181 lines
28 KiB
JSON
181 lines
28 KiB
JSON
{
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"event": {
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"canonicalName": "秦灭齐之战（天下一统）",
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"aliases": ["灭齐·天下一统一", "灭齐·天下一统", "秦灭齐", "秦灭齐之战"],
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"era": "战国末期、秦王政二十六年",
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"date": "公元前221年",
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"place": "齐国北境、临淄与秦都咸阳",
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"summary": "秦将王贲从燕地南下攻齐，齐王建听从后胜之计不战而降；齐亡后六国尽入秦，秦王政议定皇帝名号。"
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},
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"narration": {
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"language": "zh-CN",
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"estimatedSeconds": 86,
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"fullText": "公元前二二一年，韩、赵、魏、楚、燕都已亡，东方只剩齐国。齐王建在位四十余年，齐地久不受兵。相国后胜多受秦间金，宾客又劝齐王放弃合纵、不修战备。等到五国尽失，齐才发兵守西界。秦没有从西面硬攻。将军王贲自燕地南下，直入齐境。长期没有大战的齐国来不及调整，秦军最终进入临淄，百姓与守军无人抵抗。齐王建听从后胜之计，不战而降，被迁往共地；齐国被改为秦的郡县。至此，战国最后一个诸侯国消失，六国尽入秦。秦王政命群臣议定新名号，取“皇”与“帝”，自称始皇帝，并把天下分为三十六郡。灭齐不是一场血战的高潮，而是几十年离盟、失备之后，最后一扇门被推开。天下由列国并争，转入秦帝国的一统秩序。"
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},
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"scenes": [
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{
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"id": "01",
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"title": "孤齐失备",
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"timePlace": "公元前221年以前，齐都临淄",
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"purpose": "交代齐国长期未受战火、后胜受秦影响并劝齐王远离合纵，造成战备松弛的背景。",
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"narration": "公元前二二一年，韩、赵、魏、楚、燕都已亡，东方只剩齐国。齐王建在位四十余年，齐地久不受兵。相国后胜多受秦间金，宾客又劝齐王放弃合纵、不修战备。",
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"overlay": {
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"heading": "孤齐失备",
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"line": "四十余年不受兵，也让最后的警报来得太迟。"
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},
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"people": [
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{"name": "齐王建", "office": "齐国国君", "action": "长期维持事秦政策，未能在五国覆亡前重整合纵与战备"},
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{"name": "后胜", "office": "齐国相国", "action": "多受秦间金，劝齐王不助五国、不修攻战之备"},
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{"name": "秦国宾客与使者", "office": "往来齐秦的政治中介", "action": "以秦的立场影响齐廷；具体人员与单次会面不可考"}
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],
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"image": {
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"original": "images/01-isolated-qi-court.png",
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"delivery": "images/01-isolated-qi-court.webp",
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"alt": "临淄齐宫内，年长的齐王建立在案前望向远方，后胜在侧低声进言，守卫与远去使者处于阴影中。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, scene 1 of a five-image sequence, 16:9 landscape. Primary request: The isolated court of Qi before Qin's final campaign, Linzi, 221 BCE. Establish a sober late-Warring-States cinematic world and the political inaction that preceded the conquest, without inventing a battle. Scene/backdrop: Interior and open courtyard edge of the Qi royal palace at Linzi, built from rammed earth platforms, dark timber columns, restrained painted wood, woven mats and gray ceramic roof tiles. Through the open side, a distant western watchtower and quiet plain are visible. No later imperial palace. Subject: King Jian of Qi, an older East Asian ruler around sixty, thoughtful but worn face, graying moustache and short beard, stands beside a low lacquered table. He wears a period-plausible late-Warring-States ceremonial robe in muted deep teal and brown, with no dragon motifs and no later crown. Chancellor Hou Sheng, middle-aged, carefully composed, in a darker official robe, leans toward the table and calmly advises restraint. A departing Qin envoy is only a small background figure crossing the courtyard; several closed gift caskets sit nearby as an ambiguous visual sign of Qin influence, not a literal documented moment. Palace guards remain idle, weapons grounded. Style/medium: premium live-action historical film still, archaeology-inspired late Warring States realism, natural human faces, subtle film grain. Composition/framing: wide interior-to-exterior composition; King Jian and Hou Sheng in the middle ground, quiet guards and envoy creating depth; leave clean shadowed wall and negative space at upper left for later overlay. Lighting/mood: overcast daylight, airless political calm, gathering danger, restrained rather than melodramatic. Color palette: muted teal, weathered brown, black lacquer, gray clay, pale dust. Materials/textures: rammed earth, aged timber, lacquered wood, hemp, silk with low sheen, bronze fittings. Constraints: historically plausible 3rd-century BCE Chinese clothing and palace architecture; no readable writing; no claim that this exact meeting or gift handover is recorded; nonviolent. Avoid: any text, Chinese characters, captions, logo, watermark, Han/Tang/Ming/Qing palace, Forbidden City, dragon throne, imperial yellow robes, Manchu queue, fantasy crowns, Japanese architecture, terracotta statues as living people, firearms, plate armor, giant banners, anime, illustration, ethnic caricature.",
