176 lines
26 KiB
JSON
176 lines
26 KiB
JSON
{
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"event": {
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"canonicalName": "黄巢攻陷长安（大齐政权建立）",
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"aliases": ["黄巢陷长安", "黄巢入长安", "黄巢攻长安"],
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"era": "唐末·唐僖宗广明元年",
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"date": "广明元年十二月（传统纪年为880年，相关公历日期跨至881年初）",
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"place": "潼关、华州、长安金光门与春明门、灞上、大明宫含元殿",
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"summary": "黄巢军攻破潼关后进入长安，唐僖宗仓促西逃；短暂安民表态很快被劫掠与杀戮打破，黄巢随后建国号大齐、改元金统。"
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},
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"narration": {
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"language": "zh-CN",
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"estimatedSeconds": 86,
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"fullText": "广明元年十二月，黄巢军抵达潼关。唐将齐克让、张承范本想凭险死守，却早已断粮，援兵和军饷迟迟不至。关上箭尽，只能投石。黄巢军填平壕沟，又从无人防守的禁坑杀入，潼关终于崩溃。败兵反过来为黄巢引路，长安最后一道屏障消失。消息传进城中，田令孜只带五百神策兵，护着十八岁的唐僖宗从金光门仓皇西逃。百官多不知情，车驾离开后，府库先陷入争抢。当日下午，黄巢前锋进入长安。张直方在灞上迎接，百姓夹道观望。黄巢乘金装肩舆而来，尚让沿途告诉市民，军队为百姓起兵，让他们安心。士卒也曾向穷人散发财物。但承诺只维持了几天。部众开始劫掠、焚烧市肆，街巷杀戮，黄巢不能禁止，官吏和留在城中的唐宗室首当其冲。十二月十三日前后，黄巢在含元殿即皇帝位，以战鼓代替宫廷雅乐，国号大齐，改元金统。长安失守并没有终结战争，只把唐末崩坏推入更漫长的争夺。"
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},
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"scenes": [
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{
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"id": "01",
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"title": "潼关崩裂",
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"timePlace": "广明元年十二月初，潼关",
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"purpose": "交代长安失守的直接军事原因：守军断粮、援军不继，禁坑失防，潼关从内外同时崩溃。",
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"narration": "广明元年十二月，黄巢军抵达潼关。唐将齐克让、张承范本想凭险死守，却早已断粮，援兵和军饷迟迟不至。关上箭尽，只能投石。黄巢军填平壕沟，又从无人防守的禁坑杀入，潼关终于崩溃。败兵反过来为黄巢引路，长安最后一道屏障消失。",
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"overlay": {
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"heading": "潼关崩裂",
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"line": "关门尚在，粮饷、援军与军心已经先一步断绝。"
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},
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"people": [
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{"name": "黄巢", "office": "起义军首领、天补大将军", "action": "率主力抵达潼关，督军破关西进"},
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{"name": "齐克让", "office": "汝郑把截制置都指挥使", "action": "率饥疲守军在关外力战，军队溃散后退入关中"},
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{"name": "张承范", "office": "神策军将、潼关把截制置使", "action": "以少量神策弩手拒守，箭尽后失关，变服脱走"},
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{"name": "王师会", "office": "右神策军步军将军", "action": "奉命守禁坑，防线已破后自杀"}
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],
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"image": {
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"original": "images/01-tong-pass-falls.png",
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"delivery": "images/01-tong-pass-falls.webp",
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"alt": "冬日暮色中的潼关燃起大火，黄巢在近处观察攻势，白旗遍野，守军在关墙上投石，百姓被驱使填平壕沟。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, Scene 1 of a five-image sequence, 16:9 landscape. Primary request: The fall of Tong Pass in early twelfth lunar month of Tang Xizong's Guangming first year. Huang Chao's army breaches the exhausted Tang defense after a full day of combat. Scene/backdrop: Late-Tang Tong Pass between steep loess-and-rock ridges and the Yellow River corridor; a historically plausible rammed-earth pass with timber gate tower, not a Ming stone fortress. Winter dusk. The gate tower burns in the distance, smoke flattened by cold wind. White standards of Huang Chao's host fill the plain without readable writing. In the defensive ditch, pressed civilians carry baskets of earth while attackers cross; starving Tang defenders on the wall have exhausted arrows and throw stones. No graphic injury. Subject: Huang Chao in the near foreground, a weathered Chinese man in his mid-to-late forties with a broad square face, strong brow, short black moustache and compact beard with a few grey strands, hair under a dark red-black cloth wrap, wearing a dark ochre campaign robe beneath worn black-lacquer lamellar shoulder armor. He watches the breach with contained focus, not a fantasy warlord pose. Establish this exact appearance for later scenes. Style/medium: cinematic historical realism, physically grounded, painterly