数字我 Digital Me：全量入库（大文件走 Git LFS）
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{
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"event": {
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"canonicalName": "七国之乱（周亚夫断吴楚粮道）",
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"aliases": [
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"七国之乱",
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"吴楚七国之乱",
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"吴楚之乱"
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],
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"era": "汉景帝三年",
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"date": "公元前154年正月至三月",
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"place": "关东诸侯国、梁国与昌邑一线",
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"summary": "吴楚等七国以诛晁错为名起兵；景帝虽杀晁错仍未止兵，周亚夫坚壁断吴楚粮道，朝廷三月平乱。"
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},
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"narration": {
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"language": "zh-CN",
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"estimatedSeconds": 84,
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"fullText": "公元前一五四年，吴王刘濞联合楚王刘戊等六王起兵，号称要诛晁错、清君侧。叛军向西猛攻梁国，诸侯割据的旧矛盾终于变成全国战争。汉景帝听从袁盎建议，在长安处死主张削藩的晁错，希望以此换取七国退兵；但吴楚军没有停下。朝廷任命周亚夫为太尉，窦婴为大将军。周亚夫没有直赴梁国救急，而从武关绕行，到昌邑深沟高垒，拒绝同吴楚军正面决战。他派轻骑截断淮泗口，切断叛军粮道。梁国承受正面攻势，吴楚军屡次挑战周亚夫营垒都无法得战，粮食渐尽，只能退却。汉军随后追击，吴楚主力崩溃，其余诸王相继败亡。战争从正月持续到三月便告平定。杀晁错没有换来和平，真正结束叛乱的是中央军的调度、梁国的牵制与被切断的补给。"
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},
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"scenes": [
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{
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"id": "01",
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"title": "七王举兵",
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"timePlace": "公元前154年正月，吴楚与梁国方向",
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"purpose": "交代叛乱规模与吴楚军首先压向梁国。",
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"narration": "吴王刘濞联合楚王等六王起兵，以诛晁错为名向西推进，梁国首当其冲。",
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"overlay": {
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"heading": "七王举兵",
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"line": "“清君侧”是旗号，诸侯与中央的冲突才是战火。"
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},
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"people": [
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{
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"name": "刘濞",
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"office": "吴王、叛军盟主",
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"action": "联合六王起兵并率吴楚军西进"
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},
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{
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"name": "刘武",
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"office": "梁王",
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"action": "守梁国，承受吴楚主力进攻"
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}
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],
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"image": {
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"original": "images/01-seven-kings-rise.png",
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"delivery": "images/01-seven-kings-rise.webp",
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"alt": "吴楚军跨过淮泗水网向梁国推进，吴王刘濞在船车混合队列前观察西方，沿途诸侯兵装束不一。",
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"prompt": "Use case: historical-scene. Digital Me Western Han story frame. Western Han rebel host moves west through the Huai-Si river plain. Wu King Liu Bi, an older East Asian prince in practical dark robe over armor, surveys a mixed column of infantry, riders, river boats and supply carts; contingents have varied equipment, showing an alliance rather than one uniform army. Distant fortified Liang settlement braces for attack. No readable rebel slogans. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.",
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"visualInference": "具体行军道路、舟车比例和刘濞外貌为视觉重构；七王皆反、吴楚攻梁有史载。",
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"refinementPrompt": ""
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},
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"sources": [
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"《汉书·景帝纪》卷五",
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"《史记·吴王濞列传》卷一百六"
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]
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},
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{
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"id": "02",
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"title": "斩错不止兵",
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"timePlace": "长安与关东战报抵达之际",
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"purpose": "呈现晁错被牺牲后叛军仍不退，避免将处决画成血腥奇观。",
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"narration": "景帝斩晁错“以谢七国”。消息传出，吴楚军并未解散，战争仍须由军队解决。",
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"overlay": {
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"heading": "斩错不止兵",
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"line": "一个人的死，没有让七支军队回头。"
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},
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"people": [
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{
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"name": "汉景帝",
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"office": "皇帝",
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"action": "下令处死晁错，试图缓和叛乱"
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},
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{
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"name": "晁错",
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"office": "御史大夫",
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"action": "因削藩政策被杀；不表现行刑过程"
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}
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],
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"image": {
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"original": "images/02-chao-cuo-sacrificed.png",
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"delivery": "images/02-chao-cuo-sacrificed.webp",
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"alt": "长安宫门外，晁错留下的冠帽与封闭车驾从画面边缘远去，景帝在殿门内接到关东军报，朝臣沉默，不直接呈现腰斩。",
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"prompt": "Use case: historical-scene. Digital Me Western Han story frame. Restrained political aftermath at a Western Han palace gate in Chang’an. A closed official carriage and an abandoned dark court cap recede at the far edge, implying Chao Cuo’s execution without showing it. Emperor Jing, a mature East Asian ruler in austere court robes, stands inside the doorway receiving fresh sealed wooden military reports from the east; ministers remain silent. Somber, no execution, no blood, no ornate later palace. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.",
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"visualInference": "以冠帽、封闭车驾与新军报并置为视觉重构；斩晁错以谢七国及叛军不止见史载。",
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"refinementPrompt": ""
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},
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"sources": [
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"《汉书·景帝纪》卷五",
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"《史记·袁盎晁错列传》卷一百一"
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]
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},
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{
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"id": "03",
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"title": "昌邑坚壁",
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"timePlace": "昌邑，周亚夫军营",
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"purpose": "表现周亚夫避开吴楚锋芒、拒绝急救梁国并等待断粮见效。",
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"narration": "周亚夫从武关出兵，在昌邑深沟高垒。梁国告急，他仍按兵不出，不给吴楚决战机会。",
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"overlay": {
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"heading": "昌邑坚壁",
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"line": "最难的命令不是出击，而是看着盟友苦战仍不出击。"
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},
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"people": [
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{
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"name": "周亚夫",
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"office": "太尉、平叛主帅",
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"action": "屯昌邑坚壁不战，控制主战节奏"
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},
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{
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"name": "梁国使者",
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"office": "求援人员",
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"action": "多次请求汉军直接救梁"
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}
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],
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"image": {
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"original": "images/03-zhou-yafu-holds-at-changyi.png",
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"delivery": "images/03-zhou-yafu-holds-at-changyi.webp",
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"alt": "昌邑汉军营垒内，周亚夫站在深沟木栅后审视军情，梁国使者急切呈报，士卒守位不出，远处吴楚军列阵挑战。",
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"prompt": "Use case: historical-scene. Digital Me Western Han story frame. Inside the fortified Han camp at Changyi. Zhou Yafu, a stern middle-aged East Asian commander in restrained Western Han lamellar armor, studies the enemy from behind a deep ditch and timber palisade. An exhausted Liang messenger presents sealed reports and gestures urgently, while Han troops remain at assigned posts instead of charging. Far across open ground Wu-Chu formations challenge the camp. Emphasize disciplined refusal and tension, no cowardice caricature. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.",
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||||
"visualInference": "沟垒形态、使者姿态与远处挑战为视觉重构；周亚夫坚壁、梁告急而不往有史载。",
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"refinementPrompt": ""
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||||
},
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"sources": [
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"《史记·绛侯周勃世家》卷五十七"
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]
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||||
},
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{
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"id": "04",
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"title": "断粮三月平",
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"timePlace": "淮泗口与吴楚军退路",
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"purpose": "以截粮和撤退收束战争，避免把七国之乱压成一场正面会战。",
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"narration": "汉轻骑截断淮泗口粮道。吴楚军久攻不得战，粮尽退却，汉军追击，三月平定七国。",
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"overlay": {
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"heading": "断粮三月平",
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"line": "营垒没有动，粮道先断，叛军自己失去了时间。"
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},
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"people": [
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{
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"name": "周亚夫",
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"office": "太尉",
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"action": "部署轻骑截断吴楚粮道并在其退却后追击"
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},
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{
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"name": "吴楚军",
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"office": "叛军主力",
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"action": "因粮绝与攻势受阻而退败"
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}
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||||
],
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"image": {
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"original": "images/04-supply-line-cut-retreat.png",
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"delivery": "images/04-supply-line-cut-retreat.webp",
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"alt": "淮泗口附近的粮道上，汉轻骑截住叛军粮车并控制渡口，远处吴楚军开始撤退，周亚夫不在一线英雄摆拍。",
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"prompt": "Use case: historical-scene. Digital Me Western Han story frame. Wide Huai-Si crossing after Han light cavalry has cut the rebel supply line. Han riders secure a ford and halt wooden grain carts; sacks and draft animals are intact rather than burning. In the distance Wu-Chu columns turn east in weary retreat while a courier carries the result toward Zhou Yafu’s main camp, keeping the victory about logistics rather than a heroic duel. Early spring haze, controlled motion. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.",
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"visualInference": "渡口、粮车位置、轻骑规模与撤军同框为视觉推演；截淮泗口、吴楚粮绝退败与三月平乱有史载。",
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"refinementPrompt": ""
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},
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"sources": [
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"《史记·绛侯周勃世家》卷五十七",
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"《汉书·景帝纪》卷五"
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]
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}
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],
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"bgm": {
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"catalogId": "zhanzhen:jingxing#0",
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"title": "井陉之战",
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"version": "仅复用无主唱冷静谋略器乐 stem",
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"status": "pending-export",
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"pathOrUrl": "",
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"usage": "删去韩信主题与歌词，只保留冷钢琴、低弦和一次低鼓；第三幕持续绷紧，第四幕不做凯旋高潮。",
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"reason": "项目无七国之乱专属曲；井陉器乐层的克制谋略感适合周亚夫坚壁断粮，仓库暂无成品音频。",
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"cues": [
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{
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"from": "00:00",
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"to": "00:21",
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"scene": "01",
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"direction": "低频建立全国性压力。"
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},
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{
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"from": "00:21",
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"to": "00:42",
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"scene": "02",
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"direction": "几乎撤空打击乐。"
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},
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{
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"from": "00:42",
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"to": "01:03",
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"scene": "03",
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"direction": "冷弦持续，不响应远处挑战。"
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},
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{
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"from": "01:03",
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"to": "01:24",
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"scene": "04",
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||||
"direction": "粮道截断处短促落点，随后平静收束。"
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}
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]
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},
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"sources": [
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{
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||||
"claim": "七王起兵、斩晁错、遣周亚夫窦婴与三月平乱",
|
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"citation": "《汉书·景帝纪》卷五",
|
||||
"url": "https://zh.wikisource.org/zh-hans/汉书/卷005"
|
||||
},
|
||||
{
|
||||
"claim": "周亚夫由武关、屯昌邑、坚壁与绝吴楚粮道",
|
||||
"citation": "《史记·绛侯周勃世家》卷五十七",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷057"
|
||||
},
|
||||
{
|
||||
"claim": "吴王刘濞举兵与吴楚败亡",
|
||||
"citation": "《史记·吴王濞列传》卷一百六",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷106"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把七国之乱画成七位诸侯王同场会盟或七军统一指挥",
|
||||
"把晁错之死写成叛乱因此停止；史实相反",
|
||||
"把周亚夫不救梁写成怯战，忽略其坚壁断粮部署",
|
||||
"虚构精确总兵力、单一决战、周亚夫与刘濞单挑",
|
||||
"现代文字地图、水印、后世服饰建筑、火器爆炸、血腥行刑"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,133 @@
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# 七国之乱（周亚夫断吴楚粮道）｜素材说明
|
||||
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## 事件边界
|
||||
|
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- 规范事件名：七国之乱（周亚夫断吴楚粮道）
|
||||
- 常用称呼：七国之乱、吴楚七国之乱、吴楚之乱
|
||||
- 时代：汉景帝三年
|
||||
- 日期：公元前154年正月至三月
|
||||
- 地点：关东诸侯国、梁国与昌邑一线
|
||||
- 一句话结论：吴楚等七国以诛晁错为名起兵；景帝虽杀晁错仍未止兵，周亚夫坚壁断吴楚粮道，朝廷三月平乱。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
公元前一五四年，吴王刘濞联合楚王刘戊等六王起兵，号称要诛晁错、清君侧。叛军向西猛攻梁国，诸侯割据的旧矛盾终于变成全国战争。汉景帝听从袁盎建议，在长安处死主张削藩的晁错，希望以此换取七国退兵；但吴楚军没有停下。朝廷任命周亚夫为太尉，窦婴为大将军。周亚夫没有直赴梁国救急，而从武关绕行，到昌邑深沟高垒，拒绝同吴楚军正面决战。他派轻骑截断淮泗口，切断叛军粮道。梁国承受正面攻势，吴楚军屡次挑战周亚夫营垒都无法得战，粮食渐尽，只能退却。汉军随后追击，吴楚主力崩溃，其余诸王相继败亡。战争从正月持续到三月便告平定。杀晁错没有换来和平，真正结束叛乱的是中央军的调度、梁国的牵制与被切断的补给。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜七王举兵
|
||||
|
||||
- 时间地点：公元前154年正月，吴楚与梁国方向
|
||||
- 本幕作用：交代叛乱规模与吴楚军首先压向梁国。
|
||||
- 分幕旁白：吴王刘濞联合楚王等六王起兵，以诛晁错为名向西推进，梁国首当其冲。
|
||||
- 页面标题：七王举兵
|
||||
- 页面短句：“清君侧”是旗号，诸侯与中央的冲突才是战火。
|
||||
- PNG：`images/01-seven-kings-rise.png`
|
||||
- WebP：`images/01-seven-kings-rise.webp`
|
||||
- 替代文本：吴楚军跨过淮泗水网向梁国推进，吴王刘濞在船车混合队列前观察西方，沿途诸侯兵装束不一。
|
||||
- 视觉推演边界：具体行军道路、舟车比例和刘濞外貌为视觉重构；七王皆反、吴楚攻梁有史载。
|
||||
- 人物：刘濞（吴王、叛军盟主；联合六王起兵并率吴楚军西进）；刘武（梁王；守梁国，承受吴楚主力进攻）
|
||||
- 史料：《汉书·景帝纪》卷五；《史记·吴王濞列传》卷一百六
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Western Han story frame. Western Han rebel host moves west through the Huai-Si river plain. Wu King Liu Bi, an older East Asian prince in practical dark robe over armor, surveys a mixed column of infantry, riders, river boats and supply carts; contingents have varied equipment, showing an alliance rather than one uniform army. Distant fortified Liang settlement braces for attack. No readable rebel slogans. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 02｜斩错不止兵
|
||||
|
||||
- 时间地点：长安与关东战报抵达之际
|
||||
- 本幕作用：呈现晁错被牺牲后叛军仍不退，避免将处决画成血腥奇观。
|
||||
- 分幕旁白：景帝斩晁错“以谢七国”。消息传出，吴楚军并未解散，战争仍须由军队解决。
|
||||
- 页面标题：斩错不止兵
|
||||
- 页面短句：一个人的死，没有让七支军队回头。
|
||||
- PNG：`images/02-chao-cuo-sacrificed.png`
|
||||
- WebP：`images/02-chao-cuo-sacrificed.webp`
|
||||
- 替代文本：长安宫门外，晁错留下的冠帽与封闭车驾从画面边缘远去，景帝在殿门内接到关东军报，朝臣沉默，不直接呈现腰斩。
|
||||
- 视觉推演边界：以冠帽、封闭车驾与新军报并置为视觉重构；斩晁错以谢七国及叛军不止见史载。
|
||||
- 人物：汉景帝（皇帝；下令处死晁错，试图缓和叛乱）；晁错（御史大夫；因削藩政策被杀；不表现行刑过程）
|
||||
- 史料：《汉书·景帝纪》卷五；《史记·袁盎晁错列传》卷一百一
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Western Han story frame. Restrained political aftermath at a Western Han palace gate in Chang’an. A closed official carriage and an abandoned dark court cap recede at the far edge, implying Chao Cuo’s execution without showing it. Emperor Jing, a mature East Asian ruler in austere court robes, stands inside the doorway receiving fresh sealed wooden military reports from the east; ministers remain silent. Somber, no execution, no blood, no ornate later palace. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 03｜昌邑坚壁
|
||||
|
||||
- 时间地点：昌邑，周亚夫军营
|
||||
- 本幕作用：表现周亚夫避开吴楚锋芒、拒绝急救梁国并等待断粮见效。
|
||||
- 分幕旁白：周亚夫从武关出兵，在昌邑深沟高垒。梁国告急，他仍按兵不出，不给吴楚决战机会。
|
||||
- 页面标题：昌邑坚壁
|
||||
- 页面短句：最难的命令不是出击，而是看着盟友苦战仍不出击。
