数字我 Digital Me：全量入库（大文件走 Git LFS）

战役素材/隋/第一次征高丽（萨水九军覆没）/manifest.json

@@ -0,0 +1,242 @@
+{
+  "event": {
+    "canonicalName": "第一次征高丽（萨水九军覆没）",
+    "aliases": [
+      "隋第一次征高丽",
+      "隋炀帝第一次征高丽",
+      "大业八年征高丽",
+      "萨水之战"
+    ],
+    "projectDynasty": "隋",
+    "era": "隋炀帝大业八年、高句丽婴阳王二十三年",
+    "date": "公元612年正月至七月",
+    "place": "涿郡、辽河、辽东城、平壤与萨水一线",
+    "summary": "隋炀帝征发一百一十三万余军队第一次远征高句丽，诸军渡辽、围辽东后又派九军深入平壤；粮尽撤退时在萨水遭击而崩溃，九军损失惨重，远征失败并加剧隋末社会危机。"
+  },
+  "narration": {
+    "language": "zh-CN",
+    "estimatedSeconds": 89,
+    "fullText": "大业八年，隋炀帝杨广在涿郡集结大军征讨高句丽。《隋书》记载，战兵一百一十三万三千八百，号称二百万，运送粮械的人员还要更多。各军依次出发，前后用了四十天，旌旗绵延近千里。声势越大，供给就越困难。隋军渡辽河时，麦铁杖率先登岸，战死于前锋；主力随后围攻辽东城，却受到皇帝必须受降、不得擅自处置的命令牵制，多次失去战机。为了直取平壤，宇文述、于仲文等率九军深入。士兵既要带兵器，又要背负百日粮，很多人暗中丢弃粮袋。九军抵近平壤后已经难以久留，只能撤退。高句丽军沿途追击，在萨水一带发动攻击，撤军秩序彻底崩溃。九军出发三十万五千人，史书记载回到辽东城的只有二千七百人。这个数字不必画成尸山，它首先意味着一个庞大后勤体系的失败。第一次征高丽没有迫使高句丽投降，却让民役、运输和军队损失压向隋朝社会，成为王朝走向崩解的重要节点。"
+  },
+  "scenes": [
+    {
+      "id": "01",
+      "title": "涿郡集结·四十日出师",
+      "timePlace": "涿郡军营与北上道路",
+      "purpose": "用行军与后勤规模呈现远征的制度压力。",
+      "narration": "一百一十三万余战兵依次离开涿郡，四十天才全部出发，粮车与役夫构成更长的队伍。",
+      "overlay": {
+        "heading": "百万之师",
+        "line": "数字越壮观，每天要送到前线的粮食就越接近不可能。"
+      },
+      "people": [
+        {
+          "name": "杨广",
+          "office": "隋炀帝",
+          "action": "在涿郡总领远征并规定诸军次序"
+        },
+        {
+          "name": "隋军将卒",
+          "office": "十二军与诸道部队",
+          "action": "按番号分批北上"
+        },
+        {
+          "name": "转运役夫",
+          "office": "征发民夫与车船人员",
+          "action": "运送粮食、箭矢、甲械与草料"
+        }
+      ],
+      "image": {
+        "original": "images/01-massive-sui-mobilization-at-zhuojun.png",
+        "delivery": "images/01-massive-sui-mobilization-at-zhuojun.webp",
+        "alt": "涿郡外广阔平原，隋军不是挤成一团，而是多列步兵、骑兵、粮车和役夫向地平线分批出发；杨广在朴素高台查看无字军册，近景可见称量粮袋。",
+        "prompt": "Use case: historical-scene. Digital Me Chen, Northern Zhou and Sui story frame. On the vast plain outside Zhuojun, Sui forces depart in separated columns: infantry, cavalry, grain carts and laborers stretching toward the horizon rather than an impossible wall of people. Emperor Yang Guang observes from a restrained timber platform beside blank military tallies; workers weigh grain sacks in the foreground. Convey scale through depth and logistics, no literal millions, aerial satellite view or golden imperial spectacle. Premium live-action Chinese historical film still, archaeology-informed sixth-to-early-seventh-century East Asia, cinematic 16:9 landscape, subtle film grain, physically plausible troops, terrain and logistics, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, later Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.",
+        "visualInference": "行军密度、高台、称粮与多列纵深为视觉转译；兵数、四十日出师及旌旗千里有《隋书》明确记载。",
+        "refinementPrompt": ""
+      },
+      "sources": [
+        "《隋书·炀帝纪下》卷四",
+        "《资治通鉴》卷一百八十一"
+      ]
+    },
+    {
+      "id": "02",
+      "title": "辽河先登·麦铁杖战死",
+      "timePlace": "辽河西岸与东岸滩头",
+      "purpose": "呈现渡河代价和前锋将领战死，不直接展示死亡。",
+      "narration": "隋军架桥渡辽。麦铁杖率前锋先登东岸，与高句丽守军交战后战死，主力才逐步建立渡口。",
+      "overlay": {
+        "heading": "第一座河就见血",
+        "line": "大军还没有看见平壤，渡辽的第一批人已经回不来了。"
+      },
+      "people": [
+        {
+          "name": "麦铁杖",
+          "office": "右屯卫大将军",
+          "action": "率前锋先渡辽水，力战而死；不展示遗体"
+        },
+        {
+          "name": "钱士雄、孟金叉",
+          "office": "隋军将领",
+          "action": "随前锋渡河作战并战死；不展示遗体"
+        },
+        {
+          "name": "高句丽守军",
+          "office": "辽河东岸防军",
+          "action": "在滩头阻击架桥和登陆"
+        }
+      ],
+      "image": {
+        "original": "images/02-mai-tiezhang-leads-liao-river-crossing.png",
+        "delivery": "images/02-mai-tiezhang-leads-liao-river-crossing.webp",
+        "alt": "早春辽河冷水中，隋军工兵架设简易浮桥，麦铁杖率第一批甲士踏上东岸泥滩，在高句丽弓兵箭雨下结成盾阵；断裂桥板与回撤小舟暗示代价，不画死亡瞬间。",
+        "prompt": "Use case: historical-scene. Digital Me Chen, Northern Zhou and Sui story frame. At the cold Liao River in early spring, Sui engineers lash a practical pontoon bridge while Mai Tiezhuang leads the first armored infantry onto the muddy east-bank beach. Goguryeo archers defend from an earthen embankment; the landing party forms shields under arrows. Broken bridge planks and a returning skiff imply the deadly cost without showing Mai’s death, gore, floating bodies or later stone fortress imagery. Premium live-action Chinese historical film still, archaeology-informed sixth-to-early-seventh-century East Asia, cinematic 16:9 landscape, subtle film grain, physically plausible troops, terrain and logistics, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, later Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.",