photographic detail, late Tang materials and clothing. Composition/framing: strategic wide shot from slightly above shoulder height; Huang Chao at one edge, breach and human scale across the frame; each scene must have a different composition; reserve clean smoky sky as negative space for later overlay. Lighting/mood: cold blue-grey winter dusk, dull fire orange, dust and smoke; imminent collapse rather than triumph. Color palette: charcoal, loess ochre, faded indigo, dark red accents, smoke grey. Constraints: late ninth-century China; believable Tang lamellar armor, cloth caps, wooden shields, bamboo and timber equipment; no baked-in text, names, calligraphy, logos or watermark. Avoid: Great Wall imagery, Ming/Qing battlements or armor, Manchu queues, horned helmets, oversized fantasy weapons, gunpowder explosions, firearms, cavalry charging over bodies, blood or gore, heroic poster composition, modern objects.",
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"visualInference": "黄巢面貌、具体站位、暮色与黄河河道同框属于视觉重构；白旗、守军断粮、箭尽投石、填壕、焚关楼和禁坑失防均据《资治通鉴》叙事。"
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},
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"sources": ["《资治通鉴》卷二百五十四", "《旧唐书·黄巢传》"]
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},
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{
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"id": "02",
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"title": "金光门夜逃",
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"timePlace": "广明元年十二月，长安金光门至骆谷方向",
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"purpose": "呈现唐廷在潼关失守后的突然撤离，以及皇权先于全城知情者离开都城的断裂感。",
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"narration": "消息传进城中，田令孜只带五百神策兵，护着十八岁的唐僖宗从金光门仓皇西逃。百官多不知情，车驾离开后，府库先陷入争抢。",
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"overlay": {
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"heading": "金光门夜逃",
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"line": "百官尚未得到消息，皇帝已经奔向骆谷。"
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},
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"people": [
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{"name": "唐僖宗李儇", "office": "唐朝皇帝", "action": "在田令孜护送下从金光门西逃，先赴兴元，后入成都"},
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{"name": "田令孜", "office": "观军容使、神策军实际掌权者", "action": "率五百神策兵护送僖宗离开长安"},
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{"name": "福、穆、泽、寿四王", "office": "唐宗室诸王", "action": "随僖宗仓促出奔"}
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],
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"image": {
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"original": "images/02-imperial-night-flight.png",
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"delivery": "images/02-imperial-night-flight.webp",
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"alt": "深夜的长安金光门下，年轻的唐僖宗骑马回望都城，田令孜提灯指挥少量神策军护送车驾西行。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, Scene 2 of a five-image late-Tang sequence, 16:9 landscape. Primary request: Tang Xizong secretly flees Chang'an through Jinguang Gate at night after news that Tong Pass has fallen. Only Tian Lingzi, roughly five hundred Shence guards, four princes and a few consorts accompany him; most officials do not yet know the emperor has left. Scene/backdrop: late ninth-century western Chang'an, just inside a massive rammed-earth Jinguang Gate with timber gatehouse; cold moonless winter pre-dawn, oil lanterns hooded against wind. Through the open gate lies the dark road toward Luo Valley and Xingyuan. In the far background, palace roofs and ward avenues disappear in smoke haze while scattered soldiers and civilians begin entering abandoned storehouses, shown only as tiny silhouettes. Subject: Tang Xizong Li Xuan, an eighteen-year-old Chinese emperor with a narrow youthful face, pale from shock, hair under a simple dark travel headcloth, wearing a muted dark ochre travel cloak over only a glimpse of restrained red court silk. He rides a tired dark horse, looking back once at the capital. Tian Lingzi, an older palace eunuch official with a smooth face, black soft court cap and layered dark robe over light protective armor, urgently directs the small escort through the gate. A few covered carts and mounted guards follow; no grand imperial procession. Style/medium: cinematic historical realism, painterly photographic detail, consistent muted charcoal/loess/faded-indigo palette with the Huang Chao sequence. Composition/framing: side-on wide shot from beneath the gate shadow, the small fleeing escort crossing a broad band of darkness toward open countryside; emperor identifiable but not heroic; empty wall and night sky preserve overlay space. Lighting/mood: sparse amber lanterns against deep blue-black dawn; secrecy, haste, imperial abandonment. Constraints: historically plausible late-Tang riding gear, soft caps, lamellar armor, timber and rammed-earth city gate; no baked-in words, signs, calligraphy, logos or watermark. Avoid: Forbidden City, bright yellow dragon robes, ornate golden carriage, huge ceremonial entourage, daylight parade, kneeling citizens, supernatural omens, Ming/Qing walls or armor, Manchu queues, firearms, fantasy weapons, blood or gore, modern objects.",
