183 lines
27 KiB
JSON
183 lines
27 KiB
JSON
{
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"event": {
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"canonicalName": "高平陵之变",
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"aliases": ["高平陵之变", "高平陵政变", "正始之变"],
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"era": "三国·曹魏正始十年（同年四月改元嘉平）",
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"date": "正始十年正月甲午（249年2月5日）至正月戊戌（249年2月9日）",
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"place": "洛阳、高平陵、伊水南与洛水浮桥一带",
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"summary": "司马懿趁魏帝曹芳与曹爽兄弟出城谒陵控制洛阳，迫使曹爽交权，随后诛灭曹爽集团，曹魏实权由此转入司马氏之手。"
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},
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"narration": {
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"language": "zh-CN",
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"estimatedSeconds": 82,
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"fullText": "正始十年正月初六，十七岁的魏帝曹芳出洛阳，拜谒魏明帝高平陵。大将军曹爽和三位弟弟都随车驾出城，京师中枢一时空虚。太傅司马懿随即以郭太后诏令关闭城门，占据武库，又派兵控制洛水浮桥和曹爽兄弟军营。一封弹劾奏章被送到伊水南，要求曹爽交出兵权、以侯爵归第。曹爽扣下奏章，调来屯田兵，伐木设障，却迟迟不能决断。大司农桓范带印出城，劝他奉天子赴许昌，征召四方；只要皇帝在手，仍有翻盘的名义与粮饷。兄弟们从夜里犹疑到五更。司马懿又让尹大目传话，以洛水为誓，声称只会免官。曹爽最终投刀在地，说自己仍不失为富家翁，随即交权迎帝还宫。几天后，张当案供出所谓谋反计划，曹爽、曹羲、何晏、丁谧、桓范等被捕，以大逆罪夷三族。高平陵没有大战，却让曹魏的实权从曹氏宗亲手中滑向司马氏，此后再未真正回转。"
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},
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"scenes": [
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{
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"id": "01",
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"title": "帝车出城",
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"timePlace": "正始十年正月甲午清晨（249年2月5日），洛阳至高平陵途中",
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"purpose": "交代曹芳与曹爽兄弟同时离开洛阳，为司马懿控制京师制造窗口。",
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"narration": "正始十年正月初六，十七岁的魏帝曹芳出洛阳，拜谒魏明帝高平陵。大将军曹爽和三位弟弟都随车驾出城，京师中枢一时空虚。",
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"overlay": {
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"heading": "帝车出城",
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"line": "当皇帝与掌兵的兄弟一同离开，洛阳的城门便成了胜负。"
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},
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"people": [
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{"name": "曹芳", "office": "曹魏皇帝，时年十七", "action": "出城谒高平陵，政变期间被留在伊水南"},
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{"name": "曹爽", "office": "曹魏大将军、录尚书事", "action": "与皇帝同行，离开自己掌控的京师与军营"},
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{"name": "曹羲", "office": "曹魏中领军，曹爽之弟", "action": "随车驾出城"},
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{"name": "曹训", "office": "曹魏武卫将军，曹爽之弟", "action": "随车驾出城"},
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{"name": "曹彦", "office": "曹魏散骑常侍，曹爽之弟", "action": "随车驾出城"}
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],
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"image": {
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"original": "images/01-imperial-procession-gaoping.png",
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"delivery": "images/01-imperial-procession-gaoping.webp",
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"alt": "寒冷清晨，曹芳的车驾与曹爽兄弟离开洛阳城，沿冬日道路驶向高平陵。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, first image in a consistent five-image sequence, 16:9 landscape. Primary request: Scene 1, the Wei emperor Cao Fang leaves Luoyang to pay respects at the Gaoping Mausoleum on the morning of the sixth day of the first lunar month, 249 CE; Grand General Cao Shuang and his brothers accompany the imperial procession, unaware that the capital will soon be closed behind them. Scene/backdrop: winter road outside third-century Luoyang, distant rammed-earth city walls and timber gate architecture, bare trees, muted fields, imperial procession moving toward the mausoleum precinct without showing an anachronistic monumental tomb. Subject: Cao Fang, age about 17, dignified but young, glimpsed within a restrained dark-red imperial carriage; Cao Shuang, around 30s-40s, broad face, trimmed moustache and short beard, layered