287 lines
23 KiB
JSON
287 lines
23 KiB
JSON
{
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"event": {
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"canonicalName": "垓下之战（楚汉终局）",
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"aliases": [
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"垓下之战",
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"四面楚歌",
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"楚汉决战"
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],
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"era": "秦末汉初·楚汉相争",
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"date": "汉五年（公元前202年）",
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"place": "固陵、垓下、东城与乌江一线",
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"summary": "韩信统率汉军与诸侯合围项羽，楚军垓下败溃，项羽至乌江自刎，四年楚汉战争结束。"
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},
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"narration": {
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"language": "zh-CN",
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"estimatedSeconds": 90,
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"fullText": "汉五年，刘邦追击项羽至固陵，却因韩信、彭越未到而先败。张良献策后，刘邦许以封地，各路诸侯终于会师垓下。韩信将三十万居前，孔将军、费将军分列左右，汉王与绛侯殿后。楚军先迫韩信前阵后退，汉军两翼随即夹击，韩信复进，大破项羽。楚军兵少食尽，又被围数重。夜里，汉营四面响起楚歌，项羽以为楚地尽失，饮于帐中，悲歌数阕。其后率八百余骑突围，渡淮后只剩百余人，到东城仅二十八骑。乌江亭长备船相劝，项羽自言无颜见江东父老，终在乌江自刎。垓下一败，四年楚汉战争落幕，刘邦由汉王走向皇帝。"
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},
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"scenes": [
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{
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"id": "01",
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"title": "诸军会垓下",
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"timePlace": "公元前202年，固陵至垓下",
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"purpose": "交代刘邦以封地换得韩信、彭越等诸侯会师，形成最终合围。",
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"narration": "刘邦在固陵先败，随后采纳张良之策，许韩信、彭越以封地。各路兵马终于会师垓下。",
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"overlay": {
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"heading": "诸军会垓下",
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"line": "封地换来了最后一次合围。"
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},
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"people": [
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{
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"name": "刘邦",
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"office": "汉王",
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"action": "统合诸侯军并追击项羽"
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},
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{
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"name": "韩信",
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"office": "齐王、汉军主将",
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"action": "率兵从齐会师垓下"
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},
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{
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"name": "彭越",
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"office": "梁王",
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"action": "率军会垓下参与合围"
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},
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{
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"name": "张良",
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"office": "成信侯、汉王谋臣",
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"action": "献策许地以召韩信、彭越"
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}
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],
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"image": {
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"original": "images/01-lords-converge-at-gaixia.png",
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"delivery": "images/01-lords-converge-at-gaixia.webp",
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"alt": "冬日垓下平原上，刘邦、韩信、彭越等人在无字木案旁确定部署，多路汉军从远方汇入营地。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 01 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Winter on the plains near Gaixia in 202 BCE. Liu Bang, a weathered East Asian commander in his mid-fifties wearing a restrained dark-red Han cloak over early-Han lamellar armor, stands at a plain low field table with Han Xin, a lean calm commander in his thirties, and Peng Yue, a rugged older field leader. Unmarked wooden tallies lie on the table, no readable map. Several human-scale columns of cavalry, infantry and supply carts arrive across different roads in the distance. Wide strategic frame, cold ochre-gray palette, low sun, disciplined convergence rather than a cheering council. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
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"visualInference": "三人在同一野战案旁议定部署、军队同时汇入和衣甲细节属于视觉压缩；史料明确各军会垓下，但未记这一具体会议。"
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},
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"sources": [
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"《史记·项羽本纪》卷七",
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"《史记·高祖本纪》卷八"
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]
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},
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{
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"id": "02",
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"title": "五军夹击",
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"timePlace": "公元前202年，垓下战场",
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"purpose": "呈现韩信中军佯退后两翼夹击、复进破楚的决定性会战。",
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"narration": "韩信以三十万居前，孔、费两军分列左右。前阵一度后退，两翼随即夹击，韩信再度压上，楚军大败。",
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"overlay": {
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"heading": "五军夹击",
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"line": "退一步，是为了让两翼同时合上。"
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},
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"people": [
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{
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"name": "韩信",
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"office": "汉军前军主将",
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"action": "前阵交战不利后复进，配合两翼击破楚军"
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},
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{
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"name": "孔将军",
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"office": "汉军左翼将领",
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"action": "从左翼攻击楚军"
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},
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{