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"visualInference": "僖宗、田令孜面貌、骑马姿态、灯笼、车驾排列与夜色为视觉补全；五百神策兵、四王及少数妃嫔随行、百官多不知情、由金光门出均据《资治通鉴》。"
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},
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"sources": ["《资治通鉴》卷二百五十四", "《旧唐书·僖宗纪下》"]
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},
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{
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"id": "03",
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"title": "春明门入城",
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"timePlace": "广明元年十二月，灞上至长安春明门",
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"purpose": "还原首次入城时的表面秩序与安民表态，为下一幕迅速失控形成史实对照。",
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"narration": "当日下午，黄巢前锋进入长安。张直方在灞上迎接，百姓夹道观望。黄巢乘金装肩舆而来，尚让沿途告诉市民，军队为百姓起兵，让他们安心。士卒也曾向穷人散发财物。",
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"overlay": {
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"heading": "春明门入城",
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"line": "秩序、施舍与安民之语，先于真正的占领生活抵达。"
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},
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"people": [
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{"name": "黄巢", "office": "起义军首领", "action": "乘金装肩舆进入长安，驻于田令孜旧第"},
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{"name": "尚让", "office": "黄巢军重要将领", "action": "沿途向市民宣示安居无恐"},
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{"name": "张直方", "office": "唐左金吾大将军", "action": "率文武官员数十人在灞上迎接黄巢"},
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{"name": "柴存", "office": "黄巢军前锋将领", "action": "率前锋先入长安"}
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],
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"image": {
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"original": "images/03-enter-changan.png",
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"delivery": "images/03-enter-changan.webp",
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"alt": "黄巢乘金装肩舆穿过晚唐长安东门，尚让向夹道观望的市民示意安定，骑兵和辎重队从城外绵延而来。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, Scene 3 of the same five-image sequence, 16:9 landscape. Input images: the previous Tong Pass image is the visual-world and Huang Chao identity reference. Preserve Huang Chao's exact broad square face, strong brow, short black moustache, compact slightly greying beard, dark red-black cloth wrap, and grounded late-Tang realism. Primary request: Huang Chao enters Chang'an in late afternoon after Tang Xizong has fled. Show the unsettling transition from collapsed imperial defense to a new armed power entering the capital. Scene/backdrop: outside and just within Chang'an's eastern Chunming Gate in the late ninth century; vast rammed-earth city walls and timber gate structures, broad ward avenue, winter haze, no Ming-style stone fortress. Citizens line both sides watching with mixed curiosity, fatigue and caution. Zhang Zhifang and a small group of Tang civil and military officials wait near Ba Bridge / gate approach to receive the arriving army. Subject: Huang Chao rides a historically described gold-decorated shoulder palanquin, dignified but not divine or triumphant, wearing the same campaign identity as reference with a richer dark outer robe. His closest followers have loose hair tied with narrow faded red silk and worn brocade over practical clothing, carrying period spears and bows. Shang Rang moves along the crowd edge calmly reassuring civilians; convey speech through gesture only, no written words. Mounted soldiers and baggage stretch back through haze. Style/medium: cinematic historical realism, painterly photographic detail, consistent with previous image. Composition/framing: deep processional diagonal from gate foreground to distant column, eye-level from within the watching crowd; Huang Chao mid-frame rather than giant poster hero; generous winter sky and wall plane as negative space for overlay. Lighting/mood: dusty amber late afternoon under cold grey sky; controlled order on the surface, uncertainty beneath it. Color palette: charcoal, loess ochre, faded indigo, dark red cloth accents, muted gold. Constraints: late Tang architecture, garments and tack; crowd includes ordinary laborers, elders and children without caricature; no baked-in text, banners with readable writing, calligraphy, logo or watermark. Avoid: cheering festival spectacle, flower petals, kneeling worship, modern parade, palace fantasy, Ming/Qing walls and armor, Manchu queues, horned helmets, fantasy weapons, guns, excessive gold, blood or gore.",