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"visualInference": "齐王建与后胜同处一室、秦使离场、礼箱、守卫站位和天气均为视觉重构；史料只明确后胜多受秦间金、宾客劝王去合纵并不修战备。",
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"referenceImages": [],
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"refinementPrompt": ""
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},
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"sources": ["《史记·田敬仲完世家》卷四十六"]
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},
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{
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"id": "02",
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"title": "王贲南下",
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"timePlace": "公元前221年，原燕地至齐国北境",
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"purpose": "呈现王贲不从齐国重点防守的西界硬攻，而是从已平定的燕地转向南下。",
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"narration": "等到五国尽失，齐才发兵守西界。秦没有从西面硬攻。将军王贲自燕地南下，直入齐境。",
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"overlay": {
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"heading": "王贲南下",
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"line": "齐军守着西界，秦军却从燕地转向南下。"
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},
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"people": [
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{"name": "王贲", "office": "秦国将军", "action": "在灭燕、代之后率军从燕地南下攻齐"},
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{"name": "秦军将士", "office": "参与灭齐的秦军", "action": "随王贲向齐境推进；具体兵力与编制史书未详"}
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],
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"image": {
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"original": "images/02-wang-ben-south.png",
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"delivery": "images/02-wang-ben-south.webp",
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"alt": "王贲骑马立在北方平原的坡地上观察南向道路，身后秦军步骑与辎重队列沿道路持续进入齐境。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, scene 2 of the same five-image sequence, 16:9 landscape. Input images: Image 1 is the exact visual-world reference for late-Warring-States realism, film grain, muted palette, architecture and materials. Continue that world; the Qi court characters do not appear in this scene. Primary request: Wang Ben turns south from Yan toward Qi, 221 BCE. Show the strategic approach that bypassed Qi's expected western defense, without using a modern map or invented decisive battle. Scene/backdrop: A broad northern Qi plain seen from a low ridge, with dry millet fields, packed-earth roads, scattered trees and distant low rammed-earth settlements. Dawn haze over flat eastern terrain. No Great Wall brick battlements. Subject: General Wang Ben, East Asian man in his early forties, broad weathered face, straight brows, short moustache and compact beard, rides a sturdy period horse at the front edge of a disciplined Qin column. He wears dark brown-black late-Warring-States lamellar armor of small lacquered plates over a plain robe, a simple cloth headpiece/low practical helmet with no plume, and a faded black command cloak. He studies the southward road while scouts return from ahead. Behind him, compact infantry, crossbowmen, horsemen and supply carts descend in several controlled files from the former Yan direction. Plain geometric Qin pennants carry no symbols or writing. The army is veteran and orderly, not a fantasy horde. Style/medium: premium live-action historical film still, archaeology-inspired 3rd-century BCE Chinese military realism, consistent with Image 1. Composition/framing: wide strategic shot at rider height; Wang Ben in near foreground, long diagonal columns entering the plain, broad pale sky at upper right for later overlay; clearly different composition from scene 1. Lighting/mood: cold dawn light, relentless forward motion, disciplined tension, no triumphal spectacle. Color palette: black lacquer, dark umber, dusty ochre, faded gray-blue sky, restrained muted teal accents only in distant terrain. Materials/textures: lacquered lamellar plates, hemp, leather tack, wood carts, dry earth, horsehair. Constraints: period-plausible late Warring States Qin equipment; keep Wang Ben's face and armor available as identity reference for later scenes; no visible battle, no dead bodies, no readable writing. Avoid: any text, Chinese characters, captions, logo, watermark, modern maps, arrows or UI graphics, terracotta statues as living soldiers, identical clone faces, Han/Tang/Ming/Qing armor, samurai armor, Manchu queue, plate armor, horned helmets, giant cavalry-only army, firearms, cannons, explosions, fantasy, anime, illustration, modern objects.",