+        "visualInference": "浮桥形制、盾阵、守军位置与断板为视觉重构；麦铁杖先登辽水战死有史载。",
+        "refinementPrompt": ""
+      },
+      "sources": [
+        "《隋书·炀帝纪下》卷四",
+        "《隋书·麦铁杖传》"
+      ]
+    },
+    {
+      "id": "03",
+      "title": "九军深入·百日粮尽",
+      "timePlace": "辽东至平壤道路",
+      "purpose": "把失败原因落在负重、补给与命令体系，而非天罚。",
+      "narration": "宇文述、于仲文等率九军深入，士卒背负百日粮。大量粮袋途中被弃，抵近平壤时已无力久战。",
+      "overlay": {
+        "heading": "粮食先倒下",
+        "line": "每个人多背一袋粮，军队就慢一点；每个人少一袋粮，平壤就远一点。"
+      },
+      "people": [
+        {
+          "name": "宇文述",
+          "office": "左翊卫大将军",
+          "action": "统率九军深入并在粮尽后主张撤退"
+        },
+        {
+          "name": "于仲文",
+          "office": "右翊卫大将军",
+          "action": "参与统军并与诸将意见不一"
+        },
+        {
+          "name": "隋军士卒",
+          "office": "深入部队",
+          "action": "背负军械和百日粮，途中疲惫减员"
+        }
+      ],
+      "image": {
+        "original": "images/03-nine-armies-exhaust-supplies-near-pyongyang.png",
+        "delivery": "images/03-nine-armies-exhaust-supplies-near-pyongyang.webp",
+        "alt": "夏季阴雨的北方山路，隋军长列士卒肩背武器和沉重粮袋，路旁散落被割开的空袋而非满地尸体；宇文述与于仲文站在泥泞岔路查看无字木牍，远处只是平壤方向低云。",
+        "prompt": "Use case: historical-scene. Digital Me Chen, Northern Zhou and Sui story frame. On a rain-soaked summer road toward Pyongyang, a long Sui column carries weapons and visibly heavy grain sacks. Cut and abandoned empty bags lie beside the mud, not bodies. Yuwen Shu and Yu Zhongwen confer at a fork over blank wooden tallies while low clouds obscure the destination. Show exhaustion, command friction and lost supplies; no literal map arrows, modern backpacks, Goguryeo city already visible or supernatural storm. Premium live-action Chinese historical film still, archaeology-informed sixth-to-early-seventh-century East Asia, cinematic 16:9 landscape, subtle film grain, physically plausible troops, terrain and logistics, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, later Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.",
+        "visualInference": "粮袋样式、岔路会议、天气与弃粮痕迹为视觉重构；九军负百日粮、士卒私弃粮和抵平壤后粮尽有史载。",
+        "refinementPrompt": ""
+      },
+      "sources": [
+        "《隋书·炀帝纪下》卷四",
+        "《资治通鉴》卷一百八十一"
+      ]
+    },
+    {
+      "id": "04",
+      "title": "萨水退军·九军崩溃",
+      "timePlace": "萨水渡口至辽东城退路",
+      "purpose": "交代撤退遭击与巨大损失，避免神化洪水或展示尸山。",
+      "narration": "九军粮尽撤退，高句丽军沿途袭击。萨水附近退军失序，能返回辽东城者极少。",
+      "overlay": {
+        "heading": "回来二千七百人",
+        "line": "史书留下一个数字；道路上留下的，是被丢弃的车、甲和再也接不上的队伍。"
+      },
+      "people": [
+        {
+          "name": "乙支文德",
+          "office": "高句丽大臣、统军者",
+          "action": "追击撤退的隋军并把握萨水战机"
+        },
+        {
+          "name": "宇文述、于仲文",
+          "office": "隋军统帅",
+          "action": "在溃退中收拢残部返回辽东"
+        },
+        {
+          "name": "隋军残部",
+          "office": "九军将卒",
+          "action": "涉水、弃车并分散撤回"
+        }
+      ],
+      "image": {
+        "original": "images/04-salsu-retreat-collapses.png",
+        "delivery": "images/04-salsu-retreat-collapses.webp",
+        "alt": "暮色萨水浅滩，疲惫隋军争相涉水撤退，岸上遗留空粮车、盾牌和解下的甲片；高句丽军从远处高岸逼近，前景少数军官试图重建队列，不画巨浪、溺尸或尸山。",
+        "prompt": "Use case: historical-scene. Digital Me Chen, Northern Zhou and Sui story frame. At dusk on the shallow Salsu crossing, exhausted Sui troops wade and retreat in broken groups, leaving empty grain carts, shields and discarded armor plates on the bank. Goguryeo troops approach from distant high ground while a few officers try to restore a line in the foreground. Express catastrophic collapse through abandoned logistics and separation, not a divine flood, giant wave, drowning spectacle, corpses or gore. Premium live-action Chinese historical film still, archaeology-informed sixth-to-early-seventh-century East Asia, cinematic 16:9 landscape, subtle film grain, physically plausible troops, terrain and logistics, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, later Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.",
+        "visualInference": "浅滩形态、弃械与追军距离为视觉转译；九军粮尽退军、萨水附近遭击及仅少数返回有史载，不采纳神洪叙事。",
+        "refinementPrompt": ""
+      },
+      "sources": [
+        "《隋书·炀帝纪下》卷四",
+        "《资治通鉴》卷一百八十一"
+      ]
+    }
+  ],
+  "bgm": {
+    "catalogId": "zhanzhen:anshicheng#0",
+    "title": "唐太宗征高句丽·安市城之战",
+    "version": "电影级配乐·辽东远征结构借用·仅器乐 stem",
+    "status": "pending-export",
+    "pathOrUrl": "",
+    "usage": "保留辽东远征的苦役节奏、冷弦与撤军弧线；删除唐代专属段落、人声、歌词和品牌尾签，萨水段不加入神异洪水音效。",
+    "reason": "项目暂无大业八年征高丽专曲，安市城曲同属辽东远征与补给失败，地理和情绪结构最接近；仍需避免混淆隋唐两次战争。仓库暂无成品音频。",
+    "cues": [