|
||||
- PNG：`images/03-zhou-yafu-holds-at-changyi.png`
|
||||
- WebP：`images/03-zhou-yafu-holds-at-changyi.webp`
|
||||
- 替代文本：昌邑汉军营垒内，周亚夫站在深沟木栅后审视军情，梁国使者急切呈报，士卒守位不出，远处吴楚军列阵挑战。
|
||||
- 视觉推演边界：沟垒形态、使者姿态与远处挑战为视觉重构；周亚夫坚壁、梁告急而不往有史载。
|
||||
- 人物：周亚夫（太尉、平叛主帅；屯昌邑坚壁不战，控制主战节奏）；梁国使者（求援人员；多次请求汉军直接救梁）
|
||||
- 史料：《史记·绛侯周勃世家》卷五十七
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Western Han story frame. Inside the fortified Han camp at Changyi. Zhou Yafu, a stern middle-aged East Asian commander in restrained Western Han lamellar armor, studies the enemy from behind a deep ditch and timber palisade. An exhausted Liang messenger presents sealed reports and gestures urgently, while Han troops remain at assigned posts instead of charging. Far across open ground Wu-Chu formations challenge the camp. Emphasize disciplined refusal and tension, no cowardice caricature. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 04｜断粮三月平
|
||||
|
||||
- 时间地点：淮泗口与吴楚军退路
|
||||
- 本幕作用：以截粮和撤退收束战争，避免把七国之乱压成一场正面会战。
|
||||
- 分幕旁白：汉轻骑截断淮泗口粮道。吴楚军久攻不得战，粮尽退却，汉军追击，三月平定七国。
|
||||
- 页面标题：断粮三月平
|
||||
- 页面短句：营垒没有动，粮道先断，叛军自己失去了时间。
|
||||
- PNG：`images/04-supply-line-cut-retreat.png`
|
||||
- WebP：`images/04-supply-line-cut-retreat.webp`
|
||||
- 替代文本：淮泗口附近的粮道上，汉轻骑截住叛军粮车并控制渡口，远处吴楚军开始撤退，周亚夫不在一线英雄摆拍。
|
||||
- 视觉推演边界：渡口、粮车位置、轻骑规模与撤军同框为视觉推演；截淮泗口、吴楚粮绝退败与三月平乱有史载。
|
||||
- 人物：周亚夫（太尉；部署轻骑截断吴楚粮道并在其退却后追击）；吴楚军（叛军主力；因粮绝与攻势受阻而退败）
|
||||
- 史料：《史记·绛侯周勃世家》卷五十七；《汉书·景帝纪》卷五
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Western Han story frame. Wide Huai-Si crossing after Han light cavalry has cut the rebel supply line. Han riders secure a ford and halt wooden grain carts; sacks and draft animals are intact rather than burning. In the distance Wu-Chu columns turn east in weary retreat while a courier carries the result toward Zhou Yafu’s main camp, keeping the victory about logistics rather than a heroic duel. Early spring haze, controlled motion. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
## BGM 选曲
|
||||
|
||||
- 项目曲目：`zhanzhen:jingxing#0`｜井陉之战｜仅复用无主唱冷静谋略器乐 stem
|
||||
- 状态：pending-export
|
||||
- 用法：删去韩信主题与歌词，只保留冷钢琴、低弦和一次低鼓；第三幕持续绷紧，第四幕不做凯旋高潮。
|
||||
- 选择理由：项目无七国之乱专属曲；井陉器乐层的克制谋略感适合周亚夫坚壁断粮，仓库暂无成品音频。
|
||||
- 音频路径或 URL：仓库暂缺，待导出
|
||||
|
||||
| 时间 | 分幕 | 编排 |
|
||||
|---|---|---|
|
||||
| 00:00–00:21 | 01 | 低频建立全国性压力。 |
|
||||
| 00:21–00:42 | 02 | 几乎撤空打击乐。 |
|
||||
| 00:42–01:03 | 03 | 冷弦持续，不响应远处挑战。 |
|
||||
| 01:03–01:24 | 04 | 粮道截断处短促落点，随后平静收束。 |
|
||||
|
||||
## 史料来源
|
||||
|
||||
- 七王起兵、斩晁错、遣周亚夫窦婴与三月平乱：[《汉书·景帝纪》卷五](https://zh.wikisource.org/zh-hans/汉书/卷005)
|
||||
- 周亚夫由武关、屯昌邑、坚壁与绝吴楚粮道：[《史记·绛侯周勃世家》卷五十七](https://zh.wikisource.org/zh-hans/史记/卷057)
|
||||
- 吴王刘濞举兵与吴楚败亡：[《史记·吴王濞列传》卷一百六](https://zh.wikisource.org/zh-hans/史记/卷106)
|
||||
|
||||
## 禁区与误读防护
|
||||
|
||||
- 把七国之乱画成七位诸侯王同场会盟或七军统一指挥
|
||||
- 把晁错之死写成叛乱因此停止；史实相反
|
||||
- 把周亚夫不救梁写成怯战，忽略其坚壁断粮部署
|
||||
- 虚构精确总兵力、单一决战、周亚夫与刘濞单挑
|
||||
- 现代文字地图、水印、后世服饰建筑、火器爆炸、血腥行刑
|
||||
|
||||
## 交付检查
|
||||
|
||||
- [x] 每幕 PNG 原图存在且为 16:9
|
||||
- [x] 每幕 WebP 交付图存在且为 16:9
|
||||
- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
|
||||
- [ ] BGM 已导出并填写可用路径
|
||||
- [x] `manifest.json` 与本说明中的文件名全部校验通过
|
||||
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@@ -0,0 +1,278 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "井陉之战（背水一战）",
|
||||
"aliases": [
|
||||
"井陉口之战",
|
||||
"背水一战",
|
||||
"韩信破赵"
|
||||
],
|
||||
"era": "楚汉战争",
|
||||
"date": "公元前204年",
|
||||
"place": "井陉口、赵军营壁及泜水一带（今河北井陉附近；部分水系地望存争）",
|
||||
"summary": "韩信、张耳东下井陉，以万人背水列阵、二千轻骑乘赵军空营拔帜易帜，夹击破赵，斩陈馀并擒赵王歇。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 89,
|
||||
"fullText": "公元前二〇四年，韩信与张耳率军东下井陉攻赵。赵王歇、成安君陈馀在井陉口聚兵，号称二十万。广武君李左车建议拨三万奇兵绕道切断汉军辎重，再深沟高垒拒战；陈馀自称义兵不用诈谋，没有采纳。韩信派人侦察，确认赵军不用此计，才敢继续入陉。他先选二千轻骑，每人持一面赤帜，从小路隐蔽在山后；又让一万人先出井陉口，背水列阵。天明，韩信打出主将旗鼓诱赵军出营争夺。双方久战，汉军佯弃旗鼓退向水边，背水士卒无路可退，人人死战。赵军倾巢追击时，二千轻骑驰入空营，拔去赵旗，换上汉军赤帜。赵军回望营垒，误以为主将已被擒，阵势顿乱。汉军前后夹击，大破赵军，斩陈馀、擒赵王歇。背水并非孤注一掷，而是与侦察、诱敌和拔帜奇兵同时咬合的一整套部署。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "上策不用",
|
||||
"timePlace": "井陉口赵军营帐",
|
||||
"purpose": "交代李左车断粮建议与陈馀拒绝，为韩信敢于入陉建立情报前提。",
|
||||
"narration": "李左车建议以三万奇兵切断汉军辎重，再坚营不战。陈馀拒绝了这套诈谋。",
|
||||
"overlay": {
|
||||
"heading": "上策不用",
|
||||
"line": "井陉最危险的那条路，赵军主动让了出来。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "李左车",
|
||||
"office": "赵广武君",
|
||||
"action": "献奇兵绝辎重、深沟高垒之策"
|
||||
},
|
||||
{
|
||||
"name": "陈馀",
|
||||
"office": "赵成安君、前线主帅",
|
||||
"action": "以义兵不用诈谋为由拒绝"
|
||||
},
|
||||
{
|
||||
"name": "赵王歇",
|
||||
"office": "赵王",
|
||||
"action": "名义统帅，在军中"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-li-zuoche-plan-rejected.png",
|
||||
"delivery": "images/01-li-zuoche-plan-rejected.webp",
|
||||
"alt": "赵军营帐中，李左车用无字木筹和几只石块指示狭道与粮车，陈馀端坐听取却抬手拒绝，赵王歇在侧，不出现现代沙盘地图。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Inside the Zhao command tent near Jingxing Pass. Li Zuoche, an older East Asian strategist in plain layered robes, uses blank wooden counters, cord and a few stones on a rough table to explain a narrow route and baggage column without a drawn map. Chen Yu, a dignified middle-aged Confucian commander in restrained Zhao armor and robe, raises one hand to reject the proposal; Zhao King Xie listens from the side. The disagreement is controlled and intellectual, not shouting. Open flap reveals steep valley walls and fortified camp. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.",
|
||||
"visualInference": "木筹示意、人物神态、营帐与山谷同框为视觉补全；李左车献断粮策、陈馀不用有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·淮阴侯列传》卷九十二"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "背水列阵",
|
||||
"timePlace": "井陉口外临水地带，夜末",
|
||||
"purpose": "呈现万人先行背水布阵，同时说明这只是整体部署的一部分。",
|
||||
"narration": "韩信让一万人先出井陉口，背水列阵。赵军从营垒远望，见此布置大笑。",
|
||||
"overlay": {
|
||||
"heading": "背水列阵",
|
||||
"line": "后面是水，但真正的退路被放在了敌营里。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "韩信",
|
||||
"office": "汉左丞相、前线主帅",
|
||||
"action": "命万人背水列阵"
|
||||
},
|
||||
{
|
||||
"name": "张耳",
|
||||
"office": "汉将",
|
||||
"action": "与韩信共同东击赵"
|
||||
},
|
||||
{
|
||||
"name": "汉军步卒",
|
||||
"office": "背水本阵",
|
||||
"action": "临水列阵并准备承受赵军主攻"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-formation-against-water.png",
|
||||
"delivery": "images/02-formation-against-water.webp",
|
||||
"alt": "黎明前河岸上，韩信在侧后方检查万人背水阵，步卒以盾矛列出层次，后方水面紧贴阵线，远处赵军营壁在山口高处。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Before dawn beside an unnamed river near Jingxing. Han Xin, a lean East Asian commander in his early thirties with composed face, tied hair, neat moustache, dark practical Han lamellar armor and muted red cloak, inspects a broad infantry formation whose backs are visibly close to the water. Zhang Er stands with aides farther along the bank. Shield and spear ranks are tense and imperfect, not identical clones; across the valley Zhao campfires and ramparts look down from higher ground. Strategic wide shot, cold blue-gray morning. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.",
|
||||
"visualInference": "具体水岸、阵列宽度、韩信与张耳站位为视觉补全；万人先行、出背水陈及赵军望见大笑有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·淮阴侯列传》卷九十二"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "弃旗诱出",
|
||||
"timePlace": "平旦，井陉口与赵营之间",
|
||||
"purpose": "表现韩信以主将旗鼓诱赵军空营逐利，并与背水本阵衔接。",
|
||||
"narration": "天明，韩信打出主将旗鼓出井陉口。久战后汉军佯弃旗鼓退向水边，赵军空营追击。",
|
||||
"overlay": {
|
||||
"heading": "弃旗诱出",
|
||||
"line": "被丢下的旗鼓，不是败象，而是让赵营变空的诱饵。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "韩信",
|
||||
"office": "汉左丞相",
|
||||
"action": "建大将旗鼓诱赵军出壁，并佯退水上军"
|
||||
},
|
||||
{
|
||||
"name": "陈馀",
|
||||
"office": "赵军主帅",
|
||||
"action": "开壁出击并争夺汉军旗鼓"
|
||||
},
|
||||
{
|
||||
"name": "汉军背水阵",
|
||||
"office": "本阵步卒",
|
||||
"action": "接纳退回部队并殊死抵抗"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-banners-abandoned-as-bait.png",
|
||||
"delivery": "images/03-banners-abandoned-as-bait.webp",
|
||||
"alt": "井陉口外战场上，汉军把主将旗鼓留在破损车阵旁向河岸撤回，赵军从打开的营门争相追出，韩信在退却队列中回望控制节奏。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Battlefield between Jingxing Pass and the Zhao camp at first light. Han troops deliberately abandon large command drums and plain, unreadable standard poles beside a broken wagon line while falling back toward the riverside formation. Zhao forces stream from their opened fortified gate to seize the apparent prizes, leaving the camp visibly thin. Han Xin, same identity as scene 02, rides within the controlled withdrawal and looks back, directing rather than panicking. Dynamic deep composition; standards carry solid muted color only, no symbols or writing. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.",
|
||||
"visualInference": "弃置位置、赵军出营规模、韩信回望与车阵为视觉重构；建大将旗鼓、佯弃鼓旗、赵空壁争夺有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·淮阴侯列传》卷九十二"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "拔帜易帜",
|
||||
"timePlace": "赵军空营与萆山间道",
|
||||
"purpose": "呈现二千轻骑乘虚入营换旗这一攻心枢纽。",
|
||||
"narration": "二千轻骑从山间小路驰入空营，拔去赵旗，遍立汉军赤帜。赵军回望时，看到营垒已经变色。",
|
||||
"overlay": {
|
||||
"heading": "拔帜易帜",
|
||||
"line": "真正击垮赵军的，是回头那一眼。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "汉军轻骑",
|
||||
"office": "二千奇兵",
|
||||
"action": "由间道隐蔽，乘赵军空营拔帜立赤帜"
|
||||
},
|
||||
{
|
||||
"name": "韩信",
|
||||
"office": "汉军主帅",
|
||||
"action": "预先部署二千轻骑执行攻心奇袭；本人不在营内"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-cavalry-switches-standards.png",
|
||||
"delivery": "images/04-cavalry-switches-standards.webp",
|
||||
"alt": "赵军空营内，汉军轻骑翻越低矮营壁，拔下素色赵旗并竖起无字赤帜，营外山道仍有骑兵进入，远方战场上的赵军开始回望。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Inside the nearly empty Zhao fortified camp. Han light cavalry dismount and climb low earth-and-timber ramparts, pulling down plain Zhao-colored standards and raising many solid red Han standards with absolutely no writing or symbols. More riders enter through a rear mountain path; abandoned tents and tether rails show the garrison rushed out. Far across the valley, small Zhao formations begin turning back toward the transformed camp. Emphasize coordinated infiltration and psychological shock, not a flag-waving celebration. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.",
|
||||
"visualInference": "营壁高度、旗色分布、入营路径与远方回望为视觉重构；二千轻骑从间道入空壁、拔赵旗立汉赤帜有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·淮阴侯列传》卷九十二"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "夹击破赵",
|
||||
"timePlace": "赵营与泜水一线，战斗终局",
|
||||
"purpose": "交代赵军心理崩溃、汉军夹击和战果，并保留李左车被礼待的余韵。",
|
||||
"narration": "赵军见满营赤帜，以为主将已失，顿时溃乱。汉军前后夹击，斩陈馀、擒赵王歇。",
|
||||
"overlay": {
|
||||
"heading": "夹击破赵",
|
||||
"line": "背水阵守住正面，营中的赤帜从背后击垮军心。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "韩信",
|
||||
"office": "汉军主帅",
|
||||
"action": "完成前后夹击并战后师事李左车"
|
||||
},
|
||||
{
|
||||
"name": "陈馀",
|
||||
"office": "赵成安君",
|
||||
"action": "兵败，后在泜水被斩；不作血腥近景"
|
||||
},
|
||||
{
|
||||
"name": "赵王歇",
|
||||
"office": "赵王",
|
||||
"action": "战败被擒"
|
||||
},
|
||||
{
|
||||
"name": "李左车",
|
||||
"office": "赵广武君",
|
||||
"action": "被俘后获韩信解缚礼待"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-zhao-defeated-li-honored.png",
|
||||
"delivery": "images/05-zhao-defeated-li-honored.webp",
|
||||
"alt": "战后赵营外，赵王歇站立交出佩剑，韩信命士卒为李左车解开绳索并让座，远处汉军赤帜遍布营壁，陈馀之死不在画面中。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Restrained aftermath outside the captured Zhao camp. Zhao King Xie stands upright surrendering his sheathed sword to guards, neither bound nor humiliated. Han Xin, consistent face and armor, gestures for soldiers to remove a simple rope from the wrists of the older strategist Li Zuoche and offers him a place beside a low camp table, foreshadowing respectful consultation. Zhang Er observes. Solid red standards line the ramparts in the distance without marks. Chen Yu’s death is not shown. Quiet exhaustion and strategic respect, no mass kneeling or triumphal spectacle. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.",
|
||||
"visualInference": "赵王交剑、李左车解缚让座与人物同框为视觉重构；擒赵王、勿杀李左车并解缚师事有史载，陈馀之死只用文案交代。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·淮阴侯列传》卷九十二",
|
||||
"《史记·张耳陈余列传》卷八十九"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:jingxing#0",
|
||||
"title": "井陉之战",
|
||||
"version": "电影级配乐·建议使用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "保留算盘般的冷钢琴动机、绷紧低弦与一次深鼓；第一幕极冷，第二幕压住不爆，第三幕收窄，第四幕在赤帜立起时形成唯一精准爆点，第五幕重新冻结；删除歌词与品牌尾签。",
|
||||
"reason": "项目内与井陉直接绑定的自生成音乐，其冷静算计和“赤帜一刻”单爆结构与五幕战术链完全对应；仓库内暂无成品音频。",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:18",
|
||||
"scene": "01",
|
||||
"direction": "以冷钢琴和单音低弦表现被拒绝的上策。"
|
||||
},
|
||||
{
|
||||
"from": "00:18",
|
||||
"to": "00:36",
|
||||
"scene": "02",
|
||||
"direction": "加入持续低音，不做热血背水主题。"
|
||||
},
|
||||
{
|
||||
"from": "00:36",
|
||||
"to": "00:54",
|
||||
"scene": "03",
|
||||
"direction": "抽掉鼓点，拉紧诱敌过程。"
|
||||
},
|
||||
{
|
||||
"from": "00:54",
|
||||
"to": "01:12",
|
||||
"scene": "04",
|
||||
"direction": "赤帜立起时出现唯一短促爆点。"
|
||||
},
|
||||
{
|
||||
"from": "01:12",
|
||||
"to": "01:30",
|
||||
"scene": "05",
|
||||
"direction": "迅速回到冷钢琴，以战后礼待收束。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "李左车献策、陈馀不用、万人背水、二千骑拔帜、夹击战果与韩信战后论兵",
|
||||
"citation": "《史记·淮阴侯列传》卷九十二",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷092"
|
||||
},
|
||||
{
|
||||
"claim": "张耳陈馀交恶背景及井陉战后陈馀、赵王结局互证",
|
||||
"citation": "《史记·张耳陈余列传》卷八十九",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷089"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把赵军“号称二十万”当作已核实实数；汉军总数也不可简单写成三万或数千的确定值",
|
||||
"只画背水列阵而忽略侦察、诱敌空营与二千轻骑拔帜的完整战术链",
|
||||
"把陈馀描写成不会打仗的丑角；他拒绝的是李左车的诈谋奇计，史书保留其决策理由",
|
||||
"在赤帜上生成可读“汉”字、现代军徽或统一印刷图案",
|
||||
"断言背水所临水体与泜水的现代精确位置，或制作无争议的现代路线图",
|
||||
"现代字幕、Logo、水印、后世盔甲建筑、火器爆炸、奇幻法术、动漫画风或血腥斩首"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,154 @@
|
||||
# 井陉之战（背水一战）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：井陉之战（背水一战）
|
||||
- 常用称呼：井陉口之战、背水一战、韩信破赵
|
||||
- 时代：楚汉战争
|
||||
- 日期：公元前204年
|
||||
- 地点：井陉口、赵军营壁及泜水一带（今河北井陉附近；部分水系地望存争）
|
||||
- 一句话结论：韩信、张耳东下井陉，以万人背水列阵、二千轻骑乘赵军空营拔帜易帜，夹击破赵，斩陈馀并擒赵王歇。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
公元前二〇四年，韩信与张耳率军东下井陉攻赵。赵王歇、成安君陈馀在井陉口聚兵，号称二十万。广武君李左车建议拨三万奇兵绕道切断汉军辎重，再深沟高垒拒战；陈馀自称义兵不用诈谋，没有采纳。韩信派人侦察，确认赵军不用此计，才敢继续入陉。他先选二千轻骑，每人持一面赤帜，从小路隐蔽在山后；又让一万人先出井陉口，背水列阵。天明，韩信打出主将旗鼓诱赵军出营争夺。双方久战，汉军佯弃旗鼓退向水边，背水士卒无路可退，人人死战。赵军倾巢追击时，二千轻骑驰入空营，拔去赵旗，换上汉军赤帜。赵军回望营垒，误以为主将已被擒，阵势顿乱。汉军前后夹击，大破赵军，斩陈馀、擒赵王歇。背水并非孤注一掷，而是与侦察、诱敌和拔帜奇兵同时咬合的一整套部署。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜上策不用
|
||||
|
||||
- 时间地点：井陉口赵军营帐
|
||||
- 本幕作用：交代李左车断粮建议与陈馀拒绝，为韩信敢于入陉建立情报前提。
|
||||
- 分幕旁白：李左车建议以三万奇兵切断汉军辎重，再坚营不战。陈馀拒绝了这套诈谋。
|
||||
- 页面标题：上策不用
|
||||
- 页面短句：井陉最危险的那条路，赵军主动让了出来。
|
||||
- PNG：`images/01-li-zuoche-plan-rejected.png`
|
||||
- WebP：`images/01-li-zuoche-plan-rejected.webp`
|
||||
- 替代文本：赵军营帐中，李左车用无字木筹和几只石块指示狭道与粮车，陈馀端坐听取却抬手拒绝，赵王歇在侧，不出现现代沙盘地图。
|
||||
- 视觉推演边界：木筹示意、人物神态、营帐与山谷同框为视觉补全；李左车献断粮策、陈馀不用有史载。
|
||||
- 人物：李左车（赵广武君；献奇兵绝辎重、深沟高垒之策）；陈馀（赵成安君、前线主帅；以义兵不用诈谋为由拒绝）；赵王歇（赵王；名义统帅，在军中）
|
||||
- 史料：《史记·淮阴侯列传》卷九十二
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Inside the Zhao command tent near Jingxing Pass. Li Zuoche, an older East Asian strategist in plain layered robes, uses blank wooden counters, cord and a few stones on a rough table to explain a narrow route and baggage column without a drawn map. Chen Yu, a dignified middle-aged Confucian commander in restrained Zhao armor and robe, raises one hand to reject the proposal; Zhao King Xie listens from the side. The disagreement is controlled and intellectual, not shouting. Open flap reveals steep valley walls and fortified camp. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.
|
||||
```
|
||||
|
||||
### 02｜背水列阵
|
||||
|
||||
- 时间地点：井陉口外临水地带，夜末
|
||||
- 本幕作用：呈现万人先行背水布阵，同时说明这只是整体部署的一部分。
|
||||
- 分幕旁白：韩信让一万人先出井陉口，背水列阵。赵军从营垒远望，见此布置大笑。
|
||||
- 页面标题：背水列阵
|
||||
- 页面短句：后面是水，但真正的退路被放在了敌营里。
|
||||
- PNG：`images/02-formation-against-water.png`
|
||||
- WebP：`images/02-formation-against-water.webp`
|
||||
- 替代文本：黎明前河岸上，韩信在侧后方检查万人背水阵，步卒以盾矛列出层次，后方水面紧贴阵线，远处赵军营壁在山口高处。
|
||||
- 视觉推演边界：具体水岸、阵列宽度、韩信与张耳站位为视觉补全；万人先行、出背水陈及赵军望见大笑有史载。
|
||||
- 人物：韩信（汉左丞相、前线主帅；命万人背水列阵）；张耳（汉将；与韩信共同东击赵）；汉军步卒（背水本阵；临水列阵并准备承受赵军主攻）
|
||||
- 史料：《史记·淮阴侯列传》卷九十二
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Before dawn beside an unnamed river near Jingxing. Han Xin, a lean East Asian commander in his early thirties with composed face, tied hair, neat moustache, dark practical Han lamellar armor and muted red cloak, inspects a broad infantry formation whose backs are visibly close to the water. Zhang Er stands with aides farther along the bank. Shield and spear ranks are tense and imperfect, not identical clones; across the valley Zhao campfires and ramparts look down from higher ground. Strategic wide shot, cold blue-gray morning. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.
|
||||
```
|
||||
|
||||
### 03｜弃旗诱出
|
||||
|
||||
- 时间地点：平旦，井陉口与赵营之间
|
||||
- 本幕作用：表现韩信以主将旗鼓诱赵军空营逐利，并与背水本阵衔接。
|
||||
- 分幕旁白：天明，韩信打出主将旗鼓出井陉口。久战后汉军佯弃旗鼓退向水边，赵军空营追击。
|
||||
- 页面标题：弃旗诱出
|
||||
- 页面短句：被丢下的旗鼓，不是败象，而是让赵营变空的诱饵。
|
||||
- PNG：`images/03-banners-abandoned-as-bait.png`
|
||||
- WebP：`images/03-banners-abandoned-as-bait.webp`
|
||||
- 替代文本：井陉口外战场上，汉军把主将旗鼓留在破损车阵旁向河岸撤回，赵军从打开的营门争相追出，韩信在退却队列中回望控制节奏。
|
||||
- 视觉推演边界：弃置位置、赵军出营规模、韩信回望与车阵为视觉重构；建大将旗鼓、佯弃鼓旗、赵空壁争夺有史载。
|
||||
- 人物：韩信（汉左丞相；建大将旗鼓诱赵军出壁，并佯退水上军）；陈馀（赵军主帅；开壁出击并争夺汉军旗鼓）；汉军背水阵（本阵步卒；接纳退回部队并殊死抵抗）
|
||||
- 史料：《史记·淮阴侯列传》卷九十二
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Battlefield between Jingxing Pass and the Zhao camp at first light. Han troops deliberately abandon large command drums and plain, unreadable standard poles beside a broken wagon line while falling back toward the riverside formation. Zhao forces stream from their opened fortified gate to seize the apparent prizes, leaving the camp visibly thin. Han Xin, same identity as scene 02, rides within the controlled withdrawal and looks back, directing rather than panicking. Dynamic deep composition; standards carry solid muted color only, no symbols or writing. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.
|
||||
```
|
||||
|
||||
### 04｜拔帜易帜
|
||||
|
||||
- 时间地点：赵军空营与萆山间道
|
||||
- 本幕作用：呈现二千轻骑乘虚入营换旗这一攻心枢纽。
|
||||
- 分幕旁白：二千轻骑从山间小路驰入空营，拔去赵旗，遍立汉军赤帜。赵军回望时，看到营垒已经变色。
|
||||
- 页面标题：拔帜易帜
|
||||
- 页面短句：真正击垮赵军的，是回头那一眼。
|
||||
- PNG：`images/04-cavalry-switches-standards.png`
|
||||
- WebP：`images/04-cavalry-switches-standards.webp`
|
||||
- 替代文本：赵军空营内，汉军轻骑翻越低矮营壁，拔下素色赵旗并竖起无字赤帜，营外山道仍有骑兵进入，远方战场上的赵军开始回望。
|
||||
- 视觉推演边界：营壁高度、旗色分布、入营路径与远方回望为视觉重构；二千轻骑从间道入空壁、拔赵旗立汉赤帜有史载。
|
||||
- 人物：汉军轻骑（二千奇兵；由间道隐蔽，乘赵军空营拔帜立赤帜）；韩信（汉军主帅；预先部署二千轻骑执行攻心奇袭；本人不在营内）
|
||||
- 史料：《史记·淮阴侯列传》卷九十二
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Inside the nearly empty Zhao fortified camp. Han light cavalry dismount and climb low earth-and-timber ramparts, pulling down plain Zhao-colored standards and raising many solid red Han standards with absolutely no writing or symbols. More riders enter through a rear mountain path; abandoned tents and tether rails show the garrison rushed out. Far across the valley, small Zhao formations begin turning back toward the transformed camp. Emphasize coordinated infiltration and psychological shock, not a flag-waving celebration. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.
|
||||
```
|
||||
|
||||
### 05｜夹击破赵
|
||||
|
||||
- 时间地点：赵营与泜水一线，战斗终局
|
||||
- 本幕作用：交代赵军心理崩溃、汉军夹击和战果，并保留李左车被礼待的余韵。
|
||||
- 分幕旁白：赵军见满营赤帜，以为主将已失，顿时溃乱。汉军前后夹击，斩陈馀、擒赵王歇。
|
||||
- 页面标题：夹击破赵
|
||||
- 页面短句：背水阵守住正面，营中的赤帜从背后击垮军心。
|
||||
- PNG：`images/05-zhao-defeated-li-honored.png`
|
||||
- WebP：`images/05-zhao-defeated-li-honored.webp`
|
||||
- 替代文本：战后赵营外，赵王歇站立交出佩剑，韩信命士卒为李左车解开绳索并让座，远处汉军赤帜遍布营壁，陈馀之死不在画面中。
|
||||
- 视觉推演边界：赵王交剑、李左车解缚让座与人物同框为视觉重构；擒赵王、勿杀李左车并解缚师事有史载，陈馀之死只用文案交代。
|
||||
- 人物：韩信（汉军主帅；完成前后夹击并战后师事李左车）；陈馀（赵成安君；兵败，后在泜水被斩；不作血腥近景）；赵王歇（赵王；战败被擒）；李左车（赵广武君；被俘后获韩信解缚礼待）
|
||||
- 史料：《史记·淮阴侯列传》卷九十二；《史记·张耳陈余列传》卷八十九
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Restrained aftermath outside the captured Zhao camp. Zhao King Xie stands upright surrendering his sheathed sword to guards, neither bound nor humiliated. Han Xin, consistent face and armor, gestures for soldiers to remove a simple rope from the wrists of the older strategist Li Zuoche and offers him a place beside a low camp table, foreshadowing respectful consultation. Zhang Er observes. Solid red standards line the ramparts in the distance without marks. Chen Yu’s death is not shown. Quiet exhaustion and strategic respect, no mass kneeling or triumphal spectacle. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.
