数字我 Digital Me：全量入库（大文件走 Git LFS）
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{
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"event": {
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"canonicalName": "五丈原之战（诸葛亮卒于军）",
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"aliases": ["诸葛亮卒于军·司马懿坚壁", "五丈原之战", "诸葛亮最后一次北伐"],
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"era": "三国·蜀汉建兴十二年／曹魏青龙二年",
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"date": "234年春至八月",
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"place": "武功五丈原、渭水南岸（今陕西省宝鸡市岐山县五丈原一带）",
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"summary": "诸葛亮据五丈原屯田久驻，司马懿奉诏坚壁拒守；两军相持百余日后诸葛亮病卒军中，蜀军整阵退还。"
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},
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"narration": {
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"language": "zh-CN",
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"estimatedSeconds": 86,
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"fullText": "建兴十二年春，诸葛亮率军从斜谷出，以流马运粮，进驻武功五丈原。渭水对面，司马懿渡河背水筑垒，两军隔着关中平野相持。诸葛亮深知，往日北伐常被粮运拖住，于是分兵屯田，让军士与渭滨百姓杂处耕作，军纪严整，不扰民居。他想把这次远征，变成一场耐力战。曹魏的选择却更耐心：魏明帝命司马懿坚壁拒守，等蜀军锐气消磨、粮道吃紧。百余日间，诸葛亮屡次挑战，司马懿始终不出。使者往来时，司马懿只问诸葛亮吃了多少、每天处理多少事务。听说他食少事烦，便判断他难以持久。八月，诸葛亮病势转重，卒于军中，年五十四。杨仪整军撤退，姜维令军中反旗鸣鼓，做出回身迎战之势，司马懿收兵不逼。待蜀军入谷，死讯才公布。司马懿察看留下的营垒，叹他是天下奇才。五丈原没有决战，胜负却在百日相持与一人生命的尽头落定。"
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},
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"scenes": [
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{
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"id": "01",
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"title": "出斜谷",
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"timePlace": "234年春，斜谷至武功五丈原",
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"purpose": "交代诸葛亮最后一次北伐的行军、运输与两军隔渭对峙格局。",
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"narration": "建兴十二年春，诸葛亮率军从斜谷出，以流马运粮，进驻武功五丈原。渭水对面，司马懿渡河背水筑垒，两军隔着关中平野相持。",
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"overlay": {"heading": "出斜谷", "line": "最后一次北伐，从秦岭谷口一直铺到渭水南岸。"},
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"people": [
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{"name": "诸葛亮", "office": "蜀汉丞相、武乡侯、北伐统帅", "action": "率军出斜谷，据武功五丈原"},
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{"name": "司马懿", "office": "曹魏大将军、关中诸军统帅", "action": "渡渭背水筑垒，拒蜀军于渭南"}
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],
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"image": {
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"original": "images/01-cross-xie-valley.png",
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"delivery": "images/01-cross-xie-valley.webp",
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"alt": "春日薄雾中，蜀军运输队从秦岭谷口进入五丈原营地，诸葛亮在高处察看，渭水远岸是司马懿的魏军营垒。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, 16:9 landscape. Scene 1 of a consistent five-image sequence, spring 234 CE, late Eastern Han / Three Kingdoms China. The Qinling Xie Valley opens onto the Wuzhang Plains south of the Wei River. Zhuge Liang, age 53, lean with a composed angular face, short moustache and sparse beard, wearing a dark layered hemp commander's robe with restrained lacquered lamellar shoulder protection and a plain black cloth headwrap, stands on a newly built Shu earthwork overlooking disciplined supply columns entering camp. Compact hand-pushed wooden supply carriers suggest the historically recorded flowing-horse logistics without literal animal shapes or fantasy machinery. Across the river, distant Wei troops build a back-to-water fortified camp. Cinematic historical realism, dusty ochre, desaturated teal and smoke blue, soft spring haze, wide strategic composition with negative space for overlay. Strict third-century materials and architecture. No feather fan, no readable banners, no text, calligraphy, logos, watermark, modern objects, firearms, Ming/Qing armor, fantasy or gore.",
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"visualInference": "营垒位置、运输器具外形、两军同框距离和春日薄雾属于视觉重构；流马的具体形制不作确定复原。",
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"referenceImages": [],
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"refinementPrompt": "只把初稿中的四轮箱车替换为简洁的两轮木制手推运输车与成捆粮袋；人物、地貌、河流、营垒、光线和构图保持不变。"
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},
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"sources": ["《三国志·蜀书·诸葛亮传》", "《资治通鉴》卷七十二"]
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},
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{
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"id": "02",
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"title": "渭滨屯田",
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"timePlace": "234年春夏，五丈原与渭水南岸",
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"purpose": "呈现诸葛亮针对粮运难题采取的久驻策略，以及蜀军不扰百姓的纪律。",
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"narration": "诸葛亮深知，往日北伐常被粮运拖住，于是分兵屯田，让军士与渭滨百姓杂处耕作，军纪严整，不扰民居。他想把这次远征，变成一场耐力战。",
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"overlay": {"heading": "渭滨屯田", "line": "军队开始耕地，远征便不再只靠身后的栈道。"},
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"people": [
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{"name": "诸葛亮", "office": "蜀汉丞相、北伐统帅", "action": "分兵屯田，为久驻之基"},
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{"name": "蜀汉军士", "office": "屯田士卒", "action": "与渭滨居民杂处耕作，不侵扰百姓"},
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{"name": "渭滨居民", "office": "当地百姓", "action": "在两军对峙期间仍安居耕作"}
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],
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"image": {
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"original": "images/02-farming-wei-bank.png",
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"delivery": "images/02-farming-wei-bank.webp",
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"alt": "渭水南岸的田地中，蜀军士卒与当地农人分畦耕作，远处五丈原军营秩序井然。",
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"prompt": "Use case: historical-scene. Same visual world, palette, historical realism and character continuity as Scene 1. Scene 2, spring to early summer 234 CE on fields beside the Wei River below Wuzhang Plains. Shu soldiers have set aside helmets and some armor to work separate field rows beside local farming families, using plausible late-Han wooden ploughs, hoes and baskets; interactions are calm and respectful, with no seizure of food or property. A disciplined Shu camp and watch posts remain on the plateau in the distance. Zhuge Liang's small recognizable silhouette observes from a raised field path, not posed heroically. Wide lateral composition connecting farmland, river and camp; warm morning light, muted ochre and desaturated green, negative space for overlay. No modern crops or tools, no idyllic fantasy abundance, no feather fan, readable writing, text, logos, watermark, firearms, Ming/Qing armor or gore.",
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"visualInference": "具体农具、田畦布局、人物距离与光线为视觉补全；史料只明确屯田、军民杂处、百姓安堵与军无私焉。",
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"referenceImages": ["images/01-cross-xie-valley.png（风格、地貌与诸葛亮身份参照）"],
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"refinementPrompt": ""
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},
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"sources": ["《三国志·蜀书·诸葛亮传》", "《资治通鉴》卷七十二"]
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},
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{
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"id": "03",
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"title": "坚壁百日",
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"timePlace": "234年夏至八月，渭南两军营垒",
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"purpose": "突出司马懿的核心策略不是出战取胜，而是以坚垒和时间消磨蜀军。",
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"narration": "曹魏的选择却更耐心：魏明帝命司马懿坚壁拒守，等蜀军锐气消磨、粮道吃紧。百余日间，诸葛亮屡次挑战，司马懿始终不出。",
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"overlay": {"heading": "坚壁不战", "line": "诸葛亮要一场决战，司马懿只把时间留在壁垒之外。"},
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"people": [
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{"name": "司马懿", "office": "曹魏大将军、关中诸军统帅", "action": "奉诏坚壁拒守，屡不应战"},
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{"name": "诸葛亮", "office": "蜀汉丞相、北伐统帅", "action": "数次挑战，试图迫使魏军出垒"},
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{"name": "辛毗", "office": "曹魏卫尉、持节军师", "action": "持节到军中，约束魏军不得擅战"}
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],
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"image": {
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"original": "images/03-fortified-stalemate.png",
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"delivery": "images/03-fortified-stalemate.webp",
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"alt": "夏日尘风中，司马懿与持节的辛毗站在紧闭的魏军壁垒内，远处蜀军使者和战阵等待却无人出战。",
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"prompt": "Use case: historical-scene. Same late-Han world and restrained cinematic realism. Scene 3, high summer 234 CE: inside a closed Wei rammed-earth fortification south of the Wei River, Sima Yi, age about 55, sturdy with a controlled severe expression, greying moustache and beard, wearing a dark brown command robe over restrained lacquered lamellar armor, stands calmly above a shut timber gate. Beside him Xin Pi holds a plain imperial tally staff, preventing an unauthorized sortie. Outside across a broad dusty no-man's-land, a small Shu envoy and distant disciplined battle line wait in vain; the armies do not clash. Emphasize wall, distance and patience rather than combat. Harsh late-afternoon dust, dusty ochre, charcoal and smoke blue, 16:9 wide composition with negative space. No women's clothing gag, duel, feather fan, readable banners, text, logos, watermark, modern objects, firearms, Ming/Qing armor, fantasy or gore.",
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"visualInference": "壁垒门楼、使者站位、军阵距离与沙尘天气为镜头化处理；画面不采用送巾帼服饰的戏剧化桥段。",
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"referenceImages": ["images/01-cross-xie-valley.png（风格与关中地貌参照）"],
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"refinementPrompt": "只修正司马懿的身份特征：宽方脸、高额、浓眉、灰鬓、较丰的灰黑短须与低平深褐军巾，使其明确区别于诸葛亮；姿势、衣甲、辛毗、壁垒、军阵、光线和构图保持不变。"
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},
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"sources": ["《三国志·魏书·明帝纪》及裴松之注引《魏氏春秋》", "《资治通鉴》卷七十二"]
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},
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{
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"id": "04",
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"title": "食少事烦",
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"timePlace": "234年八月，五丈原蜀军中军帐",
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"purpose": "从使者带回的生活细节过渡到诸葛亮病笃卒军，避免神异化死亡叙事。",
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"narration": "使者往来时，司马懿只问诸葛亮吃了多少、每天处理多少事务。听说他食少事烦，便判断他难以持久。八月，诸葛亮病势转重，卒于军中，年五十四。",
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"overlay": {"heading": "卒于军中", "line": "没有决战的百余日，先耗尽了主帅的生命。"},
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"people": [
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{"name": "诸葛亮", "office": "蜀汉丞相、北伐统帅", "action": "夙兴夜寐、食少事烦；八月病卒军中，时年五十四"},
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{"name": "蜀汉使者", "office": "往来魏营的军使", "action": "向司马懿回答诸葛亮寝食与政务状况"},
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{"name": "司马懿", "office": "曹魏大将军", "action": "由使者回答判断诸葛亮难以持久；不在本幕画面"}
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],
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"image": {
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"original": "images/04-lamp-fades-in-camp.png",
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"delivery": "images/04-lamp-fades-in-camp.webp",
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"alt": "五丈原夜帐中，病中的诸葛亮在油灯下审阅竹简，旁边饭食未动，医者与属官沉默守候。",
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"prompt": "Use case: historical-scene. Preserve Zhuge Liang's exact established appearance and clothing from Scene 1, now visibly pale and physically weakened but dignified. Scene 4, a deep night in August 234 CE inside the sparse Shu command tent at Wuzhang Plains. Zhuge Liang remains seated at a low map desk reviewing bamboo slips under one small oil lamp; a plain bowl of food is almost untouched. A physician and two senior attendants wait quietly in shadow, aware of his worsening illness. The lamp flame is low, but do not depict a corpse, collapse or melodramatic death. Intimate medium-wide composition, dark indigo, muted amber and worn hemp textures, room for overlay, cinematic historical realism. No stars entering the tent, ritual lamps, magic, feather fan, visible written characters, text, logos, watermark, modern medical objects, Ming/Qing costume, fantasy or gore.",
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"visualInference": "诸葛亮面貌、竹简数量、饭食器皿、医者站位和油灯将尽是象征性视觉补全；不把落星入营等注家异闻画成事实。",
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"referenceImages": ["images/01-cross-xie-valley.png（诸葛亮身份、衣着与色调参照）"],
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"refinementPrompt": ""
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},
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"sources": ["《三国志·蜀书·诸葛亮传》及裴松之注引《魏氏春秋》", "《资治通鉴》卷七十二"]
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},
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{
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"id": "05",
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"title": "整阵归谷",
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"timePlace": "234年八月，五丈原至斜谷撤军方向",
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"purpose": "收束诸葛亮死后蜀军的有序撤离，以及司马懿对其营垒的评价。",
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"narration": "杨仪整军撤退，姜维令军中反旗鸣鼓，做出回身迎战之势，司马懿收兵不逼。待蜀军入谷，死讯才公布。司马懿察看留下的营垒，叹他是天下奇才。五丈原没有决战，胜负却在百日相持与一人生命的尽头落定。",
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"overlay": {"heading": "整阵归谷", "line": "主帅已逝，留下的军阵仍让追兵止步。"},
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"people": [
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{"name": "杨仪", "office": "蜀汉丞相长史", "action": "整顿诸军，组织撤离"},
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{"name": "姜维", "office": "蜀汉护军", "action": "令军队反旗鸣鼓，作势回击"},