dark ochre command robe over restrained black-brown lacquered lamellar armor, riding beside the carriage; his brothers and disciplined guards follow. Style/medium: Chinese semi-realistic hand-painted historical illustration, fine restrained linework, soft color blocks, subtle paper grain, mature faces and expressive eyes, cinematic scale but not photorealistic, not CGI. Composition/framing: wide three-quarter view, procession moving across the lower middle of frame, Luoyang receding behind, generous clear negative space in the winter sky for later overlay, one main action only. Lighting/mood: cold pale winter morning, low exposure, thin haze, quiet foreboding rather than spectacle. Color palette: low-saturation dusty blue, warm grey, clay red, oatmeal, dark brown. Materials/textures: worn hemp and silk, lacquered lamellar plates, wooden carriage, packed-earth road. Constraints: period-plausible late Han / Three Kingdoms clothing, armor, vehicles and architecture; keep Cao Shuang's appearance consistent for later scenes; no baked-in names, no subtitles, no readable banners, no calligraphy, no logos, no watermark. Avoid: Ming or Qing armor and palace roofs, oversized golden armor, cavalry charge, battle, blood, fantasy, magic, gunpowder, modern objects, Japanese armor, opera makeup, famous film or game character likenesses.",
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"visualInference": "曹芳与曹爽的具体面貌、车驾样式、队列距离、城门外观、冬雪与晨雾均为视觉补全；史料只明确正月甲午车驾谒陵及曹爽兄弟皆从。"
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},
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"sources": ["《三国志·魏书·三少帝纪》", "《资治通鉴》卷七十五"]
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},
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{
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"id": "02",
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"title": "洛阳闭门",
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"timePlace": "249年2月5日，洛阳城、武库与洛水浮桥",
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"purpose": "呈现司马懿政变的核心不是野战，而是迅速控制京师节点、军械与曹爽兄弟军营。",
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"narration": "太傅司马懿随即以郭太后诏令关闭城门，占据武库，又派兵控制洛水浮桥和曹爽兄弟军营。一封弹劾奏章被送到伊水南，要求曹爽交出兵权、以侯爵归第。",
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"overlay": {
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"heading": "洛阳闭门",
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"line": "城门、武库、浮桥与军营，在同一天换了主人。"
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},
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"people": [
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{"name": "司马懿", "office": "曹魏太傅、顾命大臣", "action": "奉太后令起兵，控制洛阳与洛水浮桥并上奏罢免曹爽"},
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{"name": "司马师", "office": "曹魏中护军，司马懿长子", "action": "参与政变部署并统率宫门兵力；具体同桥站位为视觉补全"},
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{"name": "高柔", "office": "曹魏司徒", "action": "持节代理大将军事，占据曹爽军营"},
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{"name": "王观", "office": "曹魏太仆", "action": "代理中领军事，占据曹羲军营"},
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{"name": "郭太后", "office": "曹魏皇太后", "action": "司马懿以其诏令实施罢免；本幕不直接入画"}
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],
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"image": {
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"original": "images/02-seize-luo-bridge.png",
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"delivery": "images/02-seize-luo-bridge.webp",
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"alt": "司马懿在冬日洛水浮桥桥头调度军士，兵马与军械通过浮桥，远处洛阳城门已经关闭。