+      {
+        "scene": "01",
+        "from": "00:00",
+        "to": "00:22",
+        "direction": "夯土与车轮节奏表现动员。"
+      },
+      {
+        "scene": "02",
+        "from": "00:22",
+        "to": "00:43",
+        "direction": "渡辽加入短促弦乐峰值。"
+      },
+      {
+        "scene": "03",
+        "from": "00:43",
+        "to": "01:06",
+        "direction": "负重行军逐层压低。"
+      },
+      {
+        "scene": "04",
+        "from": "01:06",
+        "to": "01:29",
+        "direction": "萨水撤军崩解后只留风声。"
+      }
+    ]
+  },
+  "sources": [
+    {
+      "claim": "军队规模、四十日出师、渡辽与九军覆没",
+      "citation": "《隋书·炀帝纪下》卷四",
+      "url": "https://zh.wikisource.org/zh-hans/隋书/卷04"
+    },
+    {
+      "claim": "麦铁杖先登辽水战死",
+      "citation": "《隋书·麦铁杖传》",
+      "url": "https://zh.wikisource.org/zh-hans/隋书/卷64"
+    },
+    {
+      "claim": "九军负粮、撤退与萨水战局日序",
+      "citation": "《资治通鉴》卷一百八十一",
+      "url": "https://zh.wikisource.org/zh-hans/资治通鉴/卷181"
+    }
+  ],
+  "blacklist": [
+    "把“百万大军”画成不可分辨的复制人海，忽略役夫、车船和分批出发",
+    "把隋军与唐太宗安市城之战混为一次远征",
+    "把失败只归因于杨广个人癫狂，忽略命令体系、补给和纵深",
+    "把萨水之败画成神明制造的巨浪或现代大坝泄洪",
+    "现代文字、水印、后世服甲建筑、火器、尸堆与血腥"
+  ]
+}

战役素材/隋/第一次征高丽（萨水九军覆没）/素材说明.md

@@ -0,0 +1,134 @@
+# 第一次征高丽（萨水九军覆没）｜素材说明
+
+## 事件边界
+
+- 规范事件名：第一次征高丽（萨水九军覆没）
+- 常用称呼：隋第一次征高丽、隋炀帝第一次征高丽、大业八年征高丽、萨水之战
+- 项目归类：隋
+- 时代：隋炀帝大业八年、高句丽婴阳王二十三年
+- 日期：公元612年正月至七月
+- 地点：涿郡、辽河、辽东城、平壤与萨水一线
+- 一句话结论：隋炀帝征发一百一十三万余军队第一次远征高句丽，诸军渡辽、围辽东后又派九军深入平壤；粮尽撤退时在萨水遭击而崩溃，九军损失惨重，远征失败并加剧隋末社会危机。
+
+## 60–90 秒主旁白
+
+大业八年，隋炀帝杨广在涿郡集结大军征讨高句丽。《隋书》记载，战兵一百一十三万三千八百，号称二百万，运送粮械的人员还要更多。各军依次出发，前后用了四十天，旌旗绵延近千里。声势越大，供给就越困难。隋军渡辽河时，麦铁杖率先登岸，战死于前锋；主力随后围攻辽东城，却受到皇帝必须受降、不得擅自处置的命令牵制，多次失去战机。为了直取平壤，宇文述、于仲文等率九军深入。士兵既要带兵器，又要背负百日粮，很多人暗中丢弃粮袋。九军抵近平壤后已经难以久留，只能撤退。高句丽军沿途追击，在萨水一带发动攻击，撤军秩序彻底崩溃。九军出发三十万五千人，史书记载回到辽东城的只有二千七百人。这个数字不必画成尸山，它首先意味着一个庞大后勤体系的失败。第一次征高丽没有迫使高句丽投降，却让民役、运输和军队损失压向隋朝社会，成为王朝走向崩解的重要节点。
+
+## 分幕素材
+
+### 01｜涿郡集结·四十日出师
+
+- 时间地点：涿郡军营与北上道路
+- 本幕作用：用行军与后勤规模呈现远征的制度压力。
+- 分幕旁白：一百一十三万余战兵依次离开涿郡，四十天才全部出发，粮车与役夫构成更长的队伍。
+- 页面标题：百万之师
+- 页面短句：数字越壮观，每天要送到前线的粮食就越接近不可能。
+- PNG：`images/01-massive-sui-mobilization-at-zhuojun.png`
+- WebP：`images/01-massive-sui-mobilization-at-zhuojun.webp`
+- 替代文本：涿郡外广阔平原，隋军不是挤成一团，而是多列步兵、骑兵、粮车和役夫向地平线分批出发；杨广在朴素高台查看无字军册，近景可见称量粮袋。
+- 视觉推演边界：行军密度、高台、称粮与多列纵深为视觉转译；兵数、四十日出师及旌旗千里有《隋书》明确记载。
+- 人物：杨广（隋炀帝；在涿郡总领远征并规定诸军次序）；隋军将卒（十二军与诸道部队；按番号分批北上）；转运役夫（征发民夫与车船人员；运送粮食、箭矢、甲械与草料）
+- 史料：《隋书·炀帝纪下》卷四；《资治通鉴》卷一百八十一
+
+生成提示词：
+
+```text
+Use case: historical-scene. Digital Me Chen, Northern Zhou and Sui story frame. On the vast plain outside Zhuojun, Sui forces depart in separated columns: infantry, cavalry, grain carts and laborers stretching toward the horizon rather than an impossible wall of people. Emperor Yang Guang observes from a restrained timber platform beside blank military tallies; workers weigh grain sacks in the foreground. Convey scale through depth and logistics, no literal millions, aerial satellite view or golden imperial spectacle. Premium live-action Chinese historical film still, archaeology-informed sixth-to-early-seventh-century East Asia, cinematic 16:9 landscape, subtle film grain, physically plausible troops, terrain and logistics, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, later Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.
+```
+
+### 02｜辽河先登·麦铁杖战死
+
+- 时间地点：辽河西岸与东岸滩头
+- 本幕作用：呈现渡河代价和前锋将领战死，不直接展示死亡。
+- 分幕旁白：隋军架桥渡辽。麦铁杖率前锋先登东岸，与高句丽守军交战后战死，主力才逐步建立渡口。
+- 页面标题：第一座河就见血
+- 页面短句：大军还没有看见平壤，渡辽的第一批人已经回不来了。
+- PNG：`images/02-mai-tiezhang-leads-liao-river-crossing.png`
+- WebP：`images/02-mai-tiezhang-leads-liao-river-crossing.webp`
+- 替代文本：早春辽河冷水中，隋军工兵架设简易浮桥，麦铁杖率第一批甲士踏上东岸泥滩，在高句丽弓兵箭雨下结成盾阵；断裂桥板与回撤小舟暗示代价，不画死亡瞬间。
+- 视觉推演边界：浮桥形制、盾阵、守军位置与断板为视觉重构；麦铁杖先登辽水战死有史载。
+- 人物：麦铁杖（右屯卫大将军；率前锋先渡辽水，力战而死；不展示遗体）；钱士雄、孟金叉（隋军将领；随前锋渡河作战并战死；不展示遗体）；高句丽守军（辽河东岸防军；在滩头阻击架桥和登陆）
+- 史料：《隋书·炀帝纪下》卷四；《隋书·麦铁杖传》
+
+生成提示词：
+
+```text
+Use case: historical-scene. Digital Me Chen, Northern Zhou and Sui story frame. At the cold Liao River in early spring, Sui engineers lash a practical pontoon bridge while Mai Tiezhuang leads the first armored infantry onto the muddy east-bank beach. Goguryeo archers defend from an earthen embankment; the landing party forms shields under arrows. Broken bridge planks and a returning skiff imply the deadly cost without showing Mai’s death, gore, floating bodies or later stone fortress imagery. Premium live-action Chinese historical film still, archaeology-informed sixth-to-early-seventh-century East Asia, cinematic 16:9 landscape, subtle film grain, physically plausible troops, terrain and logistics, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, later Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.