|
||||
```
|
||||
|
||||
## BGM 选曲
|
||||
|
||||
- 项目曲目：`zhanzhen:jingxing#0`｜井陉之战｜电影级配乐·建议使用无主唱器乐 stem
|
||||
- 状态：pending-export
|
||||
- 用法：保留算盘般的冷钢琴动机、绷紧低弦与一次深鼓；第一幕极冷，第二幕压住不爆，第三幕收窄，第四幕在赤帜立起时形成唯一精准爆点，第五幕重新冻结；删除歌词与品牌尾签。
|
||||
- 选择理由：项目内与井陉直接绑定的自生成音乐，其冷静算计和“赤帜一刻”单爆结构与五幕战术链完全对应；仓库内暂无成品音频。
|
||||
- 音频路径或 URL：仓库暂缺，待导出
|
||||
|
||||
| 时间 | 分幕 | 编排 |
|
||||
|---|---|---|
|
||||
| 00:00–00:18 | 01 | 以冷钢琴和单音低弦表现被拒绝的上策。 |
|
||||
| 00:18–00:36 | 02 | 加入持续低音，不做热血背水主题。 |
|
||||
| 00:36–00:54 | 03 | 抽掉鼓点，拉紧诱敌过程。 |
|
||||
| 00:54–01:12 | 04 | 赤帜立起时出现唯一短促爆点。 |
|
||||
| 01:12–01:30 | 05 | 迅速回到冷钢琴，以战后礼待收束。 |
|
||||
|
||||
## 史料来源
|
||||
|
||||
- 李左车献策、陈馀不用、万人背水、二千骑拔帜、夹击战果与韩信战后论兵：[《史记·淮阴侯列传》卷九十二](https://zh.wikisource.org/zh-hans/史记/卷092)
|
||||
- 张耳陈馀交恶背景及井陉战后陈馀、赵王结局互证：[《史记·张耳陈余列传》卷八十九](https://zh.wikisource.org/zh-hans/史记/卷089)
|
||||
|
||||
## 禁区与误读防护
|
||||
|
||||
- 把赵军“号称二十万”当作已核实实数；汉军总数也不可简单写成三万或数千的确定值
|
||||
- 只画背水列阵而忽略侦察、诱敌空营与二千轻骑拔帜的完整战术链
|
||||
- 把陈馀描写成不会打仗的丑角；他拒绝的是李左车的诈谋奇计，史书保留其决策理由
|
||||
- 在赤帜上生成可读“汉”字、现代军徽或统一印刷图案
|
||||
- 断言背水所临水体与泜水的现代精确位置，或制作无争议的现代路线图
|
||||
- 现代字幕、Logo、水印、后世盔甲建筑、火器爆炸、奇幻法术、动漫画风或血腥斩首
|
||||
|
||||
## 交付检查
|
||||
|
||||
- [x] 每幕 PNG 原图存在且为 16:9
|
||||
- [x] 每幕 WebP 交付图存在且为 16:9
|
||||
- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
|
||||
- [ ] BGM 已导出并填写可用路径
|
||||
- [x] `manifest.json` 与本说明中的文件名全部校验通过
|
||||
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@@ -0,0 +1,286 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "垓下之战（楚汉终局）",
|
||||
"aliases": [
|
||||
"垓下之战",
|
||||
"四面楚歌",
|
||||
"楚汉决战"
|
||||
],
|
||||
"era": "秦末汉初·楚汉相争",
|
||||
"date": "汉五年（公元前202年）",
|
||||
"place": "固陵、垓下、东城与乌江一线",
|
||||
"summary": "韩信统率汉军与诸侯合围项羽，楚军垓下败溃，项羽至乌江自刎，四年楚汉战争结束。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 90,
|
||||
"fullText": "汉五年，刘邦追击项羽至固陵，却因韩信、彭越未到而先败。张良献策后，刘邦许以封地，各路诸侯终于会师垓下。韩信将三十万居前，孔将军、费将军分列左右，汉王与绛侯殿后。楚军先迫韩信前阵后退，汉军两翼随即夹击，韩信复进，大破项羽。楚军兵少食尽，又被围数重。夜里，汉营四面响起楚歌，项羽以为楚地尽失，饮于帐中，悲歌数阕。其后率八百余骑突围，渡淮后只剩百余人，到东城仅二十八骑。乌江亭长备船相劝，项羽自言无颜见江东父老，终在乌江自刎。垓下一败，四年楚汉战争落幕，刘邦由汉王走向皇帝。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "诸军会垓下",
|
||||
"timePlace": "公元前202年，固陵至垓下",
|
||||
"purpose": "交代刘邦以封地换得韩信、彭越等诸侯会师，形成最终合围。",
|
||||
"narration": "刘邦在固陵先败，随后采纳张良之策，许韩信、彭越以封地。各路兵马终于会师垓下。",
|
||||
"overlay": {
|
||||
"heading": "诸军会垓下",
|
||||
"line": "封地换来了最后一次合围。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "刘邦",
|
||||
"office": "汉王",
|
||||
"action": "统合诸侯军并追击项羽"
|
||||
},
|
||||
{
|
||||
"name": "韩信",
|
||||
"office": "齐王、汉军主将",
|
||||
"action": "率兵从齐会师垓下"
|
||||
},
|
||||
{
|
||||
"name": "彭越",
|
||||
"office": "梁王",
|
||||
"action": "率军会垓下参与合围"
|
||||
},
|
||||
{
|
||||
"name": "张良",
|
||||
"office": "成信侯、汉王谋臣",
|
||||
"action": "献策许地以召韩信、彭越"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-lords-converge-at-gaixia.png",
|
||||
"delivery": "images/01-lords-converge-at-gaixia.webp",
|
||||
"alt": "冬日垓下平原上，刘邦、韩信、彭越等人在无字木案旁确定部署，多路汉军从远方汇入营地。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 01 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Winter on the plains near Gaixia in 202 BCE. Liu Bang, a weathered East Asian commander in his mid-fifties wearing a restrained dark-red Han cloak over early-Han lamellar armor, stands at a plain low field table with Han Xin, a lean calm commander in his thirties, and Peng Yue, a rugged older field leader. Unmarked wooden tallies lie on the table, no readable map. Several human-scale columns of cavalry, infantry and supply carts arrive across different roads in the distance. Wide strategic frame, cold ochre-gray palette, low sun, disciplined convergence rather than a cheering council. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "三人在同一野战案旁议定部署、军队同时汇入和衣甲细节属于视觉压缩；史料明确各军会垓下，但未记这一具体会议。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·项羽本纪》卷七",
|
||||
"《史记·高祖本纪》卷八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "五军夹击",
|
||||
"timePlace": "公元前202年，垓下战场",
|
||||
"purpose": "呈现韩信中军佯退后两翼夹击、复进破楚的决定性会战。",
|
||||
"narration": "韩信以三十万居前，孔、费两军分列左右。前阵一度后退，两翼随即夹击，韩信再度压上，楚军大败。",
|
||||
"overlay": {
|
||||
"heading": "五军夹击",
|
||||
"line": "退一步，是为了让两翼同时合上。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "韩信",
|
||||
"office": "汉军前军主将",
|
||||
"action": "前阵交战不利后复进，配合两翼击破楚军"
|
||||
},
|
||||
{
|
||||
"name": "孔将军",
|
||||
"office": "汉军左翼将领",
|
||||
"action": "从左翼攻击楚军"
|
||||
},
|
||||
{
|
||||
"name": "费将军",
|
||||
"office": "汉军右翼将领",
|
||||
"action": "从右翼攻击楚军"
|
||||
},
|
||||
{
|
||||
"name": "项羽",
|
||||
"office": "西楚霸王",
|
||||
"action": "率楚军迎战，垓下大败"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-five-army-attack.png",
|
||||
"delivery": "images/02-five-army-attack.webp",
|
||||
"alt": "垓下开阔战场上，韩信立于中军高地指挥回转，两翼汉军包向楚军侧后，远处项羽整顿楚军。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 02 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: The main battle at Gaixia, wide elevated view. Han Xin, preserving his lean composed face, stands beside a command chariot on a low ridge, raising a plain signal baton as his early-Han center reforms after a controlled withdrawal. Two separate Han wings curve inward across the brown winter field. In the middle distance, Xiang Yu, a powerful East Asian warrior in his early thirties with tied hair and dark Chu armor edged in muted red, rallies a compact Chu line rather than dueling. Dust, chariot ruts and broken field barriers show pressure without gore. Clear readable layers, no impossible sea of troops. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "具体地形、韩信手势、项羽在远景整军和两翼弧线为战术可视化；中军退、两翼击、韩信复乘的次序有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·高祖本纪》卷八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "四面楚歌",
|
||||
"timePlace": "垓下被围之夜，楚军营帐",
|
||||
"purpose": "从正面会战转入项羽兵少食尽、军心崩解的夜晚。",
|
||||
"narration": "楚军兵少食尽，又被围数重。夜闻汉营四面皆唱楚歌，项羽惊起，在帐中饮酒悲歌。",
|
||||
"overlay": {
|
||||
"heading": "四面楚歌",
|
||||
"line": "故乡的歌声，从敌营四面传来。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "项羽",
|
||||
"office": "西楚霸王",
|
||||
"action": "夜起饮帐中，悲歌数阕并泣下"
|
||||
},
|
||||
{
|
||||
"name": "虞",
|
||||
"office": "项羽常幸从的美人",
|
||||
"action": "在帐中和歌；史书未载其结局"
|
||||
},
|
||||
{
|
||||
"name": "楚军左右",
|
||||
"office": "项羽亲随",
|
||||
"action": "闻歌随泣，莫能仰视"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-songs-from-four-sides.png",
|
||||
"delivery": "images/03-songs-from-four-sides.webp",
|
||||
"alt": "垓下楚营夜帐内，项羽持酒器低头，虞与亲随安静相伴，帐外远处汉营火光环绕，歌声以气氛表现。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 03 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Night inside Xiang Yu’s command tent at Gaixia. Xiang Yu, same powerful face as scene 2 but exhausted and partly unarmored, sits beside a low table holding a simple lacquer wine cup, eyes wet but restrained. Lady Yu, an East Asian woman in a plain layered Chu robe, stands close and listens; attendants lower their faces. Through the open tent flap, distant Han campfires form several separated arcs across the dark plain. The sense of Chu songs is carried by still figures, wind and far silhouettes, not visible text. Intimate wide composition, amber lamp inside, blue-black cold outside, no suicide scene. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "灯火分布、帐内站位、虞的服饰与表情为视觉补全；饮帐中、虞和歌、左右皆泣与四面楚歌均见《项羽本纪》。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·项羽本纪》卷七"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "东城二十八骑",
|
||||
"timePlace": "突围后，东城一带",
|
||||
"purpose": "表现八百骑突围后不断减员，项羽到东城仅余二十八骑。",
|
||||
"narration": "项羽率八百骑乘夜突围。渡淮后只剩百余人，到东城被追骑围困时，身边仅余二十八骑。",
|
||||
"overlay": {
|
||||
"heading": "东城二十八骑",
|
||||
"line": "八百人出营，走到这里，只剩二十八。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "项羽",
|
||||
"office": "西楚霸王",
|
||||
"action": "率残骑突围并在东城分骑突阵"
|
||||
},
|
||||
{
|
||||
"name": "灌婴",
|
||||
"office": "汉骑将",
|
||||
"action": "奉命追击项羽；不与项羽单挑"
|
||||
},
|
||||
{
|
||||
"name": "楚骑二十八人",
|
||||
"office": "项羽残部",
|
||||
"action": "随项羽在东城突围"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-twenty-eight-riders-at-dongcheng.png",
|
||||
"delivery": "images/04-twenty-eight-riders-at-dongcheng.webp",
|
||||
"alt": "清晨东城丘陵间，项羽与二十余名疲惫楚骑停在高坡，远处汉骑逐渐收紧，马匹与人都满是尘土。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 04 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Cold dawn in broken hills near Dongcheng. Xiang Yu, same identity, mounted on a dark horse at the crest with roughly two dozen exhausted Chu riders visible in small clusters, all dusty and travel-worn. Far below, Han cavalry under Guan Ying closes along several ravines but remains human-scale and distant. Xiang Yu studies the terrain rather than posing heroically. Wide panoramic frame with pale sky and deep valleys, breath from horses, fatigue and dwindling numbers, no gore and no duel. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "残骑的具体队形、丘陵地形与灌婴远景为视觉补全；八百骑出围、渡淮百余、东城二十八骑和灌婴追击均有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·项羽本纪》卷七",
|
||||
"《史记·高祖本纪》卷八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "乌江终局",
|
||||
"timePlace": "公元前202年，乌江岸",
|
||||
"purpose": "呈现亭长备船、项羽拒渡并自刎的战争终局。",
|
||||
"narration": "乌江亭长备船相劝，项羽却自言无颜见江东父老。他把坐骑赠给亭长，步战之后自刎。",
|
||||
"overlay": {
|
||||
"heading": "乌江终局",
|
||||
"line": "江水可渡，他却不再渡了。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "项羽",
|
||||
"office": "西楚霸王",
|
||||
"action": "拒绝渡江，赠马后步战，最终自刎"
|
||||
},
|
||||
{
|
||||
"name": "乌江亭长",
|
||||
"office": "乌江渡口亭长",
|
||||
"action": "备船劝项羽渡江"
|
||||
},
|
||||
{
|
||||
"name": "吕马童",
|
||||
"office": "汉军骑司马、项羽故人",
|
||||
"action": "在追兵中被项羽认出，见证其终局"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-last-stand-at-wu-river.png",
|
||||
"delivery": "images/05-last-stand-at-wu-river.webp",
|
||||
"alt": "乌江灰白水面旁，亭长扶着小舟等候，项羽将缰绳交给他后转身面向远处追兵，不表现自刎瞬间。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 05 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Sober final moment on the gray bank of the Wu River. The local tingzhang, an older ferryman-official in plain hemp layers, steadies a small wooden boat in shallow water. Xiang Yu, same face and armor but battered, hands over the reins of his dark horse and turns away from the river toward distant approaching Han riders. His sword remains lowered at his side; do not show the act of suicide. Wide low riverbank composition with reeds, cold mist and open water as negative space, grief without romanticized spectacle. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "交缰与转身动作、渡船形态和追兵距离为视觉补全；亭长备船、赠马、拒渡与最后自刎见《项羽本纪》。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·项羽本纪》卷七"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:gaixia#0",
|
||||
"title": "垓下之战",
|
||||
"version": "电影级配乐·建议使用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "保留楚声调式、低弦和稀疏战鼓，去除歌词与人声；第三幕后撤掉鼓点，以楚歌、马蹄和风声留白。",
|
||||
"reason": "项目内与本战直接绑定的原创音乐方案，能覆盖会战、楚歌与乌江终局；仓库中未发现可直接附加的成品音频。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:18",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器进入，先建立时代、地理与压力。"
|
||||
},
|
||||
{
|
||||
"from": "00:18",
|
||||
"to": "00:36",
|
||||
"scene": "02",
|
||||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:36",
|
||||
"to": "00:54",
|
||||
"scene": "03",
|
||||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:54",
|
||||
"to": "01:12",
|
||||
"scene": "04",
|
||||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "01:12",
|
||||
"to": "01:30",
|
||||
"scene": "05",
|
||||
"direction": "撤去主鼓点，以风声、低弦或单一金石音收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "本素材所涉史记·项羽本纪相关时间、人物、战斗经过与结局",
|
||||
"citation": "《史记·项羽本纪》卷七",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷007"
|
||||
},
|
||||
{
|
||||
"claim": "本素材所涉史记·高祖本纪相关时间、人物、战斗经过与结局",
|
||||
"citation": "《史记·高祖本纪》卷八",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷008"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把“十面埋伏”当作《史记》中的阵名；正史载韩信中军、孔费两翼与刘邦后阵",
|
||||
"画虞姬在垓下自刎；《史记》只载美人虞在场和歌，不载她的死亡方式与结局",
|
||||
"把项羽在乌江被刘邦亲手杀死；史载项羽自刎，刘邦不在乌江现场",
|
||||
"让项羽在东城或乌江只剩一名随从；史载东城尚有二十八骑",
|
||||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||||
"唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲",
|
||||
"玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山",
|
||||
"把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,148 @@
|
||||
# 垓下之战（楚汉终局）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：垓下之战（楚汉终局）
|
||||
- 常用称呼：垓下之战、四面楚歌、楚汉决战
|
||||
- 时代：秦末汉初·楚汉相争
|
||||
- 日期：汉五年（公元前202年）
|
||||
- 地点：固陵、垓下、东城与乌江一线
|
||||
- 一句话结论：韩信统率汉军与诸侯合围项羽，楚军垓下败溃，项羽至乌江自刎，四年楚汉战争结束。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
汉五年，刘邦追击项羽至固陵，却因韩信、彭越未到而先败。张良献策后，刘邦许以封地，各路诸侯终于会师垓下。韩信将三十万居前，孔将军、费将军分列左右，汉王与绛侯殿后。楚军先迫韩信前阵后退，汉军两翼随即夹击，韩信复进，大破项羽。楚军兵少食尽，又被围数重。夜里，汉营四面响起楚歌，项羽以为楚地尽失，饮于帐中，悲歌数阕。其后率八百余骑突围，渡淮后只剩百余人，到东城仅二十八骑。乌江亭长备船相劝，项羽自言无颜见江东父老，终在乌江自刎。垓下一败，四年楚汉战争落幕，刘邦由汉王走向皇帝。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜诸军会垓下
|
||||
|
||||
- 时间地点：公元前202年，固陵至垓下
|
||||
- 叙事作用：交代刘邦以封地换得韩信、彭越等诸侯会师，形成最终合围。
|
||||
- 本幕旁白：刘邦在固陵先败，随后采纳张良之策，许韩信、彭越以封地。各路兵马终于会师垓下。
|
||||
- 叠字标题：诸军会垓下
|
||||
- 一句短文案：封地换来了最后一次合围。
|
||||
- 图片文件：`images/01-lords-converge-at-gaixia.png` / `images/01-lords-converge-at-gaixia.webp`
|
||||
- 替代文本：冬日垓下平原上，刘邦、韩信、彭越等人在无字木案旁确定部署，多路汉军从远方汇入营地。
|
||||
- 人物标签：
|
||||
- 刘邦｜汉王｜统合诸侯军并追击项羽
|
||||
- 韩信｜齐王、汉军主将｜率兵从齐会师垓下
|
||||
- 彭越｜梁王｜率军会垓下参与合围
|
||||
- 张良｜成信侯、汉王谋臣｜献策许地以召韩信、彭越
|
||||
- 画面补全说明：三人在同一野战案旁议定部署、军队同时汇入和衣甲细节属于视觉压缩；史料明确各军会垓下，但未记这一具体会议。
|
||||
- 史实依据：《史记·项羽本纪》卷七；《史记·高祖本纪》卷八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 01 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Winter on the plains near Gaixia in 202 BCE. Liu Bang, a weathered East Asian commander in his mid-fifties wearing a restrained dark-red Han cloak over early-Han lamellar armor, stands at a plain low field table with Han Xin, a lean calm commander in his thirties, and Peng Yue, a rugged older field leader. Unmarked wooden tallies lie on the table, no readable map. Several human-scale columns of cavalry, infantry and supply carts arrive across different roads in the distance. Wide strategic frame, cold ochre-gray palette, low sun, disciplined convergence rather than a cheering council. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 02｜五军夹击
|
||||
|
||||
- 时间地点：公元前202年，垓下战场
|
||||
- 叙事作用：呈现韩信中军佯退后两翼夹击、复进破楚的决定性会战。
|
||||
- 本幕旁白：韩信以三十万居前，孔、费两军分列左右。前阵一度后退，两翼随即夹击，韩信再度压上，楚军大败。
|
||||
- 叠字标题：五军夹击
|
||||
- 一句短文案：退一步，是为了让两翼同时合上。
|
||||
- 图片文件：`images/02-five-army-attack.png` / `images/02-five-army-attack.webp`
|
||||
- 替代文本：垓下开阔战场上，韩信立于中军高地指挥回转，两翼汉军包向楚军侧后，远处项羽整顿楚军。
|
||||
- 人物标签：
|
||||
- 韩信｜汉军前军主将｜前阵交战不利后复进，配合两翼击破楚军
|
||||
- 孔将军｜汉军左翼将领｜从左翼攻击楚军
|
||||
- 费将军｜汉军右翼将领｜从右翼攻击楚军
|
||||
- 项羽｜西楚霸王｜率楚军迎战，垓下大败
|
||||
- 画面补全说明：具体地形、韩信手势、项羽在远景整军和两翼弧线为战术可视化；中军退、两翼击、韩信复乘的次序有史载。
|
||||
- 史实依据：《史记·高祖本纪》卷八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 02 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: The main battle at Gaixia, wide elevated view. Han Xin, preserving his lean composed face, stands beside a command chariot on a low ridge, raising a plain signal baton as his early-Han center reforms after a controlled withdrawal. Two separate Han wings curve inward across the brown winter field. In the middle distance, Xiang Yu, a powerful East Asian warrior in his early thirties with tied hair and dark Chu armor edged in muted red, rallies a compact Chu line rather than dueling. Dust, chariot ruts and broken field barriers show pressure without gore. Clear readable layers, no impossible sea of troops. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 03｜四面楚歌
|
||||
|
||||
- 时间地点：垓下被围之夜，楚军营帐
|
||||
- 叙事作用：从正面会战转入项羽兵少食尽、军心崩解的夜晚。
|
||||
- 本幕旁白：楚军兵少食尽，又被围数重。夜闻汉营四面皆唱楚歌，项羽惊起，在帐中饮酒悲歌。
|
||||
- 叠字标题：四面楚歌
|
||||
- 一句短文案：故乡的歌声，从敌营四面传来。
|
||||
- 图片文件：`images/03-songs-from-four-sides.png` / `images/03-songs-from-four-sides.webp`
|
||||
- 替代文本：垓下楚营夜帐内，项羽持酒器低头，虞与亲随安静相伴，帐外远处汉营火光环绕，歌声以气氛表现。
|
||||
- 人物标签：
|
||||
- 项羽｜西楚霸王｜夜起饮帐中，悲歌数阕并泣下
|
||||
- 虞｜项羽常幸从的美人｜在帐中和歌；史书未载其结局
|
||||
- 楚军左右｜项羽亲随｜闻歌随泣，莫能仰视
|
||||
- 画面补全说明：灯火分布、帐内站位、虞的服饰与表情为视觉补全；饮帐中、虞和歌、左右皆泣与四面楚歌均见《项羽本纪》。
|
||||
- 史实依据：《史记·项羽本纪》卷七
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 03 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Night inside Xiang Yu’s command tent at Gaixia. Xiang Yu, same powerful face as scene 2 but exhausted and partly unarmored, sits beside a low table holding a simple lacquer wine cup, eyes wet but restrained. Lady Yu, an East Asian woman in a plain layered Chu robe, stands close and listens; attendants lower their faces. Through the open tent flap, distant Han campfires form several separated arcs across the dark plain. The sense of Chu songs is carried by still figures, wind and far silhouettes, not visible text. Intimate wide composition, amber lamp inside, blue-black cold outside, no suicide scene. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 04｜东城二十八骑
|
||||
|
||||
- 时间地点：突围后，东城一带
|
||||
- 叙事作用：表现八百骑突围后不断减员，项羽到东城仅余二十八骑。
|
||||
- 本幕旁白：项羽率八百骑乘夜突围。渡淮后只剩百余人，到东城被追骑围困时，身边仅余二十八骑。
|
||||
- 叠字标题：东城二十八骑
|
||||
- 一句短文案：八百人出营，走到这里，只剩二十八。
|
||||
- 图片文件：`images/04-twenty-eight-riders-at-dongcheng.png` / `images/04-twenty-eight-riders-at-dongcheng.webp`
|
||||
- 替代文本：清晨东城丘陵间，项羽与二十余名疲惫楚骑停在高坡，远处汉骑逐渐收紧，马匹与人都满是尘土。
|
||||
- 人物标签：
|
||||
- 项羽｜西楚霸王｜率残骑突围并在东城分骑突阵
|
||||
- 灌婴｜汉骑将｜奉命追击项羽；不与项羽单挑
|
||||
- 楚骑二十八人｜项羽残部｜随项羽在东城突围
|
||||
- 画面补全说明：残骑的具体队形、丘陵地形与灌婴远景为视觉补全；八百骑出围、渡淮百余、东城二十八骑和灌婴追击均有史载。
|
||||
- 史实依据：《史记·项羽本纪》卷七；《史记·高祖本纪》卷八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 04 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Cold dawn in broken hills near Dongcheng. Xiang Yu, same identity, mounted on a dark horse at the crest with roughly two dozen exhausted Chu riders visible in small clusters, all dusty and travel-worn. Far below, Han cavalry under Guan Ying closes along several ravines but remains human-scale and distant. Xiang Yu studies the terrain rather than posing heroically. Wide panoramic frame with pale sky and deep valleys, breath from horses, fatigue and dwindling numbers, no gore and no duel. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 05｜乌江终局
|
||||
|
||||
- 时间地点：公元前202年，乌江岸
|
||||
- 叙事作用：呈现亭长备船、项羽拒渡并自刎的战争终局。
|
||||
- 本幕旁白：乌江亭长备船相劝，项羽却自言无颜见江东父老。他把坐骑赠给亭长，步战之后自刎。
|
||||
- 叠字标题：乌江终局
|
||||
- 一句短文案：江水可渡，他却不再渡了。
|
||||
- 图片文件：`images/05-last-stand-at-wu-river.png` / `images/05-last-stand-at-wu-river.webp`
|
||||
- 替代文本：乌江灰白水面旁，亭长扶着小舟等候，项羽将缰绳交给他后转身面向远处追兵，不表现自刎瞬间。
|
||||
- 人物标签：
|
||||
- 项羽｜西楚霸王｜拒绝渡江，赠马后步战，最终自刎
|
||||
- 乌江亭长｜乌江渡口亭长｜备船劝项羽渡江
|
||||
- 吕马童｜汉军骑司马、项羽故人｜在追兵中被项羽认出，见证其终局
|
||||
- 画面补全说明：交缰与转身动作、渡船形态和追兵距离为视觉补全；亭长备船、赠马、拒渡与最后自刎见《项羽本纪》。
|
||||
- 史实依据：《史记·项羽本纪》卷七