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{"name": "司马懿", "office": "曹魏大将军", "action": "追击时收军不逼，后察看诸葛亮营垒并称天下奇才"},
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{"name": "诸葛亮", "office": "蜀汉丞相", "action": "死讯在军队入谷后才公布；不在本幕画面"}
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],
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"image": {
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"original": "images/05-ordered-retreat.png",
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"delivery": "images/05-ordered-retreat.webp",
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"alt": "清晨的空营中，司马懿下马察看蜀军留下的整齐壁垒，远处蜀军队列正有序退入秦岭谷道。",
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"prompt": "Use case: historical-scene. Same palette, terrain and Sima Yi appearance as Scene 3. Scene 5, cold dawn after the Shu withdrawal in August 234 CE. In the foreground, the abandoned Wuzhang Plains camp remains remarkably ordered: clean rammed-earth lines, mapped lanes, stacked but empty supply spaces, no bodies. Sima Yi has dismounted and studies the fortifications with restrained respect. Far beyond him, disciplined Shu columns with reversed standards and drums withdraw in formation toward the Qinling valley while Wei cavalry has halted on the open plain instead of pressing close. Layered wide 16:9 composition connecting empty camp, halted pursuit and distant retreat; blue-grey dawn with a thin amber horizon, somber historical realism and negative space. No wooden statue of Zhuge Liang, no coffin, no supernatural signs, duel, triumphal pose, readable banners, text, logos, watermark, modern objects, firearms, Ming/Qing armor, fantasy or gore.",
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"visualInference": "把魏军收兵、蜀军入谷和司马懿案行营垒压缩为同一幅层次化构图；具体晨光、距离与队形均属视觉补全。",
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"referenceImages": ["images/01-cross-xie-valley.png（地貌、色调与视觉世界参照）", "images/03-fortified-stalemate.png（司马懿身份与衣甲参照）"],
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"refinementPrompt": ""
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},
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"sources": ["《三国志·蜀书·诸葛亮传》及裴松之注引《汉晋春秋》", "《资治通鉴》卷七十二"]
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}
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],
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"bgm": {
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"catalogId": "seed-music-v1:linjiu:青崖引",
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"title": "青崖引",
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"version": "建议制作 72 BPM、无主唱纯伴奏的五丈原剪辑版",
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"status": "pending-export",
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"pathOrUrl": "",
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"usage": "以古琴短动机为骨，配低音弦乐、埙或低箫气声与极轻战鼓；若只得到人声版本，使用伴奏或去人声 stem，并在旁白下压低。",
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"reason": "项目说明以山间起雾的四音古琴动机为核心，适合从春雾、百日坚壁到灯尽撤军的克制叙事，不靠英雄式高潮，更能衬出时间取胜的主题。",
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"cues": [
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{"from": "00:00", "to": "00:16", "scene": "01", "direction": "单个古琴动机与低风声起，运输队出谷时加入极轻低弦，不给战鼓高潮。"},
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{"from": "00:16", "to": "00:32", "scene": "02", "direction": "加入木质轻击与疏缓拨弦，保持田地劳动的规律感，整体音量让位旁白。"},
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{"from": "00:32", "to": "00:49", "scene": "03", "direction": "低弦持续音收紧，极轻鼓点像时间推进；始终不出后短暂停顿。"},
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{"from": "00:49", "to": "01:06", "scene": "04", "direction": "抽掉节拍，只留古琴泛音、低箫气声与灯芯般的细噪；卒于军中后留半秒静默。"},
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{"from": "01:06", "to": "01:26", "scene": "05", "direction": "低弦短暂回归支撑整阵撤退，最后回到最初四音动机，尾音自然消失。"}
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]
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},
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"sources": [
|
||||
{"claim": "由斜谷出、流马运粮、据五丈原、屯田、相持、病卒与营垒评价", "citation": "《三国志·蜀书·诸葛亮传》", "url": "https://zh.wikisource.org/zh/三國志/卷35"},
|
||||
{"claim": "魏明帝命司马懿坚壁拒守，诸葛亮数次挑战而坚垒不应", "citation": "《三国志·魏书·明帝纪》", "url": "https://zh.wikisource.org/zh-hans/三國志/卷03"},
|
||||
{"claim": "司马懿渡渭背水筑垒、使者问答、诸葛亮卒军与蜀军整阵入谷", "citation": "《资治通鉴》卷七十二", "url": "https://zh.wikisource.org/zh-hans/資治通鑑/卷072"},
|
||||
{"claim": "晋方关于持重拒战、追击与案行蜀营的叙事", "citation": "《晋书·宣帝纪》", "url": "https://zh.wikisource.org/wiki/晉書_(四庫全書本)"},
|
||||
{"claim": "项目内《青崖引》曲目与创作说明；无实际音频", "citation": "digital-me-backend/scripts/seed-music.js"}
|
||||
],
|
||||
"blacklist": [
|
||||
"七星灯续命、禳星法事、落星三投或神魂升天",
|
||||
"木雕诸葛亮吓退司马懿",
|
||||
"诸葛亮与司马懿单挑、阵前会面或五丈原大决战",
|
||||
"把送巾帼妇人之服做成主视觉",
|
||||
"诸葛亮吐血败逃",
|
||||
"给双方写确定兵力数字",
|
||||
"把流马画成确定复原或幻想机械兽",
|
||||
"明清盔甲城楼、羽扇纶巾定型造型、京剧脸谱、火药爆炸或现代马鞍"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,162 @@
|
||||
# 五丈原之战（诸葛亮卒于军）｜素材说明
|
||||
|
||||
- 用户原称：诸葛亮卒于军·司马懿坚壁
|
||||
- 规范事件名：五丈原之战（诸葛亮卒于军）
|
||||
- 时代：三国·蜀汉建兴十二年／曹魏青龙二年（234年）
|
||||
- 时间：234年春至八月
|
||||
- 地点：武功五丈原、渭水南岸；今陕西省宝鸡市岐山县五丈原一带
|
||||
- 一句话结论：诸葛亮据五丈原屯田久驻，司马懿奉诏坚壁拒守；两军相持百余日后诸葛亮病卒军中，蜀军整阵退还。
|
||||
|
||||
## 约 86 秒主旁白
|
||||
|
||||
建兴十二年春，诸葛亮率军从斜谷出，以流马运粮，进驻武功五丈原。渭水对面，司马懿渡河背水筑垒，两军隔着关中平野相持。诸葛亮深知，往日北伐常被粮运拖住，于是分兵屯田，让军士与渭滨百姓杂处耕作，军纪严整，不扰民居。他想把这次远征，变成一场耐力战。曹魏的选择却更耐心：魏明帝命司马懿坚壁拒守，等蜀军锐气消磨、粮道吃紧。百余日间，诸葛亮屡次挑战，司马懿始终不出。使者往来时，司马懿只问诸葛亮吃了多少、每天处理多少事务。听说他食少事烦，便判断他难以持久。八月，诸葛亮病势转重，卒于军中，年五十四。杨仪整军撤退，姜维令军中反旗鸣鼓，做出回身迎战之势，司马懿收兵不逼。待蜀军入谷，死讯才公布。司马懿察看留下的营垒，叹他是天下奇才。五丈原没有决战，胜负却在百日相持与一人生命的尽头落定。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 第一幕｜出斜谷
|
||||
|
||||
- 时间地点：234年春，斜谷至武功五丈原
|
||||
- 叙事作用：交代诸葛亮最后一次北伐的行军、运输与两军隔渭对峙格局。
|
||||
- 旁白：建兴十二年春，诸葛亮率军从斜谷出，以流马运粮，进驻武功五丈原。渭水对面，司马懿渡河背水筑垒，两军隔着关中平野相持。
|
||||
- 叠字标题：出斜谷
|
||||
- 一句短文案：最后一次北伐，从秦岭谷口一直铺到渭水南岸。
|
||||
- 人物标签：
|
||||
- 诸葛亮／蜀汉丞相、武乡侯、北伐统帅／率军出斜谷，据武功五丈原
|
||||
- 司马懿／曹魏大将军、关中诸军统帅／渡渭背水筑垒，拒蜀军于渭南
|
||||
- 图片：`images/01-cross-xie-valley.png`、`images/01-cross-xie-valley.webp`
|
||||
- 画面说明：秦岭斜谷口展开为关中平原，诸葛亮立于五丈原新筑营垒高处，运输队正把粮秣送入营中；渭水远岸可见魏军背水营垒。
|
||||
- 替代文本：春日薄雾中，蜀军运输队从秦岭谷口进入五丈原营地，诸葛亮在高处察看，渭水远岸是司马懿的魏军营垒。
|
||||
- 最终提示词摘要：234年春斜谷与五丈原全景，诸葛亮据原建营，粮运队进入，渭水对岸魏军背水筑垒；三国写实、16:9、无文字。
|
||||
- 视觉补全：营垒位置、运输器具外形、两军同框距离和春日薄雾属于不改变战局的视觉重构；“流马”的具体形制不作确定复原。
|
||||
- 史实依据：《三国志·蜀书·诸葛亮传》；《资治通鉴》卷七十二。
|
||||
|
||||
### 第二幕｜渭滨屯田
|
||||
|
||||
- 时间地点：234年春夏，五丈原与渭水南岸
|
||||
- 叙事作用：呈现诸葛亮针对粮运难题采取的久驻策略，以及蜀军“不扰百姓”的纪律。
|
||||
- 旁白：诸葛亮深知，往日北伐常被粮运拖住，于是分兵屯田，让军士与渭滨百姓杂处耕作，军纪严整，不扰民居。他想把这次远征，变成一场耐力战。
|
||||
- 叠字标题：渭滨屯田
|
||||
- 一句短文案：军队开始耕地，远征便不再只靠身后的栈道。
|
||||
- 人物标签：
|
||||
- 诸葛亮／蜀汉丞相、北伐统帅／分兵屯田，为久驻之基
|
||||
- 蜀汉军士／屯田士卒／与渭滨居民杂处耕作，不侵扰百姓
|
||||
- 渭滨居民／当地百姓／在两军对峙期间仍安居耕作
|
||||
- 图片：`images/02-farming-wei-bank.png`、`images/02-farming-wei-bank.webp`
|
||||
- 画面说明：渭水南岸田地里，卸下部分甲具的蜀军士卒与当地农人分畦劳作，军营和警戒哨位保持在远处，表现“屯田而不扰民”。
|
||||
- 替代文本：渭水南岸的田地中，蜀军士卒与当地农人分畦耕作，远处五丈原军营秩序井然。
|
||||
- 最终提示词摘要：五丈原春夏屯田，蜀军与渭滨百姓共同耕作，远处军营有序警戒；克制写实、16:9、无文字。
|
||||
- 视觉补全：具体农具、田畦布局、人物距离与光线为视觉补全；史料只明确屯田、军民杂处、百姓安堵与军无私焉。
|
||||
- 史实依据：《三国志·蜀书·诸葛亮传》；《资治通鉴》卷七十二。
|
||||
|
||||
### 第三幕｜坚壁百日
|
||||
|
||||
- 时间地点：234年夏至八月，渭南两军营垒
|
||||
- 叙事作用：突出司马懿的核心策略不是出战取胜，而是以坚垒和时间消磨蜀军。
|
||||
- 旁白：曹魏的选择却更耐心：魏明帝命司马懿坚壁拒守，等蜀军锐气消磨、粮道吃紧。百余日间，诸葛亮屡次挑战，司马懿始终不出。
|
||||
- 叠字标题：坚壁不战
|
||||
- 一句短文案：诸葛亮要一场决战，司马懿只把时间留在壁垒之外。
|
||||
- 人物标签：
|
||||
- 司马懿／曹魏大将军、关中诸军统帅／奉诏坚壁拒守，屡不应战
|
||||
- 诸葛亮／蜀汉丞相、北伐统帅／数次挑战，试图迫使魏军出垒
|
||||
- 辛毗／曹魏卫尉、持节军师／持节到军中，约束魏军不得擅战
|
||||
- 图片：`images/03-fortified-stalemate.png`、`images/03-fortified-stalemate.webp`
|
||||
- 画面说明：魏军夯土壁垒紧闭，司马懿与持节的辛毗立在垒内；垒外远处蜀军使者与战阵停在旷野，双方没有交锋。
|
||||
- 替代文本：夏日尘风中，司马懿与持节的辛毗站在紧闭的魏军壁垒内，远处蜀军使者和战阵等待却无人出战。
|
||||
- 最终提示词摘要：渭南魏军夯土壁垒紧闭，司马懿持重，辛毗持节，蜀军挑战者停在垒外；用空间表现拒战，16:9、无文字。
|
||||
- 视觉补全：壁垒门楼、使者站位、军阵距离与沙尘天气为镜头化处理；画面不采用“送巾帼服饰”的戏剧化桥段。
|
||||
- 史实依据：《三国志·魏书·明帝纪》及裴松之注引《魏氏春秋》；《资治通鉴》卷七十二。
|
||||
|
||||
### 第四幕｜食少事烦
|
||||
|
||||
- 时间地点：234年八月，五丈原蜀军中军帐
|
||||
- 叙事作用：从使者带回的生活细节过渡到诸葛亮病笃卒军，避免神异化死亡叙事。
|
||||
- 旁白：使者往来时，司马懿只问诸葛亮吃了多少、每天处理多少事务。听说他食少事烦，便判断他难以持久。八月，诸葛亮病势转重，卒于军中，年五十四。
|
||||
- 叠字标题：卒于军中
|
||||
- 一句短文案：没有决战的百余日，先耗尽了主帅的生命。
|
||||
- 人物标签：
|
||||
- 诸葛亮／蜀汉丞相、北伐统帅／夙兴夜寐、食少事烦；八月病卒军中，时年五十四
|
||||
- 蜀汉使者／往来魏营的军使／向司马懿回答诸葛亮寝食与政务状况
|
||||
- 司马懿／曹魏大将军／由使者回答判断诸葛亮难以持久；不在本幕画面
|
||||
- 图片：`images/04-lamp-fades-in-camp.png`、`images/04-lamp-fades-in-camp.webp`
|
||||
- 画面说明：夜深的蜀军中军帐里，消瘦病中的诸葛亮仍伏案处理竹简，身旁饭食几乎未动，医者和属官在暗处静候；不直接表现遗体。
|
||||
- 替代文本：五丈原夜帐中，病中的诸葛亮在油灯下审阅竹简，旁边饭食未动，医者与属官沉默守候。
|
||||
- 最终提示词摘要：五丈原深夜军帐，病中诸葛亮伏案理事、食物未动、灯火将尽，属官静候；克制写实、16:9、无神异元素、无文字。
|
||||
- 视觉补全：诸葛亮面貌、竹简数量、饭食器皿、医者站位和油灯将尽是象征性视觉补全；不把“落星入营”等注家异闻画成事实。
|
||||
- 史实依据：《三国志·蜀书·诸葛亮传》及裴松之注引《魏氏春秋》；《资治通鉴》卷七十二。
|
||||
|
||||
### 第五幕｜整阵归谷
|
||||
|
||||
- 时间地点：234年八月，五丈原至斜谷撤军方向
|
||||
- 叙事作用：收束诸葛亮死后蜀军的有序撤离，以及司马懿对其营垒的评价。
|
||||
- 旁白：杨仪整军撤退，姜维令军中反旗鸣鼓，做出回身迎战之势，司马懿收兵不逼。待蜀军入谷，死讯才公布。司马懿察看留下的营垒，叹他是天下奇才。五丈原没有决战，胜负却在百日相持与一人生命的尽头落定。
|
||||
- 叠字标题：整阵归谷
|
||||
- 一句短文案：主帅已逝，留下的军阵仍让追兵止步。
|
||||
- 人物标签：
|
||||
- 杨仪／蜀汉丞相长史／整顿诸军，组织撤离
|
||||
- 姜维／蜀汉护军／令军队反旗鸣鼓，作势回击
|
||||
- 司马懿／曹魏大将军／追击时收军不逼，后察看诸葛亮营垒并称“天下奇才”
|
||||
- 诸葛亮／蜀汉丞相／死讯在军队入谷后才公布；不在本幕画面
|
||||
- 图片：`images/05-ordered-retreat.png`、`images/05-ordered-retreat.webp`
|
||||
- 画面说明：前景是撤空后仍井然有序的蜀军营垒，司马懿下马察看；远处蜀军旗鼓整齐地退入秦岭谷道，魏军骑兵停在平野上未再逼近。
|
||||
- 替代文本：清晨的空营中，司马懿下马察看蜀军留下的整齐壁垒，远处蜀军队列正有序退入秦岭谷道。
|
||||
- 最终提示词摘要：撤空的五丈原蜀营仍秩序严整，司马懿下马察看，远处蜀军整阵入谷、魏骑止步；苍凉克制、16:9、无文字。
|
||||
- 视觉补全：把“魏军收兵”“蜀军入谷”和“司马懿案行营垒”压缩为同一幅层次化构图；具体晨光、距离与队形均属视觉补全。
|
||||
- 史实依据：《三国志·蜀书·诸葛亮传》及裴松之注引《汉晋春秋》；《资治通鉴》卷七十二。
|
||||
|
||||
## BGM 选择
|
||||
|
||||
- 选中曲目：项目曲库种子键 `seed-music-v1:linjiu:青崖引`《青崖引》
|
||||
- 版本：建议制作 72 BPM、无主唱纯伴奏的“五丈原剪辑版”
|
||||
- 项目状态：待生成／待导出；仓库当前只有曲目与创作说明，没有 `audioUrl` 或本地音频，素材包不附 MP3。
|
||||
- 使用方式：以古琴短动机为骨，配低音弦乐、埙或低箫气声与极轻战鼓；若只得到人声版本，必须使用伴奏或去人声 stem，并在旁白下压低。
|
||||
- 选择理由：《青崖引》的项目说明本就以“山间起雾”的四音古琴动机为核心，适合五丈原从春雾、百日坚壁到灯尽撤军的克制叙事；它不靠英雄式高潮，更能衬出“时间取胜”的主题。
|
||||
|
||||
### Cue sheet
|
||||
|
||||
| 时间 | 幕次 | 剪辑方向 |
|
||||
| --- | --- | --- |
|
||||
| 00:00–00:16 | 01 | 单个古琴动机与低风声起，运输队出谷时加入极轻低弦，不给战鼓高潮。 |
|
||||
| 00:16–00:32 | 02 | 加入木质轻击与疏缓拨弦，保持田地劳动的规律感，整体音量让位旁白。 |
|
||||
| 00:32–00:49 | 03 | 低弦持续音收紧，极轻鼓点像时间推进；“始终不出”后短暂停顿。 |
|
||||
| 00:49–01:06 | 04 | 抽掉节拍，只留古琴泛音、低箫气声与灯芯般的细噪；“卒于军中”后留半秒静默。 |
|
||||
| 01:06–01:26 | 05 | 低弦短暂回归支撑整阵撤退，最后回到最初四音动机，尾音自然消失。 |
|
||||
|
||||
## 史实边界
|
||||
|
||||
### 史实依据
|
||||
|
||||
- 《三国志·蜀书·诸葛亮传》：由斜谷出、流马运粮、据武功五丈原、分兵屯田、相持百余日、八月病卒军中，以及司马懿察看营垒后称“天下奇才”。
|
||||
- 《三国志·魏书·明帝纪》：魏明帝命司马懿“坚壁拒守以挫其锋”，诸葛亮数次挑战而魏军坚垒不应。
|
||||
- 《资治通鉴》卷七十二：司马懿渡渭背水筑垒、两军相持、使者问答、诸葛亮病卒、杨仪整军、姜维反旗鸣鼓与蜀军入谷后发丧。
|
||||
- 《晋书·宣帝纪》：五丈原对垒、持重拒战、追至赤岸及察看蜀营等晋方叙事；其中带有明显晋室立场的夸胜细节不写入确定旁白。
|
||||
- 项目内曲库核对：`digital-me-backend/scripts/seed-music.js` 中 `linjiu / 青崖引` 曲目方案；仓库未发现该曲目的实际音频文件。
|
||||
|
||||
### 可视化补全
|
||||
|
||||
- 五幕的天气、时辰、镜头站位、营帐样式、军阵距离、人物面貌均为视觉设计，不作为史实断言。
|
||||
- 画面统一采用东汉末年至三国时期可解释的衣甲、军帐、夯土壁垒、农具与关中地貌；不使用明清盔甲、城楼或戏曲脸谱。
|
||||
- 第一幕的“流马”只以紧凑木制运输器具作概念性表现，不宣称还原其确切结构。
|
||||
- 第五幕把先后发生的收兵、入谷、察看营垒压缩为一幅远近层次构图，便于剪辑收束。
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 不画七星灯续命、禳星法事、落星三投、神魂升天等神异桥段。
|
||||
- 不画木雕诸葛亮吓退司马懿；正史注引版本写的是反旗鸣鼓、结阵而退。
|
||||
- 不画诸葛亮与司马懿单挑、阵前会面或大规模决战；此役核心是百余日对峙。
|
||||
- 不把“送巾帼妇人之服”做成主视觉，也不使用后世戏剧化服饰羞辱场面。
|
||||
- 不画诸葛亮吐血败逃；裴松之已质疑魏方这一夸胜说法。
|
||||
- 不给双方写确定兵力数字，不画现代意义上的整齐制服军团。
|
||||
- 不使用明清盔甲、明清城楼、羽扇纶巾定型造型、京剧脸谱、火药爆炸、现代马鞍或幻想机械流马。
|
||||
|
||||
## 生成说明
|
||||
|
||||
- 图片由内置图像生成工具制作，共 5 张原始 PNG 与 5 张 WebP，统一横版 16:9。
|
||||
- 图片不烘焙人物姓名、字幕、书法、Logo 或水印，并为后期叠字保留负空间。
|
||||
- 五张图的最终完整提示词保存在 `manifest.json` 的各幕 `image.prompt` 字段。
|
||||
|
||||
## 在线史料入口
|
||||
|
||||
- [《三国志·卷三十五·诸葛亮传》](https://zh.wikisource.org/zh/三國志/卷35)
|
||||
- [《三国志·卷三·明帝纪》](https://zh.wikisource.org/zh-hans/三國志/卷03)
|
||||
- [《资治通鉴·卷七十二》](https://zh.wikisource.org/zh-hans/資治通鑑/卷072)
|
||||
- [《晋书》四库全书本·宣帝纪相关段落](https://zh.wikisource.org/wiki/晉書_(四庫全書本))
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "兴势之战（王平拒曹爽）",
|
||||
"aliases": [
|
||||
"兴势之战",
|
||||
"曹爽伐蜀",
|
||||
"王平守兴势"
|
||||
],
|
||||
"era": "三国·蜀汉延熙七年／魏正始五年",
|
||||
"date": "公元244年",
|
||||
"place": "汉中兴势山、骆谷道一线",
|
||||
"summary": "曹爽、夏侯玄大举攻汉中，王平力主前出据守兴势，费祎援军赶到后魏军撤退，关中人畜损失严重。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 78,
|
||||
"fullText": "延熙七年，魏大将军曹爽与夏侯玄大举攻向汉中。蜀汉在汉中的兵力不足三万，将领们一度主张收缩到汉城、乐城，等成都援军到来。镇北大将军王平反对。他判断两城距离关隘太远，一旦魏军先占阳平关，汉中就会陷入危险。王平主张让护军刘敏据守兴势，自己在后方接应，先把狭窄山道堵住。刘敏与王平多张旗帜，绵延百余里，以守势制造兵力充足的假象。魏军深入骆谷，道路险远，运输困难，又无法突破兴势。大将军费祎率成都援军赶到，魏军最终撤退。王平没有靠一场夸张的阵前决战成名；这场胜利的核心，是在对手进入汉中之前，先占住唯一必须经过的险口。曹爽虽然退回关中，却损失大量牛马和运输力量，关中为之虚耗。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "魏军入谷",
|
||||
"timePlace": "公元244年，关中至骆谷道",
|
||||
"purpose": "交代曹爽大举伐蜀与险远补给线。",
|
||||
"narration": "曹爽、夏侯玄从关中大举南下。骆谷道路狭远，军队和牛马必须在山道里排成长线。",
|
||||
"overlay": {
|
||||
"heading": "魏军入谷",
|
||||
"line": "越过秦岭不是抵达战场，整条山路本身就是战场。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "曹爽",
|
||||
"office": "魏大将军",
|
||||
"action": "主持伐蜀行动"
|
||||
},
|
||||
{
|
||||
"name": "夏侯玄",
|
||||
"office": "魏征西将军",
|
||||
"action": "随军进入骆谷"
|
||||
},
|
||||
{
|
||||
"name": "魏军转运人员",
|
||||
"office": "民夫与军士",
|
||||
"action": "在险道转运粮秣"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-wei-enters-luogu-road.png",
|
||||
"delivery": "images/01-wei-enters-luogu-road.webp",
|
||||
"alt": "秦岭骆谷狭窄山道上魏军与牛马辎重队蜿蜒前进，曹爽夏侯玄在高处查看前路。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: A long Wei invasion column inside the narrow Luogu road in 244 CE. Cao Shuang, a heavyset aristocratic commander in his thirties wearing polished but practical dark gray Wei armor, and the leaner Xiahou Xuan look down from a rocky shelf as infantry, pack oxen and carts struggle through a steep forested pass. The column bends out of sight, emphasizing logistics rather than glory. Wide mountain composition, damp spring haze, no huge army panorama. Historical frame: 三国·蜀汉延熙七年／魏正始五年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "观察位置、牛马数量与天气为视觉补全；曹爽、夏侯玄向汉中和险远运输困难有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三",
|
||||
"《三国志·蜀书·王平传》卷四十三"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "先据兴势",
|
||||
"timePlace": "汉中兴势山",
|
||||
"purpose": "呈现王平反对退守两城，决定前出扼险。",
|
||||
"narration": "汉中守军不足三万。诸将想退守汉、乐城，王平却坚持先据兴势，不让魏军越过险口。",
|
||||
"overlay": {
|
||||
"heading": "先据兴势",
|
||||
"line": "城可以等援军，关口一旦丢了，就再也等不到。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王平",
|
||||
"office": "蜀镇北大将军",
|
||||
"action": "主张前出兴势拒敌"
|
||||
},
|
||||
{
|
||||
"name": "刘敏",
|
||||
"office": "蜀护军",
|
||||
"action": "受命率军据守兴势"
|
||||
},
|
||||
{
|
||||
"name": "汉中诸将",
|
||||
"office": "蜀军将领",
|
||||
"action": "从退守方案转为依险设防"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-wang-ping-holds-the-pass.png",
|
||||
"delivery": "images/02-wang-ping-holds-the-pass.webp",