+```
+
+### 03｜九军深入·百日粮尽
+
+- 时间地点：辽东至平壤道路
+- 本幕作用：把失败原因落在负重、补给与命令体系，而非天罚。
+- 分幕旁白：宇文述、于仲文等率九军深入，士卒背负百日粮。大量粮袋途中被弃，抵近平壤时已无力久战。
+- 页面标题：粮食先倒下
+- 页面短句：每个人多背一袋粮，军队就慢一点；每个人少一袋粮，平壤就远一点。
+- PNG：`images/03-nine-armies-exhaust-supplies-near-pyongyang.png`
+- WebP：`images/03-nine-armies-exhaust-supplies-near-pyongyang.webp`
+- 替代文本：夏季阴雨的北方山路，隋军长列士卒肩背武器和沉重粮袋，路旁散落被割开的空袋而非满地尸体；宇文述与于仲文站在泥泞岔路查看无字木牍，远处只是平壤方向低云。
+- 视觉推演边界：粮袋样式、岔路会议、天气与弃粮痕迹为视觉重构；九军负百日粮、士卒私弃粮和抵平壤后粮尽有史载。
+- 人物：宇文述（左翊卫大将军；统率九军深入并在粮尽后主张撤退）；于仲文（右翊卫大将军；参与统军并与诸将意见不一）；隋军士卒（深入部队；背负军械和百日粮，途中疲惫减员）
+- 史料：《隋书·炀帝纪下》卷四；《资治通鉴》卷一百八十一
+
+生成提示词：
+
+```text
+Use case: historical-scene. Digital Me Chen, Northern Zhou and Sui story frame. On a rain-soaked summer road toward Pyongyang, a long Sui column carries weapons and visibly heavy grain sacks. Cut and abandoned empty bags lie beside the mud, not bodies. Yuwen Shu and Yu Zhongwen confer at a fork over blank wooden tallies while low clouds obscure the destination. Show exhaustion, command friction and lost supplies; no literal map arrows, modern backpacks, Goguryeo city already visible or supernatural storm. Premium live-action Chinese historical film still, archaeology-informed sixth-to-early-seventh-century East Asia, cinematic 16:9 landscape, subtle film grain, physically plausible troops, terrain and logistics, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, later Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.
+```
+
+### 04｜萨水退军·九军崩溃
+
+- 时间地点：萨水渡口至辽东城退路
+- 本幕作用：交代撤退遭击与巨大损失，避免神化洪水或展示尸山。
+- 分幕旁白：九军粮尽撤退，高句丽军沿途袭击。萨水附近退军失序，能返回辽东城者极少。
+- 页面标题：回来二千七百人
+- 页面短句：史书留下一个数字；道路上留下的，是被丢弃的车、甲和再也接不上的队伍。
+- PNG：`images/04-salsu-retreat-collapses.png`
+- WebP：`images/04-salsu-retreat-collapses.webp`
+- 替代文本：暮色萨水浅滩，疲惫隋军争相涉水撤退，岸上遗留空粮车、盾牌和解下的甲片；高句丽军从远处高岸逼近，前景少数军官试图重建队列，不画巨浪、溺尸或尸山。
+- 视觉推演边界：浅滩形态、弃械与追军距离为视觉转译；九军粮尽退军、萨水附近遭击及仅少数返回有史载，不采纳神洪叙事。
+- 人物：乙支文德（高句丽大臣、统军者；追击撤退的隋军并把握萨水战机）；宇文述、于仲文（隋军统帅；在溃退中收拢残部返回辽东）；隋军残部（九军将卒；涉水、弃车并分散撤回）
+- 史料：《隋书·炀帝纪下》卷四；《资治通鉴》卷一百八十一
+
+生成提示词：
+
+```text
+Use case: historical-scene. Digital Me Chen, Northern Zhou and Sui story frame. At dusk on the shallow Salsu crossing, exhausted Sui troops wade and retreat in broken groups, leaving empty grain carts, shields and discarded armor plates on the bank. Goguryeo troops approach from distant high ground while a few officers try to restore a line in the foreground. Express catastrophic collapse through abandoned logistics and separation, not a divine flood, giant wave, drowning spectacle, corpses or gore. Premium live-action Chinese historical film still, archaeology-informed sixth-to-early-seventh-century East Asia, cinematic 16:9 landscape, subtle film grain, physically plausible troops, terrain and logistics, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, later Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.