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 05 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Sober final moment on the gray bank of the Wu River. The local tingzhang, an older ferryman-official in plain hemp layers, steadies a small wooden boat in shallow water. Xiang Yu, same face and armor but battered, hands over the reins of his dark horse and turns away from the river toward distant approaching Han riders. His sword remains lowered at his side; do not show the act of suicide. Wide low riverbank composition with reeds, cold mist and open water as negative space, grief without romanticized spectacle. Historical frame: 秦末汉初·楚汉相争; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:gaixia#0`
|
||||
- 曲名：垓下之战
|
||||
- 版本：电影级配乐·建议使用无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：保留楚声调式、低弦和稀疏战鼓，去除歌词与人声；第三幕后撤掉鼓点，以楚歌、马蹄和风声留白。
|
||||
- 选择理由：项目内与本战直接绑定的原创音乐方案，能覆盖会战、楚歌与乌江终局；仓库中未发现可直接附加的成品音频。
|
||||
- Cue sheet：
|
||||
- 00:00–00:18｜第 01 幕｜以最少配器进入，先建立时代、地理与压力。
|
||||
- 00:18–00:36｜第 02 幕｜按行动推进增加一层节奏，旁白期间保持器乐稀疏。
|
||||
- 00:36–00:54｜第 03 幕｜按行动推进增加一层节奏，旁白期间保持器乐稀疏。
|
||||
- 00:54–01:12｜第 04 幕｜按行动推进增加一层节奏，旁白期间保持器乐稀疏。
|
||||
- 01:12–01:30｜第 05 幕｜撤去主鼓点，以风声、低弦或单一金石音收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《史记·项羽本纪》卷七：本素材所涉史记·项羽本纪相关时间、人物、战斗经过与结局（https://zh.wikisource.org/zh-hans/史记/卷007）
|
||||
- 《史记·高祖本纪》卷八：本素材所涉史记·高祖本纪相关时间、人物、战斗经过与结局（https://zh.wikisource.org/zh-hans/史记/卷008）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 把“十面埋伏”当作《史记》中的阵名；正史载韩信中军、孔费两翼与刘邦后阵
|
||||
- 画虞姬在垓下自刎；《史记》只载美人虞在场和歌，不载她的死亡方式与结局
|
||||
- 把项羽在乌江被刘邦亲手杀死；史载项羽自刎，刘邦不在乌江现场
|
||||
- 让项羽在东城或乌江只剩一名随从；史载东城尚有二十八骑
|
||||
- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
|
||||
- 唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲
|
||||
- 玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山
|
||||
- 把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "彭城之战（项羽三万破汉军）",
|
||||
"aliases": [
|
||||
"彭城之战",
|
||||
"睢水之战",
|
||||
"彭城大败"
|
||||
],
|
||||
"era": "楚汉战争",
|
||||
"date": "公元前205年四月",
|
||||
"place": "彭城及谷水、泗水、灵壁东睢水一线（今江苏徐州至安徽灵璧一带）",
|
||||
"summary": "刘邦率五诸侯联军入彭城后松懈，项羽自齐地率精兵三万回击，晨战至日中即大破汉军，并追至睢水。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 88,
|
||||
"fullText": "公元前二〇五年，项羽北上攻齐，刘邦趁彭城空虚，统合五路诸侯军东进。《史记》记这支联军共有五十六万。汉军进入彭城后收取财货，日日置酒高会，胜利仿佛已经结束。项羽没有带回全部楚军，而是留下诸将继续攻齐，亲率精兵三万，由鲁地南下，经胡陵快速回援。清晨，楚军从萧县方向突击汉军，战到日中，庞大的联军已经全面崩溃。败兵先拥入谷水、泗水，楚军又追至灵壁以东的睢水。河流截住退路，史书用“睢水为之不流”形容伤亡之重。刘邦被楚军数重包围，忽有西北大风扬沙折木，楚军阵势一时混乱，他才带数十骑逃走。彭城让项羽以三万精兵夺回都城，也让刘邦失去父母妻子和大批诸侯盟军；但他仍退往荥阳，楚汉战争并未结束。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "入城高会",
|
||||
"timePlace": "公元前205年四月，彭城",
|
||||
"purpose": "表现汉军占领彭城后的松懈，为项羽突袭建立前因。",
|
||||
"narration": "刘邦率五诸侯联军进入彭城。军中收取财货，日日置酒高会，防备逐渐松弛。",
|
||||
"overlay": {
|
||||
"heading": "入城高会",
|
||||
"line": "五十六万人的胜势，在都城里先变成了松懈。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "刘邦",
|
||||
"office": "汉王",
|
||||
"action": "统合五诸侯军进入彭城"
|
||||
},
|
||||
{
|
||||
"name": "五诸侯联军",
|
||||
"office": "汉方联军",
|
||||
"action": "占领彭城；史载合计五十六万，具体五诸侯身份存争"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-feast-in-pengcheng.png",
|
||||
"delivery": "images/01-feast-in-pengcheng.webp",
|
||||
"alt": "彭城内的楚王宫外院，刘邦与数名诸侯将领在简朴长案旁饮宴，院外汉军搬运箱笼、卸下甲胄休息，城防显得松散但不铺陈奢靡后宫。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Courtyard inside captured Pengcheng. Liu Bang, a pragmatic middle-aged East Asian ruler with weathered face, thin moustache and short beard, wears a dark Han king robe over light practical armor and sits at a low wooden table with several allied lords. Cups, food vessels and unopened chests suggest a victory feast; outside the gate mixed allied soldiers unload goods, rest without helmets and leave watch posts thin. Show complacency and dispersed attention, not a decadent fantasy palace or sexualized captives. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.",
|
||||
"visualInference": "宴席位置、财货箱笼、卸甲与守备松散为视觉重构；入城后收货宝、日置酒高会有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·项羽本纪》卷七",
|
||||
"《史记·高祖本纪》卷八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "三万回师",
|
||||
"timePlace": "齐地至鲁、胡陵方向",
|
||||
"purpose": "突出项羽舍大军、以精兵和速度回援彭城。",
|
||||
"narration": "项羽留下诸将继续攻齐，自己只带精兵三万，从鲁地经胡陵昼夜南下。",
|
||||
"overlay": {
|
||||
"heading": "三万回师",
|
||||
"line": "他没有比人数，而是先和时间赛跑。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "项羽",
|
||||
"office": "西楚霸王",
|
||||
"action": "自率精兵三万回援彭城"
|
||||
},
|
||||
{
|
||||
"name": "楚军精兵",
|
||||
"office": "快速回师部队",
|
||||
"action": "由齐地南经鲁、胡陵方向进军"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-thirty-thousand-return.png",
|
||||
"delivery": "images/02-thirty-thousand-return.webp",
|
||||
"alt": "黎明前的鲁地道路上，项羽骑在队伍前方，楚军精兵以紧凑长列快速南下，骑兵、步卒和少量粮车比例可信，远处仍是夜色。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Pre-dawn road through the Lu region. Xiang Yu, a powerful young East Asian commander in his mid-twenties with broad shoulders, tied hair, weathered face and practical dark Chu lamellar armor with muted red-brown cloth, rides at the leading edge of a compact fast-moving column. Selected infantry and cavalry move south in disciplined files with only light baggage and a few carts; tired torchlight fades into cold dawn. Convey speed, selection and urgency, not a gigantic parade or impossible cavalry-only army. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.",
|
||||
"visualInference": "具体道路、昼夜节奏、兵种与轻装辎重为视觉补全；项羽自将精兵三万南从鲁出胡陵有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·项羽本纪》卷七"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "晨击日破",
|
||||
"timePlace": "萧县至彭城一线，清晨至日中",
|
||||
"purpose": "表现楚军快速冲击与联军指挥崩解，不把“以少胜多”变成超人单骑。",
|
||||
"narration": "项羽从萧县方向清晨发起攻击。战到日中，联军各部互相挤压，彭城防线已经崩溃。",
|
||||
"overlay": {
|
||||
"heading": "晨击日破",
|
||||
"line": "半日之间，人数优势变成了互相阻塞的退路。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "项羽",
|
||||
"office": "西楚霸王、楚军主帅",
|
||||
"action": "亲自指挥晨击并夺回彭城"
|
||||
},
|
||||
{
|
||||
"name": "刘邦",
|
||||
"office": "汉王、联军主帅",
|
||||
"action": "在突袭中组织失效并转入撤退"
|
||||
},
|
||||
{
|
||||
"name": "汉诸侯联军",
|
||||
"office": "临时联盟军队",
|
||||
"action": "遭快速突击后瓦解"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-dawn-strike-noon-rout.png",
|
||||
"delivery": "images/03-dawn-strike-noon-rout.webp",
|
||||
"alt": "彭城西侧平原上，项羽在楚军冲击中指挥推进，汉诸侯联军不同装束的部队在狭窄道路和营门间互相阻塞，破损车阵显示崩溃但不见尸山。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Morning assault outside Pengcheng. Xiang Yu, same identity as scene 02, directs compact Chu shock groups through the gaps of a sprawling allied camp. Han contingents in visibly different regional clothing attempt to turn, form ranks and retreat through the same narrow camp entrances, creating command breakdown rather than cowardly caricature. Liu Bang appears farther back on horseback trying to withdraw with guards. Broken wagons and abandoned drums suggest collapse; wide diagonal action, no superhero leap, no body piles. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.",
|
||||
"visualInference": "营门、道路阻塞、各部装束与两位主帅的同框为视觉推演；晨击至日中大破汉军见史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·项羽本纪》卷七",
|
||||
"《史记·高祖本纪》卷八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "退至睢水",
|
||||
"timePlace": "灵壁东睢水沿岸",
|
||||
"purpose": "呈现地形把溃退扩大为灾难，对惨烈数字保持克制。",
|
||||
"narration": "败军越过谷水、泗水，仍被追到睢水。河岸拥塞，退路在水边彻底断裂。",
|
||||
"overlay": {
|
||||
"heading": "退至睢水",
|
||||
"line": "战败先发生在军阵里，灾难随后发生在河岸。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "汉军败卒",
|
||||
"office": "汉与诸侯联军士卒",
|
||||
"action": "被追至睢水，争渡中伤亡惨重"
|
||||
},
|
||||
{
|
||||
"name": "楚军追兵",
|
||||
"office": "项羽所部",
|
||||
"action": "沿谷水、泗水追击至睢水"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-rout-at-sui-river.png",
|
||||
"delivery": "images/04-rout-at-sui-river.webp",
|
||||
"alt": "睢水岸边，汉军败卒被堵在浅滩和毁坏车辆之间，有人涉水、有人抛下盾牌，楚军追兵在远处止步列阵，水面没有漂尸特写。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Wide riverbank at the Sui River during the rout. Disordered Han and allied soldiers crowd around broken carts and narrow shallows, some wading chest-deep, others dropping shields to seek another crossing. Chu pursuit formations remain in the middle distance pressing forward, not committing graphic slaughter in the foreground. Use churned water, abandoned equipment and panic to convey the historical catastrophe; no visible corpses, no red river, no drowning close-ups. Flat gray daylight and broad water provide restrained negative space. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.",
|
||||
"visualInference": "渡点、浅滩深度、败军器械与追兵距离为视觉补全；追至灵壁东睢水、汉卒大批入水有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·项羽本纪》卷七",
|
||||
"《史记·高祖本纪》卷八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "大风脱围",
|
||||
"timePlace": "睢水战场外缘，溃败后",
|
||||
"purpose": "表现史载西北大风造成楚军短暂混乱、刘邦数十骑逃脱，并交代战略后果。",
|
||||
"narration": "刘邦被数重包围时，西北大风扬沙折木，楚军一时散乱。他带数十骑逃出，父母妻子却落入楚军。",
|
||||
"overlay": {
|
||||
"heading": "大风脱围",
|
||||
"line": "项羽赢下彭城，刘邦却还活着离开了。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "刘邦",
|
||||
"office": "汉王",
|
||||
"action": "借楚军受风沙扰乱之机率数十骑逃脱"
|
||||
},
|
||||
{
|
||||
"name": "楚军",
|
||||
"office": "追击军队",
|
||||
"action": "突遇西北大风后阵势短暂混乱"
|
||||
},
|
||||
{
|
||||
"name": "吕雉与刘太公",
|
||||
"office": "汉王妻与父",
|
||||
"action": "在彭城败后被楚军俘获；不虚构本幕相见"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-wind-opens-an-escape.png",
|
||||
"delivery": "images/05-wind-opens-an-escape.webp",
|
||||
"alt": "西北大风卷起黄尘和折枝，刘邦与数十骑从混乱的楚军包围边缘疾驰而出，远处楚军遮目稳马，画面不把自然风表现成神术。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: A violent natural northwest wind sweeps dust, loose thatch and broken branches across the edge of the battlefield. Liu Bang, consistent with scene 01, escapes with a visibly small group of several dozen riders through a temporary opening; farther back Chu soldiers shield their eyes and control startled horses as formations blur. No magical aura, no lightning, no divine intervention. Wide lateral movement and low visibility, the escape narrow and exhausted rather than triumphant. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.",
|
||||
"visualInference": "骑行路线、沙尘密度、具体包围缺口与折枝为视觉重构；西北大风使楚军大乱、汉王以数十骑遁有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·项羽本纪》卷七"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:pengcheng#0",
|
||||
"title": "彭城之战",
|
||||
"version": "电影级配乐·建议使用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "第一幕压低节奏表现虚浮安逸，第二幕建立快速行军脉冲，第三幕形成唯一爆发，第四幕撤去英雄动机，仅留低频与水声，最后用风沙和残余低弦收束；删除歌词与品牌尾签。",
|
||||
"reason": "项目内与彭城直接绑定的自生成音乐，项羽三万回师与半日击溃的上扬结构契合五幕推进；仓库内暂无成品音频。",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:18",
|
||||
"scene": "01",
|
||||
"direction": "宴饮器物声下压，保持不祥静态。"
|
||||
},
|
||||
{
|
||||
"from": "00:18",
|
||||
"to": "00:36",
|
||||
"scene": "02",
|
||||
"direction": "加入快速但克制的行军脉冲。"
|
||||
},
|
||||
{
|
||||
"from": "00:36",
|
||||
"to": "00:54",
|
||||
"scene": "03",
|
||||
"direction": "全曲唯一爆发，随后立刻失稳。"
|
||||
},
|
||||
{
|
||||
"from": "00:54",
|
||||
"to": "01:12",
|
||||
"scene": "04",
|
||||
"direction": "撤去英雄旋律，以低频、水声和碎裂节奏表现溃退。"
|
||||
},
|
||||
{
|
||||
"from": "01:12",
|
||||
"to": "01:30",
|
||||
"scene": "05",
|
||||
"direction": "风声覆盖鼓点，留下未结束的悬念。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "五诸侯兵力、入彭城高会、项羽三万回师、晨击日破、睢水追击与大风脱围",
|
||||
"citation": "《史记·项羽本纪》卷七",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷007"
|
||||
},
|
||||
{
|
||||
"claim": "刘邦入彭城、睢水大败、家属被俘及诸侯复归楚",
|
||||
"citation": "《史记·高祖本纪》卷八",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷008"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把汉军五十六万与楚军三万理解为可逐人核验的现代统计；按《史记》记数并注明联军性质",
|
||||
"把项羽三万全部画成重骑兵；原文只称“精兵”，不明言单一兵种",
|
||||
"把睢水惨败画成血河、尸山或近景溺亡奇观",
|
||||
"把西北大风写成项羽或刘邦召来的神迹，或夸大为龙卷风和雷电法术",
|
||||
"虚构五诸侯确定名单、楚汉将领单挑或一支军旗决定胜负",
|
||||
"现代文字、字幕、地图箭头、Logo、水印、后世盔甲建筑、火器爆炸或动漫画风"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,154 @@
|
||||
# 彭城之战（项羽三万破汉军）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：彭城之战（项羽三万破汉军）
|
||||
- 常用称呼：彭城之战、睢水之战、彭城大败
|
||||
- 时代：楚汉战争
|
||||
- 日期：公元前205年四月
|
||||
- 地点：彭城及谷水、泗水、灵壁东睢水一线（今江苏徐州至安徽灵璧一带）
|
||||
- 一句话结论：刘邦率五诸侯联军入彭城后松懈，项羽自齐地率精兵三万回击，晨战至日中即大破汉军，并追至睢水。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
公元前二〇五年，项羽北上攻齐，刘邦趁彭城空虚，统合五路诸侯军东进。《史记》记这支联军共有五十六万。汉军进入彭城后收取财货，日日置酒高会，胜利仿佛已经结束。项羽没有带回全部楚军，而是留下诸将继续攻齐，亲率精兵三万，由鲁地南下，经胡陵快速回援。清晨，楚军从萧县方向突击汉军，战到日中，庞大的联军已经全面崩溃。败兵先拥入谷水、泗水，楚军又追至灵壁以东的睢水。河流截住退路，史书用“睢水为之不流”形容伤亡之重。刘邦被楚军数重包围，忽有西北大风扬沙折木，楚军阵势一时混乱，他才带数十骑逃走。彭城让项羽以三万精兵夺回都城，也让刘邦失去父母妻子和大批诸侯盟军；但他仍退往荥阳，楚汉战争并未结束。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜入城高会
|
||||
|
||||
- 时间地点：公元前205年四月，彭城
|
||||
- 本幕作用：表现汉军占领彭城后的松懈，为项羽突袭建立前因。
|
||||
- 分幕旁白：刘邦率五诸侯联军进入彭城。军中收取财货，日日置酒高会，防备逐渐松弛。
|
||||
- 页面标题：入城高会
|
||||
- 页面短句：五十六万人的胜势，在都城里先变成了松懈。
|
||||
- PNG：`images/01-feast-in-pengcheng.png`
|
||||
- WebP：`images/01-feast-in-pengcheng.webp`
|
||||
- 替代文本：彭城内的楚王宫外院，刘邦与数名诸侯将领在简朴长案旁饮宴，院外汉军搬运箱笼、卸下甲胄休息，城防显得松散但不铺陈奢靡后宫。
|
||||
- 视觉推演边界：宴席位置、财货箱笼、卸甲与守备松散为视觉重构；入城后收货宝、日置酒高会有史载。
|
||||
- 人物：刘邦（汉王；统合五诸侯军进入彭城）；五诸侯联军（汉方联军；占领彭城；史载合计五十六万，具体五诸侯身份存争）
|
||||
- 史料：《史记·项羽本纪》卷七；《史记·高祖本纪》卷八
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Courtyard inside captured Pengcheng. Liu Bang, a pragmatic middle-aged East Asian ruler with weathered face, thin moustache and short beard, wears a dark Han king robe over light practical armor and sits at a low wooden table with several allied lords. Cups, food vessels and unopened chests suggest a victory feast; outside the gate mixed allied soldiers unload goods, rest without helmets and leave watch posts thin. Show complacency and dispersed attention, not a decadent fantasy palace or sexualized captives. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.
|
||||
```
|
||||
|
||||
### 02｜三万回师
|
||||
|
||||
- 时间地点：齐地至鲁、胡陵方向
|
||||
- 本幕作用：突出项羽舍大军、以精兵和速度回援彭城。
|
||||
- 分幕旁白：项羽留下诸将继续攻齐，自己只带精兵三万，从鲁地经胡陵昼夜南下。
|
||||
- 页面标题：三万回师
|
||||
- 页面短句：他没有比人数，而是先和时间赛跑。
|
||||
- PNG：`images/02-thirty-thousand-return.png`
|
||||
- WebP：`images/02-thirty-thousand-return.webp`
|
||||
- 替代文本：黎明前的鲁地道路上，项羽骑在队伍前方，楚军精兵以紧凑长列快速南下，骑兵、步卒和少量粮车比例可信，远处仍是夜色。
|
||||
- 视觉推演边界：具体道路、昼夜节奏、兵种与轻装辎重为视觉补全；项羽自将精兵三万南从鲁出胡陵有史载。
|
||||
- 人物：项羽（西楚霸王；自率精兵三万回援彭城）；楚军精兵（快速回师部队；由齐地南经鲁、胡陵方向进军）
|
||||
- 史料：《史记·项羽本纪》卷七
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Pre-dawn road through the Lu region. Xiang Yu, a powerful young East Asian commander in his mid-twenties with broad shoulders, tied hair, weathered face and practical dark Chu lamellar armor with muted red-brown cloth, rides at the leading edge of a compact fast-moving column. Selected infantry and cavalry move south in disciplined files with only light baggage and a few carts; tired torchlight fades into cold dawn. Convey speed, selection and urgency, not a gigantic parade or impossible cavalry-only army. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.
|
||||
```
|
||||
|
||||
### 03｜晨击日破
|
||||
|
||||
- 时间地点：萧县至彭城一线，清晨至日中
|
||||
- 本幕作用：表现楚军快速冲击与联军指挥崩解，不把“以少胜多”变成超人单骑。
|
||||
- 分幕旁白：项羽从萧县方向清晨发起攻击。战到日中，联军各部互相挤压，彭城防线已经崩溃。
|
||||
- 页面标题：晨击日破
|
||||
- 页面短句：半日之间，人数优势变成了互相阻塞的退路。
|
||||
- PNG：`images/03-dawn-strike-noon-rout.png`
|
||||
- WebP：`images/03-dawn-strike-noon-rout.webp`
|
||||
- 替代文本：彭城西侧平原上，项羽在楚军冲击中指挥推进，汉诸侯联军不同装束的部队在狭窄道路和营门间互相阻塞，破损车阵显示崩溃但不见尸山。
|
||||
- 视觉推演边界：营门、道路阻塞、各部装束与两位主帅的同框为视觉推演；晨击至日中大破汉军见史载。
|
||||
- 人物：项羽（西楚霸王、楚军主帅；亲自指挥晨击并夺回彭城）；刘邦（汉王、联军主帅；在突袭中组织失效并转入撤退）；汉诸侯联军（临时联盟军队；遭快速突击后瓦解）
|
||||
- 史料：《史记·项羽本纪》卷七；《史记·高祖本纪》卷八
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Morning assault outside Pengcheng. Xiang Yu, same identity as scene 02, directs compact Chu shock groups through the gaps of a sprawling allied camp. Han contingents in visibly different regional clothing attempt to turn, form ranks and retreat through the same narrow camp entrances, creating command breakdown rather than cowardly caricature. Liu Bang appears farther back on horseback trying to withdraw with guards. Broken wagons and abandoned drums suggest collapse; wide diagonal action, no superhero leap, no body piles. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.
|
||||
```
|
||||
|
||||
### 04｜退至睢水
|
||||
|
||||
- 时间地点：灵壁东睢水沿岸
|
||||
- 本幕作用：呈现地形把溃退扩大为灾难，对惨烈数字保持克制。
|
||||
- 分幕旁白：败军越过谷水、泗水，仍被追到睢水。河岸拥塞，退路在水边彻底断裂。
|
||||
- 页面标题：退至睢水
|
||||
- 页面短句：战败先发生在军阵里，灾难随后发生在河岸。
|
||||
- PNG：`images/04-rout-at-sui-river.png`
|
||||
- WebP：`images/04-rout-at-sui-river.webp`
|
||||
- 替代文本：睢水岸边，汉军败卒被堵在浅滩和毁坏车辆之间，有人涉水、有人抛下盾牌，楚军追兵在远处止步列阵，水面没有漂尸特写。
|
||||
- 视觉推演边界：渡点、浅滩深度、败军器械与追兵距离为视觉补全；追至灵壁东睢水、汉卒大批入水有史载。
|
||||
- 人物：汉军败卒（汉与诸侯联军士卒；被追至睢水，争渡中伤亡惨重）；楚军追兵（项羽所部；沿谷水、泗水追击至睢水）
|
||||
- 史料：《史记·项羽本纪》卷七；《史记·高祖本纪》卷八
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: Wide riverbank at the Sui River during the rout. Disordered Han and allied soldiers crowd around broken carts and narrow shallows, some wading chest-deep, others dropping shields to seek another crossing. Chu pursuit formations remain in the middle distance pressing forward, not committing graphic slaughter in the foreground. Use churned water, abandoned equipment and panic to convey the historical catastrophe; no visible corpses, no red river, no drowning close-ups. Flat gray daylight and broad water provide restrained negative space. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.
|
||||
```
|
||||
|
||||
### 05｜大风脱围
|
||||
|
||||
- 时间地点：睢水战场外缘，溃败后
|
||||
- 本幕作用：表现史载西北大风造成楚军短暂混乱、刘邦数十骑逃脱，并交代战略后果。
|
||||
- 分幕旁白：刘邦被数重包围时，西北大风扬沙折木，楚军一时散乱。他带数十骑逃出，父母妻子却落入楚军。
|
||||
- 页面标题：大风脱围
|
||||
- 页面短句：项羽赢下彭城，刘邦却还活着离开了。
|
||||
- PNG：`images/05-wind-opens-an-escape.png`
|
||||
- WebP：`images/05-wind-opens-an-escape.webp`
|
||||
- 替代文本：西北大风卷起黄尘和折枝，刘邦与数十骑从混乱的楚军包围边缘疾驰而出，远处楚军遮目稳马，画面不把自然风表现成神术。
|
||||
- 视觉推演边界：骑行路线、沙尘密度、具体包围缺口与折枝为视觉重构；西北大风使楚军大乱、汉王以数十骑遁有史载。
|
||||
- 人物：刘邦（汉王；借楚军受风沙扰乱之机率数十骑逃脱）；楚军（追击军队；突遇西北大风后阵势短暂混乱）；吕雉与刘太公（汉王妻与父；在彭城败后被楚军俘获；不虚构本幕相见）
|
||||
- 史料：《史记·项羽本纪》卷七
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me Chu-Han battle story frame, 16:9 landscape. Primary request: A violent natural northwest wind sweeps dust, loose thatch and broken branches across the edge of the battlefield. Liu Bang, consistent with scene 01, escapes with a visibly small group of several dozen riders through a temporary opening; farther back Chu soldiers shield their eyes and control startled horses as formations blur. No magical aura, no lightning, no divine intervention. Wide lateral movement and low visibility, the escape narrow and exhausted rather than triumphant. Style/medium: premium live-action Chinese historical film still, archaeology-inspired Chu-Han realism around 205–204 BCE, subtle film grain and physically plausible scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron weapons; armies must have varied worn clothing rather than uniform costume-pageant outfits. Composition: cinematic 16:9 landscape with distinct foreground, middle ground and background; reserve quiet sky, wall, water or earth for webpage overlay. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, broken equipment and consequences, never gore. Avoid: clone-face armies, fantasy armor, later Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, magic, anime or body piles.