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"visualInference": "王贲的面貌、行军队形、侦骑、道路与季节性地表为视觉重构；“从燕南攻齐”来自史料，但具体路线、兵数和日程不可据此精确复原。",
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"referenceImages": ["images/01-isolated-qi-court.png（战国末期视觉世界、材质与色调参照；不继承人物身份）"],
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"refinementPrompt": ""
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},
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"sources": ["《史记·秦始皇本纪》卷六"]
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},
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{
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"id": "03",
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"title": "临淄无战",
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"timePlace": "公元前221年，齐都临淄",
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"purpose": "用秦军进入临淄而无人抵抗的场面，表现齐国政治与军事准备的崩解，而非虚构攻城大战。",
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"narration": "长期没有大战的齐国来不及调整，秦军最终进入临淄，百姓与守军无人抵抗。",
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"overlay": {
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"heading": "临淄无战",
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"line": "最后一国的都城，没有等来一场决战。"
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},
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"people": [
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{"name": "王贲", "office": "秦国将军", "action": "率秦军进入临淄，完成对齐的军事控制"},
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{"name": "齐国守军", "office": "齐军与都城守卫", "action": "未组织有效抵抗；具体缴械形式为视觉补全"},
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{"name": "临淄民众", "office": "齐国都城居民", "action": "面对秦军入城而未加抵抗"}
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],
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"image": {
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"original": "images/03-qin-enters-linzi.png",
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"delivery": "images/03-qin-enters-linzi.webp",
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"alt": "临淄夯土城门敞开，王贲步行示意秦军保持队形，齐国守卫把兵器置于一旁，民众在道路两侧沉默观看。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, scene 3 of the same five-image sequence, 16:9 landscape. Input images: Image 1 is the exact reference for Wang Ben's face, age, dark lacquered lamellar armor, black cloak, Qin army design, muted palette and cinematic realism. Preserve his identity and equipment closely. Primary request: Qin troops enter Linzi; no one resists, 221 BCE, following the Shiji account. Show disciplined occupation and stunned stillness, not an invented climactic street battle. Scene/backdrop: The outer approach and broad gate passage of late-Warring-States Linzi, with massive rammed-earth walls, timber gate structures, gray clay tiles, packed-earth streets, modest workshops and carts. The gate stands open. No later brick city wall. Subject: Wang Ben, matching Image 1 exactly, has dismounted and walks at the front edge of a controlled Qin column through the open gate. His sword remains sheathed and one hand signals troops to hold formation. Qin crossbowmen and infantry move in compact ranks with weapons lowered; no looting. Qi guards have stacked spears and simple lacquered shields to one side, uncertain and motionless. Civilians watch silently from doorways and behind carts, keeping distance; they are fearful but not abused. The historical action is the absence of resistance. Style/medium: premium live-action historical film still, archaeology-inspired late-Warring-States realism, same film world as Image 1, natural faces, subtle film grain. Composition/framing: wide street-level shot looking through the open gate; Wang Ben and first Qin rank in the near middle ground, receding column behind, still Qi guards and civilians framing both sides; leave a clean haze-lit wall area at upper right for later overlay; different composition from scene 2. Lighting/mood: pale dusty afternoon, muffled footsteps, tension without combat, irreversible political collapse. Color palette: black lacquer and umber for Qin, muted teal-brown for Qi civilians, gray clay, pale dust. Materials/textures: rammed earth, aged timber, lacquered leather and iron lamellae, hemp clothing, wood wheels, dry soil. Constraints: no battle spectacle, no bodies, no fire, no triumphal cheering, no kneeling masses, no readable writing; period-plausible 3rd-century BCE clothing and equipment. Avoid: any text, Chinese characters, captions, logo, watermark, burning Linzi, street massacre, siege engines inside the gate, Qin soldiers looting, terracotta statues as living soldiers, modern police occupation imagery, Han/Tang/Ming/Qing architecture or armor, Forbidden City, dragon emblems, samurai armor, plate armor, firearms, explosions, fantasy, anime, illustration, modern objects.",