|
||||
"alt": "王平和刘敏在兴势山口布置木栅、弩位与烽火点，蜀军没有退回远处城池。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Defensive preparations at Xingshi mountain. Wang Ping, an East Asian veteran in his fifties with a broad weathered face and plain dark brown Shu armor, points out the narrow pass to Liu Min while soldiers build modest timber barriers, crossbow rests and signal posts across steep terrain. The distant Han and Lecheng plains lie far behind, explaining the strategic choice. Wide clear topography, no readable maps or banners. Historical frame: 三国·蜀汉延熙七年／魏正始五年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "工事形态、两城远景与王平动作是战术可视化；王平力主兴势拒敌及刘敏据险有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·王平传》卷四十三"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "百里疑兵",
|
||||
"timePlace": "兴势诸山脊",
|
||||
"purpose": "表现多张旗帜制造守军众多印象，并避免可读文字。",
|
||||
"narration": "王平、刘敏在山岭多张旗帜，绵延百余里。魏军看不清守军虚实，又无法展开兵力。",
|
||||
"overlay": {
|
||||
"heading": "百里疑兵",
|
||||
"line": "旗帜不是为了好看，而是让谷口外的人永远数不清。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王平",
|
||||
"office": "蜀镇北大将军",
|
||||
"action": "统筹兴势防线并作为后拒"
|
||||
},
|
||||
{
|
||||
"name": "刘敏",
|
||||
"office": "蜀护军",
|
||||
"action": "在前线多张旗帜据守"
|
||||
},
|
||||
{
|
||||
"name": "魏军前锋",
|
||||
"office": "魏军先头部队",
|
||||
"action": "受险地与疑兵阻滞"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-banners-across-the-ridges.png",
|
||||
"delivery": "images/03-banners-across-the-ridges.webp",
|
||||
"alt": "多条兴势山脊上分散竖立无字蜀军旗帜与少量守军，谷底魏军前锋停步观察，无法判断兵力。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Deception by terrain at Xingshi. Across multiple distant ridgelines, many small plain dark-red Shu signal flags without writing appear among sparse defenders, creating the illusion of a much larger force. In the valley floor, Wei scouts and vanguard troops halt beneath steep slopes, unable to deploy. Wang Ping remains at a rear ridge; Liu Min supervises the forward line. Wide telephoto landscape, mist layers, no giant flags or cloned troops. Historical frame: 三国·蜀汉延熙七年／魏正始五年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "旗帜密度、魏军观察位置与雾层为视觉补全；多张旗帜、弥亘百余里和据险拒敌见《王平传》。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·王平传》卷四十三"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "援至敌退",
|
||||
"timePlace": "兴势至骆谷退路",
|
||||
"purpose": "交代费祎援军到达、魏军撤退和关中损耗。",
|
||||
"narration": "费祎率成都援军赶到。魏军见关口难破、粮运将竭，只得退回骆谷，牛马损失极重。",
|
||||
"overlay": {
|
||||
"heading": "援至敌退",
|
||||
"line": "没有阵前斩将，守住山口本身就是胜利。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "费祎",
|
||||
"office": "蜀大将军",
|
||||
"action": "督诸军驰援汉中"
|
||||
},
|
||||
{
|
||||
"name": "王平",
|
||||
"office": "蜀镇北大将军",
|
||||
"action": "与援军合势逼退魏军"
|
||||
},
|
||||
{
|
||||
"name": "曹爽",
|
||||
"office": "魏大将军",
|
||||
"action": "下令撤出汉中"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-fei-yi-arrives-wei-withdraws.png",
|
||||
"delivery": "images/04-fei-yi-arrives-wei-withdraws.webp",
|
||||
"alt": "费祎援军沿汉中道路进入兴势防线，远处魏军带着疲惫牛马有序撤入骆谷，蜀军没有冒险追杀。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Relief and withdrawal at Xingshi. Fei Yi, an East Asian civil-military leader in restrained Shu command robes over light armor, arrives with fresh columns that join Wang Ping’s ridge defenses. Across the valley, Cao Shuang’s tired Wei army begins an orderly retreat into Luogu with depleted pack animals and abandoned supply frames. Shu troops hold the pass rather than charging downhill. Wide late-day frame, victory through position, no corpses or rout spectacle. Historical frame: 三国·蜀汉延熙七年／魏正始五年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "两军同框、撤退秩序与遗弃辎重为视觉补全；费祎赴救、魏军退及牛马损耗有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三",
|
||||
"《三国志·蜀书·王平传》卷四十三"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:jieting#0",
|
||||
"title": "街亭之战",
|
||||
"version": "电影级配乐·复用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "复用项目自有的冷峻断路主题，但去掉街亭与张郃人物动机；以低弦、木击和山风表现据险封路，援军到达也不做大调凯旋。",
|
||||
"reason": "项目尚无兴势专属曲目；同属蜀魏山地争道且强调断路与守险的“街亭之战”最贴合，仓库中无可直接附加的音频。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:19",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器建立时代、地理与压力。"
|
||||
},
|
||||
{
|
||||
"from": "00:19",
|
||||
"to": "00:38",
|
||||
"scene": "02",
|
||||
"direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
|
||||
},
|
||||
{
|
||||
"from": "00:38",
|
||||
"to": "00:57",
|
||||
"scene": "03",
|
||||
"direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
|
||||
},
|
||||
{
|
||||
"from": "00:57",
|
||||
"to": "01:18",
|
||||
"scene": "04",
|
||||
"direction": "撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "本素材所涉兴势之战（王平拒曹爽）的时间、人物、行动与结局",
|
||||
"citation": "《三国志·蜀书·后主传》卷三十三",
|
||||
"url": "https://zh.wikisource.org/wiki/三國志/卷33"
|
||||
},
|
||||
{
|
||||
"claim": "本素材所涉兴势之战（王平拒曹爽）的时间、人物、行动与结局",
|
||||
"citation": "《三国志·蜀书·王平传》卷四十三",
|
||||
"url": "https://zh.wikisource.org/wiki/三國志/卷43"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||||
"唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲",
|
||||
"《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪",
|
||||
"血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械",
|
||||
"把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实",
|
||||
"画王平与曹爽阵前单挑或兴势山下发生决定性大会战；史实核心是据险与逼退",
|
||||
"把“多张旗帜，弥亘百余里”画成现代整齐旗海或可读大字军旗",
|
||||
"把不足三万与魏军规模渲染成确定的精确万人对冲场面"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,126 @@
|
||||
# 兴势之战（王平拒曹爽）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：兴势之战（王平拒曹爽）
|
||||
- 常用称呼：兴势之战、曹爽伐蜀、王平守兴势
|
||||
- 时代：三国·蜀汉延熙七年／魏正始五年
|
||||
- 日期：公元244年
|
||||
- 地点：汉中兴势山、骆谷道一线
|
||||
- 一句话结论：曹爽、夏侯玄大举攻汉中，王平力主前出据守兴势，费祎援军赶到后魏军撤退，关中人畜损失严重。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
延熙七年，魏大将军曹爽与夏侯玄大举攻向汉中。蜀汉在汉中的兵力不足三万，将领们一度主张收缩到汉城、乐城，等成都援军到来。镇北大将军王平反对。他判断两城距离关隘太远，一旦魏军先占阳平关，汉中就会陷入危险。王平主张让护军刘敏据守兴势，自己在后方接应，先把狭窄山道堵住。刘敏与王平多张旗帜，绵延百余里，以守势制造兵力充足的假象。魏军深入骆谷，道路险远，运输困难，又无法突破兴势。大将军费祎率成都援军赶到，魏军最终撤退。王平没有靠一场夸张的阵前决战成名；这场胜利的核心，是在对手进入汉中之前，先占住唯一必须经过的险口。曹爽虽然退回关中，却损失大量牛马和运输力量，关中为之虚耗。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜魏军入谷
|
||||
|
||||
- 时间地点：公元244年，关中至骆谷道
|
||||
- 叙事作用：交代曹爽大举伐蜀与险远补给线。
|
||||
- 本幕旁白：曹爽、夏侯玄从关中大举南下。骆谷道路狭远，军队和牛马必须在山道里排成长线。
|
||||
- 叠字标题：魏军入谷
|
||||
- 一句短文案：越过秦岭不是抵达战场，整条山路本身就是战场。
|
||||
- 图片文件：`images/01-wei-enters-luogu-road.png` / `images/01-wei-enters-luogu-road.webp`
|
||||
- 替代文本：秦岭骆谷狭窄山道上魏军与牛马辎重队蜿蜒前进，曹爽夏侯玄在高处查看前路。
|
||||
- 人物标签：
|
||||
- 曹爽｜魏大将军｜主持伐蜀行动
|
||||
- 夏侯玄｜魏征西将军｜随军进入骆谷
|
||||
- 魏军转运人员｜民夫与军士｜在险道转运粮秣
|
||||
- 画面补全说明：观察位置、牛马数量与天气为视觉补全；曹爽、夏侯玄向汉中和险远运输困难有史载。
|
||||
- 史实依据：《三国志·蜀书·后主传》卷三十三；《三国志·蜀书·王平传》卷四十三
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: A long Wei invasion column inside the narrow Luogu road in 244 CE. Cao Shuang, a heavyset aristocratic commander in his thirties wearing polished but practical dark gray Wei armor, and the leaner Xiahou Xuan look down from a rocky shelf as infantry, pack oxen and carts struggle through a steep forested pass. The column bends out of sight, emphasizing logistics rather than glory. Wide mountain composition, damp spring haze, no huge army panorama. Historical frame: 三国·蜀汉延熙七年／魏正始五年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 02｜先据兴势
|
||||
|
||||
- 时间地点：汉中兴势山
|
||||
- 叙事作用：呈现王平反对退守两城，决定前出扼险。
|
||||
- 本幕旁白：汉中守军不足三万。诸将想退守汉、乐城，王平却坚持先据兴势，不让魏军越过险口。
|
||||
- 叠字标题：先据兴势
|
||||
- 一句短文案：城可以等援军，关口一旦丢了，就再也等不到。
|
||||
- 图片文件：`images/02-wang-ping-holds-the-pass.png` / `images/02-wang-ping-holds-the-pass.webp`
|
||||
- 替代文本：王平和刘敏在兴势山口布置木栅、弩位与烽火点，蜀军没有退回远处城池。
|
||||
- 人物标签：
|
||||
- 王平｜蜀镇北大将军｜主张前出兴势拒敌
|
||||
- 刘敏｜蜀护军｜受命率军据守兴势
|
||||
- 汉中诸将｜蜀军将领｜从退守方案转为依险设防
|
||||
- 画面补全说明：工事形态、两城远景与王平动作是战术可视化；王平力主兴势拒敌及刘敏据险有史载。
|
||||
- 史实依据：《三国志·蜀书·王平传》卷四十三
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Defensive preparations at Xingshi mountain. Wang Ping, an East Asian veteran in his fifties with a broad weathered face and plain dark brown Shu armor, points out the narrow pass to Liu Min while soldiers build modest timber barriers, crossbow rests and signal posts across steep terrain. The distant Han and Lecheng plains lie far behind, explaining the strategic choice. Wide clear topography, no readable maps or banners. Historical frame: 三国·蜀汉延熙七年／魏正始五年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 03｜百里疑兵
|
||||
|
||||
- 时间地点：兴势诸山脊
|
||||
- 叙事作用：表现多张旗帜制造守军众多印象，并避免可读文字。
|
||||
- 本幕旁白：王平、刘敏在山岭多张旗帜，绵延百余里。魏军看不清守军虚实，又无法展开兵力。
|
||||
- 叠字标题：百里疑兵
|
||||
- 一句短文案：旗帜不是为了好看，而是让谷口外的人永远数不清。
|
||||
- 图片文件：`images/03-banners-across-the-ridges.png` / `images/03-banners-across-the-ridges.webp`
|
||||
- 替代文本：多条兴势山脊上分散竖立无字蜀军旗帜与少量守军，谷底魏军前锋停步观察，无法判断兵力。
|
||||
- 人物标签：
|
||||
- 王平｜蜀镇北大将军｜统筹兴势防线并作为后拒
|
||||
- 刘敏｜蜀护军｜在前线多张旗帜据守
|
||||
- 魏军前锋｜魏军先头部队｜受险地与疑兵阻滞
|
||||
- 画面补全说明：旗帜密度、魏军观察位置与雾层为视觉补全；多张旗帜、弥亘百余里和据险拒敌见《王平传》。
|
||||
- 史实依据：《三国志·蜀书·王平传》卷四十三
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Deception by terrain at Xingshi. Across multiple distant ridgelines, many small plain dark-red Shu signal flags without writing appear among sparse defenders, creating the illusion of a much larger force. In the valley floor, Wei scouts and vanguard troops halt beneath steep slopes, unable to deploy. Wang Ping remains at a rear ridge; Liu Min supervises the forward line. Wide telephoto landscape, mist layers, no giant flags or cloned troops. Historical frame: 三国·蜀汉延熙七年／魏正始五年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 04｜援至敌退
|
||||
|
||||
- 时间地点：兴势至骆谷退路
|
||||
- 叙事作用：交代费祎援军到达、魏军撤退和关中损耗。
|
||||
- 本幕旁白：费祎率成都援军赶到。魏军见关口难破、粮运将竭，只得退回骆谷，牛马损失极重。
|
||||
- 叠字标题：援至敌退
|
||||
- 一句短文案：没有阵前斩将，守住山口本身就是胜利。
|
||||
- 图片文件：`images/04-fei-yi-arrives-wei-withdraws.png` / `images/04-fei-yi-arrives-wei-withdraws.webp`
|
||||
- 替代文本：费祎援军沿汉中道路进入兴势防线，远处魏军带着疲惫牛马有序撤入骆谷，蜀军没有冒险追杀。
|
||||
- 人物标签：
|
||||
- 费祎｜蜀大将军｜督诸军驰援汉中
|
||||
- 王平｜蜀镇北大将军｜与援军合势逼退魏军
|
||||
- 曹爽｜魏大将军｜下令撤出汉中
|
||||
- 画面补全说明：两军同框、撤退秩序与遗弃辎重为视觉补全；费祎赴救、魏军退及牛马损耗有史载。
|
||||
- 史实依据：《三国志·蜀书·后主传》卷三十三；《三国志·蜀书·王平传》卷四十三
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Relief and withdrawal at Xingshi. Fei Yi, an East Asian civil-military leader in restrained Shu command robes over light armor, arrives with fresh columns that join Wang Ping’s ridge defenses. Across the valley, Cao Shuang’s tired Wei army begins an orderly retreat into Luogu with depleted pack animals and abandoned supply frames. Shu troops hold the pass rather than charging downhill. Wide late-day frame, victory through position, no corpses or rout spectacle. Historical frame: 三国·蜀汉延熙七年／魏正始五年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:jieting#0`
|
||||
- 曲名：街亭之战
|
||||
- 版本：电影级配乐·复用无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：复用项目自有的冷峻断路主题，但去掉街亭与张郃人物动机；以低弦、木击和山风表现据险封路，援军到达也不做大调凯旋。
|
||||
- 选择理由：项目尚无兴势专属曲目；同属蜀魏山地争道且强调断路与守险的“街亭之战”最贴合，仓库中无可直接附加的音频。
|
||||
- Cue sheet：
|
||||
- 00:00–00:19｜第 01 幕｜以最少配器建立时代、地理与压力。
|
||||
- 00:19–00:38｜第 02 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
|
||||
- 00:38–00:57｜第 03 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
|
||||
- 00:57–01:18｜第 04 幕｜撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《三国志·蜀书·后主传》卷三十三：本素材所涉兴势之战（王平拒曹爽）的时间、人物、行动与结局（https://zh.wikisource.org/wiki/三國志/卷33）
|
||||
- 《三国志·蜀书·王平传》卷四十三：本素材所涉兴势之战（王平拒曹爽）的时间、人物、行动与结局（https://zh.wikisource.org/wiki/三國志/卷43）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
|
||||
- 唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲
|
||||
- 《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪
|
||||
- 血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械
|
||||
- 把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实
|
||||
- 画王平与曹爽阵前单挑或兴势山下发生决定性大会战；史实核心是据险与逼退
|
||||
- 把“多张旗帜，弥亘百余里”画成现代整齐旗海或可读大字军旗
|
||||
- 把不足三万与魏军规模渲染成确定的精确万人对冲场面
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "定军山之战（黄忠乘高破敌）",
|
||||
"aliases": [
|
||||
"定军山之战",
|
||||
"汉中之战·定军山",
|
||||
"黄忠斩夏侯渊"
|
||||
],
|
||||
"projectDynasty": "蜀汉",
|
||||
"era": "东汉献帝建安二十四年",
|
||||
"date": "公元219年正月前后",
|
||||
"place": "汉中沔水南岸、走马谷与定军山",
|
||||
"summary": "刘备渡沔水沿山进营，以夜烧鹿角调动魏军；夏侯渊分兵救援、亲赴南围后，法正判断战机已至，黄忠乘高鼓噪突击，夏侯渊战死，魏军退守阳平。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 88,
|
||||
"fullText": "建安二十四年，刘备与夏侯渊争夺汉中。刘备从阳平南渡沔水，沿山逐步前进，依定军山地势立营。他先以精兵分部夜攻张郃，又焚烧魏军围鹿角和走马谷营障，迫使魏军分头应对。夏侯渊让张郃守东围，自己带轻兵守南围；张郃一面吃紧，他又把所部一半拨去增援。主帅的兵力和注意力由此被拉散。夏侯渊亲自赶往修补被焚工事时，法正从高处观察魏阵，判断机会已经成熟，对刘备说可以攻击。刘备随即命黄忠出击。黄忠率军凭借高地，金鼓齐作，向下冲击。正史只说黄忠乘高鼓噪、奋勇破敌，并没有“阵前单刀劈杀”的过程；魏书则记夏侯渊救火时与蜀军短兵接战而死。夏侯渊与赵颙战死，魏军一度失去主帅。郭淮收拢散卒，推举张郃主持诸军，才稳定阵线退守阳平。随后曹操亲自入汉中也未能扭转局势，刘备最终占有汉中，并在当年进位汉中王。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "南渡沔水·缘山进营",
|
||||
"timePlace": "汉中沔水南岸、定军山下",
|
||||
"purpose": "用地形说明刘备为何逐步取得高地优势。",
|
||||
"narration": "刘备南渡沔水，沿山逐步前进，在定军山依势立营。",
|
||||
"overlay": {
|
||||
"heading": "缘山进营",
|
||||
"line": "越过沔水以后，谁先站上山势，谁就先改变了攻守。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "刘备",
|
||||
"office": "左将军、益州牧",
|
||||
"action": "统军南渡沔水，缘山进至定军山"
|
||||
},
|
||||
{
|
||||
"name": "法正",
|
||||
"office": "蜀郡太守、扬武将军",
|
||||
"action": "随军观察魏军部署与山势"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-crossing-mian-and-taking-high-ground.png",
|
||||
"delivery": "images/01-crossing-mian-and-taking-high-ground.webp",
|
||||
"alt": "蜀军用浅底船和浮排渡过沔水，刘备法正在岸边观察部队沿山坡分层建立营垒，远处可见魏军低处营地。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Cool morning on the Mian River below Dingjun Mountain. Shu troops cross in shallow wooden boats and lashed rafts, then climb in separated columns to establish modest tiered earth-and-timber camps along the slope. Liu Bei, late 50s, lean face, short beard, restrained brown-black armor and cloak, studies the heights beside Fa Zheng, a thin middle-aged adviser in plain dark robes. Wei positions remain lower and distant. Emphasize terrain and gradual movement, no grand stone fortress or yellow imperial robe. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "渡河舟具、营垒层次、人物外貌与双方可视距离为视觉重构；刘备南渡沔水、缘山稍前、于定军山势作营有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·先主传》卷三十二",
|
||||
"《三国志·蜀书·法正传》卷三十七"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "夜攻广石·焚围鹿角",
|
||||
"timePlace": "走马谷与魏军东南围，夜间",
|
||||
"purpose": "表现多点夜攻如何迫使魏军分兵。",
|
||||
"narration": "蜀军分部夜攻张郃广石，又焚烧围鹿角。魏军不得不同时守住东围和南围。",
|
||||
"overlay": {
|
||||
"heading": "夜烧鹿角",
|
||||
"line": "火没有直接烧垮大军，却把魏军主帅从完整阵线里调了出来。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "刘备",
|
||||
"office": "蜀军主帅",
|
||||
"action": "分遣精卒夜攻并焚烧魏军营障"
|
||||
},
|
||||
{
|
||||
"name": "张郃",
|
||||
"office": "魏荡寇将军",
|
||||
"action": "在广石与东围抵御蜀军夜攻"
|
||||
},
|
||||
{
|
||||
"name": "夏侯渊",
|
||||
"office": "魏征西将军",
|
||||