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, Scene 2 of the same five-image sequence, 16:9 landscape. Input images: Image 1 is a strict style, palette, worldbuilding and costume reference from Scene 1; create a genuinely new composition. Primary request: On the same day in 249 CE, Sima Yi invokes the Empress Dowager's order, closes Luoyang's gates, takes the imperial armory, deploys troops, and holds the floating bridge over the Luo River; show the decisive occupation of the bridge as the single main action. Scene/backdrop: winter Luo River at the edge of third-century Luoyang, timber pontoon bridge, dark rammed-earth gate complex closed in the middle distance, restrained armory carts and spears moving under guard. Subject: Sima Yi, age about 69, lean upright frame, long controlled face, silver-grey moustache and medium beard, hair bound under a plain black court cap, dark charcoal-brown command robe over restrained lacquered lamellar protection, standing at the bridgehead and directing disciplined troops; Sima Shi, mature man in his early 40s with a similar family resemblance and dark officer armor, nearby receiving orders; soldiers secure the bridge without fighting civilians. Style/medium: exactly the same Chinese semi-realistic hand-painted historical illustration as Image 1, fine restrained linework, soft color blocks, subtle paper grain, mature expressive faces, cinematic but not photorealistic and not CGI. Composition/framing: wide strategic bridge composition, Sima Yi and Sima Shi in the lower third, bridge leading toward the closed city gate, orderly troops form controlled lines, generous negative space over river mist for later overlay. Lighting/mood: cold late-morning winter light, low exposure, grey river haze, restrained urgency, no heroic triumph. Color palette: same low-saturation dusty blue, warm grey, clay red, oatmeal and dark brown as Image 1. Materials/textures: wet timber bridge, worn hemp, lacquered lamellar plates, rammed earth, dark river water. Constraints: preserve the exact visual style and late Han / Three Kingdoms material language of Image 1; establish Sima Yi's appearance for later scenes; no readable banners, no baked-in names, subtitles, calligraphy, logos or watermark. Avoid: battle melee, civilian massacre, blood, fantasy, magic, gunpowder, modern bridges, Ming/Qing armor or palace roofs, oversized gold, Japanese armor, opera makeup, famous film or game likenesses.",
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"visualInference": "把闭城、据武库、屯兵洛水浮桥与控制军营压缩为一幅战略构图；司马懿和司马师同站桥头、运载箱车、雪地与城桥距离并非史料明文。"
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},
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"sources": ["《资治通鉴》卷七十五", "《晋书·宣帝纪》"]
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},
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{
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"id": "03",
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"title": "智囊出城",
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"timePlace": "249年2月5日夜，伊水南曹爽临时驻地",
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"purpose": "呈现曹爽仍握有皇帝、兵员、外援名义与粮饷工具，却无法把资源转化为决断。",
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"narration": "曹爽扣下奏章，调来屯田兵，伐木设障，却迟迟不能决断。大司农桓范带印出城，劝他奉天子赴许昌，征召四方；只要皇帝在手，仍有翻盘的名义与粮饷。",
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"overlay": {
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"heading": "智囊出城",
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"line": "天子、外兵、许昌与粮饷都在手边，唯独没有决断。"
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},
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"people": [
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{"name": "桓范", "office": "曹魏大司农", "action": "携大司农印出城，劝曹爽奉天子赴许昌、征召四方"},
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{"name": "曹爽", "office": "曹魏大将军", "action": "留车驾于伊水南，伐木设障，面对桓范建议仍犹疑不决"},
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{"name": "曹羲", "office": "曹魏中领军", "action": "与曹爽同议，沉默不从桓范之策"},
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{"name": "曹芳", "office": "曹魏皇帝", "action": "被留在伊水南行在；仅作远景，不渲染为被捆绑的人质"}
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],
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"image": {
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"original": "images/03-huan-fan-counsel.png",
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"delivery": "images/03-huan-fan-counsel.webp",