+```
+
+## BGM 选曲
+
+- 项目曲目：`zhanzhen:anshicheng#0`｜唐太宗征高句丽·安市城之战｜电影级配乐·辽东远征结构借用·仅器乐 stem
+- 状态：pending-export
+- 用法：保留辽东远征的苦役节奏、冷弦与撤军弧线；删除唐代专属段落、人声、歌词和品牌尾签，萨水段不加入神异洪水音效。
+- 选择理由：项目暂无大业八年征高丽专曲，安市城曲同属辽东远征与补给失败，地理和情绪结构最接近；仍需避免混淆隋唐两次战争。仓库暂无成品音频。
+- 音频路径或 URL：仓库暂缺，待导出
+
+| 时间 | 分幕 | 编排 |
+|---|---|---|
+| 00:00–00:22 | 01 | 夯土与车轮节奏表现动员。 |
+| 00:22–00:43 | 02 | 渡辽加入短促弦乐峰值。 |
+| 00:43–01:06 | 03 | 负重行军逐层压低。 |
+| 01:06–01:29 | 04 | 萨水撤军崩解后只留风声。 |
+
+## 史料来源
+
+- 军队规模、四十日出师、渡辽与九军覆没：[《隋书·炀帝纪下》卷四](https://zh.wikisource.org/zh-hans/隋书/卷04)
+- 麦铁杖先登辽水战死：[《隋书·麦铁杖传》](https://zh.wikisource.org/zh-hans/隋书/卷64)
+- 九军负粮、撤退与萨水战局日序：[《资治通鉴》卷一百八十一](https://zh.wikisource.org/zh-hans/资治通鉴/卷181)
+
+## 禁区与误读防护
+
+- 把“百万大军”画成不可分辨的复制人海，忽略役夫、车船和分批出发
+- 把隋军与唐太宗安市城之战混为一次远征
+- 把失败只归因于杨广个人癫狂，忽略命令体系、补给和纵深
+- 把萨水之败画成神明制造的巨浪或现代大坝泄洪
+- 现代文字、水印、后世服甲建筑、火器、尸堆与血腥
+
+## 交付检查
+
+- [x] 每幕 PNG 原图存在且为 16:9
+- [x] 每幕 WebP 交付图存在且为 16:9
+- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
+- [ ] BGM 已导出并填写可用路径
+- [x] `manifest.json` 与本说明中的文件名全部校验通过

战役素材/隋/隋灭陈之战（韩擒虎夜入建康）/manifest.json

@@ -0,0 +1,247 @@
+{
+  "event": {
+    "canonicalName": "隋灭陈之战（韩擒虎夜入建康）",
+    "aliases": [
+      "隋灭陈之战",
+      "平陈之战",
+      "韩擒虎入建康"
+    ],
+    "projectDynasty": "陈／隋",
+    "era": "隋文帝开皇八年至九年、陈后主祯明二年至三年",
+    "date": "公元588年冬至589年正月",
+    "place": "长江上游、广陵、采石、钟山与建康",
+    "summary": "隋文帝部署多路水陆军伐陈，杨素从上游牵制，贺若弼、韩擒虎分别从广陵和横江渡江；陈军在建康外围败溃，韩擒虎率军先入朱雀门，俘陈后主，南北重新统一。"
+  },
+  "narration": {
+    "language": "zh-CN",
+    "estimatedSeconds": 87,
+    "fullText": "开皇八年冬，隋文帝杨坚下令大举伐陈。晋王杨广统筹诸军，杨素率水军从长江上游东下，牵制陈军江防；下游的贺若弼从广陵渡江，韩擒虎则由横江夜渡。隋军选择陈朝正月庆会、防务松弛之际行动，几路同时突破，而不是只靠一名将领潜入。贺若弼在钟山、白土冈一线击败陈军主力，韩擒虎攻取采石后直趋建康。陈后主仍在宫中，军报与命令被近臣阻隔，各部无法形成统一抵抗。韩擒虎所部先进入朱雀门，城中官军相继放下武器。陈后主与张丽华、孔贵人躲入一口枯井，隋军垂绳将他们拉出。这个细节见于正史，却不必拍成羞辱喜剧；它标志着一个朝廷已经失去最后的公开指挥空间。陈亡以后，隋军接收府库、图籍与州郡。自西晋末年长期分裂的南北，在589年重新统一。隋灭陈是多路战略、江防失效和陈朝政治失能共同造成的结果，不能缩写成“韩擒虎一夜一人灭国”。"
+  },
+  "scenes": [
+    {
+      "id": "01",
+      "title": "八路伐陈·上下游并进",
+      "timePlace": "长江上游至淮南各军出发地",
+      "purpose": "建立隋军多路水陆协同。",
+      "narration": "杨广统筹伐陈，杨素上游水军东下，贺若弼、韩擒虎在下游等待渡江。",
+      "overlay": {
+        "heading": "一江多路",
+        "line": "建康面对的不是一处渡口，而是从上游到淮南同时收紧的战线。"
+      },
+      "people": [
+        {
+          "name": "杨广",
+          "office": "晋王、行军元帅",
+          "action": "统筹伐陈诸军"
+        },
+        {
+          "name": "杨素",
+          "office": "行军元帅",
+          "action": "率上游水军顺江东下"
+        },
+        {
+          "name": "贺若弼、韩擒虎",
+          "office": "行军总管",
+          "action": "分别在广陵、横江准备渡江"
+        }
+      ],
+      "image": {
+        "original": "images/01-sui-armies-converge-on-yangtze.png",
+        "delivery": "images/01-sui-armies-converge-on-yangtze.webp",
+        "alt": "冬季长江战略纵深画面，前景杨素木质水军顺峡江而下，远方平原两处隋军在不同渡口整备，杨广在简朴军府查看无字木牍。",
+        "prompt": "Use case: historical-scene. Digital Me Eastern Jin and Northern-Southern Dynasties story frame. A winter Yangtze campaign visual with natural depth: in the foreground Yang Su’s timber river fleet descends a broad upper-river reach; far across connected plains two separate Sui field armies prepare boats at different lower-river crossings. In a restrained open command pavilion Yang Guang, late 20s, reads blank wooden tallies with staff. Cinematic geography rather than a literal map, no floating labels or impossible simultaneous close-ups. Premium live-action Chinese historical film still, archaeology-informed fourth-to-sixth-century China, cinematic 16:9 landscape, subtle film grain, physically plausible armies and structures, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.",
+        "visualInference": "上下游压缩同框、军府位置、船队与渡口数量为视觉化重构；杨广统军、杨素上游与贺若弼韩擒虎下游并进有史载。",
+        "refinementPrompt": ""
+      },
+      "sources": [
+        "《隋书·高祖纪下》卷二",
+        "《隋书·韩擒虎贺若弼传》卷五十二"
+      ]
+    },
+    {
+      "id": "02",
+      "title": "正月渡江·江防失机",
+      "timePlace": "广陵、横江至采石",
+      "purpose": "表现隋军利用正月防务松弛渡江。",
+      "narration": "正月，贺若弼与韩擒虎分别渡江。陈军江防未能及时集中，采石很快失守。",
+      "overlay": {
+        "heading": "江面无人统合",
+        "line": "同一夜里两处渡江，陈军看到的是各自孤立的火点。"
+      },
+      "people": [
+        {
+          "name": "贺若弼",
+          "office": "吴州总管",
+          "action": "自广陵渡江"
+        },
+        {
+          "name": "韩擒虎",
+          "office": "庐州总管",
+          "action": "自横江渡江并取采石"
+        },
+        {
+          "name": "陈江防军",
+          "office": "沿江守军",
+          "action": "分散在各处，无法及时会合"
+        }
+      ],
+      "image": {
+        "original": "images/02-new-year-night-crossings.png",
+        "delivery": "images/02-new-year-night-crossings.webp",
+        "alt": "寒冷正月夜，两个相隔很远的江湾各有隋军浅底船静默渡江，韩擒虎在近景船头，远岸陈军烽火刚刚点起，不放烟花。",
