终点而非俘虏羞辱。"},
|
||
{"from": "01:09", "to": "01:28", "scene": "05", "direction": "主题以更宽阔但较轻的弦乐回归，行礼时不升英雄号角，最后停在未完全解决的长音上。"}
|
||
]
|
||
},
|
||
"sources": [
|
||
{"claim": "贞观三年诸道出击、十余万众受李靖节度；定襄夜袭、阴山雾袭、碛口阻截、颉利被擒与天可汗请求", "citation": "《资治通鉴》卷一百九十三", "url": "https://zh.wikisource.org/zh-hans/資治通鑑/卷193"},
|
||
{"claim": "贞观四年定襄、阴山、颉利献捷，以及西北诸蕃请求尊太宗为天可汗", "citation": "《旧唐书·太宗本纪》卷三", "url": "https://zh.wikisource.org/zh-hant/舊唐書/卷3"},
|
||
{"claim": "李靖三千骑夜袭定襄、一万精骑突袭阴山和颉利被张宝相俘送", "citation": "《新唐书·李靖传》卷九十三", "url": "https://zh.wikisource.org/zh-hans/新唐書/卷093"},
|
||
{"claim": "项目内《广陵散·今译》曲目与当代编配说明；仓库无实际音频", "citation": "digital-me-backend/scripts/seed-music.js"}
|
||
],
|
||
"blacklist": [
|
||
"把“灭东突厥”画成对突厥族群的灭绝或屠杀庆典；本事件指东突厥汗国政权瓦解",
|
||
"唐太宗亲自率军夜袭定襄或阴山，或与颉利单挑",
|
||
"李靖亲手在荒谷擒获颉利；直接俘送者为张宝相所部",
|
||
"把苏定方两百前锋写成独自消灭整个东突厥，忽略李靖一万精骑、李世勣阻截和诸道战局",
|
||
"焚烧整座牙帐、火药爆炸、尸山血海或大规模处决",
|
||
"颉利在长安被斩首、装入囚笼或被太宗当场杀死",
|
||
"把“天可汗”写成战场自封、神灵授予、宗教加冕或颉利本人献上的称号",
|
||
"让诸部君长全体匍匐、兽化或以夸张异域服饰构成受辱群像",
|
||
"把唐俭等使者牺牲写成确定的英雄计划，或把交涉现场虚构为宴会刺杀",
|
||
"明清盔甲与宫城、蒙古帝国或满洲服饰、龙袍金冠、长城砖垛、火器、可读汉字或突厥卢恩文字"
|
||
]
|
||
}
|