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"alt": "伊水南夜营里，桓范把大司农印放在无字路线草图旁，急切劝说犹疑的曹爽与曹羲。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, Scene 3 of the same five-image sequence, 16:9 landscape. Input images: Images 1 and 2 are strict references for the exact hand-painted style, palette, late Han / Three Kingdoms material world and established Cao Shuang appearance; create a new composition. Primary request: At the improvised encampment south of the Yi River on the night of the coup in 249 CE, Grand Minister of Agriculture Huan Fan arrives with his official seal and urgently advises Cao Shuang to take the young emperor to Xuchang and call the regional armies; Cao Shuang listens but cannot decide. Scene/backdrop: rough winter field encampment south of the Yi River, felled timber arranged as simple defensive obstacles, restrained tents, horses and a small imperial carriage in the deep background, cold night wind. Subject: Cao Shuang must match his established broad face, trimmed moustache and short beard, dark ochre command robe and black-brown lamellar armor from Scene 1; he stands tense and hesitant over a low campaign map table. Huan Fan, late middle-aged, narrow intelligent face, grey-streaked beard, dark scholar-official robe and plain court cap, leans forward and places a cloth-wrapped official seal beside a simple route map, urgently pointing toward the Xuchang route. Cao Xi stands nearby silent and worried. The teenage emperor Cao Fang is only a distant guarded silhouette and not treated as a prop. Style/medium: exactly the same Chinese semi-realistic hand-painted historical illustration, fine restrained linework, soft color blocks, subtle paper grain, mature expressive eyes, cinematic but not photorealistic and not CGI. Composition/framing: intimate medium-wide triangular composition around the low map table; Huan Fan's seal and pointing hand lead toward Cao Shuang's indecision; one main action only; negative space in the dark tent opening and cold sky for later overlay. Lighting/mood: low-exposure winter night, one shielded oil lamp and faint blue moon haze, urgent but controlled, facial tension carried by eyes, jaw and hands rather than shouting. Color palette: same low-saturation dusty blue, warm grey, clay red, oatmeal and dark brown. Materials/textures: worn wool and hemp tent cloth, bamboo and wooden map table, lacquered armor, plain bronze seal fitting without readable inscription. Constraints: preserve Cao Shuang's identity and costume from Scene 1 and the exact visual language of both references; no readable map labels, banners or seal text; no baked-in names, subtitles, calligraphy, logos or watermark. Avoid: sword fight, armies clashing, blood, melodramatic screaming, emperor in chains, fantasy, magic, modern map, Ming/Qing armor or furniture, oversized gold, Japanese armor, opera makeup, famous film or game likenesses.",
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"visualInference": "桓范与曹爽在地图桌前同框、印章形制、路线草图、帐篷布局、人物站位和月色为镜头化补全；无字草图不代表保存下来的真实军图。"
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},
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"sources": ["《三国志·魏书·曹爽传》及裴松之注", "《资治通鉴》卷七十五", "《晋书·宣帝纪》"]
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},
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{
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"id": "04",
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"title": "五鼓投刀",
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"timePlace": "249年2月6日前后五更，伊水南曹爽临时驻地",
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"purpose": "以曹爽投刀这一具体动作表现彻夜犹疑后的投降决策，以及洛水誓言发挥的作用。",
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"narration": "兄弟们从夜里犹疑到五更。司马懿又让尹大目传话，以洛水为誓，声称只会免官。曹爽最终投刀在地，说自己仍不失为富家翁，随即交权迎帝还宫。",
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"overlay": {
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"heading": "五鼓投刀",
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"line": "一声刀落，失去的已不只是大将军印。"
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},
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"people": [
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{"name": "曹爽", "office": "曹魏大将军", "action": "五更投刀，接受免官并迎帝还洛阳"},
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{"name": "桓范", "office": "曹魏大司农", "action": "反复劝阻失败，预见曹爽与自己将遭族灭"},
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{"name": "曹羲", "office": "曹魏中领军", "action": "彻夜犹疑，最终随兄交权"},
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{"name": "尹大目", "office": "曹魏殿中校尉、曹爽所信之人", "action": "受司马懿派遣，以洛水为誓传达只免官的承诺；不在本幕画面"}