+        "prompt": "Use case: historical-scene. Digital Me Eastern Jin and Northern-Southern Dynasties story frame. Cold first-month night on the Yangtze. In the near reach Han Qinhu, late 40s, broad and composed in dark Sui lamellar armor, crosses with infantry in low shallow boats; in a far separated river bend another line of boats implies Heruo Bi’s crossing. Chen beacons have only just ignited on the south bank. Moonlight, oars and breath vapor; no festival fireworks, giant navy, magic fog or troops walking on water. Premium live-action Chinese historical film still, archaeology-informed fourth-to-sixth-century China, cinematic 16:9 landscape, subtle film grain, physically plausible armies and structures, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.",
+        "visualInference": "两处渡江同框、舟具、烽火反应与人物外貌为视觉重构；贺若弼广陵渡江、韩擒虎横江渡江取采石有史载。",
+        "refinementPrompt": ""
+      },
+      "sources": [
+        "《隋书·韩擒虎贺若弼传》卷五十二",
+        "《资治通鉴》卷一百七十七"
+      ]
+    },
+    {
+      "id": "03",
+      "title": "钟山决战·朱雀门开",
+      "timePlace": "建康钟山、白土冈与朱雀门",
+      "purpose": "用外围败局解释韩擒虎为何能先入城。",
+      "narration": "贺若弼在建康外围击溃陈军，韩擒虎直抵朱雀门。守军放下武器，隋军入城。",
+      "overlay": {
+        "heading": "朱雀门入",
+        "line": "外线主力一散，首都城门就只剩下选择何时打开。"
+      },
+      "people": [
+        {
+          "name": "贺若弼",
+          "office": "隋军主将",
+          "action": "在钟山白土冈一线击败陈军"
+        },
+        {
+          "name": "韩擒虎",
+          "office": "隋军主将",
+          "action": "率军直趋朱雀门并先入建康"
+        },
+        {
+          "name": "任蛮奴等",
+          "office": "陈军守将",
+          "action": "见大势已去，率部放下武器"
+        }
+      ],
+      "image": {
+        "original": "images/03-zhuque-gate-opens.png",
+        "delivery": "images/03-zhuque-gate-opens.webp",
+        "alt": "清晨建康朱雀门，陈军守卒把长矛与弓整齐放在门侧，厚木门缓缓开启，韩擒虎率少量先头步骑有序进入，远处城外烟尘暗示外围战败。",
+        "prompt": "Use case: historical-scene. Digital Me Eastern Jin and Northern-Southern Dynasties story frame. Dawn at Jiankang’s restrained Zhuque Gate. Chen defenders stack spears and bows beside the gatehouse as the heavy timber doors open; Han Qinhu leads a limited Sui vanguard through in orderly ranks rather than storming. Beyond the wall distant dust and retreating formations imply Heruo Bi’s victory outside. Civilian streets remain closed and quiet. No triumphant slaughter, palace-scale gate or readable signboard. Premium live-action Chinese historical film still, archaeology-informed fourth-to-sixth-century China, cinematic 16:9 landscape, subtle film grain, physically plausible armies and structures, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.",
+        "visualInference": "受降动作、先头军规模、门楼形制和外围烟尘为视觉推演；贺若弼破陈军、韩擒虎先入朱雀门有史载。",
+        "refinementPrompt": ""
+      },
+      "sources": [
+        "《隋书·韩擒虎贺若弼传》卷五十二",
+        "《陈书·后主纪》卷六"
+      ]
+    },
+    {
+      "id": "04",
+      "title": "井中出降·府库接收",
+      "timePlace": "建康宫城与官署",
+      "purpose": "以克制方式交代陈后主被俘与统一后的接管。",
+      "narration": "陈后主藏入枯井，隋军垂绳将他拉出。随后府库图籍被封存接收，陈朝灭亡。",
+      "overlay": {
+        "heading": "井底无朝廷",
+        "line": "当皇帝躲进井里，地面上的府库、城门与军队已经换了主人。"
+      },
+      "people": [
+        {
+          "name": "陈后主陈叔宝",
+          "office": "南陈皇帝",
+          "action": "藏井后被发现并拉出；不作喜剧羞辱"
+        },
+        {
+          "name": "张丽华、孔贵人",
+          "office": "陈后主妃嫔",
+          "action": "同在井中；人物保持完整衣着与尊严"
+        },
+        {
+          "name": "韩擒虎",
+          "office": "隋军主将",
+          "action": "控制宫城、接收降人和府库"
+        }
+      ],
+      "image": {
+        "original": "images/04-well-surrender-and-archives-sealed.png",
+        "delivery": "images/04-well-surrender-and-archives-sealed.webp",
+        "alt": "建康宫院，一口干井旁隋军垂下粗绳，陈后主在井口下方被温和拉起，只露上身且衣冠完整；画面另一侧官吏封存竹简箱与印匣。",
+        "prompt": "Use case: historical-scene. Digital Me Eastern Jin and Northern-Southern Dynasties story frame. In a modest Jiankang palace courtyard, Sui soldiers lower a thick rope into a dry masonry well. Chen Shubao is visible just below the rim being helped upward, fully clothed in dark court robes and treated as a captive ruler, while the two women remain only implied deeper in shadow to avoid spectacle. On the other side officials seal bamboo-document chests and tally cases. No mockery, overcrowding, exposed bodies or execution. Premium live-action Chinese historical film still, archaeology-informed fourth-to-sixth-century China, cinematic 16:9 landscape, subtle film grain, physically plausible armies and structures, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.",
+        "visualInference": "井深、救出姿态、人物可见程度与图籍接收并置为视觉重构；陈后主与二妃藏井被引出、隋接收建康有史载。",
+        "refinementPrompt": ""
+      },
+      "sources": [
+        "《隋书·韩擒虎传》卷五十二",
+        "《陈书·后主纪》卷六",
+        "《资治通鉴》卷一百七十七"
+      ]
+    }
+  ],
+  "bgm": {
+    "catalogId": "zhanzhen:pingchen#1",
+    "title": "隋灭陈·平陈之战",