"action": "分兵支援张郃并自守南围"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-night-attacks-and-burning-abatis.png",
|
||||
"delivery": "images/02-night-attacks-and-burning-abatis.webp",
|
||||
"alt": "定军山夜色中，蜀军十余支小队在不同山谷方向压向魏营，几处木制鹿角燃烧；张郃守东围，夏侯渊从另一侧调兵，不画火烧人群。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Night around Zouma Valley. Multiple compact Shu assault groups move through different ravines toward separate Wei fieldworks, showing divided pressure rather than one mass charge. A few sections of wooden abatis burn with controlled low flames. Zhang He, a seasoned commander in his 50s with graying beard and dark Wei armor, reinforces the eastern enclosure while Xiahou Yuan, similar age, weathered and broad-shouldered in muted gray armor, redirects troops from the southern line. No people burning, no explosions, no giant inferno. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "小队数量、攻路、鹿角形制和两将位置为视觉重构；精卒分部夜攻张郃、夜烧围鹿角、渊分兵护东南围有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·魏书·夏侯渊传》卷九",
|
||||
"《三国志·魏书·张郃传》卷十七"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "主帅分兵救火",
|
||||
"timePlace": "魏军南围，火后清晨",
|
||||
"purpose": "呈现夏侯渊把半数所部助张郃并亲赴修补工事，形成暴露窗口。",
|
||||
"narration": "张郃受攻，夏侯渊分出半数兵力增援，又亲赴南围修补被焚工事。",
|
||||
"overlay": {
|
||||
"heading": "主帅离阵",
|
||||
"line": "每一个局部都需要救援时，指挥中枢反而最容易失去保护。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "夏侯渊",
|
||||
"office": "魏军主帅",
|
||||
"action": "分兵助张郃，亲带轻兵赴南围救火修障"
|
||||
},
|
||||
{
|
||||
"name": "张郃",
|
||||
"office": "魏军次帅",
|
||||
"action": "在另一侧承受蜀军主攻"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-xiahou-yuan-divides-his-command.png",
|
||||
"delivery": "images/03-xiahou-yuan-divides-his-command.webp",
|
||||
"alt": "清晨余烟中，夏侯渊站在受损鹿角旁指挥少量士卒修补工事，另一半援军沿山道赶往张郃东围，主帅与本阵之间出现空隙。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Smoke-gray morning after the night attacks. Xiahou Yuan stands beside damaged wooden abatis with only a light escort, directing soldiers to rebuild the southern barrier. A clearly separate reinforcement column moves away along a ridge toward Zhang He’s hard-pressed eastern enclosure, leaving a visible gap between the commander and his main camp. Fatigue, divided attention, practical repair tools and fieldworks. No attack yet, no corpse or foreshadowing through supernatural light. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "援军比例、山道、修障动作与空隙为视觉推演；夏侯渊分所将兵半助张郃并自赴救火、后遇袭战死有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·魏书·夏侯渊传》卷九",
|
||||
"《三国志·魏书·张郃传》卷十七"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "法正举旗·黄忠乘高",
|
||||
"timePlace": "定军山高地，战机出现时",
|
||||
"purpose": "把判断战机与居高突击连成一个战术节点。",
|
||||
"narration": "法正从高处看准魏阵，举旗示意可击。黄忠乘高鼓噪，率军向下突阵。",
|
||||
"overlay": {
|
||||
"heading": "可击矣",
|
||||
"line": "法正选中的是一瞬间；黄忠把这一瞬间变成了整座山的下冲。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "法正",
|
||||
"office": "刘备谋主",
|
||||
"action": "从高处判断战机成熟并发出进击信号"
|
||||
},
|
||||
{
|
||||
"name": "黄忠",
|
||||
"office": "讨虏将军",
|
||||
"action": "率部乘高鼓噪、奋勇破敌"
|
||||
},
|
||||
{
|
||||
"name": "刘备",
|
||||
"office": "蜀军主帅",
|
||||
"action": "采纳法正判断，命黄忠出击"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-fa-zheng-signals-huang-zhong-descends.png",
|
||||
"delivery": "images/04-fa-zheng-signals-huang-zhong-descends.webp",
|
||||
"alt": "定军山高地，法正举起无字令旗，年长黄忠率盾兵弩手伴随战鼓从坡顶整队下冲，刘备在后方指挥台观察。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. On the high ground of Dingjun Mountain, Fa Zheng raises a plain blank signal flag after studying the divided Wei line below. Huang Zhong, a vigorous East Asian veteran in his late 60s with gray beard, weathered face and practical dark bronze Shu armor, leads shield infantry and crossbowmen downhill in tight order as field drums sound behind them. Liu Bei watches from a protected timber command platform. Strong downward geometry, no elderly caricature, no solo sword duel and no visible killing. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "令旗、鼓阵、兵种、坡度和人物外貌为视觉重构；法正判断可击、刘备命黄忠、黄忠乘高鼓噪攻之有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·法正传》卷三十七",
|
||||
"《三国志·蜀书·黄忠传》卷三十六",
|
||||
"《三国志·蜀书·先主传》卷三十二"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "渊军失帅·张郃收军",
|
||||
"timePlace": "定军山战后至阳平关方向",
|
||||
"purpose": "交代夏侯渊战死与魏军并未被画成全军覆灭。",
|
||||
"narration": "夏侯渊在交战中阵亡，魏军一度扰乱。郭淮收卒、推张郃主军，诸营退守阳平。",
|
||||
"overlay": {
|
||||
"heading": "失帅而未溃尽",
|
||||
"line": "定军山决定汉中归属，却没有让魏军从这一刻完全消失。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "夏侯渊",
|
||||
"office": "魏征西将军",
|
||||
"action": "救援南围时与蜀军接战而死；不展示遗体"
|
||||
},
|
||||
{
|
||||
"name": "郭淮",
|
||||
"office": "征西将军司马",
|
||||
"action": "收合散卒并推举张郃主持诸军"
|
||||
},
|
||||
{
|
||||
"name": "张郃",
|
||||
"office": "魏将",
|
||||
"action": "接掌军队、稳定各营并退守阳平"
|
||||
},
|
||||
{
|
||||
"name": "黄忠",
|
||||
"office": "蜀将",
|
||||
"action": "以战功迁征西将军"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-zhang-he-stabilizes-the-retreat.png",
|
||||
"delivery": "images/05-zhang-he-stabilizes-the-retreat.webp",
|
||||
"alt": "战后烟尘中，夏侯渊空置的指挥席与倒伏帅旗暗示失帅；郭淮把将印交给张郃，魏军重新列队向阳平方向撤退，远处黄忠军占据高地。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Aftermath without bodies. An empty campaign chair and a fallen blank command standard imply Xiahou Yuan’s death off-screen. Guo Huai, a composed East Asian staff officer in his 40s, presents a command tally to the graying Zhang He as scattered Wei soldiers regroup into orderly columns withdrawing toward Yangping. High above in the distance Huang Zhong’s Shu formations secure the ridge rather than chase into massacre. Restrained gray-gold light, no corpse, severed head, triumphal pose or rout caricature. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "空席、将印交接、撤退秩序和双方距离为视觉重构；夏侯渊战死、郭淮收散卒、推张郃为军主、众心乃定并还阳平有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·魏书·张郃传》卷十七",
|
||||
"《三国志·魏书·郭淮传》卷二十六",
|
||||
"《三国志·蜀书·黄忠传》卷三十六"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:dingjunshan#0",
|
||||
"title": "定军山之战",
|
||||
"version": "电影级配乐·黄忠版·仅用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "第一幕留出山水纵深，第二幕用分散鼓点表现多点夜攻，第三幕抽空低频，第四幕乘高突击形成唯一高潮，第五幕降温至重新整军；删除歌词与品牌尾签。",
|
||||
"reason": "项目音乐库有定军山专属黄忠版，结构与本包战术节点一致；仓库暂无成品音频。",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:18",
|
||||
"scene": "01",
|
||||
"direction": "沔水与山势缓慢展开。"
|
||||
},
|
||||
{
|
||||
"from": "00:18",
|
||||
"to": "00:36",
|
||||
"scene": "02",
|
||||
"direction": "多点夜攻以错位鼓点推进。"
|
||||
},
|
||||
{
|
||||
"from": "00:36",
|
||||
"to": "00:53",
|
||||
"scene": "03",
|
||||
"direction": "抽空主鼓表现分兵后的空隙。"
|
||||
},
|
||||
{
|
||||
"from": "00:53",
|
||||
"to": "01:11",
|
||||
"scene": "04",
|
||||
"direction": "法正举旗后全奏抬升。"
|
||||
},
|
||||
{
|
||||
"from": "01:11",
|
||||
"to": "01:28",
|
||||
"scene": "05",
|
||||
"direction": "战后整军冷收。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "南渡沔水、定军山势作营、黄忠乘高攻破魏军与汉中归属",
|
||||
"citation": "《三国志·蜀书·先主传》卷三十二",
|
||||
"url": "https://zh.wikisource.org/zh-hans/三国志/卷32"
|
||||
},
|
||||
{
|
||||
"claim": "法正判断战机与黄忠奋勇破敌",
|
||||
"citation": "《三国志·蜀书·法正传》《黄忠传》卷三十七、三十六",
|
||||
"url": "https://zh.wikisource.org/zh-hans/三国志/卷37"
|
||||
},
|
||||
{
|
||||
"claim": "夜烧围鹿角、夏侯渊分兵救火战死与张郃收军",
|
||||
"citation": "《三国志·魏书·夏侯渊传》《张郃传》卷九、十七",
|
||||
"url": "https://zh.wikisource.org/zh-hans/三国志/卷09"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"加入黄忠与夏侯渊阵前单挑、定军山一刀斩将等小说镜头",
|
||||
"虚构雾、风、神迹为胜负决定因素",
|
||||
"把精卒万余误作刘备全军确数，或把魏军画成有明确总兵力",
|
||||
"展示夏侯渊遗体、斩首、血腥救火或尸堆",
|
||||
"现代文字、水印、后世服饰建筑、火器爆炸或动漫画风"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,155 @@
|
||||
# 定军山之战（黄忠乘高破敌）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：定军山之战（黄忠乘高破敌）
|
||||
- 常用称呼：定军山之战、汉中之战·定军山、黄忠斩夏侯渊
|
||||
- 项目归类：蜀汉
|
||||
- 时代：东汉献帝建安二十四年
|
||||
- 日期：公元219年正月前后
|
||||
- 地点：汉中沔水南岸、走马谷与定军山
|
||||
- 一句话结论：刘备渡沔水沿山进营，以夜烧鹿角调动魏军；夏侯渊分兵救援、亲赴南围后，法正判断战机已至，黄忠乘高鼓噪突击，夏侯渊战死，魏军退守阳平。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
建安二十四年，刘备与夏侯渊争夺汉中。刘备从阳平南渡沔水，沿山逐步前进，依定军山地势立营。他先以精兵分部夜攻张郃，又焚烧魏军围鹿角和走马谷营障，迫使魏军分头应对。夏侯渊让张郃守东围，自己带轻兵守南围；张郃一面吃紧，他又把所部一半拨去增援。主帅的兵力和注意力由此被拉散。夏侯渊亲自赶往修补被焚工事时，法正从高处观察魏阵，判断机会已经成熟，对刘备说可以攻击。刘备随即命黄忠出击。黄忠率军凭借高地，金鼓齐作，向下冲击。正史只说黄忠乘高鼓噪、奋勇破敌，并没有“阵前单刀劈杀”的过程；魏书则记夏侯渊救火时与蜀军短兵接战而死。夏侯渊与赵颙战死，魏军一度失去主帅。郭淮收拢散卒，推举张郃主持诸军，才稳定阵线退守阳平。随后曹操亲自入汉中也未能扭转局势，刘备最终占有汉中，并在当年进位汉中王。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜南渡沔水·缘山进营
|
||||
|
||||
- 时间地点：汉中沔水南岸、定军山下
|
||||
- 本幕作用：用地形说明刘备为何逐步取得高地优势。
|
||||
- 分幕旁白：刘备南渡沔水，沿山逐步前进，在定军山依势立营。
|
||||
- 页面标题：缘山进营
|
||||
- 页面短句：越过沔水以后，谁先站上山势，谁就先改变了攻守。
|
||||
- PNG：`images/01-crossing-mian-and-taking-high-ground.png`
|
||||
- WebP：`images/01-crossing-mian-and-taking-high-ground.webp`
|
||||
- 替代文本：蜀军用浅底船和浮排渡过沔水，刘备法正在岸边观察部队沿山坡分层建立营垒，远处可见魏军低处营地。
|
||||
- 视觉推演边界：渡河舟具、营垒层次、人物外貌与双方可视距离为视觉重构；刘备南渡沔水、缘山稍前、于定军山势作营有史载。
|
||||
- 人物：刘备（左将军、益州牧；统军南渡沔水，缘山进至定军山）；法正（蜀郡太守、扬武将军；随军观察魏军部署与山势）
|
||||
- 史料：《三国志·蜀书·先主传》卷三十二；《三国志·蜀书·法正传》卷三十七
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Cool morning on the Mian River below Dingjun Mountain. Shu troops cross in shallow wooden boats and lashed rafts, then climb in separated columns to establish modest tiered earth-and-timber camps along the slope. Liu Bei, late 50s, lean face, short beard, restrained brown-black armor and cloak, studies the heights beside Fa Zheng, a thin middle-aged adviser in plain dark robes. Wei positions remain lower and distant. Emphasize terrain and gradual movement, no grand stone fortress or yellow imperial robe. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 02｜夜攻广石·焚围鹿角
|
||||
|
||||
- 时间地点：走马谷与魏军东南围，夜间
|
||||
- 本幕作用：表现多点夜攻如何迫使魏军分兵。
|
||||
- 分幕旁白：蜀军分部夜攻张郃广石，又焚烧围鹿角。魏军不得不同时守住东围和南围。
|
||||
- 页面标题：夜烧鹿角
|
||||
- 页面短句：火没有直接烧垮大军，却把魏军主帅从完整阵线里调了出来。
|
||||
- PNG：`images/02-night-attacks-and-burning-abatis.png`
|
||||
- WebP：`images/02-night-attacks-and-burning-abatis.webp`
|
||||
- 替代文本：定军山夜色中，蜀军十余支小队在不同山谷方向压向魏营，几处木制鹿角燃烧；张郃守东围，夏侯渊从另一侧调兵，不画火烧人群。
|
||||
- 视觉推演边界：小队数量、攻路、鹿角形制和两将位置为视觉重构；精卒分部夜攻张郃、夜烧围鹿角、渊分兵护东南围有史载。
|
||||
- 人物：刘备（蜀军主帅；分遣精卒夜攻并焚烧魏军营障）；张郃（魏荡寇将军；在广石与东围抵御蜀军夜攻）；夏侯渊（魏征西将军；分兵支援张郃并自守南围）
|
||||
- 史料：《三国志·魏书·夏侯渊传》卷九；《三国志·魏书·张郃传》卷十七
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Night around Zouma Valley. Multiple compact Shu assault groups move through different ravines toward separate Wei fieldworks, showing divided pressure rather than one mass charge. A few sections of wooden abatis burn with controlled low flames. Zhang He, a seasoned commander in his 50s with graying beard and dark Wei armor, reinforces the eastern enclosure while Xiahou Yuan, similar age, weathered and broad-shouldered in muted gray armor, redirects troops from the southern line. No people burning, no explosions, no giant inferno. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 03｜主帅分兵救火
|
||||
|
||||
- 时间地点：魏军南围，火后清晨
|
||||
- 本幕作用：呈现夏侯渊把半数所部助张郃并亲赴修补工事，形成暴露窗口。
|
||||
- 分幕旁白：张郃受攻，夏侯渊分出半数兵力增援，又亲赴南围修补被焚工事。
|
||||
- 页面标题：主帅离阵
|
||||
- 页面短句：每一个局部都需要救援时，指挥中枢反而最容易失去保护。
|
||||
- PNG：`images/03-xiahou-yuan-divides-his-command.png`
|
||||
- WebP：`images/03-xiahou-yuan-divides-his-command.webp`
|
||||
- 替代文本：清晨余烟中，夏侯渊站在受损鹿角旁指挥少量士卒修补工事，另一半援军沿山道赶往张郃东围，主帅与本阵之间出现空隙。
|
||||
- 视觉推演边界：援军比例、山道、修障动作与空隙为视觉推演；夏侯渊分所将兵半助张郃并自赴救火、后遇袭战死有史载。
|
||||
- 人物：夏侯渊（魏军主帅；分兵助张郃，亲带轻兵赴南围救火修障）；张郃（魏军次帅；在另一侧承受蜀军主攻）
|
||||
- 史料：《三国志·魏书·夏侯渊传》卷九；《三国志·魏书·张郃传》卷十七
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Smoke-gray morning after the night attacks. Xiahou Yuan stands beside damaged wooden abatis with only a light escort, directing soldiers to rebuild the southern barrier. A clearly separate reinforcement column moves away along a ridge toward Zhang He’s hard-pressed eastern enclosure, leaving a visible gap between the commander and his main camp. Fatigue, divided attention, practical repair tools and fieldworks. No attack yet, no corpse or foreshadowing through supernatural light. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 04｜法正举旗·黄忠乘高
|
||||
|
||||
- 时间地点：定军山高地，战机出现时
|
||||
- 本幕作用：把判断战机与居高突击连成一个战术节点。
|
||||
- 分幕旁白：法正从高处看准魏阵，举旗示意可击。黄忠乘高鼓噪，率军向下突阵。
|
||||
- 页面标题：可击矣
|
||||
- 页面短句：法正选中的是一瞬间；黄忠把这一瞬间变成了整座山的下冲。
|
||||
- PNG：`images/04-fa-zheng-signals-huang-zhong-descends.png`
|
||||
- WebP：`images/04-fa-zheng-signals-huang-zhong-descends.webp`
|
||||
- 替代文本：定军山高地，法正举起无字令旗，年长黄忠率盾兵弩手伴随战鼓从坡顶整队下冲，刘备在后方指挥台观察。
|
||||
- 视觉推演边界：令旗、鼓阵、兵种、坡度和人物外貌为视觉重构；法正判断可击、刘备命黄忠、黄忠乘高鼓噪攻之有史载。
|
||||
- 人物：法正（刘备谋主；从高处判断战机成熟并发出进击信号）；黄忠（讨虏将军；率部乘高鼓噪、奋勇破敌）；刘备（蜀军主帅；采纳法正判断，命黄忠出击）
|
||||
- 史料：《三国志·蜀书·法正传》卷三十七；《三国志·蜀书·黄忠传》卷三十六；《三国志·蜀书·先主传》卷三十二
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. On the high ground of Dingjun Mountain, Fa Zheng raises a plain blank signal flag after studying the divided Wei line below. Huang Zhong, a vigorous East Asian veteran in his late 60s with gray beard, weathered face and practical dark bronze Shu armor, leads shield infantry and crossbowmen downhill in tight order as field drums sound behind them. Liu Bei watches from a protected timber command platform. Strong downward geometry, no elderly caricature, no solo sword duel and no visible killing. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 05｜渊军失帅·张郃收军
|
||||
|
||||
- 时间地点：定军山战后至阳平关方向
|
||||
- 本幕作用：交代夏侯渊战死与魏军并未被画成全军覆灭。
|
||||
- 分幕旁白：夏侯渊在交战中阵亡，魏军一度扰乱。郭淮收卒、推张郃主军，诸营退守阳平。
|
||||
- 页面标题：失帅而未溃尽
|
||||
- 页面短句：定军山决定汉中归属，却没有让魏军从这一刻完全消失。
|
||||
- PNG：`images/05-zhang-he-stabilizes-the-retreat.png`
|
||||
- WebP：`images/05-zhang-he-stabilizes-the-retreat.webp`
|
||||
- 替代文本：战后烟尘中，夏侯渊空置的指挥席与倒伏帅旗暗示失帅；郭淮把将印交给张郃，魏军重新列队向阳平方向撤退，远处黄忠军占据高地。
|
||||
- 视觉推演边界：空席、将印交接、撤退秩序和双方距离为视觉重构；夏侯渊战死、郭淮收散卒、推张郃为军主、众心乃定并还阳平有史载。
|
||||
- 人物：夏侯渊（魏征西将军；救援南围时与蜀军接战而死；不展示遗体）；郭淮（征西将军司马；收合散卒并推举张郃主持诸军）；张郃（魏将；接掌军队、稳定各营并退守阳平）；黄忠（蜀将；以战功迁征西将军）
|
||||
- 史料：《三国志·魏书·张郃传》卷十七；《三国志·魏书·郭淮传》卷二十六；《三国志·蜀书·黄忠传》卷三十六
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Aftermath without bodies. An empty campaign chair and a fallen blank command standard imply Xiahou Yuan’s death off-screen. Guo Huai, a composed East Asian staff officer in his 40s, presents a command tally to the graying Zhang He as scattered Wei soldiers regroup into orderly columns withdrawing toward Yangping. High above in the distance Huang Zhong’s Shu formations secure the ridge rather than chase into massacre. Restrained gray-gold light, no corpse, severed head, triumphal pose or rout caricature. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
## BGM 选曲
|
||||
|
||||
- 项目曲目：`zhanzhen:dingjunshan#0`｜定军山之战｜电影级配乐·黄忠版·仅用无主唱器乐 stem
|
||||
- 状态：pending-export
|
||||
- 用法：第一幕留出山水纵深，第二幕用分散鼓点表现多点夜攻，第三幕抽空低频，第四幕乘高突击形成唯一高潮，第五幕降温至重新整军；删除歌词与品牌尾签。
|
||||
- 选择理由：项目音乐库有定军山专属黄忠版，结构与本包战术节点一致；仓库暂无成品音频。
|
||||
- 音频路径或 URL：仓库暂缺，待导出
|
||||
|
||||
| 时间 | 分幕 | 编排 |
|
||||
|---|---|---|
|
||||
| 00:00–00:18 | 01 | 沔水与山势缓慢展开。 |