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"visualInference": "临淄具体城门、街道、王贲下马、秦军队形、齐军集中放下兵器均为视觉重构；史料只明确秦军进入临淄而民众无人抵抗。",
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"referenceImages": ["images/02-wang-ben-south.png（王贲身份、秦军衣甲、色调与视觉世界参照）"],
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"refinementPrompt": ""
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},
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"sources": ["《史记·田敬仲完世家》卷四十六", "《史记·秦始皇本纪》卷六"]
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},
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{
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"id": "04",
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"title": "齐王出降",
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"timePlace": "公元前221年，临淄",
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"purpose": "表现齐王建听从后胜之计不战而降、齐国政权终结，同时避免后世影视式羞辱与处刑。",
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"narration": "齐王建听从后胜之计，不战而降，被迁往共地；齐国被改为秦的郡县。",
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"overlay": {
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"heading": "齐王出降",
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"line": "没有决战，只有最后一次交出兵权。"
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},
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"people": [
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{"name": "齐王建", "office": "齐国末代国君", "action": "听从后胜计，以军队降秦，随后被迁往共地"},
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{"name": "王贲", "office": "秦国将军", "action": "接受齐降并控制齐地"},
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{"name": "后胜", "office": "齐国相国", "action": "其主张促成齐王不战而降；降后具体结局不在本幕断言"}
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],
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"image": {
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"original": "images/04-king-jian-surrenders.png",
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"delivery": "images/04-king-jian-surrenders.webp",
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"alt": "临淄宫门前，齐王建站立着向王贲递出无字木制兵符，齐军在一旁放下弓矛，双方均保持克制。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, scene 4 of the same five-image sequence, 16:9 landscape. Input images: Image 1 fixes King Jian of Qi's exact older face, graying moustache and short beard, muted deep-teal robe, and Qi court design. Images 2 and 3 fix Wang Ben's exact face, black cloak, dark late-Warring-States Qin armor, Qin troops, muted palette and cinematic realism. Preserve both identities closely. Primary request: King Jian surrenders without battle, outside the inner court of Linzi, 221 BCE. Treat this as a sober transfer of power, not a humiliation fantasy. Scene/backdrop: A broad packed-earth forecourt between a late-Warring-States rammed-earth palace platform and an open timber gate. Qi weapon racks and low chariots stand at the edges; architecture and weather match the earlier sequence. Subject: King Jian of Qi, matching Image 1, stands upright in the center with two attendants. He has removed no clothing and is not bound or kneeling. He holds a plain, unmarked wooden command tally horizontally in both hands and extends it toward Wang Ben as a visual reconstruction of surrender. Wang Ben, matching Images 2-3, stands opposite with sword sheathed and receives the moment with restrained formality, not a triumphant pose. Behind King Jian, Qi soldiers lay bows and spears neatly on woven mats and step back. Behind Wang Ben, Qin officers wait in disciplined formation. Chancellor Hou Sheng is visible several steps behind King Jian, looking down, but no bribe or punishment is shown. Style/medium: premium live-action historical film still, archaeology-inspired late-Warring-States realism, same visual world and film grain as all references. Composition/framing: balanced wide two-group composition with King Jian and Wang Ben facing each other across a narrow open space; use bodies, lowered weapons and the gate to show the end of resistance; leave clean rammed-earth wall at upper left for later overlay; different composition from scene 3. Lighting/mood: flat late-afternoon light, silence, exhaustion and finality, no cheering. Color palette: muted teal-brown Qi clothing against Qin black lacquer and umber, gray clay, pale earth. Materials/textures: rammed earth, timber, low-sheen silk, hemp, lacquered lamellae, wood weapons racks. Constraints: preserve King Jian and Wang Ben identities; no chains, no forced kneeling, no violence, no mass prostration, no readable writing; the tally handover is explicitly a non-literal visual reconstruction. Avoid: any text, Chinese characters, captions, logo, watermark, crown removal spectacle, King Jian in a cage, beheading, Qin soldiers mocking or striking Qi soldiers, grand European surrender ceremony, imperial yellow robe, dragon throne, Han/Tang/Ming/Qing armor or palace, terracotta statues as living people, samurai armor, firearms, explosions, fantasy, anime, illustration, modern objects.",