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],
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"image": {
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"original": "images/04-cao-shuang-drops-dao.png",
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"delivery": "images/04-cao-shuang-drops-dao.webp",
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"alt": "将近黎明的军帐中，曹爽松手让短刀落向地面，桓范扶案望着他，神情悲愤而克制。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, Scene 4 of the same five-image sequence, 16:9 landscape. Input images: Images 1-3 are strict references for the exact hand-painted style, palette, late Han / Three Kingdoms world, Cao Shuang identity, Huan Fan identity, and the same field encampment; create a new composition and later moment. Primary request: Before dawn after a night of hesitation in 249 CE, Cao Shuang drops his weapon to the ground and chooses to accept dismissal and return the emperor to Luoyang, believing he can remain a wealthy marquis; Huan Fan realizes the decision will destroy them. Scene/backdrop: the same rough winter field encampment south of the Yi River, tent flap open to a blue-grey predawn, lamp nearly spent, timber defensive obstacles and quiet guards outside. Subject: Cao Shuang must exactly match his established broad face, trimmed moustache and short beard, dark ochre command robe and black-brown lamellar armor; his right hand has just released a plain short military dao that is visibly falling or has just struck the packed earth beside the low map table, while his shoulders settle in exhausted resignation. Huan Fan must match Scene 3, recoiling with grief and restrained disbelief, one hand braced on the table. Cao Xi stands silent in shadow. No one attacks. Style/medium: exactly the same Chinese semi-realistic hand-painted historical illustration, fine restrained linework, soft color blocks, subtle paper grain, mature expressive eyes, cinematic but not photorealistic and not CGI. Composition/framing: medium-wide side angle, the dropped dao low in the foreground as the decisive focal point, Cao Shuang centered but not heroic, Huan Fan offset in anguished stillness, predawn negative space through the tent opening for later overlay; one main action only. Lighting/mood: low-exposure blue predawn, dying amber oil lamp, a long night ending in irreversible resignation; emotion through lowered gaze, hands, jaw and breath rather than theatrical shouting. Color palette: same low-saturation dusty blue, warm grey, clay red, oatmeal and dark brown. Materials/textures: worn hemp tent, packed earth, lacquered armor, plain iron blade, bamboo and wood table. Constraints: preserve character identity, costume and environmental continuity from the reference images; no readable maps, banners or documents; no baked-in names, subtitles, calligraphy, logos or watermark. Avoid: suicide, self-harm, sword fight, blood, execution, Huan Fan physically attacking Cao Shuang, melodramatic screaming, fantasy, magic, Ming/Qing armor or furniture, oversized gold, Japanese armor, opera makeup, famous film or game likenesses.",
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"visualInference": "投刀是史籍明载；刀的形制与下落瞬间、帐内陈设、将晓天色、灯火和人物微表情属于视觉补全。"
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},
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"sources": ["《三国志·魏书·曹爽传》裴松之注引《魏氏春秋》", "《资治通鉴》卷七十五", "《晋书·宣帝纪》"]
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},
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{
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"id": "05",
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"title": "归第成狱",
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"timePlace": "249年2月6日至2月9日，洛阳曹爽宅第与廷尉治所",
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"purpose": "交代免官承诺之后的围守、逮捕与诛族，点明事件真正结果是权力结构不可逆转。",
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"narration": "几天后，张当案供出所谓谋反计划，曹爽、曹羲、何晏、丁谧、桓范等被捕，以大逆罪夷三族。高平陵没有大战，却让曹魏的实权从曹氏宗亲手中滑向司马氏，此后再未真正回转。",
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"overlay": {
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"heading": "归第成狱",
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"line": "承诺止于免官，清算却越过了整座宅门。"