|
||||
| 00:18–00:36 | 02 | 多点夜攻以错位鼓点推进。 |
|
||||
| 00:36–00:53 | 03 | 抽空主鼓表现分兵后的空隙。 |
|
||||
| 00:53–01:11 | 04 | 法正举旗后全奏抬升。 |
|
||||
| 01:11–01:28 | 05 | 战后整军冷收。 |
|
||||
|
||||
## 史料来源
|
||||
|
||||
- 南渡沔水、定军山势作营、黄忠乘高攻破魏军与汉中归属：[《三国志·蜀书·先主传》卷三十二](https://zh.wikisource.org/zh-hans/三国志/卷32)
|
||||
- 法正判断战机与黄忠奋勇破敌：[《三国志·蜀书·法正传》《黄忠传》卷三十七、三十六](https://zh.wikisource.org/zh-hans/三国志/卷37)
|
||||
- 夜烧围鹿角、夏侯渊分兵救火战死与张郃收军：[《三国志·魏书·夏侯渊传》《张郃传》卷九、十七](https://zh.wikisource.org/zh-hans/三国志/卷09)
|
||||
|
||||
## 禁区与误读防护
|
||||
|
||||
- 加入黄忠与夏侯渊阵前单挑、定军山一刀斩将等小说镜头
|
||||
- 虚构雾、风、神迹为胜负决定因素
|
||||
- 把精卒万余误作刘备全军确数，或把魏军画成有明确总兵力
|
||||
- 展示夏侯渊遗体、斩首、血腥救火或尸堆
|
||||
- 现代文字、水印、后世服饰建筑、火器爆炸或动漫画风
|
||||
|
||||
## 交付检查
|
||||
|
||||
- [x] 每幕 PNG 原图存在且为 16:9
|
||||
- [x] 每幕 WebP 交付图存在且为 16:9
|
||||
- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
|
||||
- [ ] BGM 已导出并填写可用路径
|
||||
- [x] `manifest.json` 与本说明中的文件名全部校验通过
|
||||
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@@ -0,0 +1,260 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "木门道之战（张郃追击中箭）",
|
||||
"aliases": [
|
||||
"木门道伏击战",
|
||||
"青封之战",
|
||||
"张郃木门中箭"
|
||||
],
|
||||
"projectDynasty": "蜀汉",
|
||||
"era": "蜀汉后主建兴九年、曹魏明帝太和五年",
|
||||
"date": "公元231年二月至六月",
|
||||
"place": "祁山、青封与木门道（记载地名并见）",
|
||||
"summary": "诸葛亮第四次北伐因粮尽退军，魏将张郃奉命追击；蜀军在青封、木门道一带回身交战，张郃中箭身亡，北伐虽未获地却在退路上除去魏国宿将。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 84,
|
||||
"fullText": "建兴九年二月，诸葛亮再次出兵围攻祁山，并开始使用木牛运输军粮。蜀军深入陇右，补给仍是整场战役的上限。魏军由司马懿统率抵御，双方在祁山与上邽一带相持。到了六月，蜀军粮食耗尽，诸葛亮下令退军。退兵最怕追军咬住队尾，因此蜀军不是仓皇逃走，而是在山道中保持队列，选择可以回身作战的位置。魏国宿将张郃率兵追来。蜀汉后主传记作“追至青封”，张郃本传则记作“追至木门”，两种地名都应保留，不能强行合成一个精确坐标。追军进入狭窄地形后，蜀军从坡地和林间发射弩箭。正史只确认张郃与诸葛亮军交战，飞箭射中右膝，随后去世；没有写明是哪位神射手，也没有个人决斗。张郃死后谥为壮侯。诸葛亮此役因粮尽未能继续攻取，但撤军没有变成溃败，反而让魏国失去一员从汉末征战数十年的名将。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "复围祁山·木牛运粮",
|
||||
"timePlace": "公元231年二月，祁山山道",
|
||||
"purpose": "建立第四次北伐与新运输工具仍无法根治粮道问题。",
|
||||
"narration": "诸葛亮复出围祁山，开始用木牛运运粮。山道上的每一车粮都决定前线能停多久。",
|
||||
"overlay": {
|
||||
"heading": "木牛运粮",
|
||||
"line": "新工具能省力，却不能缩短从汉中到陇右的山路。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "诸葛亮",
|
||||
"office": "蜀汉丞相",
|
||||
"action": "复出围祁山并组织木牛转运"
|
||||
},
|
||||
{
|
||||
"name": "转运军民",
|
||||
"office": "蜀军后勤人员",
|
||||
"action": "沿狭窄山道推动木制独轮或多轮运输器"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-wooden-oxen-supply-qishan.png",
|
||||
"delivery": "images/01-wooden-oxen-supply-qishan.webp",
|
||||
"alt": "祁山栈道与土路上，军民推动结构朴素的木牛式运输车运粮，诸葛亮在路旁核对无字木牍，远处围营不夸张。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Mountain supply road near Qishan. Teams of Shu soldiers and porters push plausible simple wooden “wooden ox” handcarts—compact load-bearing carts with no animal sculpture or fantasy mechanism—carrying grain sacks over switchbacks and rough plank sections. Zhuge Liang, early 50s, slim, composed, plain cap and dark robe over light armor, checks blank tallies beside the road. Distant siege camps remain small. Emphasize logistics, slopes and fatigue, no mechanical steampunk device or readable text. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "木牛具体结构、道路、载重和人物动作是审慎视觉重构；始以木牛运、复出围祁山有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "粮尽退军",
|
||||
"timePlace": "六月，祁山至青封山道",
|
||||
"purpose": "表现有组织的撤退，而非战败溃逃。",
|
||||
"narration": "六月，军粮耗尽。诸葛亮分层撤军，把辎重和弩手安排在可互相掩护的山道。",
|
||||
"overlay": {
|
||||
"heading": "粮尽而退",
|
||||
"line": "这场北伐先被粮道叫停，真正的危险才从退路开始。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "诸葛亮",
|
||||
"office": "蜀军主帅",
|
||||
"action": "因粮尽下令退军并组织后卫"
|
||||
},
|
||||
{
|
||||
"name": "蜀军弩手与转运队",
|
||||
"office": "后卫和辎重",
|
||||
"action": "分层通过狭道，准备阻滞追兵"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-ordered-retreat-through-mountain-road.png",
|
||||
"delivery": "images/02-ordered-retreat-through-mountain-road.webp",
|
||||
"alt": "陇右山道中，粮袋见底的车队先行，蜀军盾弩手在不同坡台交替掩护，诸葛亮指挥队伍有序后撤。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Dry early-summer mountain corridor in Longyou. Nearly empty grain carts and tired porters move first through the pass while Shu shield and crossbow units occupy alternating terraces to cover one another. Zhuge Liang directs spacing from a modest roadside command point. The column is orderly and tense, not fleeing; discarded supplies are minimal. Wide depth makes the exposed rear guard visible. No battle yet, no readable signs or fantasy fortifications. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "车队次序、坡台掩护、粮袋数量与指挥位置为视觉重构；六月粮尽退军有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三",
|
||||
"《三国志·蜀书·诸葛亮传》卷三十五"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "宿将衔尾追来",
|
||||
"timePlace": "青封、木门道方向",
|
||||
"purpose": "建立张郃追击与山道逐渐收窄的风险。",
|
||||
"narration": "张郃率魏军追击。追军沿着蜀军留下的道路进入青封、木门一带。",
|
||||
"overlay": {
|
||||
"heading": "归军勿追",
|
||||
"line": "追击能把撤军变成溃败，也可能让追军自己走进准备好的地形。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "张郃",
|
||||
"office": "魏车骑将军",
|
||||
"action": "率军追击诸葛亮退军"
|
||||
},
|
||||
{
|
||||
"name": "魏军前锋",
|
||||
"office": "追击部队",
|
||||
"action": "沿山道衔尾推进并侦察高处"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-zhang-he-pursues-into-the-pass.png",
|
||||
"delivery": "images/03-zhang-he-pursues-into-the-pass.webp",
|
||||
"alt": "魏国宿将张郃率前锋沿干燥山谷追击，宽路逐渐变成两壁夹峙的木门道，斥候仰看安静坡林，前方只见蜀军远去尘迹。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Veteran Zhang He, now in his late 60s with graying beard, lean face and practical dark gray Wei lamellar armor, leads a measured pursuit column from an open dry valley into a narrowing wooded gorge. Scouts study the quiet slopes while only distant Shu dust marks remain ahead. The landscape gradually closes like a gate, but avoid obvious trap arrows or theatrical foreknowledge. Grounded horses, infantry and late Three Kingdoms gear, no cavalry stampede. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "人物年龄、道路收窄、侦察方式和部队规模为视觉重构；张郃追至青封或木门、与亮军交战有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三",
|
||||
"《三国志·魏书·张郃传》卷十七"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "坡地弩阵回击",
|
||||
"timePlace": "木门道狭窄段",
|
||||
"purpose": "表现撤军后卫利用高差回身交战，不指定射箭者。",
|
||||
"narration": "魏军进入狭道，蜀军在坡地回身列弩。第一轮箭雨压向追击前锋。",
|
||||
"overlay": {
|
||||
"heading": "退路回身",
|
||||
"line": "退军保住队形以后，山道就能从退路变成射界。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "蜀军后卫",
|
||||
"office": "弩手与盾兵",
|
||||
"action": "在坡地与林缘回身阻击追军"
|
||||
},
|
||||
{
|
||||
"name": "张郃",
|
||||
"office": "魏军追将",
|
||||
"action": "率前锋进入弩箭覆盖的狭道"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-crossbows-fire-from-the-slopes.png",
|
||||
"delivery": "images/04-crossbows-fire-from-the-slopes.webp",
|
||||
"alt": "狭窄山道两侧坡台上，蜀军弩手在盾牌后分层齐射，魏军前锋举盾停步，张郃在队中抬手整队，不画箭矢穿体。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Narrow mountain corridor at Mumen. Shu crossbow teams on staggered side terraces fire disciplined volleys from behind shields and timber screens. Below, the Wei vanguard raises shields and halts, trying to maintain formation; Zhang He remains visibly within the command group, signaling order rather than charging alone. Arrows strike earth, shields and carts only—none visibly penetrate bodies. Clear vertical tactical geometry, dust and filtered forest light, no gore. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "弩手位置、齐射节奏、盾阵和张郃所处位置为视觉推演；张郃追至木门与亮军交战、飞矢中膝有史载，但射手身份不详。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·魏书·张郃传》卷十七"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "飞矢中郃·追击停止",
|
||||
"timePlace": "木门道或青封，交战末段",
|
||||
"purpose": "以张郃受伤、魏军护送撤出和蜀军继续退军收束。",
|
||||
"narration": "交战中，飞箭射中张郃右膝。他被部下带离，随后去世；魏军追击就此停止。",
|
||||
"overlay": {
|
||||
"heading": "追击止于木门",
|
||||
"line": "北伐没能前进一步，却在退路上带走了魏国的一员宿将。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "张郃",
|
||||
"office": "魏车骑将军",
|
||||
"action": "交战中右膝中箭，随后去世；不展示伤口"
|
||||
},
|
||||
{
|
||||
"name": "魏军亲兵",
|
||||
"office": "追击队护卫",
|
||||
"action": "用盾牌遮护并把受伤主将带离"
|
||||
},
|
||||
{
|
||||
"name": "蜀军后卫",
|
||||
"office": "撤军掩护部队",
|
||||
"action": "停止追射，继续按序撤离"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-pursuit-ends-at-mumen.png",
|
||||
"delivery": "images/05-pursuit-ends-at-mumen.webp",
|
||||
"alt": "山道箭雨渐停，魏军亲兵用盾围住坐上简易担架的张郃，甲裙遮住伤处；远处蜀军弩手撤离坡地，主力车队继续远去。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. After the volley, Wei guards form a shield canopy around Zhang He as they place him on a simple field litter; his armored skirt and a clean wrapped knee conceal the injury completely, with no blood. The pursuit column turns back out of the gorge in controlled concern. In the distance Shu crossbow teams withdraw from the terraces and their supply column continues away. Somber restraint, no corpse, arrow embedded in flesh, triumphant archer or named killer. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "包扎、担架、撤出顺序与双方克制距离为视觉重构；张郃右膝中飞矢、薨逝与追击停止有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·魏书·张郃传》卷十七",
|
||||
"《三国志·蜀书·后主传》卷三十三"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:jieting#0",
|
||||
"title": "街亭之战",
|
||||
"version": "张郃主题器乐 stem·反向使用",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "将项目内张郃主题从街亭胜势反向改编为追击中的不安：前三幕保持克制，第四幕弩阵短促爆发，第五幕抽去鼓点；删除歌词和品牌尾签。",
|
||||
"reason": "项目没有木门道专属曲；街亭电影级配乐的张郃主题可形成三年前胜、三年后亡的回响，仓库暂无成品音频。",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:17",
|
||||
"scene": "01",
|
||||
"direction": "机械木质脉冲表现运输。"
|
||||
},
|
||||
{
|
||||
"from": "00:17",
|
||||
"to": "00:34",
|
||||
"scene": "02",
|
||||
"direction": "降低重心进入退军。"
|
||||
},
|
||||
{
|
||||
"from": "00:34",
|
||||
"to": "00:51",
|
||||
"scene": "03",
|
||||
"direction": "追击主题逐渐收窄。"
|
||||
},
|
||||
{
|
||||
"from": "00:51",
|
||||
"to": "01:08",
|
||||
"scene": "04",
|
||||
"direction": "弩阵形成一次短促爆发。"
|
||||
},
|
||||
{
|
||||
"from": "01:08",
|
||||
"to": "01:24",
|
||||
"scene": "05",
|
||||
"direction": "鼓点消失，只留低弦。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "围祁山、木牛运粮、粮尽退军、张郃追至青封被箭死",
|
||||
"citation": "《三国志·蜀书·后主传》卷三十三",
|
||||
"url": "https://zh.wikisource.org/zh-hans/三国志/卷33"
|
||||
},
|
||||
{
|
||||
"claim": "张郃追至木门、与亮军交战、右膝中飞矢而薨",
|
||||
"citation": "《三国志·魏书·张郃传》卷十七",
|
||||
"url": "https://zh.wikisource.org/zh-hans/三国志/卷17"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"强行断言青封与木门是完全相同的精确坐标；两种地名应并存",
|
||||
"指定诸葛亮、姜维或某位虚构神射手亲自射中张郃",
|
||||
"把木牛画成自动机械兽、机关战车或蒸汽装置",
|
||||
"表现箭穿膝、流血、尸体，或以敌方死亡作胜利特写",
|
||||
"现代文字、水印、后世服饰建筑、火器爆炸或动漫画风"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,154 @@
|
||||
# 木门道之战（张郃追击中箭）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：木门道之战（张郃追击中箭）
|
||||
- 常用称呼：木门道伏击战、青封之战、张郃木门中箭
|
||||
- 项目归类：蜀汉
|
||||
- 时代：蜀汉后主建兴九年、曹魏明帝太和五年
|
||||
- 日期：公元231年二月至六月
|
||||
- 地点：祁山、青封与木门道（记载地名并见）
|
||||
- 一句话结论：诸葛亮第四次北伐因粮尽退军，魏将张郃奉命追击；蜀军在青封、木门道一带回身交战，张郃中箭身亡，北伐虽未获地却在退路上除去魏国宿将。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
建兴九年二月，诸葛亮再次出兵围攻祁山，并开始使用木牛运输军粮。蜀军深入陇右，补给仍是整场战役的上限。魏军由司马懿统率抵御，双方在祁山与上邽一带相持。到了六月，蜀军粮食耗尽，诸葛亮下令退军。退兵最怕追军咬住队尾，因此蜀军不是仓皇逃走，而是在山道中保持队列，选择可以回身作战的位置。魏国宿将张郃率兵追来。蜀汉后主传记作“追至青封”，张郃本传则记作“追至木门”，两种地名都应保留，不能强行合成一个精确坐标。追军进入狭窄地形后，蜀军从坡地和林间发射弩箭。正史只确认张郃与诸葛亮军交战，飞箭射中右膝，随后去世；没有写明是哪位神射手，也没有个人决斗。张郃死后谥为壮侯。诸葛亮此役因粮尽未能继续攻取，但撤军没有变成溃败，反而让魏国失去一员从汉末征战数十年的名将。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜复围祁山·木牛运粮
|
||||
|
||||
- 时间地点：公元231年二月，祁山山道
|
||||
- 本幕作用：建立第四次北伐与新运输工具仍无法根治粮道问题。
|
||||
- 分幕旁白：诸葛亮复出围祁山，开始用木牛运运粮。山道上的每一车粮都决定前线能停多久。
|
||||
- 页面标题：木牛运粮
|
||||
- 页面短句：新工具能省力，却不能缩短从汉中到陇右的山路。
|
||||
- PNG：`images/01-wooden-oxen-supply-qishan.png`
|
||||
- WebP：`images/01-wooden-oxen-supply-qishan.webp`
|
||||
- 替代文本：祁山栈道与土路上，军民推动结构朴素的木牛式运输车运粮，诸葛亮在路旁核对无字木牍，远处围营不夸张。
|
||||
- 视觉推演边界：木牛具体结构、道路、载重和人物动作是审慎视觉重构；始以木牛运、复出围祁山有史载。
|
||||
- 人物：诸葛亮（蜀汉丞相；复出围祁山并组织木牛转运）；转运军民（蜀军后勤人员；沿狭窄山道推动木制独轮或多轮运输器）
|
||||
- 史料：《三国志·蜀书·后主传》卷三十三
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Mountain supply road near Qishan. Teams of Shu soldiers and porters push plausible simple wooden “wooden ox” handcarts—compact load-bearing carts with no animal sculpture or fantasy mechanism—carrying grain sacks over switchbacks and rough plank sections. Zhuge Liang, early 50s, slim, composed, plain cap and dark robe over light armor, checks blank tallies beside the road. Distant siege camps remain small. Emphasize logistics, slopes and fatigue, no mechanical steampunk device or readable text. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 02｜粮尽退军
|
||||
|
||||
- 时间地点：六月，祁山至青封山道
|
||||
- 本幕作用：表现有组织的撤退，而非战败溃逃。
|
||||
- 分幕旁白：六月，军粮耗尽。诸葛亮分层撤军，把辎重和弩手安排在可互相掩护的山道。
|
||||
- 页面标题：粮尽而退
|
||||
- 页面短句：这场北伐先被粮道叫停，真正的危险才从退路开始。
|
||||
- PNG：`images/02-ordered-retreat-through-mountain-road.png`
|
||||
- WebP：`images/02-ordered-retreat-through-mountain-road.webp`
|
||||
- 替代文本：陇右山道中，粮袋见底的车队先行，蜀军盾弩手在不同坡台交替掩护，诸葛亮指挥队伍有序后撤。
|
||||
- 视觉推演边界：车队次序、坡台掩护、粮袋数量与指挥位置为视觉重构；六月粮尽退军有史载。
|
||||
- 人物：诸葛亮（蜀军主帅；因粮尽下令退军并组织后卫）；蜀军弩手与转运队（后卫和辎重；分层通过狭道，准备阻滞追兵）
|
||||
- 史料：《三国志·蜀书·后主传》卷三十三；《三国志·蜀书·诸葛亮传》卷三十五
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Dry early-summer mountain corridor in Longyou. Nearly empty grain carts and tired porters move first through the pass while Shu shield and crossbow units occupy alternating terraces to cover one another. Zhuge Liang directs spacing from a modest roadside command point. The column is orderly and tense, not fleeing; discarded supplies are minimal. Wide depth makes the exposed rear guard visible. No battle yet, no readable signs or fantasy fortifications. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 03｜宿将衔尾追来
|
||||
|
||||
- 时间地点：青封、木门道方向
|
||||
- 本幕作用：建立张郃追击与山道逐渐收窄的风险。
|
||||
- 分幕旁白：张郃率魏军追击。追军沿着蜀军留下的道路进入青封、木门一带。
|
||||
- 页面标题：归军勿追
|
||||
- 页面短句：追击能把撤军变成溃败，也可能让追军自己走进准备好的地形。
|
||||
- PNG：`images/03-zhang-he-pursues-into-the-pass.png`
|
||||
- WebP：`images/03-zhang-he-pursues-into-the-pass.webp`
|
||||
- 替代文本：魏国宿将张郃率前锋沿干燥山谷追击，宽路逐渐变成两壁夹峙的木门道，斥候仰看安静坡林，前方只见蜀军远去尘迹。
|
||||
- 视觉推演边界：人物年龄、道路收窄、侦察方式和部队规模为视觉重构；张郃追至青封或木门、与亮军交战有史载。
|
||||
- 人物：张郃（魏车骑将军；率军追击诸葛亮退军）；魏军前锋（追击部队；沿山道衔尾推进并侦察高处）
|
||||
- 史料：《三国志·蜀书·后主传》卷三十三；《三国志·魏书·张郃传》卷十七
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Veteran Zhang He, now in his late 60s with graying beard, lean face and practical dark gray Wei lamellar armor, leads a measured pursuit column from an open dry valley into a narrowing wooded gorge. Scouts study the quiet slopes while only distant Shu dust marks remain ahead. The landscape gradually closes like a gate, but avoid obvious trap arrows or theatrical foreknowledge. Grounded horses, infantry and late Three Kingdoms gear, no cavalry stampede. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 04｜坡地弩阵回击
|
||||
|
||||
- 时间地点：木门道狭窄段
|
||||