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"visualInference": "齐王建与王贲当面对交、递交兵符、齐军集中放置兵器和后胜在场均为镜头化补全；史料只明确齐王听后胜计不战，以兵降秦并被迁往共。",
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"referenceImages": ["images/01-isolated-qi-court.png（齐王建与后胜身份参照）", "images/02-wang-ben-south.png（王贲身份与秦军军具参照）", "images/03-qin-enters-linzi.png（临淄视觉世界与双方色调参照）"],
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"refinementPrompt": ""
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},
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"sources": ["《史记·田敬仲完世家》卷四十六", "《史记·秦始皇本纪》卷六"]
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},
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{
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"id": "05",
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"title": "议定帝号",
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"timePlace": "公元前221年，秦都咸阳",
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"purpose": "把齐亡置于秦初并天下、议定皇帝名号和建立郡县秩序的政治结果中。",
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"narration": "至此，战国最后一个诸侯国消失，六国尽入秦。秦王政命群臣议定新名号，取“皇”与“帝”，自称始皇帝，并把天下分为三十六郡。灭齐不是一场血战的高潮，而是几十年离盟、失备之后，最后一扇门被推开。天下由列国并争，转入秦帝国的一统秩序。",
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"overlay": {
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"heading": "天下初并",
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"line": "齐亡之后，秦王政第一次把“皇”与“帝”并为一号。"
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},
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"people": [
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{"name": "嬴政", "office": "秦王，随后称始皇帝", "action": "在六国尽灭后命群臣议帝号，最终采用“皇帝”名号"},
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{"name": "王绾", "office": "秦丞相", "action": "与群臣参与尊号议定，并在后续制度讨论中主张分封"},
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{"name": "冯劫", "office": "秦御史大夫", "action": "参与尊号议定"},
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{"name": "李斯", "office": "秦廷尉", "action": "参与尊号议定，并在郡县制讨论中反对恢复分封"}
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],
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"image": {
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"original": "images/05-imperial-title.png",
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"delivery": "images/05-imperial-title.webp",
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"alt": "咸阳秦宫内，黑衣秦王政坐在低台上听王绾等群臣议事，六只无字文书匣排列在案前，远处渭水平原云层初开。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, scene 5 and conclusion of the same five-image sequence, 16:9 landscape. Input images: Image 1 is the exact reference for the sequence's archaeology-inspired late-Warring-States materials, Qin black-and-umber palette, restrained live-action cinematography and natural faces. Carry that world from Linzi to Qin's court at Xianyang. The surrender figures do not appear. Primary request: All under heaven is unified; the court debates the imperial title, Xianyang, after the conquest of Qi in 221 BCE. Visualize the political transition documented in the Shiji, without writing the title inside the image. Scene/backdrop: A restrained Qin audience hall on a high rammed-earth platform at Xianyang, dark timber columns, woven blinds, black lacquered beams with sparse cinnabar details, low mats and bronze lamps. Through a broad open doorway, the Wei River plain lies beneath clearing storm clouds. No later imperial palace or golden throne. Subject: Qin King Zheng, East Asian man age thirty-eight, lean strong face, high cheekbones, focused deep-set eyes, straight brows, neat moustache and short beard, sits upright on a low black-lacquered dais. He wears a formal black robe with restrained dark-red edging and a simple period-plausible headpiece, no dragon embroidery and no later crown. Chancellor Wang Wan, Censor-in-chief Feng Jie and Commandant of Justice Li Si stand with other officials in a measured semicircle, presenting plain unmarked wooden and bamboo tallies that suggest reports and administrative reorganization. Their discussion, not adoration, is the action. Several sealed, unmarked document cases rest on a low table; six separate courier cases have been gathered into one orderly row as a non-literal symbol of unification. No one prostrates. Qin King Zheng looks across the whole court as he makes the final decision. Style/medium: premium live-action historical film still, archaeology-inspired late-Warring-States Qin realism, same subdued film grain and tactile materials as Image 1. Composition/framing: wide interior court tableau with the ruler modestly elevated at one side and ministers forming a deep diagonal; the six plain cases lead the eye toward the court; leave clean shadowed beams and open sky at upper left for later overlay; distinct composition from the surrender scene. Lighting/mood: storm light opening into clear evening, controlled gravity, immense