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"visualInference": "黄巢与尚让面貌、张直方站位、观望者表情和入城队列的具体层次为视觉重构；金装肩舆、红缯束发、张直方迎于灞上、尚让安民与向贫者施与均有史料依据。"
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},
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"sources": ["《资治通鉴》卷二百五十四", "《旧唐书·黄巢传》"]
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},
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{
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"id": "04",
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"title": "安民之语破裂",
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"timePlace": "黄巢军入城后数日，长安坊市",
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"purpose": "区分最初安民宣示与随后的现实失控，并明确这一幕不是中和二年的再次入城与“洗城”。",
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"narration": "但承诺只维持了几天。部众开始劫掠、焚烧市肆，街巷杀戮，黄巢不能禁止，官吏和留在城中的唐宗室首当其冲。",
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"overlay": {
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"heading": "安民之语破裂",
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"line": "军队进入都城之后，首领的宣示已经约束不住街巷。"
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},
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"people": [
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{"name": "黄巢", "office": "占领长安的起义军首领", "action": "未能禁止部众分散劫掠与杀戮"},
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{"name": "黄巢军部众", "office": "入城军士", "action": "数日后劫掠、焚烧市肆并杀人"},
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{"name": "长安市民", "office": "坊市居民", "action": "在军纪崩解和物资争夺中躲避、逃散"}
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],
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"image": {
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"original": "images/04-order-breaks.png",
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"delivery": "images/04-order-breaks.webp",
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"alt": "长安坊市的商铺燃烧，军士分散进入街巷抢掠，居民携子躲避，黄巢在路口抬手下令却无法控制远去的队伍。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, Scene 4 of the same sequence, 16:9 landscape. Input images: previous Chang'an entry image is the exact visual-world and Huang Chao identity reference. Preserve Huang Chao's face, beard, headwrap, body proportions, late-Tang materials, muted palette and realism. Primary request: Several days after the initially orderly entry, discipline fractures. Armed groups from Huang Chao's host loot market storehouses, fires begin in shop rows, officials are hunted, and frightened residents retreat behind ward gates. Huang Chao is visibly unable to bring scattered bands back under control. This is the first-entry aftermath, NOT the later 882 'washing of the city.' Scene/backdrop: a broad Chang'an ward-market avenue at winter nightfall, late ninth-century timber shopfronts and rammed-earth ward walls, smoke rolling low between buildings. Broken baskets, spilled bolts of cloth and grain show looting; civilians shelter in doorways or move away carrying children. Suggest fatal consequences only through one distant covered form and abandoned belongings, without visible wounds. Subject: the same Huang Chao stands at a street junction on a low step beside a few disciplined guards, arm raised in a command to halt, his expression hard and frustrated; multiple armed groups ignore the signal and move into separate lanes. He must not look like a rescuer or a gleeful villain. A messenger beside him reports the spreading disorder. Style/medium: cinematic historical realism, painterly photographic detail, same sequence continuity. Composition/framing: high oblique view down intersecting ward streets, branching motion visually communicates lost control; Huang Chao small but identifiable near the intersection; smoke-filled upper quarter left open for overlay. Lighting/mood: cold winter blue with dim ember-orange shop fires, fear and disintegration rather than spectacle. Color palette: charcoal, soot grey, dark umber, faded indigo, restrained ember orange and dark red accents. Constraints: distinguish ordinary civilians from armed troops; historically plausible late-Tang ward market, clothing and weapons; violence implied through movement and aftermath; no readable text, calligraphy, logos or watermark. Avoid: mass execution, rivers of blood, piles of bodies, graphic injury, the later 'wash-city' massacre, triumphant burning-city poster, modern riot gear, Ming/Qing architecture or armor, Manchu queues, firearms, fantasy weapons, supernatural fire.",