- 本幕作用：表现撤军后卫利用高差回身交战，不指定射箭者。
|
||||
- 分幕旁白：魏军进入狭道，蜀军在坡地回身列弩。第一轮箭雨压向追击前锋。
|
||||
- 页面标题：退路回身
|
||||
- 页面短句：退军保住队形以后，山道就能从退路变成射界。
|
||||
- PNG：`images/04-crossbows-fire-from-the-slopes.png`
|
||||
- WebP：`images/04-crossbows-fire-from-the-slopes.webp`
|
||||
- 替代文本：狭窄山道两侧坡台上，蜀军弩手在盾牌后分层齐射，魏军前锋举盾停步，张郃在队中抬手整队，不画箭矢穿体。
|
||||
- 视觉推演边界：弩手位置、齐射节奏、盾阵和张郃所处位置为视觉推演；张郃追至木门与亮军交战、飞矢中膝有史载，但射手身份不详。
|
||||
- 人物：蜀军后卫（弩手与盾兵；在坡地与林缘回身阻击追军）；张郃（魏军追将；率前锋进入弩箭覆盖的狭道）
|
||||
- 史料：《三国志·魏书·张郃传》卷十七
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Narrow mountain corridor at Mumen. Shu crossbow teams on staggered side terraces fire disciplined volleys from behind shields and timber screens. Below, the Wei vanguard raises shields and halts, trying to maintain formation; Zhang He remains visibly within the command group, signaling order rather than charging alone. Arrows strike earth, shields and carts only—none visibly penetrate bodies. Clear vertical tactical geometry, dust and filtered forest light, no gore. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 05｜飞矢中郃·追击停止
|
||||
|
||||
- 时间地点：木门道或青封，交战末段
|
||||
- 本幕作用：以张郃受伤、魏军护送撤出和蜀军继续退军收束。
|
||||
- 分幕旁白：交战中，飞箭射中张郃右膝。他被部下带离，随后去世；魏军追击就此停止。
|
||||
- 页面标题：追击止于木门
|
||||
- 页面短句：北伐没能前进一步，却在退路上带走了魏国的一员宿将。
|
||||
- PNG：`images/05-pursuit-ends-at-mumen.png`
|
||||
- WebP：`images/05-pursuit-ends-at-mumen.webp`
|
||||
- 替代文本：山道箭雨渐停，魏军亲兵用盾围住坐上简易担架的张郃，甲裙遮住伤处；远处蜀军弩手撤离坡地，主力车队继续远去。
|
||||
- 视觉推演边界：包扎、担架、撤出顺序与双方克制距离为视觉重构；张郃右膝中飞矢、薨逝与追击停止有史载。
|
||||
- 人物：张郃（魏车骑将军；交战中右膝中箭，随后去世；不展示伤口）；魏军亲兵（追击队护卫；用盾牌遮护并把受伤主将带离）；蜀军后卫（撤军掩护部队；停止追射，继续按序撤离）
|
||||
- 史料：《三国志·魏书·张郃传》卷十七；《三国志·蜀书·后主传》卷三十三
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. After the volley, Wei guards form a shield canopy around Zhang He as they place him on a simple field litter; his armored skirt and a clean wrapped knee conceal the injury completely, with no blood. The pursuit column turns back out of the gorge in controlled concern. In the distance Shu crossbow teams withdraw from the terraces and their supply column continues away. Somber restraint, no corpse, arrow embedded in flesh, triumphant archer or named killer. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
## BGM 选曲
|
||||
|
||||
- 项目曲目：`zhanzhen:jieting#0`｜街亭之战｜张郃主题器乐 stem·反向使用
|
||||
- 状态：pending-export
|
||||
- 用法：将项目内张郃主题从街亭胜势反向改编为追击中的不安：前三幕保持克制，第四幕弩阵短促爆发，第五幕抽去鼓点；删除歌词和品牌尾签。
|
||||
- 选择理由：项目没有木门道专属曲；街亭电影级配乐的张郃主题可形成三年前胜、三年后亡的回响，仓库暂无成品音频。
|
||||
- 音频路径或 URL：仓库暂缺，待导出
|
||||
|
||||
| 时间 | 分幕 | 编排 |
|
||||
|---|---|---|
|
||||
| 00:00–00:17 | 01 | 机械木质脉冲表现运输。 |
|
||||
| 00:17–00:34 | 02 | 降低重心进入退军。 |
|
||||
| 00:34–00:51 | 03 | 追击主题逐渐收窄。 |
|
||||
| 00:51–01:08 | 04 | 弩阵形成一次短促爆发。 |
|
||||
| 01:08–01:24 | 05 | 鼓点消失，只留低弦。 |
|
||||
|
||||
## 史料来源
|
||||
|
||||
- 围祁山、木牛运粮、粮尽退军、张郃追至青封被箭死：[《三国志·蜀书·后主传》卷三十三](https://zh.wikisource.org/zh-hans/三国志/卷33)
|
||||
- 张郃追至木门、与亮军交战、右膝中飞矢而薨：[《三国志·魏书·张郃传》卷十七](https://zh.wikisource.org/zh-hans/三国志/卷17)
|
||||
|
||||
## 禁区与误读防护
|
||||
|
||||
- 强行断言青封与木门是完全相同的精确坐标；两种地名应并存
|
||||
- 指定诸葛亮、姜维或某位虚构神射手亲自射中张郃
|
||||
- 把木牛画成自动机械兽、机关战车或蒸汽装置
|
||||
- 表现箭穿膝、流血、尸体，或以敌方死亡作胜利特写
|
||||
- 现代文字、水印、后世服饰建筑、火器爆炸或动漫画风
|
||||
|
||||
## 交付检查
|
||||
|
||||
- [x] 每幕 PNG 原图存在且为 16:9
|
||||
- [x] 每幕 WebP 交付图存在且为 16:9
|
||||
- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
|
||||
- [ ] BGM 已导出并填写可用路径
|
||||
- [x] `manifest.json` 与本说明中的文件名全部校验通过
|
||||
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@@ -0,0 +1,271 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "洮西之战（姜维大破王经）",
|
||||
"aliases": [
|
||||
"洮西之战",
|
||||
"故关之战",
|
||||
"姜维破王经"
|
||||
],
|
||||
"projectDynasty": "蜀汉",
|
||||
"era": "蜀汉后主延熙十八年、曹魏高贵乡公正元二年",
|
||||
"date": "公元255年夏秋",
|
||||
"place": "洮水西岸、故关、狄道与钟题",
|
||||
"summary": "姜维率军出狄道，在洮西大败魏雍州刺史王经；王经退保狄道。陈泰率援军抵达后解围，姜维未能攻城，退屯钟题。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 86,
|
||||
"fullText": "延熙十八年，姜维再次率军进入陇右，向狄道推进。魏国雍州刺史王经仓促迎战。魏方记载，王经在故关一带与蜀军交锋，退到洮水以西后遭到大败；蜀汉本纪则简洁地写作“与王经战于洮西，大破之”。姜维抓住魏军阵线不稳的时机，分队越过河谷，从正面和侧面压迫。王经部众失去秩序，只能退入狄道城。洮西成为蜀汉后期少见的大捷，但胜利并没有自动带来城池。姜维随即围攻狄道，城中粮食和士气都十分紧张。魏国征西将军陈泰率援军进入陇右，绕行到狄道东南高城岭一带，夜里多举烽火、鸣鼓角，让城内知道援军已经到达。王经军心恢复，姜维则面临外援与坚城的双重压力。最终他没有在狄道城下耗尽兵力，解除包围，退屯钟题。洮西说明蜀军仍能打出一场漂亮的野战，却也说明一次“大破”不足以改变国力与后勤的长期差距。八年以后，蜀汉灭亡。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "复出狄道",
|
||||
"timePlace": "公元255年，陇右狄道方向",
|
||||
"purpose": "建立姜维再度北进与王经仓促迎战。",
|
||||
"narration": "姜维率诸军出狄道。王经没有退守坚城，而是在故关、洮水一线迎战。",
|
||||
"overlay": {
|
||||
"heading": "复出狄道",
|
||||
"line": "两军都在抢时间：一方要在援军前取胜，一方想在城外截住进军。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "姜维",
|
||||
"office": "蜀汉卫将军",
|
||||
"action": "率诸军进入陇右、趋向狄道"
|
||||
},
|
||||
{
|
||||
"name": "王经",
|
||||
"office": "曹魏雍州刺史",
|
||||
"action": "组织州郡兵在城外迎战"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-jiang-wei-advances-on-didao.png",
|
||||
"delivery": "images/01-jiang-wei-advances-on-didao.webp",
|
||||
"alt": "洮河上游宽阔谷地，姜维率蜀军沿河岸分路推进，王经在远处故关附近仓促集结州郡兵，狄道土城轮廓位于更后方。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Broad upper Tao River valley. Jiang Wei, early 50s, lean, focused, gray-streaked moustache and short beard, practical dark teal-brown Shu lamellar armor, leads several separated columns along the riverbank toward Didao. In the distance Wang Jing, a middle-aged Wei provincial commander in muted gray armor, hurriedly assembles mixed garrison and field troops near a modest pass while the low rammed-earth outline of Didao lies farther behind. Clear strategic depth, no giant fortress or exact-number horde. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "行军路线、故关与狄道相对位置、人物外貌及部队构成为视觉重构；姜维出狄道、王经出城迎战有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三",
|
||||
"《三国志·魏书·陈泰传》卷二十二"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "洮水西岸大破",
|
||||
"timePlace": "故关退路至洮西",
|
||||
"purpose": "表现魏军渡河后阵线失序与蜀军多向压迫，不用夸大伤亡。",
|
||||
"narration": "王经退到洮水西岸，蜀军趁其阵列不稳进击。魏军大败，向狄道退却。",
|
||||
"overlay": {
|
||||
"heading": "洮西大破",
|
||||
"line": "河流压住退路以后，一次阵形松动就会沿整条河岸传开。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "姜维",
|
||||
"office": "蜀军主帅",
|
||||
"action": "抓住魏军临水阵线不稳发动进击"
|
||||
},
|
||||
{
|
||||
"name": "王经",
|
||||
"office": "魏雍州刺史",
|
||||
"action": "野战失利后组织部众退保狄道"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-victory-west-of-the-tao-river.png",
|
||||
"delivery": "images/02-victory-west-of-the-tao-river.webp",
|
||||
"alt": "洮水西岸砾石滩与台地间，蜀军盾弩步卒从正面推进，小队沿高岸侧压；魏军放弃临水阵位有序向狄道方向撤退，不画溺亡尸体。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. On gravel bars and terraces west of the Tao River, Shu shield and crossbow infantry press the unstable Wei line frontally while smaller units descend from a higher bank onto one flank. Wang Jing signals a retreat toward Didao as Wei formations disengage under pressure, some supply carts bogged near the water. Show operational defeat without massacre: no drowning people, corpses, bloody weapons or impossible numbers. Cool river light and dusty movement. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "交战队形、侧压路线、车辆受阻和撤退秩序为视觉推演；与王经战于洮西大破之、经退保狄道有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三",
|
||||
"《三国志·魏书·陈泰传》卷二十二"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "王经退保狄道",
|
||||
"timePlace": "狄道城内外",
|
||||
"purpose": "把野战胜利转入围城困局。",
|
||||
"narration": "王经退入狄道，姜维包围城池。城外是胜军，城内仍有可守的墙与等待的援兵。",
|
||||
"overlay": {
|
||||
"heading": "退保狄道",
|
||||
"line": "野战输掉以后，城墙把失败暂时停在了门外。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王经",
|
||||
"office": "狄道守军主将",
|
||||
"action": "收余军入城坚守"
|
||||
},
|
||||
{
|
||||
"name": "姜维",
|
||||
"office": "蜀军主帅",
|
||||
"action": "乘胜围狄道，但未能立即拔城"
|
||||
},
|
||||
{
|
||||
"name": "狄道军民",
|
||||
"office": "城中守军与居民",
|
||||
"action": "修补城防、分配有限水粮"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-wang-jing-holds-didao.png",
|
||||
"delivery": "images/03-wang-jing-holds-didao.webp",
|
||||
"alt": "低矮夯土狄道城门关闭，王经在城头重整残军，城内军民运水修墙；城外姜维军建立分散围营但没有巨型攻城器。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Low rammed-earth walls of Didao after the field defeat. Wang Jing reorganizes tired defenders on the parapet while soldiers and civilians carry water, repair timber braces and count a few grain baskets. Outside, Jiang Wei’s troops establish separated camps and observation posts rather than an unbroken fantasy ring. Both sides are exhausted. No giant trebuchets, palace towers, famine corpses or assault spectacle. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "城墙形制、围营密度、军民分工和物资状态为视觉重构；王经退保狄道、姜维进围有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三",
|
||||
"《三国志·魏书·陈泰传》卷二十二"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "高城岭烽火解围",
|
||||
"timePlace": "狄道东南高城岭，夜间",
|
||||
"purpose": "呈现陈泰援军以烽火鼓角与地形制造到援信号。",
|
||||
"narration": "陈泰援军绕到高城岭，夜举烽火、鸣鼓角。狄道守军知道援军已至，士气重新稳定。",
|
||||
"overlay": {
|
||||
"heading": "岭上火起",
|
||||
"line": "几堆烽火先越过包围，把援军到达的消息送进城里。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "陈泰",
|
||||
"office": "曹魏征西将军",
|
||||
"action": "率援军进入陇右并在高城岭显示兵势"
|
||||
},
|
||||
{
|
||||
"name": "王经",
|
||||
"office": "狄道守将",
|
||||
"action": "从城上确认援军到达"
|
||||
},
|
||||
{
|
||||
"name": "姜维",
|
||||
"office": "蜀军主帅",
|
||||
"action": "面对城内外呼应重新评估围城"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-beacons-on-gaocheng-ridge.png",
|
||||
"delivery": "images/04-beacons-on-gaocheng-ridge.webp",
|
||||
"alt": "夜色高城岭上，陈泰援军依次点起数处烽火并鸣鼓角，远方狄道城头以灯火回应；山谷下蜀军围营转向观察来援方向。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Night on Gaocheng Ridge southeast of Didao. Chen Tai, a composed East Asian commander in his late 40s with plain dark Wei armor and scholar-general bearing, orders several separated beacon fires lit along the ridge while drums and horns are implied by musicians in silhouette. Far across the valley small lights answer from Didao’s wall. Below, Shu siege camps turn shields and scouts toward the new threat. Signal and morale, not magical fire or a city-wide blaze. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "烽火数量、山岭视线、城上回应和围营反应为视觉重构；陈泰援军抵达、夜举烽火鼓角以通城内有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·魏书·陈泰传》卷二十二"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "解围退屯钟题",
|
||||
"timePlace": "狄道至钟题方向",
|
||||
"purpose": "明确蜀军未拔狄道，胜利以主动解围后撤结束。",
|
||||
"narration": "援军已到，狄道仍未攻下。姜维解除包围，率军退屯钟题。",
|
||||
"overlay": {
|
||||
"heading": "大胜未能拔城",
|
||||
"line": "洮西赢下了野战，却没有把胜利变成一座城。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "姜维",
|
||||
"office": "蜀汉卫将军",
|
||||
"action": "权衡援军与坚城后解围退屯钟题"
|
||||
},
|
||||
{
|
||||
"name": "陈泰、王经",
|
||||
"office": "魏援军与守军将领",
|
||||
"action": "内外呼应，使狄道解围"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-jiang-wei-withdraws-to-zhongti.png",
|
||||
"delivery": "images/05-jiang-wei-withdraws-to-zhongti.webp",
|
||||
"alt": "清晨狄道城外，蜀军有序拆除围营、装车向钟题方向撤走，姜维在后队回望；陈泰援军与王经守军保持距离会合，不画追杀。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Cold morning outside Didao. Shu soldiers methodically dismantle fieldworks, load tools and grain onto carts, and withdraw in ordered columns toward Zhongti. Jiang Wei rides with the rear guard and looks back at the unbroken earth-walled city. At a respectful distance Chen Tai’s relief force links with Wang Jing’s defenders without launching a massacre pursuit. The image must feel like a limited victory reaching its logistical boundary, not a rout. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "拆营过程、会师距离、返程方向与人物位置为视觉重构；姜维未拔狄道、解围退屯钟题有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三",
|
||||
"《三国志·魏书·陈泰传》卷二十二"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "mingchangmian:wuzhangyuan_xingluo#2",
|
||||
"title": "五丈原·秋风星落",
|
||||
"version": "姜维承志版·仅复用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "移除五丈原人声叙事，把姜维主题改为先扬后收：第二幕形成野战高潮，第三四幕转为围城压力，第五幕不胜利凯旋而以未拔城的低音结束；删除品牌尾签。",
|
||||
"reason": "项目没有洮西专属曲；音乐库中的姜维承志主题与蜀汉后期视角相符，仓库暂无成品音频。",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:17",
|
||||
"scene": "01",
|
||||
"direction": "行军主题缓慢推进。"
|
||||
},
|
||||
{
|
||||
"from": "00:17",
|
||||
"to": "00:35",
|
||||
"scene": "02",
|
||||
"direction": "洮西野战形成主要高潮。"
|
||||
},
|
||||
{
|
||||
"from": "00:35",
|
||||
"to": "00:52",
|
||||
"scene": "03",
|
||||
"direction": "转入持续围城低频。"
|
||||
},
|
||||
{
|
||||
"from": "00:52",
|
||||
"to": "01:09",
|
||||
"scene": "04",
|
||||
"direction": "烽火出现时改变和声重心。"
|
||||
},
|
||||
{
|
||||
"from": "01:09",
|
||||
"to": "01:26",
|
||||
"scene": "05",
|
||||
"direction": "主动撤围后不完全解决地收束。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "姜维出狄道、战于洮西大破王经、王经退保狄道与姜维退屯钟题",
|
||||
"citation": "《三国志·蜀书·后主传》卷三十三",
|
||||
"url": "https://zh.wikisource.org/zh-hans/三国志/卷33"
|
||||
},
|
||||
{
|
||||
"claim": "王经野战失利、狄道被围与陈泰援军解围过程",
|
||||
"citation": "《三国志·魏书·陈泰传》卷二十二",
|
||||
"url": "https://zh.wikisource.org/zh-hans/三国志/卷22"
|
||||
},
|
||||
{
|
||||
"claim": "姜维后期军事行动及其局限",
|
||||
"citation": "《三国志·蜀书·蒋琬费祎姜维传》卷四十四",
|
||||
"url": "https://zh.wikisource.org/zh-hans/三国志/卷44"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把洮西大胜写成攻克狄道；王经退保城内，姜维最终退屯钟题",
|
||||
"把魏军伤亡数字做成精确可视人海或尸体场面",
|
||||
"把烽火鼓角画成神火、信号弹或火药爆炸",
|
||||
"将姜维表现成单骑击溃魏军，忽略河岸地形与部队协同",
|
||||
"现代文字、水印、后世服饰建筑、火器爆炸或动漫画风"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,155 @@
|
||||
# 洮西之战（姜维大破王经）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：洮西之战（姜维大破王经）
|
||||
- 常用称呼：洮西之战、故关之战、姜维破王经
|
||||
- 项目归类：蜀汉
|
||||
- 时代：蜀汉后主延熙十八年、曹魏高贵乡公正元二年
|
||||
- 日期：公元255年夏秋
|
||||
- 地点：洮水西岸、故关、狄道与钟题
|
||||
- 一句话结论：姜维率军出狄道，在洮西大败魏雍州刺史王经；王经退保狄道。陈泰率援军抵达后解围，姜维未能攻城，退屯钟题。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
延熙十八年，姜维再次率军进入陇右，向狄道推进。魏国雍州刺史王经仓促迎战。魏方记载，王经在故关一带与蜀军交锋，退到洮水以西后遭到大败；蜀汉本纪则简洁地写作“与王经战于洮西，大破之”。姜维抓住魏军阵线不稳的时机，分队越过河谷，从正面和侧面压迫。王经部众失去秩序，只能退入狄道城。洮西成为蜀汉后期少见的大捷，但胜利并没有自动带来城池。姜维随即围攻狄道，城中粮食和士气都十分紧张。魏国征西将军陈泰率援军进入陇右，绕行到狄道东南高城岭一带，夜里多举烽火、鸣鼓角，让城内知道援军已经到达。王经军心恢复，姜维则面临外援与坚城的双重压力。最终他没有在狄道城下耗尽兵力，解除包围，退屯钟题。洮西说明蜀军仍能打出一场漂亮的野战，却也说明一次“大破”不足以改变国力与后勤的长期差距。八年以后，蜀汉灭亡。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜复出狄道
|
||||
|
||||
- 时间地点：公元255年，陇右狄道方向
|
||||
- 本幕作用：建立姜维再度北进与王经仓促迎战。
|
||||
- 分幕旁白：姜维率诸军出狄道。王经没有退守坚城，而是在故关、洮水一线迎战。
|
||||
- 页面标题：复出狄道
|
||||
- 页面短句：两军都在抢时间：一方要在援军前取胜，一方想在城外截住进军。
|
||||
- PNG：`images/01-jiang-wei-advances-on-didao.png`
|
||||
- WebP：`images/01-jiang-wei-advances-on-didao.webp`
|
||||
- 替代文本：洮河上游宽阔谷地，姜维率蜀军沿河岸分路推进，王经在远处故关附近仓促集结州郡兵，狄道土城轮廓位于更后方。
|
||||
- 视觉推演边界：行军路线、故关与狄道相对位置、人物外貌及部队构成为视觉重构；姜维出狄道、王经出城迎战有史载。
|
||||
- 人物：姜维（蜀汉卫将军；率诸军进入陇右、趋向狄道）；王经（曹魏雍州刺史；组织州郡兵在城外迎战）
|
||||
- 史料：《三国志·蜀书·后主传》卷三十三；《三国志·魏书·陈泰传》卷二十二