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},
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"people": [
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{"name": "曹爽", "office": "故大将军、武安侯", "action": "免官归第后遭围守，继而被捕处死并夷三族"},
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{"name": "曹羲", "office": "故中领军", "action": "随曹爽归第，后被捕处死并夷三族"},
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{"name": "桓范", "office": "曹魏大司农", "action": "因出城投曹爽及相关指控被捕处死并夷三族"},
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{"name": "何晏", "office": "曹魏尚书", "action": "在张当案后与曹爽集团一并被捕处死"},
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{"name": "司马懿", "office": "曹魏太傅", "action": "控制政局并主持对曹爽集团的清算；不在本幕画面"}
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],
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"image": {
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"original": "images/05-arrested-in-luoyang.png",
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"delivery": "images/05-arrested-in-luoyang.webp",
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"alt": "洛阳冬日清晨，卸去甲胄的曹爽与桓范等官员在军士看守下离开被封闭监视的宅第。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, Scene 5 and final image of the same five-image sequence, 16:9 landscape. Input images: Images 1-4 are strict references for the exact hand-painted style, palette, late Han / Three Kingdoms material world, Cao Shuang identity and Huan Fan identity; create a new final composition. Primary request: In the days after Cao Shuang returns the emperor to Luoyang and accepts dismissal in 249 CE, his residence is surrounded and watched; Cao Shuang, Huan Fan and allied officials are then taken into custody. Show arrest and political finality without depicting execution. Scene/backdrop: cold winter morning on a quiet third-century Luoyang street before a large but restrained noble residence with sealed timber gates, simple temporary observation platforms at the corners, disciplined guards controlling the lane. Subject: Cao Shuang must exactly match his established broad face, trimmed moustache and short beard, now without armor, wearing a plain dark ochre layered robe and lowered court cap, walking under guard with exhausted recognition. Huan Fan must match his established narrow intelligent face and grey-streaked beard, beside or slightly behind him in a plain official robe. Two or three other sober court officials suggest the arrested faction without individualized spectacle. Guards carry sheathed weapons and keep distance; no humiliation and no mob. Style/medium: exactly the same Chinese semi-realistic hand-painted historical illustration, fine restrained linework, soft color blocks, subtle paper grain, mature expressive eyes, cinematic but not photorealistic and not CGI. Composition/framing: wide layered street composition; escorted figures cross the lower third, sealed residence and observation platform establish confinement behind them, empty pale sky and wall provide negative space for later overlay; one main action only. Lighting/mood: cold flat winter dawn after crisis, low exposure, muted silence, irreversible political transfer rather than victory celebration. Color palette: same low-saturation dusty blue, warm grey, clay red, oatmeal and dark brown. Materials/textures: worn hemp and silk robes, rammed earth walls, timber gates, frost on packed road, restrained lacquered armor on guards. Constraints: preserve Cao Shuang and Huan Fan identities and the sequence's exact visual language; historically plausible third-century clothing and city materials; no execution, corpses or blood; no readable arrest warrant, banners, seal text, baked-in names, subtitles, calligraphy, logos or watermark. Avoid: public beheading, torture, bound children or family members, gore, cheering crowd, heroic triumph pose, fantasy, magic, gunpowder, modern prison, Ming/Qing armor or palace roofs, oversized gold, Japanese armor, opera makeup, famous film or game likenesses.",
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"visualInference": "史料明确曹爽归第后被围守，几日后集团成员被捕并夷三族；把宅第围守与多人被押解合并在同一清晨，宅门、望楼、人物队列、霜雪与具体服饰均为视觉补全。"
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},