|
||||
```
|
||||
|
||||
## BGM 选曲
|
||||
|
||||
- 项目曲目：`zhanzhen:pengcheng#0`｜彭城之战｜电影级配乐·建议使用无主唱器乐 stem
|
||||
- 状态：pending-export
|
||||
- 用法：第一幕压低节奏表现虚浮安逸，第二幕建立快速行军脉冲，第三幕形成唯一爆发，第四幕撤去英雄动机，仅留低频与水声，最后用风沙和残余低弦收束；删除歌词与品牌尾签。
|
||||
- 选择理由：项目内与彭城直接绑定的自生成音乐，项羽三万回师与半日击溃的上扬结构契合五幕推进；仓库内暂无成品音频。
|
||||
- 音频路径或 URL：仓库暂缺，待导出
|
||||
|
||||
| 时间 | 分幕 | 编排 |
|
||||
|---|---|---|
|
||||
| 00:00–00:18 | 01 | 宴饮器物声下压，保持不祥静态。 |
|
||||
| 00:18–00:36 | 02 | 加入快速但克制的行军脉冲。 |
|
||||
| 00:36–00:54 | 03 | 全曲唯一爆发，随后立刻失稳。 |
|
||||
| 00:54–01:12 | 04 | 撤去英雄旋律，以低频、水声和碎裂节奏表现溃退。 |
|
||||
| 01:12–01:30 | 05 | 风声覆盖鼓点，留下未结束的悬念。 |
|
||||
|
||||
## 史料来源
|
||||
|
||||
- 五诸侯兵力、入彭城高会、项羽三万回师、晨击日破、睢水追击与大风脱围：[《史记·项羽本纪》卷七](https://zh.wikisource.org/zh-hans/史记/卷007)
|
||||
- 刘邦入彭城、睢水大败、家属被俘及诸侯复归楚：[《史记·高祖本纪》卷八](https://zh.wikisource.org/zh-hans/史记/卷008)
|
||||
|
||||
## 禁区与误读防护
|
||||
|
||||
- 把汉军五十六万与楚军三万理解为可逐人核验的现代统计；按《史记》记数并注明联军性质
|
||||
- 把项羽三万全部画成重骑兵；原文只称“精兵”，不明言单一兵种
|
||||
- 把睢水惨败画成血河、尸山或近景溺亡奇观
|
||||
- 把西北大风写成项羽或刘邦召来的神迹，或夸大为龙卷风和雷电法术
|
||||
- 虚构五诸侯确定名单、楚汉将领单挑或一支军旗决定胜负
|
||||
- 现代文字、字幕、地图箭头、Logo、水印、后世盔甲建筑、火器爆炸或动漫画风
|
||||
|
||||
## 交付检查
|
||||
|
||||
- [x] 每幕 PNG 原图存在且为 16:9
|
||||
- [x] 每幕 WebP 交付图存在且为 16:9
|
||||
- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
|
||||
- [ ] BGM 已导出并填写可用路径
|
||||
- [x] `manifest.json` 与本说明中的文件名全部校验通过
|
||||
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@@ -0,0 +1,283 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "河西之战（霍去病开河西）",
|
||||
"aliases": [
|
||||
"河西之战",
|
||||
"霍去病两征河西",
|
||||
"元狩二年河西战役"
|
||||
],
|
||||
"era": "西汉·汉武帝元狩二年",
|
||||
"date": "公元前121年春、夏与秋",
|
||||
"place": "陇西、焉支山、皋兰山、居延、祁连山与河西走廊",
|
||||
"summary": "霍去病春夏两次远征河西，重创浑邪、休屠部；同年浑邪王率众降汉，河西走廊转入汉朝控制。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 90,
|
||||
"fullText": "元狩二年春，汉武帝任命霍去病为骠骑将军，率一万骑兵出陇西。六日之间，他转战千余里，越过焉支山，与匈奴短兵相接，斩折兰王、卢胡王，俘浑邪王子与相国、都尉，并取得休屠王祭天金人。夏天，霍去病再度出塞。同行的公孙敖迷失道路，未能会师；霍去病孤军越过居延，穿小月氏，直攻祁连山，斩获三万余人。连续失利后，匈奴单于欲召诛浑邪、休屠二王。二王谋降，休屠又反悔，被浑邪王杀死。霍去病渡河受降时，降众多人想逃，他驰入匈奴营中，诛杀欲亡者，稳定数万降众。河西由此空虚，汉朝逐步设郡、移民屯田，通往西域的走廊被打开。河西之战不是一场孤立决战，而是春夏突袭与秋季受降共同组成的战略转折。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "六日千里",
|
||||
"timePlace": "前121年春，陇西至焉支山",
|
||||
"purpose": "表现霍去病率万骑高速转战、越焉支山的春季攻势。",
|
||||
"narration": "春天，霍去病率万骑出陇西。六日转战千余里，越过焉支山，直插匈奴河西腹地。",
|
||||
"overlay": {
|
||||
"heading": "六日千里",
|
||||
"line": "一万骑越过焉支，速度本身就是兵器。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "霍去病",
|
||||
"office": "骠骑将军、冠军侯",
|
||||
"action": "率万骑出陇西，六日转战千余里"
|
||||
},
|
||||
{
|
||||
"name": "汉骑兵",
|
||||
"office": "骠骑军精锐",
|
||||
"action": "轻装深入河西并与壮骑先大军"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-six-day-drive-beyond-yanzhi.png",
|
||||
"delivery": "images/01-six-day-drive-beyond-yanzhi.webp",
|
||||
"alt": "春寒的河西荒原上，年轻的霍去病率汉骑兵疾驰穿过焉支山口，远处辎重极少。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 01 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Spring campaign through the Yanzhi mountain corridor in 121 BCE. Huo Qubing, a focused East Asian commander about twenty years old with a narrow face, tied hair under a practical Han cavalry cap, crimson-brown cloak and Western-Han lamellar armor, rides at the head of a fast column. Thousands are implied by layered dust and receding riders, not a clone army. The force carries minimal baggage through ochre ridges and cold grassland. Wide tracking frame from low side angle, strong forward motion, tactile horses and equipment, no heroic fantasy pose. Historical frame: 西汉·汉武帝元狩二年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "霍去病外貌、具体山口与轻辎重画面为视觉补全；万骑出陇西、六日转战千余里和敢深入见史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·卫将军骠骑列传》卷一百一十一",
|
||||
"《汉书·卫青霍去病传》卷五十五"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "皋兰短兵",
|
||||
"timePlace": "前121年春，皋兰山下与休屠、浑邪部地",
|
||||
"purpose": "表现春季战役的近战与主要斩获，避免虚构单挑。",
|
||||
"narration": "在皋兰山下，汉军与匈奴短兵相接。折兰、卢胡二王战死，浑邪王子与多名贵族被俘。",
|
||||
"overlay": {
|
||||
"heading": "皋兰短兵",
|
||||
"line": "骑兵停不下来时，胜负落到刀矛之间。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "霍去病",
|
||||
"office": "骠骑将军",
|
||||
"action": "指挥皋兰山下短兵战"
|
||||
},
|
||||
{
|
||||
"name": "折兰王",
|
||||
"office": "匈奴部王",
|
||||
"action": "战死"
|
||||
},
|
||||
{
|
||||
"name": "卢胡王",
|
||||
"office": "匈奴部王",
|
||||
"action": "战死"
|
||||
},
|
||||
{
|
||||
"name": "浑邪王子",
|
||||
"office": "匈奴王子",
|
||||
"action": "被汉军俘获"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-short-weapons-at-gaolan.png",
|
||||
"delivery": "images/02-short-weapons-at-gaolan.webp",
|
||||
"alt": "皋兰山下，霍去病在骑阵后指挥汉军与匈奴骑兵近距离混战，地上可见弃置盾牌和马具，没有血腥特写。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 02 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Close but wide cavalry clash below the Gaolan hills. Huo Qubing, preserving identity, directs from just behind the first line while Western-Han riders and Xiongnu horsemen collide with spears, short blades and shields. Show broken tack, dropped bows and scattered standards without readable marks; do not depict named kings in a duel or death close-up. Dust and low afternoon sun create urgency, horses move in varied directions, battlefield remains human-scale and non-graphic. Historical frame: 西汉·汉武帝元狩二年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "双方阵形、霍去病位置和器物散落为视觉补全；合短兵、杀折兰王、斩卢胡王与俘获见史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·卫将军骠骑列传》卷一百一十一"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "独越居延",
|
||||
"timePlace": "前121年夏，居延至祁连山",
|
||||
"purpose": "区分夏季第二次远征，突出公孙敖失道、霍军孤进。",
|
||||
"narration": "夏季再征，公孙敖失道未至。霍去病独越居延，穿小月氏，攻到祁连山下。",
|
||||
"overlay": {
|
||||
"heading": "独越居延",
|
||||
"line": "友军失道，前方仍是两千里的荒原。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "霍去病",
|
||||
"office": "骠骑将军",
|
||||
"action": "孤军越居延、过小月氏、攻祁连"
|
||||
},
|
||||
{
|
||||
"name": "公孙敖",
|
||||
"office": "合骑侯、并出将领",
|
||||
"action": "迷失道路，未能与霍军会师"
|
||||
},
|
||||
{
|
||||
"name": "汉骑军",
|
||||
"office": "骠骑军精锐",
|
||||
"action": "在缺少友军接应下继续深入"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-alone-beyond-juyan-to-qilian.png",
|
||||
"delivery": "images/03-alone-beyond-juyan-to-qilian.webp",
|
||||
"alt": "广阔居延盐泽与荒漠边缘，霍去病率疲惫骑兵向祁连雪山推进，另一条道路上没有出现约定友军。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 03 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Vast Juyan desert-lake frontier in summer. Huo Qubing and a stretched Western-Han cavalry column move along dry salt flats toward distant snow-touched Qilian ranges. Riders scan an empty western horizon where the allied column of Gongsun Ao should have appeared; no second army is present. Supplies are limited, horses dusty, sky immense. Wide contemplative panorama, cool blue distance against tan foreground, perseverance without triumph. Historical frame: 西汉·汉武帝元狩二年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "盐泽路线、寻找友军的视线与祁连远景为视觉重构；霍军逾居延、过小月氏、攻祁连以及公孙敖失道不与会有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·卫将军骠骑列传》卷一百一十一",
|
||||
"《汉书·卫青霍去病传》卷五十五"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "河畔受降",
|
||||
"timePlace": "前121年秋，黄河附近受降地",
|
||||
"purpose": "表现浑邪王率数万降、降众欲逃与霍去病驰入稳局。",
|
||||
"narration": "单于欲诛败军之王。浑邪杀休屠后率众降汉，降者有人反悔欲逃，霍去病驰入营中稳定局势。",
|
||||
"overlay": {
|
||||
"heading": "河畔受降",
|
||||
"line": "大战之后，数万人的去留仍可能在一刻间崩裂。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "霍去病",
|
||||
"office": "骠骑将军",
|
||||
"action": "奉命渡河受降，驰入匈奴营稳定降众"
|
||||
},
|
||||
{
|
||||
"name": "浑邪王",
|
||||
"office": "匈奴河西王",
|
||||
"action": "杀休屠王后率众降汉"
|
||||
},
|
||||
{
|
||||
"name": "休屠王",
|
||||
"office": "匈奴休屠王",
|
||||
"action": "谋降后反悔，被浑邪王杀；不在受降现场出现"
|
||||
},
|
||||
{
|
||||
"name": "降众",
|
||||
"office": "浑邪部与休屠部人员",
|
||||
"action": "数万人随降，部分人欲逃"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-hunye-surrender-at-the-river.png",
|
||||
"delivery": "images/04-hunye-surrender-at-the-river.webp",
|
||||
"alt": "黄河浅滩附近，霍去病只带少量亲骑进入庞大而不安的匈奴降营，与浑邪王隔着空地相见，双方武器大多下垂。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 04 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Tense surrender beside a broad Yellow River ford. Huo Qubing, same young face, rides with only a small escort into a large but dispersed Xiongnu camp. Hunye King, an older steppe ruler in practical fur and lamellar layers, approaches across open ground with weapons lowered. Behind him, families, riders and livestock form uncertain clusters; a few figures turn as if considering flight, but no slaughter is shown. Wide balanced frame, river mist, high tension and restraint, no ceremonial kneeling or triumphal arch. Historical frame: 西汉·汉武帝元狩二年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "双方会面站位、河雾、降众分组和欲逃姿态为视觉补全；浑邪降、休屠中悔被杀、霍去病驰入稳定降众有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·卫将军骠骑列传》卷一百一十一",
|
||||
"《汉书·卫青霍去病传》卷五十五"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "河西遂空",
|
||||
"timePlace": "前121年后，河西走廊",
|
||||
"purpose": "呈现战役的战略后果：匈奴右部瓦解，汉逐步设郡并连接西域。",
|
||||
"narration": "浑邪王率数万人归汉，匈奴右部崩解。汉朝随后在河西设郡、屯田，通往西域的道路由此打开。",
|
||||
"overlay": {
|
||||
"heading": "河西遂空",
|
||||
"line": "骑兵打穿的路，后来变成郡县与驿道。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "汉郡吏与戍卒",
|
||||
"office": "河西新设郡县人员",
|
||||
"action": "测定道路、修烽燧与转运粮秣"
|
||||
},
|
||||
{
|
||||
"name": "迁徙民众",
|
||||
"office": "进入河西的汉地居民",
|
||||
"action": "在新控制区建立聚落与屯田"
|
||||
},
|
||||
{
|
||||
"name": "河西诸部降众",
|
||||
"office": "归汉部众",
|
||||
"action": "被安置于边郡与属国"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-the-hexi-corridor-opens.png",
|
||||
"delivery": "images/05-the-hexi-corridor-opens.webp",
|
||||
"alt": "河西走廊新设驿路旁，汉吏和戍卒修筑低矮烽燧，迁徙车队与牧群沿道路穿过祁连山前。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 05 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Aftermath in the Hexi Corridor. A new Western-Han road runs between dry hills and the distant Qilian mountains. Soldiers and clerks build a modest rammed-earth beacon tower, survey a ford with plain wooden markers, and receive mixed carts, settlers, herders and surrendered steppe families moving through. No modern map and no grand stone Great Wall. Wide luminous landscape, wind and open distance, achievement expressed through infrastructure and movement rather than a victory parade. Historical frame: 西汉·汉武帝元狩二年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "烽燧、驿路、屯田与迁徙队伍是对置郡、徙民和河西控制的综合可视化；不是同一日发生的单一现场。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·匈奴列传》卷一百一十",
|
||||
"《汉书·卫青霍去病传》卷五十五"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:hexi#0",
|
||||
"title": "河西之战",
|
||||
"version": "电影级配乐·建议使用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "使用马蹄、战鼓、低弦和西域管乐器乐层，删去霍去病人物歌词；第三幕短暂抬升，受降后转为空旷风声。",
|
||||
"reason": "项目内与本战直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:18",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器进入，先建立时代、地理与压力。"
|
||||
},
|
||||
{
|
||||
"from": "00:18",
|
||||
"to": "00:36",
|
||||
"scene": "02",
|
||||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:36",
|
||||
"to": "00:54",
|
||||
"scene": "03",
|
||||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:54",
|
||||
"to": "01:12",
|
||||
"scene": "04",
|
||||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "01:12",
|
||||
"to": "01:30",
|
||||
"scene": "05",
|
||||
"direction": "撤去主鼓点，以风声、低弦或单一金石音收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "本素材所涉史记·卫将军骠骑列传相关时间、人物、战斗经过与结局",
|
||||
"citation": "《史记·卫将军骠骑列传》卷一百一十一",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷111"
|
||||
},
|
||||
{
|
||||
"claim": "本素材所涉汉书·卫青霍去病传相关时间、人物、战斗经过与结局",
|
||||
"citation": "《汉书·卫青霍去病传》卷五十五",
|
||||
"url": "https://zh.wikisource.org/zh-hans/漢書/卷055"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把春、夏两次远征压成同一天的一场大战",
|
||||
"把公孙敖画成与霍去病在祁连会师；史载公孙敖失道不与会",
|
||||
"把“祭天金人”画成佛像或金色巨佛；它是匈奴祭天器物，形制史料不详",
|
||||
"把浑邪王受降写成休屠王也活着投汉；休屠王中悔，被浑邪王杀死",
|
||||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||||
"唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲",
|
||||
"玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山",
|
||||
"把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,147 @@
|
||||
# 河西之战（霍去病开河西）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：河西之战（霍去病开河西）
|
||||
- 常用称呼：河西之战、霍去病两征河西、元狩二年河西战役
|
||||
- 时代：西汉·汉武帝元狩二年
|
||||
- 日期：公元前121年春、夏与秋
|
||||
- 地点：陇西、焉支山、皋兰山、居延、祁连山与河西走廊
|
||||
- 一句话结论：霍去病春夏两次远征河西，重创浑邪、休屠部；同年浑邪王率众降汉，河西走廊转入汉朝控制。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
元狩二年春，汉武帝任命霍去病为骠骑将军，率一万骑兵出陇西。六日之间，他转战千余里，越过焉支山，与匈奴短兵相接，斩折兰王、卢胡王，俘浑邪王子与相国、都尉，并取得休屠王祭天金人。夏天，霍去病再度出塞。同行的公孙敖迷失道路，未能会师；霍去病孤军越过居延，穿小月氏，直攻祁连山，斩获三万余人。连续失利后，匈奴单于欲召诛浑邪、休屠二王。二王谋降，休屠又反悔，被浑邪王杀死。霍去病渡河受降时，降众多人想逃，他驰入匈奴营中，诛杀欲亡者，稳定数万降众。河西由此空虚，汉朝逐步设郡、移民屯田，通往西域的走廊被打开。河西之战不是一场孤立决战，而是春夏突袭与秋季受降共同组成的战略转折。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜六日千里
|
||||
|
||||
- 时间地点：前121年春，陇西至焉支山
|
||||
- 叙事作用：表现霍去病率万骑高速转战、越焉支山的春季攻势。
|
||||
- 本幕旁白：春天，霍去病率万骑出陇西。六日转战千余里，越过焉支山，直插匈奴河西腹地。
|
||||
- 叠字标题：六日千里
|
||||
- 一句短文案：一万骑越过焉支，速度本身就是兵器。
|
||||
- 图片文件：`images/01-six-day-drive-beyond-yanzhi.png` / `images/01-six-day-drive-beyond-yanzhi.webp`
|
||||
- 替代文本：春寒的河西荒原上，年轻的霍去病率汉骑兵疾驰穿过焉支山口，远处辎重极少。
|
||||
- 人物标签：
|
||||
- 霍去病｜骠骑将军、冠军侯｜率万骑出陇西，六日转战千余里
|
||||
- 汉骑兵｜骠骑军精锐｜轻装深入河西并与壮骑先大军
|
||||
- 画面补全说明：霍去病外貌、具体山口与轻辎重画面为视觉补全；万骑出陇西、六日转战千余里和敢深入见史载。
|
||||
- 史实依据：《史记·卫将军骠骑列传》卷一百一十一；《汉书·卫青霍去病传》卷五十五
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 01 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Spring campaign through the Yanzhi mountain corridor in 121 BCE. Huo Qubing, a focused East Asian commander about twenty years old with a narrow face, tied hair under a practical Han cavalry cap, crimson-brown cloak and Western-Han lamellar armor, rides at the head of a fast column. Thousands are implied by layered dust and receding riders, not a clone army. The force carries minimal baggage through ochre ridges and cold grassland. Wide tracking frame from low side angle, strong forward motion, tactile horses and equipment, no heroic fantasy pose. Historical frame: 西汉·汉武帝元狩二年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 02｜皋兰短兵
|
||||
|
||||
- 时间地点：前121年春，皋兰山下与休屠、浑邪部地
|
||||
- 叙事作用：表现春季战役的近战与主要斩获，避免虚构单挑。
|
||||
- 本幕旁白：在皋兰山下，汉军与匈奴短兵相接。折兰、卢胡二王战死，浑邪王子与多名贵族被俘。
|
||||
- 叠字标题：皋兰短兵
|
||||
- 一句短文案：骑兵停不下来时，胜负落到刀矛之间。
|
||||
- 图片文件：`images/02-short-weapons-at-gaolan.png` / `images/02-short-weapons-at-gaolan.webp`
|
||||
- 替代文本：皋兰山下，霍去病在骑阵后指挥汉军与匈奴骑兵近距离混战，地上可见弃置盾牌和马具，没有血腥特写。
|
||||
- 人物标签：
|
||||
- 霍去病｜骠骑将军｜指挥皋兰山下短兵战
|
||||
- 折兰王｜匈奴部王｜战死
|
||||
- 卢胡王｜匈奴部王｜战死
|
||||
- 浑邪王子｜匈奴王子｜被汉军俘获
|
||||
- 画面补全说明：双方阵形、霍去病位置和器物散落为视觉补全；合短兵、杀折兰王、斩卢胡王与俘获见史载。
|
||||
- 史实依据：《史记·卫将军骠骑列传》卷一百一十一
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 02 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Close but wide cavalry clash below the Gaolan hills. Huo Qubing, preserving identity, directs from just behind the first line while Western-Han riders and Xiongnu horsemen collide with spears, short blades and shields. Show broken tack, dropped bows and scattered standards without readable marks; do not depict named kings in a duel or death close-up. Dust and low afternoon sun create urgency, horses move in varied directions, battlefield remains human-scale and non-graphic. Historical frame: 西汉·汉武帝元狩二年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 03｜独越居延
|
||||
|
||||
- 时间地点：前121年夏，居延至祁连山
|
||||
- 叙事作用：区分夏季第二次远征，突出公孙敖失道、霍军孤进。
|
||||
- 本幕旁白：夏季再征，公孙敖失道未至。霍去病独越居延，穿小月氏，攻到祁连山下。
|
||||
- 叠字标题：独越居延
|
||||
- 一句短文案：友军失道，前方仍是两千里的荒原。
|
||||
- 图片文件：`images/03-alone-beyond-juyan-to-qilian.png` / `images/03-alone-beyond-juyan-to-qilian.webp`
|
||||
- 替代文本：广阔居延盐泽与荒漠边缘，霍去病率疲惫骑兵向祁连雪山推进，另一条道路上没有出现约定友军。
|
||||
- 人物标签：
|
||||
- 霍去病｜骠骑将军｜孤军越居延、过小月氏、攻祁连
|
||||
- 公孙敖｜合骑侯、并出将领｜迷失道路，未能与霍军会师
|
||||
- 汉骑军｜骠骑军精锐｜在缺少友军接应下继续深入
|
||||
- 画面补全说明：盐泽路线、寻找友军的视线与祁连远景为视觉重构；霍军逾居延、过小月氏、攻祁连以及公孙敖失道不与会有史载。
|
||||
- 史实依据：《史记·卫将军骠骑列传》卷一百一十一；《汉书·卫青霍去病传》卷五十五
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 03 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Vast Juyan desert-lake frontier in summer. Huo Qubing and a stretched Western-Han cavalry column move along dry salt flats toward distant snow-touched Qilian ranges. Riders scan an empty western horizon where the allied column of Gongsun Ao should have appeared; no second army is present. Supplies are limited, horses dusty, sky immense. Wide contemplative panorama, cool blue distance against tan foreground, perseverance without triumph. Historical frame: 西汉·汉武帝元狩二年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 04｜河畔受降
|
||||
|
||||
- 时间地点：前121年秋，黄河附近受降地
|
||||
- 叙事作用：表现浑邪王率数万降、降众欲逃与霍去病驰入稳局。
|
||||
- 本幕旁白：单于欲诛败军之王。浑邪杀休屠后率众降汉，降者有人反悔欲逃，霍去病驰入营中稳定局势。
|
||||
- 叠字标题：河畔受降
|
||||
- 一句短文案：大战之后，数万人的去留仍可能在一刻间崩裂。
|
||||
- 图片文件：`images/04-hunye-surrender-at-the-river.png` / `images/04-hunye-surrender-at-the-river.webp`
|
||||
- 替代文本：黄河浅滩附近，霍去病只带少量亲骑进入庞大而不安的匈奴降营，与浑邪王隔着空地相见，双方武器大多下垂。
|
||||
- 人物标签：
|
||||
- 霍去病｜骠骑将军｜奉命渡河受降，驰入匈奴营稳定降众
|
||||
- 浑邪王｜匈奴河西王｜杀休屠王后率众降汉
|
||||
- 休屠王｜匈奴休屠王｜谋降后反悔，被浑邪王杀；不在受降现场出现
|
||||
- 降众｜浑邪部与休屠部人员｜数万人随降，部分人欲逃
|
||||
- 画面补全说明：双方会面站位、河雾、降众分组和欲逃姿态为视觉补全；浑邪降、休屠中悔被杀、霍去病驰入稳定降众有史载。
|
||||
- 史实依据：《史记·卫将军骠骑列传》卷一百一十一；《汉书·卫青霍去病传》卷五十五
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 04 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Tense surrender beside a broad Yellow River ford. Huo Qubing, same young face, rides with only a small escort into a large but dispersed Xiongnu camp. Hunye King, an older steppe ruler in practical fur and lamellar layers, approaches across open ground with weapons lowered. Behind him, families, riders and livestock form uncertain clusters; a few figures turn as if considering flight, but no slaughter is shown. Wide balanced frame, river mist, high tension and restraint, no ceremonial kneeling or triumphal arch. Historical frame: 西汉·汉武帝元狩二年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 05｜河西遂空
|
||||
|
||||
- 时间地点：前121年后，河西走廊
|
||||
- 叙事作用：呈现战役的战略后果：匈奴右部瓦解，汉逐步设郡并连接西域。
|
||||
- 本幕旁白：浑邪王率数万人归汉，匈奴右部崩解。汉朝随后在河西设郡、屯田，通往西域的道路由此打开。
|
||||
- 叠字标题：河西遂空
|
||||
- 一句短文案：骑兵打穿的路，后来变成郡县与驿道。
|
||||
- 图片文件：`images/05-the-hexi-corridor-opens.png` / `images/05-the-hexi-corridor-opens.webp`
|
||||
- 替代文本：河西走廊新设驿路旁，汉吏和戍卒修筑低矮烽燧，迁徙车队与牧群沿道路穿过祁连山前。
|
||||
- 人物标签：
|
||||
- 汉郡吏与戍卒｜河西新设郡县人员｜测定道路、修烽燧与转运粮秣
|
||||
- 迁徙民众｜进入河西的汉地居民｜在新控制区建立聚落与屯田
|
||||
- 河西诸部降众｜归汉部众｜被安置于边郡与属国
|
||||
- 画面补全说明：烽燧、驿路、屯田与迁徙队伍是对置郡、徙民和河西控制的综合可视化；不是同一日发生的单一现场。
|
||||
- 史实依据：《史记·匈奴列传》卷一百一十；《汉书·卫青霍去病传》卷五十五