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"name": "费将军",
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"office": "汉军右翼将领",
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"action": "从右翼攻击楚军"
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},
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{
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"name": "项羽",
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"office": "西楚霸王",
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"action": "率楚军迎战，垓下大败"
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}
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],
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"image": {
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"original": "images/02-five-army-attack.png",
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"delivery": "images/02-five-army-attack.webp",
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"alt": "垓下开阔战场上，韩信立于中军高地指挥回转，两翼汉军包向楚军侧后，远处项羽整顿楚军。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 02 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: The main battle at Gaixia, wide elevated view. Han Xin, preserving his lean composed face, stands beside a command chariot on a low ridge, raising a plain signal baton as his early-Han center reforms after a controlled withdrawal. Two separate Han wings curve inward across the brown winter field. In the middle distance, Xiang Yu, a powerful East Asian warrior in his early thirties with tied hair and dark Chu armor edged in muted red, rallies a compact Chu line rather than dueling. Dust, chariot ruts and broken field barriers show pressure without gore. Clear readable layers, no impossible sea of troops. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
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"visualInference": "具体地形、韩信手势、项羽在远景整军和两翼弧线为战术可视化；中军退、两翼击、韩信复乘的次序有史载。"
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},
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"sources": [
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"《史记·高祖本纪》卷八"
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]
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},
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{
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"id": "03",
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"title": "四面楚歌",
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"timePlace": "垓下被围之夜，楚军营帐",
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"purpose": "从正面会战转入项羽兵少食尽、军心崩解的夜晚。",
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"narration": "楚军兵少食尽，又被围数重。夜闻汉营四面皆唱楚歌，项羽惊起，在帐中饮酒悲歌。",
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"overlay": {
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"heading": "四面楚歌",
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"line": "故乡的歌声，从敌营四面传来。"
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},
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"people": [
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{
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"name": "项羽",
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"office": "西楚霸王",
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"action": "夜起饮帐中，悲歌数阕并泣下"
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},
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{
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"name": "虞",
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"office": "项羽常幸从的美人",
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"action": "在帐中和歌；史书未载其结局"
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},
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{
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"name": "楚军左右",
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"office": "项羽亲随",
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"action": "闻歌随泣，莫能仰视"
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}
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],
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"image": {
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"original": "images/03-songs-from-four-sides.png",
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"delivery": "images/03-songs-from-four-sides.webp",
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"alt": "垓下楚营夜帐内，项羽持酒器低头，虞与亲随安静相伴，帐外远处汉营火光环绕，歌声以气氛表现。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 03 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Night inside Xiang Yu’s command tent at Gaixia. Xiang Yu, same powerful face as scene 2 but exhausted and partly unarmored, sits beside a low table holding a simple lacquer wine cup, eyes wet but restrained. Lady Yu, an East Asian woman in a plain layered Chu robe, stands close and listens; attendants lower their faces. Through the open tent flap, distant Han campfires form several separated arcs across the dark plain. The sense of Chu songs is carried by still figures, wind and far silhouettes, not visible text. Intimate wide composition, amber lamp inside, blue-black cold outside, no suicide scene. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
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"visualInference": "灯火分布、帐内站位、虞的服饰与表情为视觉补全；饮帐中、虞和歌、左右皆泣与四面楚歌均见《项羽本纪》。"
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},
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"sources": [
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"《史记·项羽本纪》卷七"
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]
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},
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{
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"id": "04",
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"title": "东城二十八骑",
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"timePlace": "突围后，东城一带",
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"purpose": "表现八百骑突围后不断减员，项羽到东城仅余二十八骑。",
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"narration": "项羽率八百骑乘夜突围。渡淮后只剩百余人，到东城被追骑围困时，身边仅余二十八骑。",
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"overlay": {
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"heading": "东城二十八骑",
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"line": "八百人出营，走到这里，只剩二十八。"
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},
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"people": [
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{
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"name": "项羽",
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"office": "西楚霸王",
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"action": "率残骑突围并在东城分骑突阵"
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},
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{
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"name": "灌婴",