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"visualInference": "把分散发生的劫掠、纵火、杀人和黄巢不能禁止压缩为同一处坊市路口；黄巢抬手制止、居民携子避难与一具覆布遗体属于克制的后果性表达。"
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},
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"sources": ["《资治通鉴》卷二百五十四", "《旧唐书·黄巢传》"]
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},
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{
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"id": "05",
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"title": "战鼓立大齐",
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"timePlace": "广明元年十二月十三日前后，长安大明宫含元殿",
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"purpose": "收束从军事破关到建立新政权的转变，同时指出唐廷失都并未让战争结束。",
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"narration": "十二月十三日前后，黄巢在含元殿即皇帝位，以战鼓代替宫廷雅乐，国号大齐，改元金统。长安失守并没有终结战争，只把唐末崩坏推入更漫长的争夺。",
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"overlay": {
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"heading": "战鼓立大齐",
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"line": "宫廷雅乐没有响起，取而代之的是数百面战鼓。"
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},
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"people": [
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{"name": "黄巢", "office": "大齐政权建立者", "action": "在含元殿即皇帝位，国号大齐，改元金统"},
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{"name": "尚让", "office": "黄巢军将领，后任大齐太尉兼中书令", "action": "进入大齐最高官僚序列"},
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{"name": "赵璋", "office": "大齐侍中", "action": "参与新政权官僚体系"}
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],
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"image": {
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"original": "images/05-great-qi-proclaimed.png",
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"delivery": "images/05-great-qi-proclaimed.webp",
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"alt": "大明宫含元殿外，黄巢身着朴素黑色礼服站在官员与将士之间，数百面战鼓排列在殿阶上下，宣告大齐政权建立。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, Scene 5 of the same sequence, 16:9 landscape. Input images: the earlier Chang'an entry image provides Huang Chao's exact face and identity; the latest market-disorder image provides palette and atmosphere. Preserve the established broad square face, strong brow, short moustache, compact slightly greying beard, and grounded late-Tang realism. Primary request: Huang Chao proclaims himself emperor in Hanyuan Hall, establishes the state of Great Qi and the Jintong era. The image should feel like an insurgent army improvising an imperial ceremony inside the captured Tang capital, not a glorious fantasy coronation. Scene/backdrop: the open raised terrace and deep timber interior of late-Tang Hanyuan Hall in Daming Palace, winter morning haze beyond the monumental column bays. Historically plausible Tang bracket sets, red-brown columns, tiled eaves and stone terrace, distinct from Ming/Qing Forbidden City. Rows of several hundred war drums replace court orchestral instruments; no readable plaques. Subject: the same Huang Chao stands centrally but human-scaled, wearing an improvised plain black-silk ceremonial robe cut like late-Tang court clothing, restrained dark headgear, no dragon embroidery and no jeweled crown. Shang Rang and newly appointed officials stand in formal rows; veteran soldiers and drummers remain visibly present, revealing the military foundation of the new regime. Faces among former Tang officials are guarded and uncertain, not celebratory. Style/medium: cinematic historical realism, painterly photographic detail, same muted sequence. Composition/framing: wide symmetrical hall-and-terrace composition but seen from a slightly off-axis lower viewpoint; massed drums create depth; keep a quiet section of pale winter sky and upper colonnade for overlay. Lighting/mood: cold pale morning light with restrained amber reflected from timber; severe, provisional, politically momentous. Color palette: black silk, dark red-brown timber, charcoal armor, muted ochre, winter grey. Constraints: late ninth-century Chinese palace architecture and dress; imply that imperial continuity has broken without magical symbols; no baked-in title, Chinese characters, calligraphy, banners with words, logos or watermark. Avoid: modern stage, Forbidden City copy, Ming/Qing dragon throne, bright yellow imperial robes, gigantic gold crown, kneeling sea of worshippers, divine sun rays, celebratory fireworks, supernatural omen, visible executions, blood or gore, firearms, fantasy armor.",