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"sources": ["《三国志·魏书·三少帝纪》", "《三国志·魏书·曹爽传》", "《资治通鉴》卷七十五", "《晋书·宣帝纪》"]
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}
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],
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"bgm": {
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"catalogId": "seed-music-v1:linjiu:广陵散·今译",
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"title": "广陵散·今译",
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"version": "建议制作 76 BPM、无主唱纯伴奏的高平陵剪辑版",
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"status": "pending-export",
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"pathOrUrl": "",
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"usage": "使用项目设定中的箫起头、弦乐垫底思路，加入克制的古琴断奏与低频鼓点；若后续生成含人声版本，只使用伴奏或去人声 stem，并始终让位于旁白。",
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"reason": "这场事件的叙事不是战场冲锋，而是从出城、闭门、劝策、投刀到清算的政治断裂；《广陵散·今译》的古曲骨架与现代低弦更适合表现压抑、倒计时和不可逆转的权力转移。",
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"cues": [
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{"from": "00:00", "to": "00:14", "scene": "01", "direction": "单箫与疏淡古琴起句，车驾离城时保持空旷，不加入胜利性鼓点。"},
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{"from": "00:14", "to": "00:31", "scene": "02", "direction": "低弦持续音进入，木质低鼓以均匀间隔推进，表现城门与浮桥被逐一控制。"},
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{"from": "00:31", "to": "00:49", "scene": "03", "direction": "古琴断奏加密但压低音量；桓范提出许昌方案时短暂抬升，仍不给英雄高潮。"},
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{"from": "00:49", "to": "01:05", "scene": "04", "direction": "撤去鼓点，只留低弦、箫气声与稀疏拨弦；刀落后留半秒静默。"},
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{"from": "01:05", "to": "01:22", "scene": "05", "direction": "低弦重新进入却不解决和声，结尾让古琴动机停在未完成音上，呼应曹魏权力从此失衡。"}
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]
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},
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"sources": [
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{"claim": "正月甲午车驾谒高平陵、曹爽兄弟被免官及戊戌诛族", "citation": "《三国志·魏书·三少帝纪》", "url": "https://zh.wikisource.org/zh-hans/三國志/卷04"},
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{"claim": "曹爽留驾伊水南、桓范劝赴许昌、洛水誓、投刀与随后收捕诛族", "citation": "《三国志·魏书·曹爽传》及裴松之注", "url": "https://zh.wikisource.org/zh-hans/三國志/卷09"},
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{"claim": "闭城、据武库、屯洛水浮桥、占曹爽兄弟军营、桓范献策与清算先后", "citation": "《资治通鉴》卷七十五", "url": "https://zh.wikisource.org/zh-hans/資治通鑑/卷075"},
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{"claim": "司马懿一方关于政变部署、洛水誓与诛曹爽集团的叙述；使用时注意晋室立场", "citation": "《晋书·宣帝纪》", "url": "https://zh.wikisource.org/zh-hans/晉書/卷001"},
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{"claim": "公历日期换算为249年2月5日", "citation": "维基百科《高平陵之变》日期栏（仅作历日换算参考）", "url": "https://zh.wikipedia.org/wiki/高平陵之变"},
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{"claim": "项目内《广陵散·今译》曲目、古曲改编设定与当前无实际音频状态", "citation": "digital-me-backend/scripts/seed-music.js"}
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],
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"blacklist": [
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"把高平陵之变画成两军在洛阳街头或高平陵前大规模会战",
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"让司马懿、曹爽在洛水浮桥或高平陵面对面谈判、决斗",
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"把司马懿诈病吐粥的前史挪到政变当天",
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"把三千死士的精确人数、集结方式与战斗画成各家史料一致的确定事实",
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"把郭太后画成亲临城门或军阵指挥",
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"把雪、月色、路线草图、人物面貌、宅第望楼与具体服饰写成史料明载",
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"渲染曹爽家属和未成年人受刑，或制作斩首、肢解、血泊等处刑特写",
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"把司马懿一方奏章中的所有指控直接当作无争议事实",
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"给双方写未经可靠核对的确定兵力总数",
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"明清盔甲、明清城楼、龙椅式皇车、京剧脸谱、火药爆炸、现代地图或现代监狱",
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"复制影视剧、动漫或游戏中的司马懿、曹爽与曹芳形象"
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]
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}
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