consequence rather than celebratory spectacle. Color palette: black lacquer, charcoal, dark umber, restrained cinnabar, pale river sky. Materials/textures: rammed earth, aged timber, low-sheen silk, bamboo and wood tallies, bronze, woven mats. Constraints: historically plausible Qin court around 221 BCE; no readable title; the six cases are explicitly symbolic visual inference, not an archaeological claim; officials participate in debate; no military triumph parade. Avoid: any text, Chinese characters, captions, logo, watermark, visible 皇帝 calligraphy, golden dragon throne, imperial yellow, crown with hanging bead curtain, Forbidden City, Han/Tang/Ming/Qing robes or architecture, terracotta army inside court, kneeling worshippers, divine halo, giant China map, modern border map, nationalist poster style, firearms, fantasy, anime, illustration, modern objects.",
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"visualInference": "咸阳殿堂布局、群臣站位、六只文书匣、窗外渭水与云层变化为视觉重构；六匣只象征六国归秦，不代表史料记载的具体器物或仪式。",
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"referenceImages": ["images/04-king-jian-surrenders.png（只作战国末期材质、秦国色调与电影写实风格参照；不继承人物）"],
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"refinementPrompt": ""
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},
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"sources": ["《史记·秦始皇本纪》卷六"]
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}
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],
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"bgm": {
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"catalogId": "seed-music-v1:linjiu:青崖引",
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"title": "青崖引",
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"version": "建议制作 72 BPM、无主唱纯伴奏的战国终局剪辑版",
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"status": "pending-export",
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"pathOrUrl": "",
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"usage": "使用项目内原创国风曲目的器乐版本；保留古琴四音动机，以低弦和克制木质打击扩展推进段，结尾加入低音编钟质感但不宣称为秦代音乐复原。旁白期间压低旋律与鼓点密度。",
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"reason": "《青崖引》的古琴短动机和逐层现代配器适合从齐廷静止、王贲南下到临淄无战的压迫感，再在议定帝号一幕扩展为宽阔但不凯旋化的终局；项目仅有曲目方案，没有可附加音频。",
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"cues": [
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{"from": "00:00", "to": "00:17", "scene": "01", "direction": "单古琴四音动机与极低环境底噪进入，礼箱和远去使者出现时不加戏剧重音。"},
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{"from": "00:17", "to": "00:35", "scene": "02", "direction": "加入低弦持续音和稀疏木质脉冲，行军队列展开时缓慢增加层次，不用英雄号角。"},
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{"from": "00:35", "to": "00:49", "scene": "03", "direction": "撤去大部分鼓点，只保留低弦和脚步般的轻脉冲，让“无人抵抗”的安静成为张力。"},
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{"from": "00:49", "to": "01:03", "scene": "04", "direction": "兵符递出时古琴主题只弹一次，随后留出一秒近静默，避免胜利欢呼。"},
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{"from": "01:03", "to": "01:26", "scene": "05", "direction": "弦乐与低音编钟质感逐层展开，议定帝号后不落在大调凯旋终止，而以宽阔长音收束。"}
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]
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},
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"sources": [
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{"claim": "秦王政二十六年，齐王建与后胜守西界，王贲从燕南攻齐并得齐王建；秦初并天下后议定皇帝名号、设三十六郡", "citation": "《史记·秦始皇本纪》卷六", "url": "https://zh.wikisource.org/zh-hant/史記三家註/卷006"},
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{"claim": "后胜受秦间金、齐不修战备且不助五国；秦军进入临淄无人抵抗；齐王建不战而降、迁于共，天下并于秦", "citation": "《史记·田敬仲完世家》卷四十六", "url": "https://zh.wikisource.org/zh/史記/卷046"},
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{"claim": "项目内原创曲目《青崖引》的古琴动机与现代配器说明；仓库未发现其实际音频文件", "citation": "digital-me-backend/scripts/seed-music.js"}
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],
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"blacklist": [
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"把灭齐虚构成临淄城下的惨烈决战、火攻、巷战或屠城；《史记》明确秦军进入临淄而民众无人抵抗",
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"把秦军进攻方向画成只从齐国西界正面强攻，忽略王贲从燕地南下",
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"把灭齐主将写成王翦、蒙恬、李信，或让秦王政亲自率军进入临淄；史载主将为王贲",
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"让齐王建与王贲单挑、齐王被斩首、囚车示众、当场饿死，或把后续传说画成投降现场事实",
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"把后胜收受秦间金具体化为某一场有确切时间、人物和金额的贿赂交易",
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"把齐王递交木制兵符、六只文书匣或群臣同场站位当作史料明确记载的仪式细节",
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"在齐国灭亡之前就让嬴政使用始皇帝名号，或把皇帝称号画成神授、加冕与万民匍匐",
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"把天下一统等同于现代中国版图，使用现代边界地图、国旗、民族国家宣传画或现代政治符号",
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"秦兵陶俑化、克隆脸、奇幻黑甲，或使用汉唐明清盔甲、帝王龙袍、冕旒、紫禁城、火器和可读文字",
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"为戏剧性制造齐国民众被虐待、秦军抢掠、尸山血海或胜利庆典"
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]
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}
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