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"visualInference": "含元殿具体复原、人员排列、黄巢面貌与黑绢礼服剪裁为视觉重构；画皂缯为衮衣、以数百战鼓代金石之乐、含元殿即位、建大齐与改元金统均见《资治通鉴》。"
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},
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"sources": ["《资治通鉴》卷二百五十四", "《旧唐书·黄巢传》"]
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}
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],
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"bgm": {
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"catalogId": "seed-music-v1:linjiu:广陵散·今译",
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"title": "广陵散·今译",
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"version": "建议制作 78 BPM、无主唱纯伴奏的晚唐城破剪辑版",
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"status": "pending-export",
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"pathOrUrl": "",
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"usage": "以古琴低音动机和箫气声开场，加入低弦、木质敲击与克制战鼓；若生成版本含人声，必须使用伴奏或去人声 stem，旁白期间整体压低。",
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"reason": "项目曲目本身以古曲片段、箫与现代弦乐为骨，既保留时代音色联想，又能承载潼关崩溃、夜逃、入城和战鼓建号的政治断裂；选曲只用于情绪与音色，不宣称《广陵散》与黄巢事件有直接史实关联。",
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"cues": [
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{"from": "00:00", "to": "00:20", "scene": "01", "direction": "古琴低音与低弦持续音进入，守军断粮处加入稀疏木击，关楼起火时出现第一组重鼓。"},
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{"from": "00:20", "to": "00:34", "scene": "02", "direction": "抽掉重鼓，只留箫气声、马具细响与极低弦乐，突出夜逃的空旷和仓促。"},
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{"from": "00:34", "to": "00:53", "scene": "03", "direction": "恢复稳定但克制的行进节拍，尚让安民处短暂减弱低音，不制造凯旋感。"},
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{"from": "00:53", "to": "01:09", "scene": "04", "direction": "节拍分裂为不规则木击和低弦滑音，焚烧与失控处压迫增强，但避免动作片式高潮。"},
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{"from": "01:09", "to": "01:26", "scene": "05", "direction": "战鼓从画内声接入配乐，数次整齐重击后突然收空，只留古琴尾音承接“战争没有结束”。"}
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]
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},
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"sources": [
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{"claim": "潼关守军断粮、箭尽投石、填平天堑、禁坑失防、关楼被焚与潼关失守", "citation": "《资治通鉴》卷二百五十四", "url": "https://zh.wikisource.org/zh-hans/資治通鑑/卷254"},
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{"claim": "田令孜率五百神策兵奉僖宗出金光门，随行者极少，百官多不知情", "citation": "《资治通鉴》卷二百五十四", "url": "https://zh.wikisource.org/zh-hans/資治通鑑/卷254"},
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{"claim": "黄巢前锋入城、张直方灞上迎接、金装肩舆、尚让安民、向贫者施与，以及数日后劫掠失控", "citation": "《资治通鉴》卷二百五十四；《旧唐书·黄巢传》", "url": "https://www.shidianguji.com/book/LS0016/chapter/1kgiaykd8vg9u"},
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{"claim": "黄巢在含元殿即位、以战鼓代金石之乐、建国号大齐并改元金统", "citation": "《资治通鉴》卷二百五十四；《旧唐书·黄巢传》", "url": "https://zh.wikisource.org/zh-hans/資治通鑑/卷254"},
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{"claim": "中和二年官军短暂入城后黄巢反攻所发生的“洗城”晚于首次入城，不应混入本事件初段", "citation": "《资治通鉴》卷二百五十四", "url": "https://zh.wikisource.org/zh-hans/資治通鑑/卷254"},
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{"claim": "项目内《广陵散·今译》曲目与创作说明；仓库无实际音频", "citation": "digital-me-backend/scripts/seed-music.js"}
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],
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"blacklist": [
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"把中和二年官军短暂收复后发生的“洗城”提前成黄巢首次入城当天",
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"把夹道观望写成全城百姓一致欢呼、跪迎或拥戴",
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"把金装肩舆画成西式黄金战车、龙辇或明清帝王仪仗",
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"给黄巢军或唐军写确定的数十万、百万兵力数字",
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"黄巢与唐僖宗、张承范阵前单挑或会面",
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"唐僖宗率完整百官、三宫六院举行盛大西逃仪仗",
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"把黄巢建大齐表现为得到神授、天象响应或天下立即归附",
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"把《不第后赋菊》诗句直接烘焙进画面或当作入城现场宣言",
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"血河、堆尸、斩首、肢解等血腥特写",
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"明清城楼、紫禁城、亮黄龙袍、清代盔甲辫发、火器、爆炸或幻想武器"
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]
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}
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