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 05 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Aftermath in the Hexi Corridor. A new Western-Han road runs between dry hills and the distant Qilian mountains. Soldiers and clerks build a modest rammed-earth beacon tower, survey a ford with plain wooden markers, and receive mixed carts, settlers, herders and surrendered steppe families moving through. No modern map and no grand stone Great Wall. Wide luminous landscape, wind and open distance, achievement expressed through infrastructure and movement rather than a victory parade. Historical frame: 西汉·汉武帝元狩二年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:hexi#0`
|
||||
- 曲名：河西之战
|
||||
- 版本：电影级配乐·建议使用无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：使用马蹄、战鼓、低弦和西域管乐器乐层，删去霍去病人物歌词；第三幕短暂抬升，受降后转为空旷风声。
|
||||
- 选择理由：项目内与本战直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。
|
||||
- Cue sheet：
|
||||
- 00:00–00:18｜第 01 幕｜以最少配器进入，先建立时代、地理与压力。
|
||||
- 00:18–00:36｜第 02 幕｜按行动推进增加一层节奏，旁白期间保持器乐稀疏。
|
||||
- 00:36–00:54｜第 03 幕｜按行动推进增加一层节奏，旁白期间保持器乐稀疏。
|
||||
- 00:54–01:12｜第 04 幕｜按行动推进增加一层节奏，旁白期间保持器乐稀疏。
|
||||
- 01:12–01:30｜第 05 幕｜撤去主鼓点，以风声、低弦或单一金石音收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《史记·卫将军骠骑列传》卷一百一十一：本素材所涉史记·卫将军骠骑列传相关时间、人物、战斗经过与结局（https://zh.wikisource.org/zh-hans/史记/卷111）
|
||||
- 《汉书·卫青霍去病传》卷五十五：本素材所涉汉书·卫青霍去病传相关时间、人物、战斗经过与结局（https://zh.wikisource.org/zh-hans/漢書/卷055）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 把春、夏两次远征压成同一天的一场大战
|
||||
- 把公孙敖画成与霍去病在祁连会师；史载公孙敖失道不与会
|
||||
- 把“祭天金人”画成佛像或金色巨佛；它是匈奴祭天器物，形制史料不详
|
||||
- 把浑邪王受降写成休屠王也活着投汉；休屠王中悔，被浑邪王杀死
|
||||
- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
|
||||
- 唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲
|
||||
- 玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山
|
||||
- 把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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@@ -0,0 +1,278 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "漠北之战（封狼居胥）",
|
||||
"aliases": [
|
||||
"漠北之战",
|
||||
"封狼居胥",
|
||||
"元狩四年北伐"
|
||||
],
|
||||
"era": "西汉·汉武帝元狩四年",
|
||||
"date": "公元前119年",
|
||||
"place": "定襄、代郡、大漠、阗颜山、狼居胥山与翰海",
|
||||
"summary": "卫青、霍去病各率五万骑深入漠北，卫青正面击退单于，霍去病远征至狼居胥祭天，匈奴王庭远徙漠北。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 90,
|
||||
"fullText": "元狩四年，汉武帝发动武帝朝规模最大的对匈奴远征。卫青、霍去病各率五万骑，步兵和转运者数十万随后，分从定襄、代郡出塞。卫青越过大漠，突然与单于主力相遇。他命武刚车环成军营，先放五千骑接战。日将入时，大风卷起沙砾，两军相互看不见，卫青乘势从左右包抄。单于见汉军众多，自度难胜，带数百壮骑突围而去。另一面，霍去病深入两千余里，攻左贤王部，俘获屯头王、韩王等，斩获七万余人，登狼居胥山祭天，又到姑衍祭地，远至翰海。前将军李广因改走东道迷失方向，后期受责，愤而自刎。此役迫使匈奴王庭远徙漠北，却也耗尽汉朝大量战马：十四万匹出塞，入塞不足三万。漠北是汉军的大胜，也是一次昂贵到十余年难以重来的远征。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "十万骑分道",
|
||||
"timePlace": "前119年，定襄、代郡出塞",
|
||||
"purpose": "建立卫青、霍去病各五万骑的双线远征与巨大后勤。",
|
||||
"narration": "卫青、霍去病各率五万骑，从定襄、代郡分道出塞。步兵与转运者数十万紧随其后。",
|
||||
"overlay": {
|
||||
"heading": "十万骑分道",
|
||||
"line": "两支军队越过大漠，目标却在不同方向。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "卫青",
|
||||
"office": "大将军",
|
||||
"action": "率军出定襄，正面寻找单于主力"
|
||||
},
|
||||
{
|
||||
"name": "霍去病",
|
||||
"office": "骠骑将军",
|
||||
"action": "率军出代郡，攻击匈奴左方"
|
||||
},
|
||||
{
|
||||
"name": "汉军转运人员",
|
||||
"office": "步兵与转输民夫",
|
||||
"action": "以数十万人支撑骑军深入"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-two-armies-cross-the-desert.png",
|
||||
"delivery": "images/01-two-armies-cross-the-desert.webp",
|
||||
"alt": "大漠边缘两条相隔很远的汉军骑兵纵队向不同方向出塞，卫青与霍去病分别出现在各自队伍前景，后方是转运车队。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 01 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Strategic wide panorama at the edge of the Gobi in 119 BCE. Two Western-Han expedition columns depart along widely separated horizons rather than riding together. In the nearer column, mature commander Wei Qing, calm East Asian man in his forties with trimmed moustache, dark Han armor and deep brown cloak, studies the north. Far across another ridge, the younger Huo Qubing identity from the Hexi set leads his own cavalry. Supply carts, remounts and infantry extend behind both. Immense sky, wind, realistic scale, no map graphics. Historical frame: 西汉·汉武帝元狩四年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "两军同框是跨距离的视觉压缩；各五万骑分道、步兵转运数十万有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·卫将军骠骑列传》卷一百一十一",
|
||||
"《汉书·卫青霍去病传》卷五十五"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "武刚车阵",
|
||||
"timePlace": "漠北单于主力前，日暮风起",
|
||||
"purpose": "呈现卫青环车为营、五千骑接战与沙暴中两翼包抄。",
|
||||
"narration": "卫青命武刚车环成军营，先纵五千骑接战。日暮大风起，沙砾扑面，他趁乱从左右夹击单于。",
|
||||
"overlay": {
|
||||
"heading": "武刚车阵",
|
||||
"line": "沙暴遮住双方，也遮住了汉军合围的两翼。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "卫青",
|
||||
"office": "汉大将军",
|
||||
"action": "以武刚车环营并指挥两翼夹击"
|
||||
},
|
||||
{
|
||||
"name": "伊稚斜单于",
|
||||
"office": "匈奴单于",
|
||||
"action": "率主力迎战，判断不能胜后突围"
|
||||
},
|
||||
{
|
||||
"name": "汉军五千骑",
|
||||
"office": "卫青先发骑军",
|
||||
"action": "先行接战匈奴万骑"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-wagons-in-the-sandstorm.png",
|
||||
"delivery": "images/02-wagons-in-the-sandstorm.webp",
|
||||
"alt": "黄昏沙暴中，汉军重车首尾相接成防御圈，卫青在车阵内指挥，两翼骑兵从沙尘中展开，远处单于骑队准备突围。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 02 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Dusk sandstorm in the far north. Heavy Han Wu-gang wagons form a rough defensive ring, wheels and wooden shields lashed together. Wei Qing, preserving identity, stands inside the wagon line and signals two cavalry wings disappearing into blowing grit. Beyond the storm, a compact Xiongnu royal group under Yizhixie Chanyu turns toward an escape gap with several hundred elite riders. Visibility is low, silhouettes varied, no magical storm, no gore. Wide layered frame, amber-gray dust and dark iron shapes. Historical frame: 西汉·汉武帝元狩四年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "车阵形态、单于突围方向与同时出现的两翼为战术重构；环车为营、五千骑接战、大风沙砾与单于夜遁均有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·卫将军骠骑列传》卷一百一十一"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "东道失期",
|
||||
"timePlace": "漠北东道与卫青军后方",
|
||||
"purpose": "交代李广被改派东道、失路后期与自刎的悲剧代价。",
|
||||
"narration": "李广被改派迂远东道，途中失路，未能按期会师。面对军法责问，他不愿再受刀笔之吏审讯，最终自刎。",
|
||||
"overlay": {
|
||||
"heading": "东道失期",
|
||||
"line": "大军获胜，老将却没走到自己的最后一战。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "李广",
|
||||
"office": "前将军",
|
||||
"action": "率东道军迷失道路，后期受责，最终自刎"
|
||||
},
|
||||
{
|
||||
"name": "赵食其",
|
||||
"office": "右将军",
|
||||
"action": "与李广合军走东道，同样后期"
|
||||
},
|
||||
{
|
||||
"name": "卫青长史",
|
||||
"office": "大将军幕府长史",
|
||||
"action": "奉命按军法询问失道情况"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-li-guang-loses-the-road.png",
|
||||
"delivery": "images/03-li-guang-loses-the-road.webp",
|
||||
"alt": "荒漠岔路旁，年老的李广站在疲惫队伍前看着空旷地平线，迷失方向的车马停滞，远处没有主力军旗。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 03 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: A lost route in the empty eastern desert. Elderly general Li Guang, an East Asian man with weathered face, white-streaked beard and battered Western-Han armor, stands beside a stopped horse and an unmarked wooden route tally. Zhao Shiqi and exhausted soldiers search different horizons; carts and remounts are stalled among dry ridges. Do not show the suicide. Wide static composition, bleached midday light, no enemy in sight, tragedy expressed through emptiness and missed time. Historical frame: 西汉·汉武帝元狩四年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "具体迷路地点、木牍与众人搜索动作为视觉补全；改走东道、失道后期、受簿责并自刎见史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·卫将军骠骑列传》卷一百一十一",
|
||||
"《汉书·卫青霍去病传》卷五十五"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "封狼居胥",
|
||||
"timePlace": "漠北狼居胥山、姑衍与翰海",
|
||||
"purpose": "呈现霍去病击破左贤王部并举行祭天礼的远征顶点。",
|
||||
"narration": "霍去病深入两千余里，击破左贤王部，斩获七万余人。随后登狼居胥祭天，又至姑衍祭地，远临翰海。",
|
||||
"overlay": {
|
||||
"heading": "封狼居胥",
|
||||
"line": "二十一岁的将军，把祭天的土坛筑在塞外最远处。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "霍去病",
|
||||
"office": "骠骑将军",
|
||||
"action": "击破匈奴左方并在狼居胥山祭天"
|
||||
},
|
||||
{
|
||||
"name": "汉军将士",
|
||||
"office": "骠骑军",
|
||||
"action": "随军深入、取食于敌并参与祭礼"
|
||||
},
|
||||
{
|
||||
"name": "左贤王部",
|
||||
"office": "匈奴左方主力",
|
||||
"action": "遭汉军重创，诸王与将相多被俘"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-sacrifice-at-langjuxu.png",
|
||||
"delivery": "images/04-sacrifice-at-langjuxu.webp",
|
||||
"alt": "狼居胥山顶，霍去病与将士在无字土石坛前举行简朴祭天礼，远处大漠与翰海铺开，没有巨碑和凯旋宫殿。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 04 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: High barren summit traditionally associated with Langjuxu. Huo Qubing, same young identity, stands before a modest earth-and-stone sacrificial mound with a small circle of campaign-worn officers and soldiers. Horses and captured equipment remain below the ridge; the endless steppe and distant water haze open behind them. Ritual objects are plain and period-plausible, with no readable inscription, giant stele or imperial palace. Wide backlit composition, cold wind, solemn achievement rather than exuberant victory. Historical frame: 西汉·汉武帝元狩四年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "祭坛形态、人数、器物和翰海远景为视觉补全；封狼居胥、禅姑衍、登临翰海与斩获数见史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·卫将军骠骑列传》卷一百一十一",
|
||||
"《汉书·卫青霍去病传》卷五十五"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "昂贵的胜利",
|
||||
"timePlace": "前119年，汉塞内外",
|
||||
"purpose": "以战马损耗和十余年难再大举出兵收束胜利代价。",
|
||||
"narration": "匈奴王庭远徙漠北，但汉军也付出极重代价。十四万匹马出塞，回来的不足三万。",
|
||||
"overlay": {
|
||||
"heading": "昂贵的胜利",
|
||||
"line": "王庭北去，塞内的马厩也空了。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "卫青",
|
||||
"office": "大将军",
|
||||
"action": "胜利还军，后未再领大规模远征"
|
||||
},
|
||||
{
|
||||
"name": "霍去病",
|
||||
"office": "骠骑将军",
|
||||
"action": "以战功大封，次年病逝"
|
||||
},
|
||||
{
|
||||
"name": "汉军余部",
|
||||
"office": "远征生还者",
|
||||
"action": "带着大批空鞍与伤马回塞"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-less-than-thirty-thousand-horses-return.png",
|
||||
"delivery": "images/05-less-than-thirty-thousand-horses-return.webp",
|
||||
"alt": "汉塞关门前，远征军带着稀疏战马和许多空鞍归来，卫青与霍去病分处队伍两端，守军沉默迎接。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 05 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Return through a modest Western-Han frontier gate. The expedition comes home with visibly thinned cavalry ranks, exhausted horses and many empty saddles tied to pack carts. Wei Qing and Huo Qubing appear in separate parts of the returning procession, both worn and silent. Garrison families and clerks watch without a cheering parade. Wide dusk frame, muted smoke and winter grass, the emptiness between riders carries the cost. No modern numbers or memorial text. Historical frame: 西汉·汉武帝元狩四年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "两位主将同日同门归来、空鞍数量与迎接人群为象征性视觉压缩；出塞十四万马、入塞不足三万与十余年不大出兵见史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·卫将军骠骑列传》卷一百一十一",
|
||||
"《汉书·卫青霍去病传》卷五十五"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:mobei#0",
|
||||
"title": "漠北之战",
|
||||
"version": "电影级配乐·建议使用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "用马蹄、低鼓、铜管式长音和大漠风声建立双线远征，删去人声；狼居胥不做欢快凯旋，最后以空马厩般的稀疏低音收束。",
|
||||
"reason": "项目内与漠北直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:18",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器进入，先建立时代、地理与压力。"
|
||||
},
|
||||
{
|
||||
"from": "00:18",
|
||||
"to": "00:36",
|
||||
"scene": "02",
|
||||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:36",
|
||||
"to": "00:54",
|
||||
"scene": "03",
|
||||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:54",
|
||||
"to": "01:12",
|
||||
"scene": "04",
|
||||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "01:12",
|
||||
"to": "01:32",
|
||||
"scene": "05",
|
||||
"direction": "撤去主鼓点，以风声、低弦或单一金石音收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "本素材所涉史记·卫将军骠骑列传相关时间、人物、战斗经过与结局",
|
||||
"citation": "《史记·卫将军骠骑列传》卷一百一十一",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷111"
|
||||
},
|
||||
{
|
||||
"claim": "本素材所涉汉书·卫青霍去病传相关时间、人物、战斗经过与结局",
|
||||
"citation": "《汉书·卫青霍去病传》卷五十五",
|
||||
"url": "https://zh.wikisource.org/zh-hans/漢書/卷055"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把卫青和霍去病画在同一支军队并肩冲锋；两人分道出塞、各自作战",
|
||||
"把封狼居胥画成修建永久宫殿或刻下现代可读巨字；核心是祭天礼仪",
|
||||
"把“漠南无王庭”写成匈奴从此灭亡；北单于与匈奴势力继续存在",
|
||||
"忽略汉军巨大损耗或宣称十四万匹军马全部凯旋",
|
||||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||||
"唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲",
|
||||
"玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山",
|
||||
"把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,146 @@
|
||||
# 漠北之战（封狼居胥）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：漠北之战（封狼居胥）
|
||||
- 常用称呼：漠北之战、封狼居胥、元狩四年北伐
|
||||
- 时代：西汉·汉武帝元狩四年
|
||||
- 日期：公元前119年
|
||||
- 地点：定襄、代郡、大漠、阗颜山、狼居胥山与翰海
|
||||
- 一句话结论：卫青、霍去病各率五万骑深入漠北，卫青正面击退单于，霍去病远征至狼居胥祭天，匈奴王庭远徙漠北。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
元狩四年，汉武帝发动武帝朝规模最大的对匈奴远征。卫青、霍去病各率五万骑，步兵和转运者数十万随后，分从定襄、代郡出塞。卫青越过大漠，突然与单于主力相遇。他命武刚车环成军营，先放五千骑接战。日将入时，大风卷起沙砾，两军相互看不见，卫青乘势从左右包抄。单于见汉军众多，自度难胜，带数百壮骑突围而去。另一面，霍去病深入两千余里，攻左贤王部，俘获屯头王、韩王等，斩获七万余人，登狼居胥山祭天，又到姑衍祭地，远至翰海。前将军李广因改走东道迷失方向，后期受责，愤而自刎。此役迫使匈奴王庭远徙漠北，却也耗尽汉朝大量战马：十四万匹出塞，入塞不足三万。漠北是汉军的大胜，也是一次昂贵到十余年难以重来的远征。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜十万骑分道
|
||||
|
||||
- 时间地点：前119年，定襄、代郡出塞
|
||||
- 叙事作用：建立卫青、霍去病各五万骑的双线远征与巨大后勤。
|
||||
- 本幕旁白：卫青、霍去病各率五万骑，从定襄、代郡分道出塞。步兵与转运者数十万紧随其后。
|
||||
- 叠字标题：十万骑分道
|
||||
- 一句短文案：两支军队越过大漠，目标却在不同方向。
|
||||
- 图片文件：`images/01-two-armies-cross-the-desert.png` / `images/01-two-armies-cross-the-desert.webp`
|
||||
- 替代文本：大漠边缘两条相隔很远的汉军骑兵纵队向不同方向出塞，卫青与霍去病分别出现在各自队伍前景，后方是转运车队。
|
||||
- 人物标签：
|
||||
- 卫青｜大将军｜率军出定襄，正面寻找单于主力
|
||||
- 霍去病｜骠骑将军｜率军出代郡，攻击匈奴左方
|
||||
- 汉军转运人员｜步兵与转输民夫｜以数十万人支撑骑军深入
|
||||
- 画面补全说明：两军同框是跨距离的视觉压缩；各五万骑分道、步兵转运数十万有史载。
|
||||
- 史实依据：《史记·卫将军骠骑列传》卷一百一十一；《汉书·卫青霍去病传》卷五十五
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 01 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Strategic wide panorama at the edge of the Gobi in 119 BCE. Two Western-Han expedition columns depart along widely separated horizons rather than riding together. In the nearer column, mature commander Wei Qing, calm East Asian man in his forties with trimmed moustache, dark Han armor and deep brown cloak, studies the north. Far across another ridge, the younger Huo Qubing identity from the Hexi set leads his own cavalry. Supply carts, remounts and infantry extend behind both. Immense sky, wind, realistic scale, no map graphics. Historical frame: 西汉·汉武帝元狩四年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 02｜武刚车阵
|
||||
|
||||
- 时间地点：漠北单于主力前，日暮风起
|
||||
- 叙事作用：呈现卫青环车为营、五千骑接战与沙暴中两翼包抄。
|
||||
- 本幕旁白：卫青命武刚车环成军营，先纵五千骑接战。日暮大风起，沙砾扑面，他趁乱从左右夹击单于。
|
||||
- 叠字标题：武刚车阵
|
||||
- 一句短文案：沙暴遮住双方，也遮住了汉军合围的两翼。
|
||||
- 图片文件：`images/02-wagons-in-the-sandstorm.png` / `images/02-wagons-in-the-sandstorm.webp`
|
||||
- 替代文本：黄昏沙暴中，汉军重车首尾相接成防御圈，卫青在车阵内指挥，两翼骑兵从沙尘中展开，远处单于骑队准备突围。
|
||||
- 人物标签：
|
||||
- 卫青｜汉大将军｜以武刚车环营并指挥两翼夹击
|
||||
- 伊稚斜单于｜匈奴单于｜率主力迎战，判断不能胜后突围
|
||||
- 汉军五千骑｜卫青先发骑军｜先行接战匈奴万骑
|
||||
- 画面补全说明：车阵形态、单于突围方向与同时出现的两翼为战术重构；环车为营、五千骑接战、大风沙砾与单于夜遁均有史载。
|
||||
- 史实依据：《史记·卫将军骠骑列传》卷一百一十一
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 02 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Dusk sandstorm in the far north. Heavy Han Wu-gang wagons form a rough defensive ring, wheels and wooden shields lashed together. Wei Qing, preserving identity, stands inside the wagon line and signals two cavalry wings disappearing into blowing grit. Beyond the storm, a compact Xiongnu royal group under Yizhixie Chanyu turns toward an escape gap with several hundred elite riders. Visibility is low, silhouettes varied, no magical storm, no gore. Wide layered frame, amber-gray dust and dark iron shapes. Historical frame: 西汉·汉武帝元狩四年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 03｜东道失期
|
||||
|
||||
- 时间地点：漠北东道与卫青军后方
|
||||
- 叙事作用：交代李广被改派东道、失路后期与自刎的悲剧代价。
|
||||
- 本幕旁白：李广被改派迂远东道，途中失路，未能按期会师。面对军法责问，他不愿再受刀笔之吏审讯，最终自刎。
|
||||
- 叠字标题：东道失期
|
||||
- 一句短文案：大军获胜，老将却没走到自己的最后一战。
|
||||
- 图片文件：`images/03-li-guang-loses-the-road.png` / `images/03-li-guang-loses-the-road.webp`
|
||||
- 替代文本：荒漠岔路旁，年老的李广站在疲惫队伍前看着空旷地平线，迷失方向的车马停滞，远处没有主力军旗。
|
||||
- 人物标签：
|
||||
- 李广｜前将军｜率东道军迷失道路，后期受责，最终自刎
|
||||
- 赵食其｜右将军｜与李广合军走东道，同样后期
|
||||
- 卫青长史｜大将军幕府长史｜奉命按军法询问失道情况
|
||||
- 画面补全说明：具体迷路地点、木牍与众人搜索动作为视觉补全；改走东道、失道后期、受簿责并自刎见史载。
|
||||
- 史实依据：《史记·卫将军骠骑列传》卷一百一十一；《汉书·卫青霍去病传》卷五十五
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 03 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: A lost route in the empty eastern desert. Elderly general Li Guang, an East Asian man with weathered face, white-streaked beard and battered Western-Han armor, stands beside a stopped horse and an unmarked wooden route tally. Zhao Shiqi and exhausted soldiers search different horizons; carts and remounts are stalled among dry ridges. Do not show the suicide. Wide static composition, bleached midday light, no enemy in sight, tragedy expressed through emptiness and missed time. Historical frame: 西汉·汉武帝元狩四年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 04｜封狼居胥
|
||||
|
||||
- 时间地点：漠北狼居胥山、姑衍与翰海
|
||||
- 叙事作用：呈现霍去病击破左贤王部并举行祭天礼的远征顶点。
|
||||
- 本幕旁白：霍去病深入两千余里，击破左贤王部，斩获七万余人。随后登狼居胥祭天，又至姑衍祭地，远临翰海。
|
||||
- 叠字标题：封狼居胥
|
||||
- 一句短文案：二十一岁的将军，把祭天的土坛筑在塞外最远处。
|
||||
- 图片文件：`images/04-sacrifice-at-langjuxu.png` / `images/04-sacrifice-at-langjuxu.webp`
|
||||
- 替代文本：狼居胥山顶，霍去病与将士在无字土石坛前举行简朴祭天礼，远处大漠与翰海铺开，没有巨碑和凯旋宫殿。
|
||||
- 人物标签：
|
||||
- 霍去病｜骠骑将军｜击破匈奴左方并在狼居胥山祭天
|
||||
- 汉军将士｜骠骑军｜随军深入、取食于敌并参与祭礼
|
||||
- 左贤王部｜匈奴左方主力｜遭汉军重创，诸王与将相多被俘
|
||||
- 画面补全说明：祭坛形态、人数、器物和翰海远景为视觉补全；封狼居胥、禅姑衍、登临翰海与斩获数见史载。
|
||||
- 史实依据：《史记·卫将军骠骑列传》卷一百一十一；《汉书·卫青霍去病传》卷五十五
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 04 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: High barren summit traditionally associated with Langjuxu. Huo Qubing, same young identity, stands before a modest earth-and-stone sacrificial mound with a small circle of campaign-worn officers and soldiers. Horses and captured equipment remain below the ridge; the endless steppe and distant water haze open behind them. Ritual objects are plain and period-plausible, with no readable inscription, giant stele or imperial palace. Wide backlit composition, cold wind, solemn achievement rather than exuberant victory. Historical frame: 西汉·汉武帝元狩四年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 05｜昂贵的胜利