+    "version": "韩擒虎版·仅用无主唱器乐 stem",
+    "status": "pending-export",
+    "pathOrUrl": "",
+    "usage": "第一幕以江面多路动机铺开，夜渡时压低打击，朱雀门开启形成短峰，井中出降立即削至低弦与封箱声；删除歌词与品牌尾签。",
+    "reason": "项目有平陈专属韩擒虎版，适合本包下游突破与先入建康的视角；仓库暂无成品音频。",
+    "cues": [
+      {
+        "scene": "01",
+        "from": "00:00",
+        "to": "00:22",
+        "direction": "上下游主题分层出现。"
+      },
+      {
+        "scene": "02",
+        "from": "00:22",
+        "to": "00:43",
+        "direction": "夜渡以桨声和低弦推进。"
+      },
+      {
+        "scene": "03",
+        "from": "00:43",
+        "to": "01:05",
+        "direction": "城门开启形成短峰。"
+      },
+      {
+        "scene": "04",
+        "from": "01:05",
+        "to": "01:27",
+        "direction": "井口与封存图籍冷收。"
+      }
+    ]
+  },
+  "sources": [
+    {
+      "claim": "隋文帝伐陈部署与平陈结果",
+      "citation": "《隋书·高祖纪下》卷二",
+      "url": "https://zh.wikisource.org/zh-hans/隋书/卷002"
+    },
+    {
+      "claim": "贺若弼韩擒虎渡江、入建康及俘陈后主",
+      "citation": "《隋书·韩擒虎贺若弼传》卷五十二",
+      "url": "https://zh.wikisource.org/zh-hans/隋书/卷052"
+    },
+    {
+      "claim": "陈方守备、后主出降与亡国",
+      "citation": "《陈书·后主纪》卷六",
+      "url": "https://zh.wikisource.org/zh-hans/陈书/卷006"
+    },
+    {
+      "claim": "多路进军的日序与建康终局",
+      "citation": "《资治通鉴》卷一百七十七",
+      "url": "https://zh.wikisource.org/zh-hans/资治通鉴/卷177"
+    }
+  ],
+  "blacklist": [
+    "把隋灭陈写成韩擒虎单人潜入、一夜独力灭国",
+    "把贺若弼与韩擒虎的渡江地点和战功合并成同一路",
+    "把后主藏井拍成裸身、三人拥挤或滑稽羞辱",
+    "使用烟花、火炮或后世巨型战船",
+    "现代文字、水印、明清宫城服甲、尸堆与血腥"
+  ]
+}

战役素材/隋/隋灭陈之战（韩擒虎夜入建康）/素材说明.md

@@ -0,0 +1,135 @@
+# 隋灭陈之战（韩擒虎夜入建康）｜素材说明
+
+## 事件边界
+
+- 规范事件名：隋灭陈之战（韩擒虎夜入建康）
+- 常用称呼：隋灭陈之战、平陈之战、韩擒虎入建康
+- 项目归类：陈／隋
+- 时代：隋文帝开皇八年至九年、陈后主祯明二年至三年
+- 日期：公元588年冬至589年正月
+- 地点：长江上游、广陵、采石、钟山与建康
+- 一句话结论：隋文帝部署多路水陆军伐陈，杨素从上游牵制，贺若弼、韩擒虎分别从广陵和横江渡江；陈军在建康外围败溃，韩擒虎率军先入朱雀门，俘陈后主，南北重新统一。
+
+## 60–90 秒主旁白
+
+开皇八年冬，隋文帝杨坚下令大举伐陈。晋王杨广统筹诸军，杨素率水军从长江上游东下，牵制陈军江防；下游的贺若弼从广陵渡江，韩擒虎则由横江夜渡。隋军选择陈朝正月庆会、防务松弛之际行动，几路同时突破，而不是只靠一名将领潜入。贺若弼在钟山、白土冈一线击败陈军主力，韩擒虎攻取采石后直趋建康。陈后主仍在宫中，军报与命令被近臣阻隔，各部无法形成统一抵抗。韩擒虎所部先进入朱雀门，城中官军相继放下武器。陈后主与张丽华、孔贵人躲入一口枯井，隋军垂绳将他们拉出。这个细节见于正史，却不必拍成羞辱喜剧；它标志着一个朝廷已经失去最后的公开指挥空间。陈亡以后，隋军接收府库、图籍与州郡。自西晋末年长期分裂的南北，在589年重新统一。隋灭陈是多路战略、江防失效和陈朝政治失能共同造成的结果，不能缩写成“韩擒虎一夜一人灭国”。
+
+## 分幕素材
+
+### 01｜八路伐陈·上下游并进
+
+- 时间地点：长江上游至淮南各军出发地
+- 本幕作用：建立隋军多路水陆协同。
+- 分幕旁白：杨广统筹伐陈，杨素上游水军东下，贺若弼、韩擒虎在下游等待渡江。
+- 页面标题：一江多路
+- 页面短句：建康面对的不是一处渡口，而是从上游到淮南同时收紧的战线。
+- PNG：`images/01-sui-armies-converge-on-yangtze.png`
+- WebP：`images/01-sui-armies-converge-on-yangtze.webp`
+- 替代文本：冬季长江战略纵深画面，前景杨素木质水军顺峡江而下，远方平原两处隋军在不同渡口整备，杨广在简朴军府查看无字木牍。
+- 视觉推演边界：上下游压缩同框、军府位置、船队与渡口数量为视觉化重构；杨广统军、杨素上游与贺若弼韩擒虎下游并进有史载。
+- 人物：杨广（晋王、行军元帅；统筹伐陈诸军）；杨素（行军元帅；率上游水军顺江东下）；贺若弼、韩擒虎（行军总管；分别在广陵、横江准备渡江）
+- 史料：《隋书·高祖纪下》卷二；《隋书·韩擒虎贺若弼传》卷五十二
+
+生成提示词：
+
+```text
+Use case: historical-scene. Digital Me Eastern Jin and Northern-Southern Dynasties story frame. A winter Yangtze campaign visual with natural depth: in the foreground Yang Su’s timber river fleet descends a broad upper-river reach; far across connected plains two separate Sui field armies prepare boats at different lower-river crossings. In a restrained open command pavilion Yang Guang, late 20s, reads blank wooden tallies with staff. Cinematic geography rather than a literal map, no floating labels or impossible simultaneous close-ups. Premium live-action Chinese historical film still, archaeology-informed fourth-to-sixth-century China, cinematic 16:9 landscape, subtle film grain, physically plausible armies and structures, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.
+```
+
+### 02｜正月渡江·江防失机
+
+- 时间地点：广陵、横江至采石
+- 本幕作用：表现隋军利用正月防务松弛渡江。
+- 分幕旁白：正月，贺若弼与韩擒虎分别渡江。陈军江防未能及时集中，采石很快失守。
+- 页面标题：江面无人统合
+- 页面短句：同一夜里两处渡江，陈军看到的是各自孤立的火点。
+- PNG：`images/02-new-year-night-crossings.png`
+- WebP：`images/02-new-year-night-crossings.webp`
+- 替代文本：寒冷正月夜，两个相隔很远的江湾各有隋军浅底船静默渡江，韩擒虎在近景船头，远岸陈军烽火刚刚点起，不放烟花。
+- 视觉推演边界：两处渡江同框、舟具、烽火反应与人物外貌为视觉重构；贺若弼广陵渡江、韩擒虎横江渡江取采石有史载。
+- 人物：贺若弼（吴州总管；自广陵渡江）；韩擒虎（庐州总管；自横江渡江并取采石）；陈江防军（沿江守军；分散在各处，无法及时会合）
+- 史料：《隋书·韩擒虎贺若弼传》卷五十二；《资治通鉴》卷一百七十七
+
+生成提示词：
+
+```text
+Use case: historical-scene. Digital Me Eastern Jin and Northern-Southern Dynasties story frame. Cold first-month night on the Yangtze. In the near reach Han Qinhu, late 40s, broad and composed in dark Sui lamellar armor, crosses with infantry in low shallow boats; in a far separated river bend another line of boats implies Heruo Bi’s crossing. Chen beacons have only just ignited on the south bank. Moonlight, oars and breath vapor; no festival fireworks, giant navy, magic fog or troops walking on water. Premium live-action Chinese historical film still, archaeology-informed fourth-to-sixth-century China, cinematic 16:9 landscape, subtle film grain, physically plausible armies and structures, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.