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Broad upper Tao River valley. Jiang Wei, early 50s, lean, focused, gray-streaked moustache and short beard, practical dark teal-brown Shu lamellar armor, leads several separated columns along the riverbank toward Didao. In the distance Wang Jing, a middle-aged Wei provincial commander in muted gray armor, hurriedly assembles mixed garrison and field troops near a modest pass while the low rammed-earth outline of Didao lies farther behind. Clear strategic depth, no giant fortress or exact-number horde. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 02｜洮水西岸大破
|
||||
|
||||
- 时间地点：故关退路至洮西
|
||||
- 本幕作用：表现魏军渡河后阵线失序与蜀军多向压迫，不用夸大伤亡。
|
||||
- 分幕旁白：王经退到洮水西岸，蜀军趁其阵列不稳进击。魏军大败，向狄道退却。
|
||||
- 页面标题：洮西大破
|
||||
- 页面短句：河流压住退路以后，一次阵形松动就会沿整条河岸传开。
|
||||
- PNG：`images/02-victory-west-of-the-tao-river.png`
|
||||
- WebP：`images/02-victory-west-of-the-tao-river.webp`
|
||||
- 替代文本：洮水西岸砾石滩与台地间，蜀军盾弩步卒从正面推进，小队沿高岸侧压；魏军放弃临水阵位有序向狄道方向撤退，不画溺亡尸体。
|
||||
- 视觉推演边界：交战队形、侧压路线、车辆受阻和撤退秩序为视觉推演；与王经战于洮西大破之、经退保狄道有史载。
|
||||
- 人物：姜维（蜀军主帅；抓住魏军临水阵线不稳发动进击）；王经（魏雍州刺史；野战失利后组织部众退保狄道）
|
||||
- 史料：《三国志·蜀书·后主传》卷三十三；《三国志·魏书·陈泰传》卷二十二
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. On gravel bars and terraces west of the Tao River, Shu shield and crossbow infantry press the unstable Wei line frontally while smaller units descend from a higher bank onto one flank. Wang Jing signals a retreat toward Didao as Wei formations disengage under pressure, some supply carts bogged near the water. Show operational defeat without massacre: no drowning people, corpses, bloody weapons or impossible numbers. Cool river light and dusty movement. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 03｜王经退保狄道
|
||||
|
||||
- 时间地点：狄道城内外
|
||||
- 本幕作用：把野战胜利转入围城困局。
|
||||
- 分幕旁白：王经退入狄道，姜维包围城池。城外是胜军，城内仍有可守的墙与等待的援兵。
|
||||
- 页面标题：退保狄道
|
||||
- 页面短句：野战输掉以后，城墙把失败暂时停在了门外。
|
||||
- PNG：`images/03-wang-jing-holds-didao.png`
|
||||
- WebP：`images/03-wang-jing-holds-didao.webp`
|
||||
- 替代文本：低矮夯土狄道城门关闭，王经在城头重整残军，城内军民运水修墙；城外姜维军建立分散围营但没有巨型攻城器。
|
||||
- 视觉推演边界：城墙形制、围营密度、军民分工和物资状态为视觉重构；王经退保狄道、姜维进围有史载。
|
||||
- 人物：王经（狄道守军主将；收余军入城坚守）；姜维（蜀军主帅；乘胜围狄道，但未能立即拔城）；狄道军民（城中守军与居民；修补城防、分配有限水粮）
|
||||
- 史料：《三国志·蜀书·后主传》卷三十三；《三国志·魏书·陈泰传》卷二十二
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Low rammed-earth walls of Didao after the field defeat. Wang Jing reorganizes tired defenders on the parapet while soldiers and civilians carry water, repair timber braces and count a few grain baskets. Outside, Jiang Wei’s troops establish separated camps and observation posts rather than an unbroken fantasy ring. Both sides are exhausted. No giant trebuchets, palace towers, famine corpses or assault spectacle. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 04｜高城岭烽火解围
|
||||
|
||||
- 时间地点：狄道东南高城岭，夜间
|
||||
- 本幕作用：呈现陈泰援军以烽火鼓角与地形制造到援信号。
|
||||
- 分幕旁白：陈泰援军绕到高城岭，夜举烽火、鸣鼓角。狄道守军知道援军已至，士气重新稳定。
|
||||
- 页面标题：岭上火起
|
||||
- 页面短句：几堆烽火先越过包围，把援军到达的消息送进城里。
|
||||
- PNG：`images/04-beacons-on-gaocheng-ridge.png`
|
||||
- WebP：`images/04-beacons-on-gaocheng-ridge.webp`
|
||||
- 替代文本：夜色高城岭上，陈泰援军依次点起数处烽火并鸣鼓角，远方狄道城头以灯火回应；山谷下蜀军围营转向观察来援方向。
|
||||
- 视觉推演边界：烽火数量、山岭视线、城上回应和围营反应为视觉重构；陈泰援军抵达、夜举烽火鼓角以通城内有史载。
|
||||
- 人物：陈泰（曹魏征西将军；率援军进入陇右并在高城岭显示兵势）；王经（狄道守将；从城上确认援军到达）；姜维（蜀军主帅；面对城内外呼应重新评估围城）
|
||||
- 史料：《三国志·魏书·陈泰传》卷二十二
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Night on Gaocheng Ridge southeast of Didao. Chen Tai, a composed East Asian commander in his late 40s with plain dark Wei armor and scholar-general bearing, orders several separated beacon fires lit along the ridge while drums and horns are implied by musicians in silhouette. Far across the valley small lights answer from Didao’s wall. Below, Shu siege camps turn shields and scouts toward the new threat. Signal and morale, not magical fire or a city-wide blaze. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 05｜解围退屯钟题
|
||||
|
||||
- 时间地点：狄道至钟题方向
|
||||
- 本幕作用：明确蜀军未拔狄道，胜利以主动解围后撤结束。
|
||||
- 分幕旁白：援军已到，狄道仍未攻下。姜维解除包围，率军退屯钟题。
|
||||
- 页面标题：大胜未能拔城
|
||||
- 页面短句：洮西赢下了野战，却没有把胜利变成一座城。
|
||||
- PNG：`images/05-jiang-wei-withdraws-to-zhongti.png`
|
||||
- WebP：`images/05-jiang-wei-withdraws-to-zhongti.webp`
|
||||
- 替代文本：清晨狄道城外，蜀军有序拆除围营、装车向钟题方向撤走，姜维在后队回望；陈泰援军与王经守军保持距离会合，不画追杀。
|
||||
- 视觉推演边界：拆营过程、会师距离、返程方向与人物位置为视觉重构；姜维未拔狄道、解围退屯钟题有史载。
|
||||
- 人物：姜维（蜀汉卫将军；权衡援军与坚城后解围退屯钟题）；陈泰、王经（魏援军与守军将领；内外呼应，使狄道解围）
|
||||
- 史料：《三国志·蜀书·后主传》卷三十三；《三国志·魏书·陈泰传》卷二十二
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Cold morning outside Didao. Shu soldiers methodically dismantle fieldworks, load tools and grain onto carts, and withdraw in ordered columns toward Zhongti. Jiang Wei rides with the rear guard and looks back at the unbroken earth-walled city. At a respectful distance Chen Tai’s relief force links with Wang Jing’s defenders without launching a massacre pursuit. The image must feel like a limited victory reaching its logistical boundary, not a rout. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
## BGM 选曲
|
||||
|
||||
- 项目曲目：`mingchangmian:wuzhangyuan_xingluo#2`｜五丈原·秋风星落｜姜维承志版·仅复用无主唱器乐 stem
|
||||
- 状态：pending-export
|
||||
- 用法：移除五丈原人声叙事，把姜维主题改为先扬后收：第二幕形成野战高潮，第三四幕转为围城压力，第五幕不胜利凯旋而以未拔城的低音结束；删除品牌尾签。
|
||||
- 选择理由：项目没有洮西专属曲；音乐库中的姜维承志主题与蜀汉后期视角相符，仓库暂无成品音频。
|
||||
- 音频路径或 URL：仓库暂缺，待导出
|
||||
|
||||
| 时间 | 分幕 | 编排 |
|
||||
|---|---|---|
|
||||
| 00:00–00:17 | 01 | 行军主题缓慢推进。 |
|
||||
| 00:17–00:35 | 02 | 洮西野战形成主要高潮。 |
|
||||
| 00:35–00:52 | 03 | 转入持续围城低频。 |
|
||||
| 00:52–01:09 | 04 | 烽火出现时改变和声重心。 |
|
||||
| 01:09–01:26 | 05 | 主动撤围后不完全解决地收束。 |
|
||||
|
||||
## 史料来源
|
||||
|
||||
- 姜维出狄道、战于洮西大破王经、王经退保狄道与姜维退屯钟题：[《三国志·蜀书·后主传》卷三十三](https://zh.wikisource.org/zh-hans/三国志/卷33)
|
||||
- 王经野战失利、狄道被围与陈泰援军解围过程：[《三国志·魏书·陈泰传》卷二十二](https://zh.wikisource.org/zh-hans/三国志/卷22)
|
||||
- 姜维后期军事行动及其局限：[《三国志·蜀书·蒋琬费祎姜维传》卷四十四](https://zh.wikisource.org/zh-hans/三国志/卷44)
|
||||
|
||||
## 禁区与误读防护
|
||||
|
||||
- 把洮西大胜写成攻克狄道；王经退保城内，姜维最终退屯钟题
|
||||
- 把魏军伤亡数字做成精确可视人海或尸体场面
|
||||
- 把烽火鼓角画成神火、信号弹或火药爆炸
|
||||
- 将姜维表现成单骑击溃魏军，忽略河岸地形与部队协同
|
||||
- 现代文字、水印、后世服饰建筑、火器爆炸或动漫画风
|
||||
|
||||
## 交付检查
|
||||
|
||||
- [x] 每幕 PNG 原图存在且为 16:9
|
||||
- [x] 每幕 WebP 交付图存在且为 16:9
|
||||
- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
|
||||
- [ ] BGM 已导出并填写可用路径
|
||||
- [x] `manifest.json` 与本说明中的文件名全部校验通过
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "街亭之战·诸葛亮第一次北伐",
|
||||
"aliases": ["街亭之战·诸葛亮首次北伐", "街亭之战"],
|
||||
"era": "三国·蜀汉建兴六年／曹魏太和二年",
|
||||
"date": "228年春",
|
||||
"place": "街亭（今址有争议；常见考订指今甘肃天水秦安陇城一带）",
|
||||
"summary": "马谡舍水上山，张郃绝其汲道而大破蜀军；街亭失守使诸葛亮第一次北伐失去前进支点，最终退回汉中。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 82,
|
||||
"fullText": "建兴六年春，诸葛亮第一次北伐出祁山。南安、天水、安定三郡响应，关中震动。街亭，是守住这股攻势的要口。众人主张用魏延、吴壹等宿将，诸葛亮却拔马谡统领前锋。马谡到了街亭，没有据城守水，反而舍水上山。王平接连劝阻，他没有听。魏将张郃不急攻山，只先切断汲水之道。烈日之下，山上的军阵从干渴开始崩散，张郃乘势击破。败局中，王平只领千人鸣鼓自持。张郃疑有伏兵，没有逼近；王平这才徐徐收拢逃散士卒，全军而还。街亭失守，诸葛亮进无所据，只得拔西县千余家退回汉中。三郡复归于魏。事后，诸葛亮上疏自责，请贬三等；马谡被系狱，正史对其究竟伏诛还是死于狱中记载不一。第一次北伐最好的机会，就这样断在一条没有守住的水道上。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "三郡响应",
|
||||
"timePlace": "228年春，祁山与陇右",
|
||||
"purpose": "交代第一次北伐开局之盛，以及街亭为何关系全局。",
|
||||
"narration": "建兴六年春，诸葛亮第一次北伐出祁山。南安、天水、安定三郡响应，关中震动。街亭，是守住这股攻势的要口。",
|
||||
"overlay": {"heading": "三郡响应", "line": "北伐刚刚打开陇右，街亭便成了必须守住的门闩。"},
|
||||
"people": [
|
||||
{"name": "诸葛亮", "office": "蜀汉丞相、第一次北伐全军统帅", "action": "率主力攻祁山；本人不在街亭前线"}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-three-commandaries-rise.png",
|
||||
"delivery": "images/01-three-commandaries-rise.webp",
|
||||
"alt": "冷色晨光下，诸葛亮在山谷军帐中按着地图，信使与行军队列从祁山方向进入陇右。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story scene, 16:9 landscape. Scene 1 of the Battle of Jieting sequence, spring 228 CE: Zhuge Liang, around age 47, composed and lean, in a late Eastern Han military command camp near Qishan, studying a cloth map while messengers arrive; beyond the tent, disciplined Shu Han columns move through a dry Longyou valley and distant fortified settlements suggest three commanderies responding. Cinematic historical realism, dusty blue-gray and muted ochre, cold dawn, worn linen and lacquered lamellar armor, negative space for overlay. Strict third-century China; no modern objects, firearms, Ming/Qing armor, fantasy, feather-fan emphasis, text, logos, UI or watermark.",
|
||||
"visualInference": "军帐位置、信使到达的具体瞬间、远处城寨与旗帜为叙事性构图。"
|
||||
},
|
||||
"sources": ["《三国志·魏书·明帝纪》", "《三国志·蜀书·诸葛亮传》"]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "舍水上山",
|
||||
"timePlace": "228年春，街亭山地与水道",
|
||||
"purpose": "呈现导致战败的部署选择，以及王平劝谏不从。",
|
||||
"narration": "众人主张用魏延、吴壹等宿将，诸葛亮却拔马谡统领前锋。马谡到了街亭，没有据城守水，反而舍水上山。王平接连劝阻，他没有听。",
|
||||
"overlay": {"heading": "舍水上山", "line": "山势看似可恃，真正的命门却在山下那条水道。"},
|
||||
"people": [
|
||||
{"name": "马谡", "office": "参军、街亭前锋主将", "action": "违节度，舍水上山，不下据城"},
|
||||
{"name": "王平", "office": "裨将军、马谡先锋部将", "action": "接连规劝马谡守住水道，未被采纳"},
|
||||
{"name": "诸葛亮", "office": "蜀汉丞相、全军统帅", "action": "违众拔马谡统前锋；不在本幕画面"}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-abandon-water-climb-ridge.png",
|
||||
"delivery": "images/02-abandon-water-climb-ridge.webp",
|
||||
"alt": "干燥山坡上，马谡指向高处命令扎营，披甲的王平则指向山下水道和街亭据点劝阻。",
|
||||
"prompt": "Use case: historical-scene. Same visual world as Scene 1. Scene 2, spring 228 CE: on a dry mountain slope above Jieting, Ma Su, a confident but inexperienced Shu staff officer, points upward and orders camp on the ridge; Wang Ping, a battle-worn practical general in plain lamellar armor, urgently indicates the watercourse, road and fortified settlement below. Soldiers carry stakes uphill. Wide diagonal composition from stream to ridge, hard late-morning light, late-Han realism, muted ochre/blue-gray, negative space for overlay. No modern objects, firearms, Ming/Qing armor, fantasy, feather fan, text, logos, UI or watermark.",
|
||||
"visualInference": "山坡朝向、城寨外观、人物站位和白昼光线为视觉重构；街亭确址与地貌细节有争议。"
|
||||
},
|
||||
"sources": ["《三国志·蜀书·马良传》", "《三国志·蜀书·王平传》", "《三国志·魏书·张郃传》"]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "绝其汲道",
|
||||
"timePlace": "228年春，街亭山下水道",
|
||||
"purpose": "用断水而非斗将表现张郃识地形、抓住蜀军死穴的制胜方式。",
|
||||
"narration": "魏将张郃不急攻山，只先切断汲水之道。烈日之下，山上的军阵从干渴开始崩散，张郃乘势击破。",
|
||||
"overlay": {"heading": "绝其汲道", "line": "张郃没有仰攻高地，而是先让那座山失去水。"},
|
||||
"people": [
|
||||
{"name": "张郃", "office": "曹魏右将军、街亭前线主将", "action": "督诸军切断汲道，击破马谡"},
|
||||
{"name": "马谡", "office": "蜀汉前锋主将", "action": "山上军阵因失水、失序而溃"}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-cut-the-waterline.png",
|
||||
"delivery": "images/03-cut-the-waterline.webp",
|
||||
"alt": "张郃骑马立在山下溪流旁，魏军沿水道列阵封锁，远处高坡上的蜀军营地被隔绝。",
|
||||
"prompt": "Use case: historical-scene. Same visual world and terrain as prior scenes. Scene 3: beside the stream, veteran Wei commander Zhang He in restrained late-Han armor directs disciplined infantry and cavalry to occupy the road and watercourse below the mountain; Ma Su's camp is isolated in heat haze on the ridge, with soldiers and empty jars looking toward the blocked stream. Wide strategic composition, merciless afternoon sun, cold tactical patience, no heroic duel. Strict third-century China, no modern objects, firearms, Ming/Qing armor, fantasy, gore, burning siege engines, text, logos, UI or watermark.",
|
||||
"visualInference": "魏军封锁线的具体阵形、骑兵比例、烈日与空水器为可视化补全；史书未记当日天气与确切兵数。"
|
||||
},
|
||||
"sources": ["《三国志·魏书·张郃传》", "《三国志·蜀书·诸葛亮传》"]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "鸣鼓收军",
|
||||
"timePlace": "街亭败局展开后，蜀军撤退方向",
|
||||
"purpose": "从全线溃败中突出王平以千人稳阵、收合遗众的真实功绩。",
|
||||
"narration": "败局中，王平只领千人鸣鼓自持。张郃疑有伏兵，没有逼近；王平这才徐徐收拢逃散士卒，全军而还。",
|
||||
"overlay": {"heading": "鸣鼓不退", "line": "街亭已经败了，王平却让一千人没有跟着败局一起散掉。"},
|
||||
"people": [
|
||||
{"name": "王平", "office": "蜀汉裨将军", "action": "领千人鸣鼓自持，徐徐收合诸营遗众而还"},
|
||||
{"name": "张郃", "office": "曹魏右将军", "action": "疑有伏兵，未继续逼迫王平部"}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-drums-hold-the-line.png",
|
||||
"delivery": "images/04-drums-hold-the-line.webp",
|
||||
"alt": "暮色山谷里，王平站在战鼓旁维持整齐队列，远处魏军骑兵停下，逃散士卒向鼓阵聚拢。",
|
||||
"prompt": "Use case: historical-scene. Same late-Han world and Jieting terrain. Scene 4: after Ma Su's force breaks, Wang Ping holds roughly one thousand men in compact disciplined formation at dusk beside plain war drums; tired Shu soldiers keep ranks, halted Wei cavalry watches from across a dusty gap because they suspect an ambush, and scattered soldiers move toward Wang Ping's formation. Wide low-angle composition, blue dusk and last ochre sunlight, dignity salvaged from defeat. No triumph, modern objects, firearms, Ming/Qing armor, fantasy, huge army numbers, gore, text, logos, UI or watermark.",
|
||||
"visualInference": "暮色、鼓的数量与排列、两军可视距离为镜头化处理；史书只明确千人鸣鼓自持与张郃疑伏不逼。"
|
||||
},
|
||||
"sources": ["《三国志·蜀书·王平传》"]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "退军自贬",
|
||||
"timePlace": "街亭败后，蜀军退还汉中途中",
|
||||
"purpose": "收束第一次北伐失败、三郡复失、诸葛亮引咎与马谡结局歧义。",
|
||||
"narration": "街亭失守，诸葛亮进无所据，只得拔西县千余家退回汉中。三郡复归于魏。事后，诸葛亮上疏自责，请贬三等；马谡被系狱，正史对其究竟伏诛还是死于狱中记载不一。第一次北伐最好的机会，就这样断在一条没有守住的水道上。",
|
||||
"overlay": {"heading": "进无所据", "line": "失去的不是一座山，而是第一次北伐继续向前的支点。"},
|
||||
"people": [
|
||||
{"name": "诸葛亮", "office": "蜀汉丞相、全军统帅", "action": "退军还汉中，上疏引咎，请自贬三等"},
|
||||
{"name": "马谡", "office": "街亭败将", "action": "败后系狱；正史对伏诛或狱中物故的记载不一"},
|
||||
{"name": "西县千余家", "office": "被迁百姓", "action": "随蜀军撤回汉中"}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-retreat-and-accountability.png",
|
||||
"delivery": "images/05-retreat-and-accountability.webp",
|
||||
"alt": "月夜下，诸葛亮在撤军军帐中放下官印，帐外军队与迁徙百姓沿山路离开陇右。",
|
||||
"prompt": "Use case: historical-scene. Same five-scene world; preserve Zhuge Liang's established lean appearance. Scene 5: in a sparse Shu command tent at night during withdrawal toward Hanzhong, Zhuge Liang sits upright but burdened at the map table and places an official seal beside an unreadable memorial scroll, symbolizing his request to be demoted; outside, soldiers and displaced families descend the mountain road with pack animals. Cold moonlight and one oil lamp, restrained accountability, no melodrama. Strict third-century China; no modern objects, firearms, Ming/Qing costume, fantasy, feather fan, execution, gore, visible writing, text, logos, UI or watermark.",
|
||||
"visualInference": "夜间军帐、放下官印的动作与撤退队列同框属于象征性组合；史书未记上疏发生的具体帐幕、时刻或姿势。"
|
||||
},
|
||||
"sources": ["《三国志·蜀书·诸葛亮传》", "《三国志·蜀书·马良传》", "《三国志·蜀书·王平传》", "《三国志·魏书·明帝纪》"]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:jieting#0",
|
||||
"title": "街亭之战",
|
||||
"version": "电影级配乐（建议生成纯伴奏）",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "生成无主唱纯伴奏版；如只得到人声版，使用伴奏或去人声 stem，并在旁白下压低。",
|
||||
"reason": "70 BPM 冷环境极简配乐以热浪、滴答、箫与古琴泛音表现断水后缓慢收紧的战术压力，没有英雄式爆点，能覆盖从北伐起势到退军自贬的完整情绪弧。",
|
||||
"cues": [
|
||||