|
||||
|
||||
- 时间地点：前119年，汉塞内外
|
||||
- 叙事作用：以战马损耗和十余年难再大举出兵收束胜利代价。
|
||||
- 本幕旁白：匈奴王庭远徙漠北，但汉军也付出极重代价。十四万匹马出塞，回来的不足三万。
|
||||
- 叠字标题：昂贵的胜利
|
||||
- 一句短文案：王庭北去，塞内的马厩也空了。
|
||||
- 图片文件：`images/05-less-than-thirty-thousand-horses-return.png` / `images/05-less-than-thirty-thousand-horses-return.webp`
|
||||
- 替代文本：汉塞关门前，远征军带着稀疏战马和许多空鞍归来，卫青与霍去病分处队伍两端，守军沉默迎接。
|
||||
- 人物标签：
|
||||
- 卫青｜大将军｜胜利还军，后未再领大规模远征
|
||||
- 霍去病｜骠骑将军｜以战功大封，次年病逝
|
||||
- 汉军余部｜远征生还者｜带着大批空鞍与伤马回塞
|
||||
- 画面补全说明：两位主将同日同门归来、空鞍数量与迎接人群为象征性视觉压缩；出塞十四万马、入塞不足三万与十余年不大出兵见史载。
|
||||
- 史实依据：《史记·卫将军骠骑列传》卷一百一十一；《汉书·卫青霍去病传》卷五十五
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 05 of 5, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Return through a modest Western-Han frontier gate. The expedition comes home with visibly thinned cavalry ranks, exhausted horses and many empty saddles tied to pack carts. Wei Qing and Huo Qubing appear in separate parts of the returning procession, both worn and silent. Garrison families and clerks watch without a cheering parade. Wide dusk frame, muted smoke and winter grass, the emptiness between riders carries the cost. No modern numbers or memorial text. Historical frame: 西汉·汉武帝元狩四年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:mobei#0`
|
||||
- 曲名：漠北之战
|
||||
- 版本：电影级配乐·建议使用无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：用马蹄、低鼓、铜管式长音和大漠风声建立双线远征，删去人声；狼居胥不做欢快凯旋，最后以空马厩般的稀疏低音收束。
|
||||
- 选择理由：项目内与漠北直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。
|
||||
- Cue sheet：
|
||||
- 00:00–00:18｜第 01 幕｜以最少配器进入，先建立时代、地理与压力。
|
||||
- 00:18–00:36｜第 02 幕｜按行动推进增加一层节奏，旁白期间保持器乐稀疏。
|
||||
- 00:36–00:54｜第 03 幕｜按行动推进增加一层节奏，旁白期间保持器乐稀疏。
|
||||
- 00:54–01:12｜第 04 幕｜按行动推进增加一层节奏，旁白期间保持器乐稀疏。
|
||||
- 01:12–01:32｜第 05 幕｜撤去主鼓点，以风声、低弦或单一金石音收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《史记·卫将军骠骑列传》卷一百一十一：本素材所涉史记·卫将军骠骑列传相关时间、人物、战斗经过与结局（https://zh.wikisource.org/zh-hans/史记/卷111）
|
||||
- 《汉书·卫青霍去病传》卷五十五：本素材所涉汉书·卫青霍去病传相关时间、人物、战斗经过与结局（https://zh.wikisource.org/zh-hans/漢書/卷055）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 把卫青和霍去病画在同一支军队并肩冲锋；两人分道出塞、各自作战
|
||||
- 把封狼居胥画成修建永久宫殿或刻下现代可读巨字；核心是祭天礼仪
|
||||
- 把“漠南无王庭”写成匈奴从此灭亡；北单于与匈奴势力继续存在
|
||||
- 忽略汉军巨大损耗或宣称十四万匹军马全部凯旋
|
||||
- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
|
||||
- 唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲
|
||||
- 玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山
|
||||
- 把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "白登之围（平城七日）",
|
||||
"aliases": [
|
||||
"白登之围",
|
||||
"白登山之围",
|
||||
"平城之围"
|
||||
],
|
||||
"era": "西汉初年·汉高帝七年",
|
||||
"date": "公元前200年冬",
|
||||
"place": "晋阳、平城与白登山",
|
||||
"summary": "刘邦轻骑先至平城，被冒顿四十万精骑围于白登七日，最终从围阵一角脱身，此后汉初转向和亲政策。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 82,
|
||||
"fullText": "汉高帝七年，韩王信在马邑降匈奴，刘邦亲自北征。那年冬天极寒，史书记汉军士卒冻掉手指的十有二三。冒顿单于故意藏起精兵和肥马，只让汉使看见老弱与羸畜。刘敬判断其中有诈，劝刘邦不可进兵，却已来不及。刘邦轻骑先到平城，步兵尚未赶上，冒顿突然纵四十万精骑，把汉军围在白登山上。围阵按马色分布，四面望去尽是匈奴骑兵。七天里，汉军内外不能相救，也无法运送粮饷。刘邦派密使厚赠阏氏；《史记》只记阏氏劝冒顿留一角，陈平所用具体秘计并未流传。汉军从解开的围角撤出，与大军会合。白登没有让汉灭亡，却让新王朝看清：此时还无法靠正面武力压服匈奴。此后汉初以和亲和岁奉换取边境喘息。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "寒冬北进",
|
||||
"timePlace": "公元前200年冬，晋阳至平城",
|
||||
"purpose": "交代韩王信降匈奴、刘邦亲征与严寒条件。",
|
||||
"narration": "韩王信降匈奴，刘邦亲率汉军北进。严寒之下，士卒冻伤者极多。",
|
||||
"overlay": {
|
||||
"heading": "寒冬北进",
|
||||
"line": "新生的帝国，把皇帝和军队一起押向塞外。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "刘邦",
|
||||
"office": "汉高帝",
|
||||
"action": "亲率汉军追击韩王信与匈奴"
|
||||
},
|
||||
{
|
||||
"name": "韩王信",
|
||||
"office": "原韩王、太原王",
|
||||
"action": "在马邑降匈奴，引发汉军北征"
|
||||
},
|
||||
{
|
||||
"name": "汉军士卒",
|
||||
"office": "北征将士",
|
||||
"action": "在严寒中行军，史载堕指者十之二三"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-winter-march-to-pingcheng.png",
|
||||
"delivery": "images/01-winter-march-to-pingcheng.webp",
|
||||
"alt": "大雪覆盖的北方道路上，刘邦骑马带领汉军艰难前进，士卒包扎冻伤手指，队伍在寒风中拉长。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Bitter winter march toward Pingcheng in 200 BCE. Emperor Gaozu Liu Bang, preserving the weathered face and dark-red cloak from the Gaixia sequence but now over heavier early-Han armor and fur-edged campaign layers, rides at the front of a strained column. Soldiers wrap frostbitten hands with hemp strips; pack animals push through windblown snow. No rich imperial carriage, no dragon robe. Wide low-angle road composition, white-gray sky, dark figures receding into the storm, realistic cold and fatigue. Historical frame: 西汉初年·汉高帝七年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "行军队形、包扎冻伤与刘邦具体衣甲为视觉补全；冬、大寒、堕指者十之二三与亲征有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·高祖本纪》卷八",
|
||||
"《史记·匈奴列传》卷一百一十"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "示弱诱敌",
|
||||
"timePlace": "平城以北，匈奴控制区",
|
||||
"purpose": "说明冒顿隐藏精锐、汉使误判，刘敬独察其诈。",
|
||||
"narration": "冒顿藏起精兵肥马，只让十余批汉使看到老弱羸畜。刘敬看出这是诱兵之计，却没能拦住前军。",
|
||||
"overlay": {
|
||||
"heading": "示弱诱敌",
|
||||
"line": "人人看见可击，只有刘敬看见了藏起来的锋刃。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "冒顿单于",
|
||||
"office": "匈奴单于",
|
||||
"action": "隐藏壮士肥牛马，以老弱示汉使"
|
||||
},
|
||||
{
|
||||
"name": "刘敬",
|
||||
"office": "汉使、建信侯",
|
||||
"action": "判断匈奴必有伏兵，劝止进军"
|
||||
},
|
||||
{
|
||||
"name": "汉方使者",
|
||||
"office": "侦察与议和使者",
|
||||
"action": "多次回报匈奴可击"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-modun-hides-the-elite.png",
|
||||
"delivery": "images/02-modun-hides-the-elite.webp",
|
||||
"alt": "塞北缓坡上只有老弱牧人与瘦马可见，远处山脊后隐藏着精锐骑兵，刘敬在前景凝视异常空旷的草原。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: A deceptive winter steppe north of Pingcheng. In the visible valley, only elderly herders, youths and lean livestock move through thin snow. Han envoy Liu Jing, an observant middle-aged man in plain official travel robes, pauses in the foreground and studies the suspiciously empty ridges. Behind a distant fold of land, partly concealed silhouettes of disciplined Xiongnu riders and strong horses wait under Modu Chanyu, not visible to the envoys as a literal cutaway but hinted through composition and dust. Wide tense landscape, no text or diagrams. Historical frame: 西汉初年·汉高帝七年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "用同一画面暗示山脊后的伏骑属于观众视角补全；隐藏壮士肥畜、只示老弱与刘敬谏止见史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·匈奴列传》卷一百一十"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "白登七日",
|
||||
"timePlace": "平城白登山",
|
||||
"purpose": "表现刘邦轻骑孤悬、四十万骑合围及内外断绝。",
|
||||
"narration": "刘邦轻骑先到平城，步兵还未赶上，冒顿四十万精骑突然合围。七日之中，汉军内外断绝。",
|
||||
"overlay": {
|
||||
"heading": "白登七日",
|
||||
"line": "步军未到，四面的骑兵已经合上。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "刘邦",
|
||||
"office": "汉高帝",
|
||||
"action": "被围白登七日"
|
||||
},
|
||||
{
|
||||
"name": "冒顿单于",
|
||||
"office": "匈奴单于",
|
||||
"action": "纵精兵四十万骑合围汉军"
|
||||
},
|
||||
{
|
||||
"name": "汉军先头部队",
|
||||
"office": "随帝轻骑与护军",
|
||||
"action": "孤悬白登，内外不得相救饷"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-seven-days-on-baideng.png",
|
||||
"delivery": "images/03-seven-days-on-baideng.webp",
|
||||
"alt": "白登雪山高地上，刘邦和汉军先头部队收缩成营，山下四面不同马色的匈奴骑兵分区包围。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Baideng encirclement seen from a high winter ridge. Liu Bang and a compact early-Han vanguard form a defensive ring of carts, shields and tethered horses on the snowy height. Across the surrounding slopes, Xiongnu cavalry appears in four broad sectors distinguished primarily by horse color—white, gray, dark and chestnut—while clothing remains varied earth tones. Modu Chanyu observes from a distant low ridge. Vast but physically plausible scale, freezing haze, no constant melee, clear isolation and supply cutoff. Historical frame: 西汉初年·汉高帝七年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "围阵地形、汉军车盾临时营与马色分区的具体镜头为重构；四十万骑、七日围困及马色分布见《匈奴列传》。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·匈奴列传》卷一百一十"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "围角得开",
|
||||
"timePlace": "白登山与平城附近",
|
||||
"purpose": "呈现密使厚赠阏氏、围阵开角与汉军脱身，并交代政策后果。",
|
||||
"narration": "汉使间道厚赠阏氏，阏氏劝冒顿留路。围阵一角终于打开，汉军在雾与弓弩掩护下撤出。",
|
||||
"overlay": {
|
||||
"heading": "围角得开",
|
||||
"line": "这不是胜利，只是新王朝终于活着走出雪山。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "阏氏",
|
||||
"office": "冒顿正妻",
|
||||
"action": "受汉使厚赠后劝单于解围一角"
|
||||
},
|
||||
{
|
||||
"name": "冒顿单于",
|
||||
"office": "匈奴单于",
|
||||
"action": "因韩王信将未会等因素，解围一角后引兵去"
|
||||
},
|
||||
{
|
||||
"name": "刘邦",
|
||||
"office": "汉高帝",
|
||||
"action": "由解围一角与大军会合"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-one-corner-opens.png",
|
||||
"delivery": "images/04-one-corner-opens.webp",
|
||||
"alt": "白色雾雪中，匈奴围阵让出一条狭窄通道，汉军弓弩戒备着护送刘邦撤离，阏氏与冒顿在远处高坡观察。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: A narrow corridor opens in the Xiongnu encirclement under fog and blowing snow. Early-Han crossbowmen move slowly with bows drawn outward while Liu Bang’s exhausted mounted party passes through, maintaining order rather than celebrating. On a distant ridge, Modu Chanyu and his consort observe with a small escort; no visible gift exchange and no secret conversation. Wide lateral composition, low contrast, the gap is temporary and tense. End with the road toward the larger Han army, no victory banners. Historical frame: 西汉初年·汉高帝七年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.",
|
||||
"visualInference": "撤离队形、雾雪掩护和阏氏远景为视觉补全；厚遗阏氏、解围一角并与大军合见《匈奴列传》，具体秘计不作画。"
|
||||
},
|
||||
"sources": [
|
||||
"《史记·匈奴列传》卷一百一十"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:baideng#0",
|
||||
"title": "白登之围",
|
||||
"version": "电影级配乐·建议使用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "以马头琴低弓、寒风、鼓点与呼吸感低频为主，去除冒顿视角歌词；围困七日保持克制，解围不做凯旋。",
|
||||
"reason": "项目内与白登直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:20",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器进入，先建立时代、地理与压力。"
|
||||
},
|
||||
{
|
||||
"from": "00:20",
|
||||
"to": "00:40",
|
||||
"scene": "02",
|
||||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:40",
|
||||
"to": "01:00",
|
||||
"scene": "03",
|
||||
"direction": "按行动推进增加一层节奏，旁白期间保持器乐稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "01:00",
|
||||
"to": "01:22",
|
||||
"scene": "04",
|
||||
"direction": "撤去主鼓点，以风声、低弦或单一金石音收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "本素材所涉史记·匈奴列传相关时间、人物、战斗经过与结局",
|
||||
"citation": "《史记·匈奴列传》卷一百一十",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷110"
|
||||
},
|
||||
{
|
||||
"claim": "本素材所涉史记·高祖本纪相关时间、人物、战斗经过与结局",
|
||||
"citation": "《史记·高祖本纪》卷八",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷008"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把陈平秘计的内容画成美人图、献美女或确定的枕边交易；《史记》明说其计秘而世莫得闻",
|
||||
"让刘邦在白登击败冒顿或俘获单于；汉军是解围脱身",
|
||||
"把“四色骑”表现为四种统一彩色盔甲；史载是马色分布，不是军服颜色",
|
||||
"把围困写成连续七日七夜激烈攻山；史料明确围七日与断绝救饷，但不详每日战斗",
|
||||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||||
"唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲",
|
||||
"玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山",
|
||||
"把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,126 @@
|
||||
# 白登之围（平城七日）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：白登之围（平城七日）
|
||||
- 常用称呼：白登之围、白登山之围、平城之围
|
||||
- 时代：西汉初年·汉高帝七年
|
||||
- 日期：公元前200年冬
|
||||
- 地点：晋阳、平城与白登山
|
||||
- 一句话结论：刘邦轻骑先至平城，被冒顿四十万精骑围于白登七日，最终从围阵一角脱身，此后汉初转向和亲政策。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
汉高帝七年，韩王信在马邑降匈奴，刘邦亲自北征。那年冬天极寒，史书记汉军士卒冻掉手指的十有二三。冒顿单于故意藏起精兵和肥马，只让汉使看见老弱与羸畜。刘敬判断其中有诈，劝刘邦不可进兵，却已来不及。刘邦轻骑先到平城，步兵尚未赶上，冒顿突然纵四十万精骑，把汉军围在白登山上。围阵按马色分布，四面望去尽是匈奴骑兵。七天里，汉军内外不能相救，也无法运送粮饷。刘邦派密使厚赠阏氏；《史记》只记阏氏劝冒顿留一角，陈平所用具体秘计并未流传。汉军从解开的围角撤出，与大军会合。白登没有让汉灭亡，却让新王朝看清：此时还无法靠正面武力压服匈奴。此后汉初以和亲和岁奉换取边境喘息。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜寒冬北进
|
||||
|
||||
- 时间地点：公元前200年冬，晋阳至平城
|
||||
- 叙事作用：交代韩王信降匈奴、刘邦亲征与严寒条件。
|
||||
- 本幕旁白：韩王信降匈奴，刘邦亲率汉军北进。严寒之下，士卒冻伤者极多。
|
||||
- 叠字标题：寒冬北进
|
||||
- 一句短文案：新生的帝国，把皇帝和军队一起押向塞外。
|
||||
- 图片文件：`images/01-winter-march-to-pingcheng.png` / `images/01-winter-march-to-pingcheng.webp`
|
||||
- 替代文本：大雪覆盖的北方道路上，刘邦骑马带领汉军艰难前进，士卒包扎冻伤手指，队伍在寒风中拉长。
|
||||
- 人物标签：
|
||||
- 刘邦｜汉高帝｜亲率汉军追击韩王信与匈奴
|
||||
- 韩王信｜原韩王、太原王｜在马邑降匈奴，引发汉军北征
|
||||
- 汉军士卒｜北征将士｜在严寒中行军，史载堕指者十之二三
|
||||
- 画面补全说明：行军队形、包扎冻伤与刘邦具体衣甲为视觉补全；冬、大寒、堕指者十之二三与亲征有史载。
|
||||
- 史实依据：《史记·高祖本纪》卷八；《史记·匈奴列传》卷一百一十
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Bitter winter march toward Pingcheng in 200 BCE. Emperor Gaozu Liu Bang, preserving the weathered face and dark-red cloak from the Gaixia sequence but now over heavier early-Han armor and fur-edged campaign layers, rides at the front of a strained column. Soldiers wrap frostbitten hands with hemp strips; pack animals push through windblown snow. No rich imperial carriage, no dragon robe. Wide low-angle road composition, white-gray sky, dark figures receding into the storm, realistic cold and fatigue. Historical frame: 西汉初年·汉高帝七年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 02｜示弱诱敌
|
||||
|
||||
- 时间地点：平城以北，匈奴控制区
|
||||
- 叙事作用：说明冒顿隐藏精锐、汉使误判，刘敬独察其诈。
|
||||
- 本幕旁白：冒顿藏起精兵肥马，只让十余批汉使看到老弱羸畜。刘敬看出这是诱兵之计，却没能拦住前军。
|
||||
- 叠字标题：示弱诱敌
|
||||
- 一句短文案：人人看见可击，只有刘敬看见了藏起来的锋刃。
|
||||
- 图片文件：`images/02-modun-hides-the-elite.png` / `images/02-modun-hides-the-elite.webp`
|
||||
- 替代文本：塞北缓坡上只有老弱牧人与瘦马可见，远处山脊后隐藏着精锐骑兵，刘敬在前景凝视异常空旷的草原。
|
||||
- 人物标签：
|
||||
- 冒顿单于｜匈奴单于｜隐藏壮士肥牛马，以老弱示汉使
|
||||
- 刘敬｜汉使、建信侯｜判断匈奴必有伏兵，劝止进军
|
||||
- 汉方使者｜侦察与议和使者｜多次回报匈奴可击
|
||||
- 画面补全说明：用同一画面暗示山脊后的伏骑属于观众视角补全；隐藏壮士肥畜、只示老弱与刘敬谏止见史载。
|
||||
- 史实依据：《史记·匈奴列传》卷一百一十
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: A deceptive winter steppe north of Pingcheng. In the visible valley, only elderly herders, youths and lean livestock move through thin snow. Han envoy Liu Jing, an observant middle-aged man in plain official travel robes, pauses in the foreground and studies the suspiciously empty ridges. Behind a distant fold of land, partly concealed silhouettes of disciplined Xiongnu riders and strong horses wait under Modu Chanyu, not visible to the envoys as a literal cutaway but hinted through composition and dust. Wide tense landscape, no text or diagrams. Historical frame: 西汉初年·汉高帝七年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 03｜白登七日
|
||||
|
||||
- 时间地点：平城白登山
|
||||
- 叙事作用：表现刘邦轻骑孤悬、四十万骑合围及内外断绝。
|
||||
- 本幕旁白：刘邦轻骑先到平城，步兵还未赶上，冒顿四十万精骑突然合围。七日之中，汉军内外断绝。
|
||||
- 叠字标题：白登七日
|
||||
- 一句短文案：步军未到，四面的骑兵已经合上。
|
||||
- 图片文件：`images/03-seven-days-on-baideng.png` / `images/03-seven-days-on-baideng.webp`
|
||||
- 替代文本：白登雪山高地上，刘邦和汉军先头部队收缩成营，山下四面不同马色的匈奴骑兵分区包围。
|
||||
- 人物标签：
|
||||
- 刘邦｜汉高帝｜被围白登七日
|
||||
- 冒顿单于｜匈奴单于｜纵精兵四十万骑合围汉军
|
||||
- 汉军先头部队｜随帝轻骑与护军｜孤悬白登，内外不得相救饷
|
||||
- 画面补全说明：围阵地形、汉军车盾临时营与马色分区的具体镜头为重构；四十万骑、七日围困及马色分布见《匈奴列传》。
|
||||
- 史实依据：《史记·匈奴列传》卷一百一十
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: Baideng encirclement seen from a high winter ridge. Liu Bang and a compact early-Han vanguard form a defensive ring of carts, shields and tethered horses on the snowy height. Across the surrounding slopes, Xiongnu cavalry appears in four broad sectors distinguished primarily by horse color—white, gray, dark and chestnut—while clothing remains varied earth tones. Modu Chanyu observes from a distant low ridge. Vast but physically plausible scale, freezing haze, no constant melee, clear isolation and supply cutoff. Historical frame: 西汉初年·汉高帝七年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
### 04｜围角得开
|
||||
|
||||
- 时间地点：白登山与平城附近
|
||||
- 叙事作用：呈现密使厚赠阏氏、围阵开角与汉军脱身，并交代政策后果。
|
||||
- 本幕旁白：汉使间道厚赠阏氏，阏氏劝冒顿留路。围阵一角终于打开，汉军在雾与弓弩掩护下撤出。
|
||||
- 叠字标题：围角得开
|
||||
- 一句短文案：这不是胜利，只是新王朝终于活着走出雪山。
|
||||
- 图片文件：`images/04-one-corner-opens.png` / `images/04-one-corner-opens.webp`
|
||||
- 替代文本：白色雾雪中，匈奴围阵让出一条狭窄通道，汉军弓弩戒备着护送刘邦撤离，阏氏与冒顿在远处高坡观察。
|
||||
- 人物标签：
|
||||
- 阏氏｜冒顿正妻｜受汉使厚赠后劝单于解围一角
|
||||
- 冒顿单于｜匈奴单于｜因韩王信将未会等因素，解围一角后引兵去
|
||||
- 刘邦｜汉高帝｜由解围一角与大军会合
|
||||
- 画面补全说明：撤离队形、雾雪掩护和阏氏远景为视觉补全；厚遗阏氏、解围一角并与大军合见《匈奴列传》，具体秘计不作画。
|
||||
- 史实依据：《史记·匈奴列传》卷一百一十
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Han-dynasty battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided Qin-unification still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural human faces, historical restraint and available negative space; do not copy its Qin armor, exact character or composition. Primary request: A narrow corridor opens in the Xiongnu encirclement under fog and blowing snow. Early-Han crossbowmen move slowly with bows drawn outward while Liu Bang’s exhausted mounted party passes through, maintaining order rather than celebrating. On a distant ridge, Modu Chanyu and his consort observe with a small escort; no visible gift exchange and no secret conversation. Wide lateral composition, low contrast, the gap is temporary and tense. End with the road toward the larger Han army, no victory banners. Historical frame: 西汉初年·汉高帝七年; respect the specific early-Han, Western-Han, Xin, or Eastern-Han material culture named in the scene. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood-and-bronze chariots or wagons only where appropriate; clothing should be worn and functional, not costume-pageant luxury. Composition: cinematic wide frame with clear foreground, middle ground and background; reserve a quiet area of sky, water, wall or earth for later webpage overlay; each scene must use a distinct camera position. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; preserve recurring character identity within the same battle; show violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲；玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山；把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:baideng#0`
|
||||
- 曲名：白登之围
|
||||
- 版本：电影级配乐·建议使用无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：以马头琴低弓、寒风、鼓点与呼吸感低频为主，去除冒顿视角歌词；围困七日保持克制，解围不做凯旋。
|
||||
- 选择理由：项目内与白登直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。
|
||||
- Cue sheet：
|
||||
- 00:00–00:20｜第 01 幕｜以最少配器进入，先建立时代、地理与压力。
|
||||
- 00:20–00:40｜第 02 幕｜按行动推进增加一层节奏，旁白期间保持器乐稀疏。
|
||||
- 00:40–01:00｜第 03 幕｜按行动推进增加一层节奏，旁白期间保持器乐稀疏。
|
||||
- 01:00–01:22｜第 04 幕｜撤去主鼓点，以风声、低弦或单一金石音收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《史记·匈奴列传》卷一百一十：本素材所涉史记·匈奴列传相关时间、人物、战斗经过与结局（https://zh.wikisource.org/zh-hans/史记/卷110）
|
||||
- 《史记·高祖本纪》卷八：本素材所涉史记·高祖本纪相关时间、人物、战斗经过与结局（https://zh.wikisource.org/zh-hans/史记/卷008）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 把陈平秘计的内容画成美人图、献美女或确定的枕边交易；《史记》明说其计秘而世莫得闻
|
||||
- 让刘邦在白登击败冒顿或俘获单于；汉军是解围脱身
|
||||
- 把“四色骑”表现为四种统一彩色盔甲；史载是马色分布，不是军服颜色
|
||||