+```
+
+### 03｜钟山决战·朱雀门开
+
+- 时间地点：建康钟山、白土冈与朱雀门
+- 本幕作用：用外围败局解释韩擒虎为何能先入城。
+- 分幕旁白：贺若弼在建康外围击溃陈军，韩擒虎直抵朱雀门。守军放下武器，隋军入城。
+- 页面标题：朱雀门入
+- 页面短句：外线主力一散，首都城门就只剩下选择何时打开。
+- PNG：`images/03-zhuque-gate-opens.png`
+- WebP：`images/03-zhuque-gate-opens.webp`
+- 替代文本：清晨建康朱雀门，陈军守卒把长矛与弓整齐放在门侧，厚木门缓缓开启，韩擒虎率少量先头步骑有序进入，远处城外烟尘暗示外围战败。
+- 视觉推演边界：受降动作、先头军规模、门楼形制和外围烟尘为视觉推演；贺若弼破陈军、韩擒虎先入朱雀门有史载。
+- 人物：贺若弼（隋军主将；在钟山白土冈一线击败陈军）；韩擒虎（隋军主将；率军直趋朱雀门并先入建康）；任蛮奴等（陈军守将；见大势已去，率部放下武器）
+- 史料：《隋书·韩擒虎贺若弼传》卷五十二；《陈书·后主纪》卷六
+
+生成提示词：
+
+```text
+Use case: historical-scene. Digital Me Eastern Jin and Northern-Southern Dynasties story frame. Dawn at Jiankang’s restrained Zhuque Gate. Chen defenders stack spears and bows beside the gatehouse as the heavy timber doors open; Han Qinhu leads a limited Sui vanguard through in orderly ranks rather than storming. Beyond the wall distant dust and retreating formations imply Heruo Bi’s victory outside. Civilian streets remain closed and quiet. No triumphant slaughter, palace-scale gate or readable signboard. Premium live-action Chinese historical film still, archaeology-informed fourth-to-sixth-century China, cinematic 16:9 landscape, subtle film grain, physically plausible armies and structures, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.
+```
+
+### 04｜井中出降·府库接收
+
+- 时间地点：建康宫城与官署
+- 本幕作用：以克制方式交代陈后主被俘与统一后的接管。
+- 分幕旁白：陈后主藏入枯井，隋军垂绳将他拉出。随后府库图籍被封存接收，陈朝灭亡。
+- 页面标题：井底无朝廷
+- 页面短句：当皇帝躲进井里，地面上的府库、城门与军队已经换了主人。
+- PNG：`images/04-well-surrender-and-archives-sealed.png`
+- WebP：`images/04-well-surrender-and-archives-sealed.webp`
+- 替代文本：建康宫院，一口干井旁隋军垂下粗绳，陈后主在井口下方被温和拉起，只露上身且衣冠完整；画面另一侧官吏封存竹简箱与印匣。
+- 视觉推演边界：井深、救出姿态、人物可见程度与图籍接收并置为视觉重构；陈后主与二妃藏井被引出、隋接收建康有史载。
+- 人物：陈后主陈叔宝（南陈皇帝；藏井后被发现并拉出；不作喜剧羞辱）；张丽华、孔贵人（陈后主妃嫔；同在井中；人物保持完整衣着与尊严）；韩擒虎（隋军主将；控制宫城、接收降人和府库）
+- 史料：《隋书·韩擒虎传》卷五十二；《陈书·后主纪》卷六；《资治通鉴》卷一百七十七
+
+生成提示词：
+
+```text
+Use case: historical-scene. Digital Me Eastern Jin and Northern-Southern Dynasties story frame. In a modest Jiankang palace courtyard, Sui soldiers lower a thick rope into a dry masonry well. Chen Shubao is visible just below the rim being helped upward, fully clothed in dark court robes and treated as a captive ruler, while the two women remain only implied deeper in shadow to avoid spectacle. On the other side officials seal bamboo-document chests and tally cases. No mockery, overcrowding, exposed bodies or execution. Premium live-action Chinese historical film still, archaeology-informed fourth-to-sixth-century China, cinematic 16:9 landscape, subtle film grain, physically plausible armies and structures, rammed earth, aged timber, hemp, low-sheen silk, leather, iron lamellar armor, straight swords, bows, crossbows, spears, cavalry tack, wooden carts and period river craft. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, European plate, magic, anime, gore or body piles.
+```
+
+## BGM 选曲
+
+- 项目曲目：`zhanzhen:pingchen#1`｜隋灭陈·平陈之战｜韩擒虎版·仅用无主唱器乐 stem
+- 状态：pending-export
+- 用法：第一幕以江面多路动机铺开，夜渡时压低打击，朱雀门开启形成短峰，井中出降立即削至低弦与封箱声；删除歌词与品牌尾签。
+- 选择理由：项目有平陈专属韩擒虎版，适合本包下游突破与先入建康的视角；仓库暂无成品音频。
+- 音频路径或 URL：仓库暂缺，待导出
+
+| 时间 | 分幕 | 编排 |
+|---|---|---|
+| 00:00–00:22 | 01 | 上下游主题分层出现。 |
+| 00:22–00:43 | 02 | 夜渡以桨声和低弦推进。 |
+| 00:43–01:05 | 03 | 城门开启形成短峰。 |
+| 01:05–01:27 | 04 | 井口与封存图籍冷收。 |
+
+## 史料来源
+
+- 隋文帝伐陈部署与平陈结果：[《隋书·高祖纪下》卷二](https://zh.wikisource.org/zh-hans/隋书/卷002)
+- 贺若弼韩擒虎渡江、入建康及俘陈后主：[《隋书·韩擒虎贺若弼传》卷五十二](https://zh.wikisource.org/zh-hans/隋书/卷052)
+- 陈方守备、后主出降与亡国：[《陈书·后主纪》卷六](https://zh.wikisource.org/zh-hans/陈书/卷006)
+- 多路进军的日序与建康终局：[《资治通鉴》卷一百七十七](https://zh.wikisource.org/zh-hans/资治通鉴/卷177)
+
+## 禁区与误读防护
+
+- 把隋灭陈写成韩擒虎单人潜入、一夜独力灭国
+- 把贺若弼与韩擒虎的渡江地点和战功合并成同一路
+- 把后主藏井拍成裸身、三人拥挤或滑稽羞辱
+- 使用烟花、火炮或后世巨型战船
+- 现代文字、水印、明清宫城服甲、尸堆与血腥
+
+## 交付检查
+
+- [x] 每幕 PNG 原图存在且为 16:9
+- [x] 每幕 WebP 交付图存在且为 16:9
+- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
+- [ ] BGM 已导出并填写可用路径
+- [x] `manifest.json` 与本说明中的文件名全部校验通过