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"office": "汉骑将",
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"action": "奉命追击项羽；不与项羽单挑"
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},
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{
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"name": "楚骑二十八人",
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"office": "项羽残部",
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"action": "随项羽在东城突围"
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}
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],
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"image": {
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"original": "images/04-twenty-eight-riders-at-dongcheng.png",
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"delivery": "images/04-twenty-eight-riders-at-dongcheng.webp",
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"alt": "清晨东城丘陵间，项羽与二十余名疲惫楚骑停在高坡，远处汉骑逐渐收紧，马匹与人都满是尘土。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 04 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Cold dawn in broken hills near Dongcheng. Xiang Yu, same identity, mounted on a dark horse at the crest with roughly two dozen exhausted Chu riders visible in small clusters, all dusty and travel-worn. Far below, Han cavalry under Guan Ying closes along several ravines but remains human-scale and distant. Xiang Yu studies the terrain rather than posing heroically. Wide panoramic frame with pale sky and deep valleys, breath from horses, fatigue and dwindling numbers, no gore and no duel. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
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"visualInference": "残骑的具体队形、丘陵地形与灌婴远景为视觉补全；八百骑出围、渡淮百余、东城二十八骑和灌婴追击均有史载。"
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},
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"sources": [
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"《史记·项羽本纪》卷七",
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"《史记·高祖本纪》卷八"
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]
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},
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{
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"id": "05",
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"title": "乌江终局",
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"timePlace": "公元前202年，乌江岸",
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"purpose": "呈现亭长备船、项羽拒渡并自刎的战争终局。",
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"narration": "乌江亭长备船相劝，项羽却自言无颜见江东父老。他把坐骑赠给亭长，步战之后自刎。",
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"overlay": {
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"heading": "乌江终局",
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"line": "江水可渡，他却不再渡了。"
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},
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"people": [
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{
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"name": "项羽",
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"office": "西楚霸王",
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"action": "拒绝渡江，赠马后步战，最终自刎"
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},
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{
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"name": "乌江亭长",
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"office": "乌江渡口亭长",
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"action": "备船劝项羽渡江"
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},
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{
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"name": "吕马童",
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"office": "汉军骑司马、项羽故人",
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"action": "在追兵中被项羽认出，见证其终局"
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}
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],
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"image": {
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"original": "images/05-last-stand-at-wu-river.png",
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"delivery": "images/05-last-stand-at-wu-river.webp",
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"alt": "乌江灰白水面旁，亭长扶着小舟等候，项羽将缰绳交给他后转身面向远处追兵，不表现自刎瞬间。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 05 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Sober final moment on the gray bank of the Wu River. The local tingzhang, an older ferryman-official in plain hemp layers, steadies a small wooden boat in shallow water. Xiang Yu, same face and armor but battered, hands over the reins of his dark horse and turns away from the river toward distant approaching Han riders. His sword remains lowered at his side; do not show the act of suicide. Wide low riverbank composition with reeds, cold mist and open water as negative space, grief without romanticized spectacle. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||
"visualInference": "交缰与转身动作、渡船形态和追兵距离为视觉补全；亭长备船、赠马、拒渡与最后自刎见《项羽本纪》。"
|
||
},
|
||
"sources": [
|
||
"《史记·项羽本纪》卷七"
|
||
]
|
||
}
|
||
],
|
||
"bgm": {
|
||
"catalogId": "zhanzhen:gaixia#0",
|
||
"title": "垓下之战",
|
||
"version": "电影级配乐·建议使用无主唱器乐 stem",
|
||
"status": "pending-export",
|
||
"usage": "保留楚声调式、低弦和稀疏战鼓，去除歌词与人声；第三幕后撤掉鼓点，以楚歌、马蹄和风声留白。",
|
||
"reason": "项目内与本战直接绑定的原创音乐方案，能覆盖会战、楚歌与乌江终局；仓库中未发现可直接附加的成品音频。",
|
||
"pathOrUrl": "",
|
||
"cues": [
|
||
{
|
||
"from": "00:00",
|
||
"to": "00:18",
|
||
"scene": "01",
|
||
"direction": "以最少配器进入，先建立时代、地理与压力。"
|
||
},
|
||
{
|
||
"from": "00:18",
|
||
"to": "00:36",
|
||
"scene": "02",
|
||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||
},
|
||
{
|
||
"from": "00:36",
|
||
"to": "00:54",
|
||
"scene": "03",
|
||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||
},
|
||
{
|
||
"from": "00:54",
|
||
"to": "01:12",
|
||
"scene": "04",
|
||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||
},
|
||
{
|
||
"from": "01:12",
|
||
"to": "01:30",
|
||
"scene": "05",
|
||
"direction": "撤去主鼓点，以风声、低弦或单一金石音收束，不作大调凯旋。"
|
||
}
|
||
]
|
||
},
|
||
"sources": [
|
||
{
|
||
"claim": "本素材所涉史记·项羽本纪相关时间、人物、战斗经过与结局",
|
||
"citation": "《史记·项羽本纪》卷七",
|
||
"url": "https://zh.wikisource.org/zh-hans/史记/卷007"
|
||
},
|
||
{
|
||
"claim": "本素材所涉史记·高祖本纪相关时间、人物、战斗经过与结局",
|
||
"citation": "《史记·高祖本纪》卷八",
|
||
"url": "https://zh.wikisource.org/zh-hans/史记/卷008"
|
||
}
|
||
],
|
||
"blacklist": [
|
||
"把“十面埋伏”当作《史记》中的阵名；正史载韩信中军、孔费两翼与刘邦后阵",
|
||
"画虞姬在垓下自刎；《史记》只载美人虞在场和歌，不载她的死亡方式与结局",
|
||
"把项羽在乌江被刘邦亲手杀死；史载项羽自刎，刘邦不在乌江现场",
|
||
"让项羽在东城或乌江只剩一名随从；史载东城尚有二十八骑",
|
||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||
"唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲",
|
||
"玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山",
|
||
"把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实"
|
||
]
|
||
}
|