- 把围困写成连续七日七夜激烈攻山；史料明确围七日与断绝救饷，但不详每日战斗
|
||||
- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
|
||||
- 唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒、火器、爆炸、欧洲板甲或日本武士甲
|
||||
- 玄幻巨兽、超自然法术、游戏皮肤式夸张铠甲、克隆脸军团、动漫画风或血腥尸山
|
||||
- 把史书未明载的计谋细节、对话、精确阵形和私人情绪写成确定事实
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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@@ -0,0 +1,267 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "陈汤灭郅支（虽远必诛）",
|
||||
"aliases": [
|
||||
"陈汤灭郅支",
|
||||
"郅支城之战",
|
||||
"郅支单于之战"
|
||||
],
|
||||
"era": "汉元帝建昭三年",
|
||||
"date": "公元前36年",
|
||||
"place": "康居东界都赖水畔郅支城（约今哈萨克斯坦塔拉斯河流域，城址为后世推定）",
|
||||
"summary": "西域副校尉陈汤矫制发兵，迫使都护甘延寿共同率汉胡联军四万余远征郅支城；联军破木城、围土城，杀郅支单于。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 89,
|
||||
"fullText": "公元前三十六年，郅支单于远据康居东部，曾杀汉使谷吉，又多次困辱汉使。西域副校尉陈汤判断，郅支虽远，却没有汉地坚城强弩，若各国兵同时出发，一朝可以攻取。西域都护甘延寿主张先上奏朝廷，陈汤担心不会获准，趁甘延寿久病，矫造诏令，调发西域城郭诸国兵与屯田吏士。甘延寿惊起阻止，陈汤按剑斥责，最终迫使他共同出兵。汉兵与诸国兵合计四万余，分六校穿越西域，抵达都赖水畔的郅支城。联军四面围城，挖壕堵门，以盾牌在前、戟弩在后压制城楼。外层木城被薪火烧穿，郅支退入土城。天明，四面火起，联军乘势入城。郅支负伤而死，军候假丞杜勋斩其首。甘延寿、陈汤上疏自劾，也写下“明犯强汉者，虽远必诛”。朝廷既嘉其功，又忌其擅权，最终封赏远低于这场万里远征的声势。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "矫制发兵",
|
||||
"timePlace": "西域都护府，甘延寿病中",
|
||||
"purpose": "呈现陈汤擅发诸国兵的风险与甘延寿被迫同意。",
|
||||
"narration": "甘延寿想先奏请，陈汤却趁其久病矫制发兵。甘延寿欲止，陈汤按剑迫其同行。",
|
||||
"overlay": {
|
||||
"heading": "矫制发兵",
|
||||
"line": "远征从一道未经朝廷批准的命令开始。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "陈汤",
|
||||
"office": "西域副校尉",
|
||||
"action": "矫制调发诸国兵与屯田吏士"
|
||||
},
|
||||
{
|
||||
"name": "甘延寿",
|
||||
"office": "西域都护、骑都尉",
|
||||
"action": "原欲奏请，最终在陈汤压力下共同出兵"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-forged-order-at-protectorate.png",
|
||||
"delivery": "images/01-forged-order-at-protectorate.webp",
|
||||
"alt": "西域都护府内，病中的甘延寿从榻上惊起，陈汤按着入鞘佩剑站在封闭木牍旁，几名军吏等待命令，不出现可读诏书。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Western Han story frame. Inside a modest Western Han Protectorate office in the Western Regions. Gan Yanshou, a seasoned East Asian commander weakened by illness, rises from a low couch in alarm. Chen Tang, a sharp-eyed East Asian officer in his thirties wearing travel-worn Han armor and robe, stands over sealed blank wooden-slip bundles with one hand resting on a sheathed sword, forcing the decision without drawing it. Several clerks and allied envoys wait tensely. Political coercion, no assault, no readable edict. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "病榻、木牍、军吏和按剑姿态为视觉重构；久病、矫制发兵、甘惊欲止与陈汤按剑叱有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《汉书·傅常郑甘陈段传》卷七十"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "六校万里西征",
|
||||
"timePlace": "西域诸国至康居东界",
|
||||
"purpose": "表现汉胡联军四万余的多国组成与远征尺度。",
|
||||
"narration": "汉兵与西域诸国兵合四万余，编为六校，穿过城郭、荒漠与草原，直指康居东界。",
|
||||
"overlay": {
|
||||
"heading": "六校西征",
|
||||
"line": "这不是长安大军出塞，而是西域兵力被临时汇成一路。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "甘延寿",
|
||||
"office": "西域都护、法定主帅",
|
||||
"action": "部勒联军行阵"
|
||||
},
|
||||
{
|
||||
"name": "陈汤",
|
||||
"office": "西域副校尉、谋主",
|
||||
"action": "推动并组织远征"
|
||||
},
|
||||
{
|
||||
"name": "城郭诸国兵与屯田吏士",
|
||||
"office": "汉胡联军",
|
||||
"action": "组成四万余人的六校远征军"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-six-columns-march-west.png",
|
||||
"delivery": "images/02-six-columns-march-west.webp",
|
||||
"alt": "中亚荒漠草原与绿洲交界处，甘延寿、陈汤率多种服饰但装备协调的六路队伍西进，汉军弩手、屯田兵和城郭诸国骑兵分层行军。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Western Han story frame. Vast Central Asian steppe and oasis frontier. Gan Yanshou and Chen Tang lead a multi-ethnic allied army west in six separated columns visible across the landscape: Han crossbow infantry and tuntian troops mixed with cavalry from Western Region city-states, varied faces and clothing but coordinated movement. Camels, horses and modest supply carts show distance and logistics. No modern ethnic stereotypes, no Silk Road caravan fantasy, no readable flags. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "六校在同一远景中的位置、兵种与绿洲地貌为视觉推演；汉胡兵合四万余、分六校进军有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《汉书·傅常郑甘陈段传》卷七十"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "四面薄城",
|
||||
"timePlace": "都赖水畔郅支城",
|
||||
"purpose": "呈现土城外重木城、壕沟堵门与盾戟弩协同攻坚。",
|
||||
"narration": "联军闻鼓四面薄城，挖壕堵门。盾牌在前、戟弩在后，压住城楼射手。",
|
||||
"overlay": {
|
||||
"heading": "四面薄城",
|
||||
"line": "远征的最后三里，变成一层木城和一层土城。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "甘延寿",
|
||||
"office": "联军主帅",
|
||||
"action": "部勒行阵并令各军闻鼓薄城"
|
||||
},
|
||||
{
|
||||
"name": "陈汤",
|
||||
"office": "副校尉",
|
||||
"action": "参与四面围城与攻坚指挥"
|
||||
},
|
||||
{
|
||||
"name": "郅支单于",
|
||||
"office": "匈奴单于",
|
||||
"action": "披甲登楼督战"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-surround-zhizhi-city.png",
|
||||
"delivery": "images/03-surround-zhizhi-city.webp",
|
||||
"alt": "都赖水旁，联军四面包围外木栅内土城，前排持大盾、后排戟弩仰射，士卒开挖壕沟封堵城门，郅支只在楼上远景督战。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Western Han story frame. Zhizhi’s fortified city beside the Talas-like Dulai River: an outer heavy timber palisade surrounds an inner rammed-earth fortress. Allied troops close from multiple sides, large shields forward and crossbows with long weapons behind, while work parties dig trenches and block gates. Gan Yanshou and Chen Tang coordinate from a protected middle position. Zhizhi Chanyu appears only as a distant armored figure on the tower. Clear defensive layers, no medieval stone castle, no siege cannon or fantasy machinery. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "城防外观、四面军队同框、盾戟弩队形与壕沟位置为视觉重构；木城土城、穿堑塞门、卤楯戟弩有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《汉书·傅常郑甘陈段传》卷七十"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "火穿木城",
|
||||
"timePlace": "郅支城，夜至平明",
|
||||
"purpose": "表现火攻外层木城与进入土城，不渲染后宫参战和斩首。",
|
||||
"narration": "联军发薪烧穿木城。平明四面火起，鼓声动地，攻军乘火进入土城。",
|
||||
"overlay": {
|
||||
"heading": "火穿木城",
|
||||
"line": "外层木栅先失守，孤城的纵深只剩最后一层。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "陈汤、甘延寿",
|
||||
"office": "联军统帅",
|
||||
"action": "指挥火攻木城并推进土城"
|
||||
},
|
||||
{
|
||||
"name": "郅支单于",
|
||||
"office": "守城主帅",
|
||||
"action": "负伤后退入内室，最终死于城破"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-fire-breaches-wooden-wall.png",
|
||||
"delivery": "images/04-fire-breaches-wooden-wall.webp",
|
||||
"alt": "黎明前木城多点燃烧但无爆炸，联军盾阵从破口推进，内侧土城仍在抵抗；郅支受伤撤离只以远处被搀扶身影表现。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Western Han story frame. Before dawn, controlled fires burn through several sections of the outer timber wall without explosions. Western Han and allied shield teams advance through smoking breaches while crossbowmen cover them; the inner rammed-earth fortress still resists. A distant armored Zhizhi Chanyu is helped down from the tower after being wounded, never shown in close-up and no death or severed head. Firelight, smoke and drum-driven pressure, not a fantasy inferno. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "火点、破口、盾阵和郅支远景撤下为视觉重构；发薪烧木城、平明四面火起与郅支负创有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《汉书·傅常郑甘陈段传》卷七十"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "功成自劾",
|
||||
"timePlace": "战后郅支城与上疏回长安",
|
||||
"purpose": "以战后清点、封缄首级和自劾奏疏收束功劳与擅权并存。",
|
||||
"narration": "郅支被杀，杜勋取得其首。甘延寿、陈汤封缄战果，上疏自劾，也写下“虽远必诛”。",
|
||||
"overlay": {
|
||||
"heading": "功成自劾",
|
||||
"line": "同一封奏疏里，一边是万里奇功，一边是矫诏之罪。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "甘延寿",
|
||||
"office": "西域都护",
|
||||
"action": "与陈汤共同上疏自劾并报告战果"
|
||||
},
|
||||
{
|
||||
"name": "陈汤",
|
||||
"office": "西域副校尉",
|
||||
"action": "提出远征并写下“明犯强汉者，虽远必诛”"
|
||||
},
|
||||
{
|
||||
"name": "杜勋",
|
||||
"office": "军候假丞",
|
||||
"action": "斩郅支首；本幕只呈封闭木匣，不展示首级"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-victory-and-self-accusation.png",
|
||||
"delivery": "images/05-victory-and-self-accusation.webp",
|
||||
"alt": "战后营帐内，甘延寿与陈汤面对封缄木匣和无字奏牍，杜勋站在一旁，城郭诸国将领在远处清点俘虏，画面不展示头颅或可读名句。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Western Han story frame. Restrained aftermath inside the allied camp. Gan Yanshou and Chen Tang sit across a low table holding sealed blank memorial slips and a closed wooden evidence box; their faces show relief mixed with awareness of unauthorized command. Du Xun stands nearby after reporting the result. Outside, officers from the Western Region city-states calmly register prisoners and distribute supplies, no humiliation. The famous sentence is represented only in metadata, never visible as calligraphy. No severed head. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "奏牍内容、木匣封缄、人物神态与清点场景为视觉重构；杜勋斩首、两将上疏自劾及名句有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《汉书·傅常郑甘陈段传》卷七十"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:chentangmiezhizhi#0",
|
||||
"title": "陈汤灭郅支",
|
||||
"version": "电影级配乐·建议使用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "第一幕以按住不发的低弦起，第二幕拓宽空间，第三幕建立攻坚节拍，第四幕为唯一高潮，第五幕撤鼓转为克制政治余韵；删除歌词与品牌尾签。",
|
||||
"reason": "项目内郅支之战专属自生成音乐，适配矫制—远征—攻城—自劾结构；仓库暂无音频。",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:18",
|
||||
"scene": "01",
|
||||
"direction": "窄声场和低弦。"
|
||||
},
|
||||
{
|
||||
"from": "00:18",
|
||||
"to": "00:36",
|
||||
"scene": "02",
|
||||
"direction": "增加长线行军空间。"
|
||||
},
|
||||
{
|
||||
"from": "00:36",
|
||||
"to": "00:54",
|
||||
"scene": "03",
|
||||
"direction": "盾弩推进对应稳重节拍。"
|
||||
},
|
||||
{
|
||||
"from": "00:54",
|
||||
"to": "01:12",
|
||||
"scene": "04",
|
||||
"direction": "木城破口形成唯一高潮。"
|
||||
},
|
||||
{
|
||||
"from": "01:12",
|
||||
"to": "01:30",
|
||||
"scene": "05",
|
||||
"direction": "撤去鼓点，以一声低音收束功罪。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "矫制发兵、六校远征、四万余联军、围城攻坚、斩郅支与上疏封赏",
|
||||
"citation": "《汉书·傅常郑甘陈段传》卷七十",
|
||||
"url": "https://zh.wikisource.org/zh-hans/汉书/卷070"
|
||||
},
|
||||
{
|
||||
"claim": "郅支单于身份、入康居与呼韩邪后续",
|
||||
"citation": "《汉书·匈奴传》卷九十四",
|
||||
"url": "https://zh.wikisource.org/zh-hans/汉书/卷094"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把陈汤矫制写成得到汉元帝预先批准；它正是战后争议核心",
|
||||
"把甘延寿抹去；他是法定主帅且参与实际攻城指挥",
|
||||
"把郅支城画成欧洲中世纪石堡，或断言城址就是现代塔拉兹唯一确定地点",
|
||||
"展示郅支首级、斩首、火烧人群和后宫死亡近景",
|
||||
"把“虽远必诛”生成在画面旗帜、城墙或奏牍上",
|
||||
"现代文字地图、水印、后世服饰、火器爆炸、奇幻或动漫画风"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,154 @@
|
||||
# 陈汤灭郅支（虽远必诛）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：陈汤灭郅支（虽远必诛）
|
||||
- 常用称呼：陈汤灭郅支、郅支城之战、郅支单于之战
|
||||
- 时代：汉元帝建昭三年
|
||||
- 日期：公元前36年
|
||||
- 地点：康居东界都赖水畔郅支城（约今哈萨克斯坦塔拉斯河流域，城址为后世推定）
|
||||
- 一句话结论：西域副校尉陈汤矫制发兵，迫使都护甘延寿共同率汉胡联军四万余远征郅支城；联军破木城、围土城，杀郅支单于。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
公元前三十六年，郅支单于远据康居东部，曾杀汉使谷吉，又多次困辱汉使。西域副校尉陈汤判断，郅支虽远，却没有汉地坚城强弩，若各国兵同时出发，一朝可以攻取。西域都护甘延寿主张先上奏朝廷，陈汤担心不会获准，趁甘延寿久病，矫造诏令，调发西域城郭诸国兵与屯田吏士。甘延寿惊起阻止，陈汤按剑斥责，最终迫使他共同出兵。汉兵与诸国兵合计四万余，分六校穿越西域，抵达都赖水畔的郅支城。联军四面围城，挖壕堵门，以盾牌在前、戟弩在后压制城楼。外层木城被薪火烧穿，郅支退入土城。天明，四面火起，联军乘势入城。郅支负伤而死，军候假丞杜勋斩其首。甘延寿、陈汤上疏自劾，也写下“明犯强汉者，虽远必诛”。朝廷既嘉其功，又忌其擅权，最终封赏远低于这场万里远征的声势。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜矫制发兵
|
||||
|
||||
- 时间地点：西域都护府，甘延寿病中
|
||||
- 本幕作用：呈现陈汤擅发诸国兵的风险与甘延寿被迫同意。
|
||||
- 分幕旁白：甘延寿想先奏请，陈汤却趁其久病矫制发兵。甘延寿欲止，陈汤按剑迫其同行。
|
||||
- 页面标题：矫制发兵
|
||||
- 页面短句：远征从一道未经朝廷批准的命令开始。
|
||||
- PNG：`images/01-forged-order-at-protectorate.png`
|
||||
- WebP：`images/01-forged-order-at-protectorate.webp`
|
||||
- 替代文本：西域都护府内，病中的甘延寿从榻上惊起，陈汤按着入鞘佩剑站在封闭木牍旁，几名军吏等待命令，不出现可读诏书。
|
||||
- 视觉推演边界：病榻、木牍、军吏和按剑姿态为视觉重构；久病、矫制发兵、甘惊欲止与陈汤按剑叱有史载。
|
||||
- 人物：陈汤（西域副校尉；矫制调发诸国兵与屯田吏士）；甘延寿（西域都护、骑都尉；原欲奏请，最终在陈汤压力下共同出兵）
|
||||
- 史料：《汉书·傅常郑甘陈段传》卷七十
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Western Han story frame. Inside a modest Western Han Protectorate office in the Western Regions. Gan Yanshou, a seasoned East Asian commander weakened by illness, rises from a low couch in alarm. Chen Tang, a sharp-eyed East Asian officer in his thirties wearing travel-worn Han armor and robe, stands over sealed blank wooden-slip bundles with one hand resting on a sheathed sword, forcing the decision without drawing it. Several clerks and allied envoys wait tensely. Political coercion, no assault, no readable edict. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 02｜六校万里西征
|
||||
|
||||
- 时间地点：西域诸国至康居东界
|
||||
- 本幕作用：表现汉胡联军四万余的多国组成与远征尺度。
|
||||
- 分幕旁白：汉兵与西域诸国兵合四万余，编为六校，穿过城郭、荒漠与草原，直指康居东界。
|
||||
- 页面标题：六校西征
|
||||
- 页面短句：这不是长安大军出塞，而是西域兵力被临时汇成一路。
|
||||
- PNG：`images/02-six-columns-march-west.png`
|
||||
- WebP：`images/02-six-columns-march-west.webp`
|
||||
- 替代文本：中亚荒漠草原与绿洲交界处，甘延寿、陈汤率多种服饰但装备协调的六路队伍西进，汉军弩手、屯田兵和城郭诸国骑兵分层行军。
|
||||
- 视觉推演边界：六校在同一远景中的位置、兵种与绿洲地貌为视觉推演；汉胡兵合四万余、分六校进军有史载。
|
||||
- 人物：甘延寿（西域都护、法定主帅；部勒联军行阵）；陈汤（西域副校尉、谋主；推动并组织远征）；城郭诸国兵与屯田吏士（汉胡联军；组成四万余人的六校远征军）
|
||||
- 史料：《汉书·傅常郑甘陈段传》卷七十
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Western Han story frame. Vast Central Asian steppe and oasis frontier. Gan Yanshou and Chen Tang lead a multi-ethnic allied army west in six separated columns visible across the landscape: Han crossbow infantry and tuntian troops mixed with cavalry from Western Region city-states, varied faces and clothing but coordinated movement. Camels, horses and modest supply carts show distance and logistics. No modern ethnic stereotypes, no Silk Road caravan fantasy, no readable flags. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 03｜四面薄城
|
||||
|
||||
- 时间地点：都赖水畔郅支城
|
||||
- 本幕作用：呈现土城外重木城、壕沟堵门与盾戟弩协同攻坚。
|
||||
- 分幕旁白：联军闻鼓四面薄城，挖壕堵门。盾牌在前、戟弩在后，压住城楼射手。
|
||||
- 页面标题：四面薄城
|
||||
- 页面短句：远征的最后三里，变成一层木城和一层土城。
|
||||
- PNG：`images/03-surround-zhizhi-city.png`
|
||||
- WebP：`images/03-surround-zhizhi-city.webp`
|
||||
- 替代文本：都赖水旁，联军四面包围外木栅内土城，前排持大盾、后排戟弩仰射，士卒开挖壕沟封堵城门，郅支只在楼上远景督战。
|
||||
- 视觉推演边界：城防外观、四面军队同框、盾戟弩队形与壕沟位置为视觉重构；木城土城、穿堑塞门、卤楯戟弩有史载。
|
||||
- 人物：甘延寿（联军主帅；部勒行阵并令各军闻鼓薄城）；陈汤（副校尉；参与四面围城与攻坚指挥）；郅支单于（匈奴单于；披甲登楼督战）
|
||||
- 史料：《汉书·傅常郑甘陈段传》卷七十
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Western Han story frame. Zhizhi’s fortified city beside the Talas-like Dulai River: an outer heavy timber palisade surrounds an inner rammed-earth fortress. Allied troops close from multiple sides, large shields forward and crossbows with long weapons behind, while work parties dig trenches and block gates. Gan Yanshou and Chen Tang coordinate from a protected middle position. Zhizhi Chanyu appears only as a distant armored figure on the tower. Clear defensive layers, no medieval stone castle, no siege cannon or fantasy machinery. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 04｜火穿木城
|
||||
|
||||
- 时间地点：郅支城，夜至平明
|
||||
- 本幕作用：表现火攻外层木城与进入土城，不渲染后宫参战和斩首。
|
||||
- 分幕旁白：联军发薪烧穿木城。平明四面火起，鼓声动地，攻军乘火进入土城。
|
||||
- 页面标题：火穿木城
|
||||
- 页面短句：外层木栅先失守，孤城的纵深只剩最后一层。
|
||||
- PNG：`images/04-fire-breaches-wooden-wall.png`
|
||||
- WebP：`images/04-fire-breaches-wooden-wall.webp`
|
||||
- 替代文本：黎明前木城多点燃烧但无爆炸，联军盾阵从破口推进，内侧土城仍在抵抗；郅支受伤撤离只以远处被搀扶身影表现。
|
||||
- 视觉推演边界：火点、破口、盾阵和郅支远景撤下为视觉重构；发薪烧木城、平明四面火起与郅支负创有史载。
|
||||
- 人物：陈汤、甘延寿（联军统帅；指挥火攻木城并推进土城）；郅支单于（守城主帅；负伤后退入内室，最终死于城破）
|
||||
- 史料：《汉书·傅常郑甘陈段传》卷七十
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Western Han story frame. Before dawn, controlled fires burn through several sections of the outer timber wall without explosions. Western Han and allied shield teams advance through smoking breaches while crossbowmen cover them; the inner rammed-earth fortress still resists. A distant armored Zhizhi Chanyu is helped down from the tower after being wounded, never shown in close-up and no death or severed head. Firelight, smoke and drum-driven pressure, not a fantasy inferno. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 05｜功成自劾
|
||||
|
||||
- 时间地点：战后郅支城与上疏回长安
|
||||
- 本幕作用：以战后清点、封缄首级和自劾奏疏收束功劳与擅权并存。
|
||||
- 分幕旁白：郅支被杀，杜勋取得其首。甘延寿、陈汤封缄战果，上疏自劾，也写下“虽远必诛”。
|
||||
- 页面标题：功成自劾
|
||||
- 页面短句：同一封奏疏里，一边是万里奇功，一边是矫诏之罪。
|
||||
- PNG：`images/05-victory-and-self-accusation.png`
|
||||
- WebP：`images/05-victory-and-self-accusation.webp`
|
||||
- 替代文本：战后营帐内，甘延寿与陈汤面对封缄木匣和无字奏牍，杜勋站在一旁，城郭诸国将领在远处清点俘虏，画面不展示头颅或可读名句。
|
||||
- 视觉推演边界：奏牍内容、木匣封缄、人物神态与清点场景为视觉重构；杜勋斩首、两将上疏自劾及名句有史载。
|
||||
- 人物：甘延寿（西域都护；与陈汤共同上疏自劾并报告战果）；陈汤（西域副校尉；提出远征并写下“明犯强汉者，虽远必诛”）；杜勋（军候假丞；斩郅支首；本幕只呈封闭木匣，不展示首级）
|
||||
- 史料：《汉书·傅常郑甘陈段传》卷七十
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Western Han story frame. Restrained aftermath inside the allied camp. Gan Yanshou and Chen Tang sit across a low table holding sealed blank memorial slips and a closed wooden evidence box; their faces show relief mixed with awareness of unauthorized command. Du Xun stands nearby after reporting the result. Outside, officers from the Western Region city-states calmly register prisoners and distribute supplies, no humiliation. The famous sentence is represented only in metadata, never visible as calligraphy. No severed head. Premium live-action Chinese historical film still, archaeology-inspired Western Han realism, cinematic 16:9 landscape, subtle film grain, physically plausible human and terrain scale, tactile rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wood carts, bronze and iron tools. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
## BGM 选曲
|
||||
|
||||
- 项目曲目：`zhanzhen:chentangmiezhizhi#0`｜陈汤灭郅支｜电影级配乐·建议使用无主唱器乐 stem
|
||||
- 状态：pending-export
|
||||
- 用法：第一幕以按住不发的低弦起，第二幕拓宽空间，第三幕建立攻坚节拍，第四幕为唯一高潮，第五幕撤鼓转为克制政治余韵；删除歌词与品牌尾签。
|
||||
- 选择理由：项目内郅支之战专属自生成音乐，适配矫制—远征—攻城—自劾结构；仓库暂无音频。
|
||||
- 音频路径或 URL：仓库暂缺，待导出
|
||||
|
||||
| 时间 | 分幕 | 编排 |
|
||||
|---|---|---|
|
||||
| 00:00–00:18 | 01 | 窄声场和低弦。 |
|
||||
| 00:18–00:36 | 02 | 增加长线行军空间。 |
|
||||
| 00:36–00:54 | 03 | 盾弩推进对应稳重节拍。 |
|
||||
| 00:54–01:12 | 04 | 木城破口形成唯一高潮。 |
|
||||
| 01:12–01:30 | 05 | 撤去鼓点，以一声低音收束功罪。 |
|
||||
|
||||
## 史料来源
|
||||
|
||||
- 矫制发兵、六校远征、四万余联军、围城攻坚、斩郅支与上疏封赏：[《汉书·傅常郑甘陈段传》卷七十](https://zh.wikisource.org/zh-hans/汉书/卷070)
|
||||
- 郅支单于身份、入康居与呼韩邪后续：[《汉书·匈奴传》卷九十四](https://zh.wikisource.org/zh-hans/汉书/卷094)
|
||||
|
||||
## 禁区与误读防护
|
||||
|
||||
- 把陈汤矫制写成得到汉元帝预先批准；它正是战后争议核心
|
||||
- 把甘延寿抹去；他是法定主帅且参与实际攻城指挥
|
||||
- 把郅支城画成欧洲中世纪石堡，或断言城址就是现代塔拉兹唯一确定地点
|
||||
- 展示郅支首级、斩首、火烧人群和后宫死亡近景
|
||||
- 把“虽远必诛”生成在画面旗帜、城墙或奏牍上
|
||||
- 现代文字地图、水印、后世服饰、火器爆炸、奇幻或动漫画风
|
||||
|
||||
## 交付检查
|
||||
|
||||
- [x] 每幕 PNG 原图存在且为 16:9
|
||||
- [x] 每幕 WebP 交付图存在且为 16:9
|
||||
- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
|
||||
- [ ] BGM 已导出并填写可用路径
|
||||
- [x] `manifest.json` 与本说明中的文件名全部校验通过
|
||||
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Some files were not shown because too many files have changed in this diff Show More
Reference in New Issue
Block a user