{"from": "00:00", "to": "00:14", "scene": "01", "direction": "热浪底噪与极轻脉冲，从冷晨和行军远景起，不要过早给鼓点。"},
|
||||
{"from": "00:14", "to": "00:31", "scene": "02", "direction": "加入稀疏滴答与单个古琴泛音；马谡指向山顶时和声收紧半音。"},
|
||||
{"from": "00:31", "to": "00:48", "scene": "03", "direction": "低频缓慢逼近；切断汲水之道落在第一次明显低音进入。"},
|
||||
{"from": "00:48", "to": "01:03", "scene": "04", "direction": "收薄到近静音，只保留稳态脉冲给鼓阵画面，不做凯旋高潮。"},
|
||||
{"from": "01:03", "to": "01:22", "scene": "05", "direction": "重新引入低频后逐层抽空；末句后只留一口箫气并断入静默。"}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{"claim": "诸葛亮第一次北伐、三郡响应与街亭败后撤退", "citation": "《三国志·魏书·明帝纪》《三国志·蜀书·诸葛亮传》"},
|
||||
{"claim": "违众拔马谡、士卒离散与马谡下狱物故", "citation": "《三国志·蜀书·马良传》"},
|
||||
{"claim": "舍水上山、王平连谏、千人鸣鼓收军", "citation": "《三国志·蜀书·王平传》"},
|
||||
{"claim": "马谡不下据城、张郃绝汲道并平三郡", "citation": "《三国志·魏书·张郃传》"},
|
||||
{"claim": "项目内战役档案与音乐方案", "citation": "digital-me-backend/src/zhanzhenData.js；digital-me-backend/src/zhanzhenDangan.js；digital-me-backend/src/data/music-library.json"}
|
||||
],
|
||||
"blacklist": [
|
||||
"诸葛亮在街亭前线亲自指挥",
|
||||
"空城计与城楼抚琴退司马懿",
|
||||
"公开刑场挥泪斩马谡",
|
||||
"把马谡伏诛或狱中物故写成无争议定论",
|
||||
"马谡与张郃单挑",
|
||||
"诸葛亮与司马懿在街亭对阵",
|
||||
"借东风、火攻等无关桥段",
|
||||
"把王平千人当成蜀军总兵力",
|
||||
"把街亭今址写成无争议定论",
|
||||
"明清盔甲城楼、京剧脸谱、夸张羽扇纶巾或仙术化视觉"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,150 @@
|
||||
# 街亭之战·诸葛亮第一次北伐｜素材说明
|
||||
|
||||
- 用户原称：街亭之战·诸葛亮首次北伐
|
||||
- 规范事件名：街亭之战·诸葛亮第一次北伐
|
||||
- 时代：三国·蜀汉建兴六年／曹魏太和二年（228年）
|
||||
- 时间：建兴六年春
|
||||
- 地点：街亭；今址有争议，常见考订指向今甘肃天水秦安陇城一带，不作定论
|
||||
- 一句话结论：马谡舍水上山，张郃绝其汲道而大破蜀军；街亭失守使诸葛亮第一次北伐失去前进支点，最终退回汉中。
|
||||
|
||||
## 约 82 秒主旁白
|
||||
|
||||
建兴六年春，诸葛亮第一次北伐出祁山。南安、天水、安定三郡响应，关中震动。街亭，是守住这股攻势的要口。众人主张用魏延、吴壹等宿将，诸葛亮却拔马谡统领前锋。马谡到了街亭，没有据城守水，反而舍水上山。王平接连劝阻，他没有听。魏将张郃不急攻山，只先切断汲水之道。烈日之下，山上的军阵从干渴开始崩散，张郃乘势击破。败局中，王平只领千人鸣鼓自持。张郃疑有伏兵，没有逼近；王平这才徐徐收拢逃散士卒，全军而还。街亭失守，诸葛亮进无所据，只得拔西县千余家退回汉中。三郡复归于魏。事后，诸葛亮上疏自责，请贬三等；马谡被系狱，正史对其究竟伏诛还是死于狱中记载不一。第一次北伐最好的机会，就这样断在一条没有守住的水道上。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 第一幕｜三郡响应
|
||||
|
||||
- 时间地点：228年春，祁山与陇右
|
||||
- 叙事作用：交代第一次北伐开局之盛，以及街亭为何关系全局。
|
||||
- 旁白：建兴六年春，诸葛亮第一次北伐出祁山。南安、天水、安定三郡响应，关中震动。街亭，是守住这股攻势的要口。
|
||||
- 叠字标题：三郡响应
|
||||
- 一句短文案：北伐刚刚打开陇右，街亭便成了必须守住的门闩。
|
||||
- 人物标签：
|
||||
- 诸葛亮／蜀汉丞相、第一次北伐全军统帅／率主力攻祁山；本人不在街亭前线
|
||||
- 图片：`images/01-three-commandaries-rise.png`、`images/01-three-commandaries-rise.webp`
|
||||
- 画面说明：诸葛亮在祁山军营查看地图，信使抵达；营外军列进入陇右山谷，远处城寨暗示三郡响应。
|
||||
- 替代文本：冷色晨光下，诸葛亮在山谷军帐中按着地图，信使与行军队列从祁山方向进入陇右。
|
||||
- 最终提示词摘要：228年春祁山军营，诸葛亮主持第一次北伐，陇右山谷、行军纵队与三郡响应的远景；东汉末年写实、冷灰赭土、16:9、无文字。
|
||||
- 视觉补全：军帐位置、信使到达的具体瞬间、远处城寨与旗帜均为叙事性构图，不是史料逐项记载。
|
||||
- 史实依据：《三国志·魏书·明帝纪》《三国志·蜀书·诸葛亮传》。
|
||||
|
||||
### 第二幕｜舍水上山
|
||||
|
||||
- 时间地点：228年春，街亭山地与水道
|
||||
- 叙事作用：呈现导致战败的部署选择，以及王平劝谏不从。
|
||||
- 旁白：众人主张用魏延、吴壹等宿将，诸葛亮却拔马谡统领前锋。马谡到了街亭，没有据城守水，反而舍水上山。王平接连劝阻，他没有听。
|
||||
- 叠字标题：舍水上山
|
||||
- 一句短文案：山势看似可恃，真正的命门却在山下那条水道。
|
||||
- 人物标签：
|
||||
- 马谡／参军、街亭前锋主将／违节度，舍水上山，不下据城
|
||||
- 王平／裨将军、马谡先锋部将／接连规劝马谡守住水道，未被采纳
|
||||
- 诸葛亮／蜀汉丞相、全军统帅／违众拔马谡统前锋；不在本幕画面
|
||||
- 图片：`images/02-abandon-water-climb-ridge.png`、`images/02-abandon-water-climb-ridge.webp`
|
||||
- 画面说明：马谡指挥军士把营具搬上高坡，王平在下方指向水道、道路与可守据点急切劝阻。
|
||||
- 替代文本：干燥山坡上，马谡指向高处命令扎营，披甲的王平则指向山下水道和街亭据点劝阻。
|
||||
- 最终提示词摘要：街亭干燥山坡，马谡命军上山，王平指向水源与道路劝阻；强调人物立场和地形关系，东汉末年写实、16:9、无文字。
|
||||
- 视觉补全：山坡朝向、城寨外观、人物站位和白昼光线为视觉重构；街亭确址与地貌细节有争议。
|
||||
- 史实依据：《三国志·蜀书·马良传》《三国志·蜀书·王平传》《三国志·魏书·张郃传》。
|
||||
|
||||
### 第三幕｜绝其汲道
|
||||
|
||||
- 时间地点：228年春，街亭山下水道
|
||||
- 叙事作用：用“断水而非斗将”表现张郃识地形、抓住蜀军死穴的制胜方式。
|
||||
- 旁白：魏将张郃不急攻山，只先切断汲水之道。烈日之下，山上的军阵从干渴开始崩散，张郃乘势击破。
|
||||
- 叠字标题：绝其汲道
|
||||
- 一句短文案：张郃没有仰攻高地，而是先让那座山失去水。
|
||||
- 人物标签：
|
||||
- 张郃／曹魏右将军、街亭前线主将／督诸军切断汲道，击破马谡
|
||||
- 马谡／蜀汉前锋主将／山上军阵因失水、失序而溃
|
||||
- 图片：`images/03-cut-the-waterline.png`、`images/03-cut-the-waterline.webp`
|
||||
- 画面说明：张郃在水道旁布置步骑封锁，山上的蜀营被孤立，士卒带空水器望向被控制的溪流。
|
||||
- 替代文本：张郃骑马立在山下溪流旁，魏军沿水道列阵封锁，远处高坡上的蜀军营地被隔绝。
|
||||
- 最终提示词摘要：街亭水道低机位，张郃沉着控制道路与溪流，高处蜀营在热浪中孤立；不画单挑，以战术和空间关系表达胜负，16:9、无文字。
|
||||
- 视觉补全：魏军封锁线的具体阵形、骑兵比例、烈日与空水器为不改变史实走向的可视化补全；史书未记当日天气与确切兵数。
|
||||
- 史实依据：《三国志·魏书·张郃传》《三国志·蜀书·诸葛亮传》。
|
||||
|
||||
### 第四幕｜鸣鼓收军
|
||||
|
||||
- 时间地点：街亭败局展开后，蜀军撤退方向
|
||||
- 叙事作用：从全线溃败中突出王平以千人稳阵、收合遗众的真实功绩。
|
||||
- 旁白：败局中，王平只领千人鸣鼓自持。张郃疑有伏兵，没有逼近；王平这才徐徐收拢逃散士卒，全军而还。
|
||||
- 叠字标题：鸣鼓不退
|
||||
- 一句短文案：街亭已经败了，王平却让一千人没有跟着败局一起散掉。
|
||||
- 人物标签：
|
||||
- 王平／蜀汉裨将军／领千人鸣鼓自持，徐徐收合诸营遗众而还
|
||||
- 张郃／曹魏右将军／疑有伏兵，未继续逼迫王平部
|
||||
- 图片：`images/04-drums-hold-the-line.png`、`images/04-drums-hold-the-line.webp`
|
||||
- 画面说明：暮色中，王平与千人鼓阵保持秩序；对面魏骑停步观察，溃散士卒向鼓声靠拢。
|
||||
- 替代文本：暮色山谷里，王平站在战鼓旁维持整齐队列，远处魏军骑兵停下，逃散士卒向鼓阵聚拢。
|
||||
- 最终提示词摘要：街亭暮色，王平率千人列阵鸣鼓，魏骑因疑伏兵而止，溃兵回归；克制、非凯旋、东汉末年写实、16:9、无文字。
|
||||
- 视觉补全：暮色、鼓的数量与排列、两军可视距离为镜头化处理；正史只明确记“千人鸣鼓自持”与张郃疑伏不逼。
|
||||
- 史实依据：《三国志·蜀书·王平传》。
|
||||
|
||||
### 第五幕｜退军自贬
|
||||
|
||||
- 时间地点：街亭败后，蜀军退还汉中途中
|
||||
- 叙事作用：收束第一次北伐失败、三郡复失、诸葛亮引咎与马谡结局歧义。
|
||||
- 旁白：街亭失守，诸葛亮进无所据，只得拔西县千余家退回汉中。三郡复归于魏。事后，诸葛亮上疏自责，请贬三等；马谡被系狱，正史对其究竟伏诛还是死于狱中记载不一。第一次北伐最好的机会，就这样断在一条没有守住的水道上。
|
||||
- 叠字标题：进无所据
|
||||
- 一句短文案：失去的不是一座山，而是第一次北伐继续向前的支点。
|
||||
- 人物标签：
|
||||
- 诸葛亮／蜀汉丞相、全军统帅／退军还汉中，上疏引咎，请自贬三等
|
||||
- 马谡／街亭败将／败后系狱；正史对伏诛或狱中物故的记载不一
|
||||
- 西县千余家／被迁百姓／随蜀军撤回汉中
|
||||
- 图片：`images/05-retreat-and-accountability.png`、`images/05-retreat-and-accountability.webp`
|
||||
- 画面说明：夜间撤军，诸葛亮在空下来的军帐中把官印放到请罪奏表旁；帐外军士、家眷和辎重沿山路南撤。
|
||||
- 替代文本：月夜下，诸葛亮在撤军军帐中放下官印，帐外军队与迁徙百姓沿山路离开陇右。
|
||||
- 最终提示词摘要：撤往汉中的夜间军帐，诸葛亮放下官印象征请贬，帐外军民队列撤离；克制承担而非戏剧痛哭，16:9、无文字。
|
||||
- 视觉补全：夜间军帐、放下官印的动作与撤退队列同框属于象征性组合；史书未记上疏发生的具体帐幕、时刻或姿势。
|
||||
- 史实依据：《三国志·蜀书·诸葛亮传》《三国志·蜀书·马良传》《三国志·蜀书·王平传》《三国志·魏书·明帝纪》。
|
||||
|
||||
## BGM 选择
|
||||
|
||||
- 选中曲目：`zhanzhen:jieting#0`《街亭之战》
|
||||
- 版本：电影级配乐
|
||||
- 项目状态：待生成／待导出；本地曲库已有作曲方案，但接口显示 `hasAudio: false`，素材包不附 MP3。
|
||||
- 使用方式：优先生成无主唱纯伴奏版；若只得到人声版，必须使用伴奏或去人声 stem，避免压住旁白。
|
||||
- 选择理由：70 BPM 的冷环境极简配乐，以热浪、滴答、箫与古琴泛音表现“断水后缓慢收紧”的战术压力；没有英雄式爆点，适合从北伐起势一路压到退军自贬。
|
||||
|
||||
### Cue sheet
|
||||
|
||||
| 时间 | 幕次 | 剪辑方向 |
|
||||
| --- | --- | --- |
|
||||
| 00:00–00:14 | 01 | 热浪底噪与极轻脉冲，从冷晨和行军远景起，不要过早给鼓点。 |
|
||||
| 00:14–00:31 | 02 | 加入稀疏滴答与单个古琴泛音；马谡指向山顶时，和声收紧半音。 |
|
||||
| 00:31–00:48 | 03 | 低频缓慢逼近，箫音保持冷直；“切断汲水之道”落在第一次明显低音进入。 |
|
||||
| 00:48–01:03 | 04 | 收薄到近静音，只保留稳态脉冲给鼓阵画面；不要做凯旋高潮。 |
|
||||
| 01:03–01:22 | 05 | 重新引入低频后逐层抽空；“一条没有守住的水道”后只留一口箫气并断入静默。 |
|
||||
|
||||
## 史实边界
|
||||
|
||||
### 史实依据
|
||||
|
||||
- 《三国志·蜀书·诸葛亮传》：马谡督诸军在前，违节度、举动失宜，大为张郃所破；诸葛亮退军、自贬并戮谡谢众。
|
||||
- 《三国志·蜀书·马良传》：违众拔谡、士卒离散；马谡下狱物故、诸葛亮为之流涕。
|
||||
- 《三国志·蜀书·王平传》：舍水上山、王平连规谏；千人鸣鼓自持、收合遗众而还。
|
||||
- 《三国志·魏书·张郃传》：马谡依阻南山、不下据城；张郃绝其汲道、大破之，并平三郡。
|
||||
- 《三国志·魏书·明帝纪》：三郡响应、曹真都督关右、张郃击亮于街亭大破之，亮败走、三郡平。
|
||||
- 项目内核对文件：`digital-me-backend/src/zhanzhenData.js`、`digital-me-backend/src/zhanzhenDangan.js`、`digital-me-backend/src/rujuDashi/wei.js`、`digital-me-backend/src/tazhuan.js`。
|
||||
|
||||
### 视觉补全
|
||||
|
||||
- 五幕的天气、时辰、镜头站位、营帐样式、军阵距离与人物面貌均为视觉设计，不作为史实断言。
|
||||
- 画面统一采用东汉末年至三国时期可解释的衣甲、木构、军帐与陇右干旱地貌；不把争议中的街亭今址画成唯一结论。
|
||||
- 第一幕远景“三郡响应”和第五幕“放下官印”是把多条史实压缩进单幅画面的象征构图。
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 不画“诸葛亮在街亭前线亲自指挥”；他是全军统帅，街亭前线实际主将为马谡。
|
||||
- 不画空城计、城楼抚琴退司马懿；该桥段不属街亭正史。
|
||||
- 不画公开刑场上的“挥泪斩马谡”；正史对马谡伏诛或下狱物故记载不一。
|
||||
- 不画马谡与张郃单挑、诸葛亮与司马懿对阵、借东风、火攻等无关桥段。
|
||||
- 不给街亭双方写确定兵力；王平“千人”只是其所领部队，不等于蜀军总数。
|
||||
- 不使用明清式盔甲、城楼、旗号、京剧脸谱、夸张羽扇纶巾或仙术化视觉。
|
||||
|
||||
## 生成说明
|
||||
|
||||
- 图片由内置图像生成工具制作，共 5 张原始 PNG（1672×941）与 5 张 WebP。
|
||||
- 图片没有烘焙人物姓名、字幕、Logo 或水印，保留了后期叠字空间。
|
||||
- 五张图的最终完整提示词保存在 `manifest.json` 的各幕 `image.prompt` 字段。
|
||||
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@@ -0,0 +1,219 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "诸葛亮南征（四郡皆平）",
|
||||
"aliases": [
|
||||
"诸葛亮南征",
|
||||
"平定南中",
|
||||
"南中四郡平叛"
|
||||
],
|
||||
"projectDynasty": "蜀汉",
|
||||
"era": "蜀汉后主建兴三年",
|
||||
"date": "公元225年三月至十二月",
|
||||
"place": "越巂、益州、永昌、牂柯等南中地区",
|
||||
"summary": "刘备去世后南中数郡叛乱，诸葛亮于225年亲率军南征，四郡皆平；战后改益州郡为建宁，并分置云南、兴古，以军事平定转入行政重组。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 83,
|
||||
"fullText": "刘备去世后，蜀汉政权尚未稳定，南中多地相继反叛。牂柯太守朱褒拥郡起兵；益州郡大姓雍闿据郡不服，把太守张裔流放到孙吴；越巂夷王高定也脱离蜀汉。建兴三年春，诸葛亮决定亲率军队南下。正史本纪对战斗过程写得极简，只留下“南征四郡，四郡皆平”八个字，因此画面不能把后世传说当成确定战况。能够确认的是，这不是一场单点决战，而是一次跨越山地与河谷、处理多个叛乱中心的连续行动。到当年秋天，平定完成。蜀汉随后把原益州郡改为建宁郡，又从建宁、永昌分置云南郡，从建宁、牂柯分置兴古郡。军事行动的结果，被固定成新的郡界、户籍和驻治体系。十二月，诸葛亮返回成都。小说与民间叙事中的七擒孟获、火烧藤甲兵，不属于陈寿本纪写明的节点；本包只呈现多路平叛、归附与行政接管，不给任何现代族群套上古代叛军身份。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "乘丧并叛",
|
||||
"timePlace": "公元223年至225年初，南中数郡",
|
||||
"purpose": "用并行地点表现多个叛乱中心，而非单一蛮族大军。",
|
||||
"narration": "先主去世后，朱褒、雍闿、高定分别在南中起兵或据郡不服。",
|
||||
"overlay": {
|
||||
"heading": "乘丧并叛",
|
||||
"line": "南中的危机不是一面叛旗，而是数个地方权力同时脱离。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "雍闿",
|
||||
"office": "益州郡大姓",
|
||||
"action": "据郡不宾，并把太守张裔流于吴"
|
||||
},
|
||||
{
|
||||
"name": "高定",
|
||||
"office": "越巂夷王",
|
||||
"action": "在越巂背叛蜀汉"
|
||||
},
|
||||
{
|
||||
"name": "朱褒",
|
||||
"office": "牂柯太守",
|
||||
"action": "以地方官身份拥郡而反"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-several-commandaries-rebel.png",
|
||||
"delivery": "images/01-several-commandaries-rebel.webp",
|
||||
"alt": "南中山地广角中，以河谷、山口和郡治三个分离空间表现不同地方武装各自封锁道路，服饰来源多样、不做统一异族符号。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Wide subtropical mountain landscape organized into three separated zones: a river-valley checkpoint controlled by local gentry retainers, a highland pass held by another mixed community force, and a modest commandery compound whose official troops have changed allegiance. Yong Kai, Gao Ding and Zhu Bao appear only as distinct distant leadership groups, not posed together. People wear varied late-Han frontier clothing with regional textiles, avoiding any direct copy of modern ethnic ceremonial dress. No uniform “tribal horde,” no exotic fantasy. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "三地同框、武装构成、道路封锁与服饰为视觉重构；朱褒拥郡反、雍闿据郡不宾、高定背叛有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "丞相亲征",
|
||||
"timePlace": "建兴三年春，成都向南中山道",
|
||||
"purpose": "呈现诸葛亮亲自带队进入险远地区。",
|
||||
"narration": "三月，诸葛亮亲率军队南征，沿山道和河谷向多个郡推进。",
|
||||
"overlay": {
|
||||
"heading": "丞相亲征",
|
||||
"line": "新丧之国要让远方重新服从，主政者选择亲自到场。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "诸葛亮",
|
||||
"office": "蜀汉丞相",
|
||||
"action": "亲率军队南征四郡"
|
||||
},
|
||||
{
|
||||
"name": "蜀汉军民夫",
|
||||
"office": "军队与转运人员",
|
||||
"action": "沿山道分段运输粮械、架设便桥"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-zhuge-liang-leads-the-southern-march.png",
|
||||
"delivery": "images/02-zhuge-liang-leads-the-southern-march.webp",
|
||||
"alt": "多雨山道上，诸葛亮穿朴素深灰袍与轻甲骑马随军，步卒民夫分段通过木桥和陡坡，地图木牍无字，不画羽扇神坛。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Spring rain in steep southern mountain country. Zhuge Liang, mid-40s, slim, composed, tied hair under a plain scholar’s cap, dark gray robe over light practical lamellar armor, rides modestly among staff rather than in a ceremonial chariot. Infantry, engineers and porters move in separated columns across a small timber bridge and along switchback paths, carrying grain and tools. Lush but realistic terrain, no feather-fan sorcery, altar, elephants, fantasy jungle or readable maps. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "路线、桥梁、天气、军队编组与人物外貌为视觉重构；建兴三年春三月诸葛亮亲率军南征有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三",
|
||||
"《三国志·蜀书·诸葛亮传》卷三十五"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "四郡皆平",
|
||||
"timePlace": "建兴三年秋，南中各郡治与道路",
|
||||
"purpose": "用解除关卡、接收印信表现平定，不虚构具体会战。",
|
||||
"narration": "正史没有留下逐战细节，只确认到秋天四郡皆平，各处重新接受蜀汉政令。",
|
||||
"overlay": {
|
||||
"heading": "四郡皆平",
|
||||
"line": "史书压缩成八个字的，是一整片山地重新接上政令。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "诸葛亮",
|
||||
"office": "南征主帅",
|
||||
"action": "完成四郡平定并接受地方归附"
|
||||
},
|
||||
{
|
||||
"name": "南中地方首领与官吏",
|
||||
"office": "各郡地方力量",
|
||||
"action": "交还关卡、印信或重新接受任命；具体人名不臆断"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-four-commandaries-submit.png",
|
||||
"delivery": "images/03-four-commandaries-submit.webp",
|
||||
"alt": "南中郡治外，几个来自不同河谷的地方代表分组交出无字木牍与关卡钥匙，蜀军解除路障但保持距离，诸葛亮主持接收。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. Outside a modest late-Han frontier commandery, several clearly separate delegations from different valleys present blank wooden tallies, sealed cases and gate keys to Zhuge Liang’s officials. Shu soldiers dismantle road barriers and reopen a market path while keeping a respectful distance from civilians. No mass kneeling, no ethnic caricature and no invented central battle. Mixed local clothing remains varied, practical and historically generalized rather than copied from modern ceremonial costume. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "归附礼节、代表构成、郡治形制与解除路障为视觉重构；南征四郡、四郡皆平有史载，但逐战过程未详。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "改置三郡·十二月还成都",
|
||||
"timePlace": "平定后至建兴三年十二月",
|
||||
"purpose": "以郡界、户籍和归还成都交代长期结果。",
|
||||
"narration": "蜀汉改益州郡为建宁，又分置云南、兴古。十二月，诸葛亮还成都。",
|
||||
"overlay": {
|
||||
"heading": "战后画界",
|
||||
"line": "军队离开以后，真正长期留下的是三套新的官署与户籍。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "诸葛亮",
|
||||
"office": "蜀汉丞相",
|
||||
"action": "主持平定后行政重组并于十二月还成都"
|
||||
},
|
||||
{
|
||||
"name": "新郡官吏与小吏",
|
||||
"office": "建宁、云南、兴古郡行政人员",
|
||||
"action": "重造边界图册、户籍与仓储清单"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-new-commandaries-and-return-to-chengdu.png",
|
||||
"delivery": "images/04-new-commandaries-and-return-to-chengdu.webp",
|
||||
"alt": "新设郡治的木案上，官吏用绳结木片和无字简牍重分辖区，窗外百姓恢复集市；远景诸葛亮小队沿北向山路返回成都。",
|
||||
"prompt": "Use case: historical-scene. Digital Me Shu Han story frame. A newly organized frontier office after the campaign. Clerks use blank bamboo slips, sealed baskets, knotted cords and small terrain models to re-register communities for the new commanderies, with no readable map labels. Through the open courtyard a local market road has reopened. In a distant upper-background road, Zhuge Liang’s compact escort begins the northward return toward Chengdu under early-winter light. Administrative aftermath, not triumphal parade. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.",
|
||||
"visualInference": "官署工作、图册表现、市场恢复和返程同框为视觉重构；改置建宁、云南、兴古三郡及十二月还成都有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·蜀书·后主传》卷三十三"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "tazhuan:zhugeliang#0",
|
||||
"title": "诸葛亮",
|
||||
"version": "电影级配乐·仅用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "弱化人物颂歌感，前两幕以低弦与山路环境声推进，第三幕不做征服式高潮，第四幕用木质敲击转向行政收束；删除歌词、合唱和品牌尾签。",
|
||||
"reason": "项目没有南征专属曲，采用项目自生成的诸葛亮器乐主题并重编为克制的行军—治理结构；仓库暂无成品音频。",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:20",
|
||||
"scene": "01",
|
||||
"direction": "分散声部对应多地并叛。"
|
||||
},
|
||||
{
|
||||
"from": "00:20",
|
||||
"to": "00:41",
|
||||
"scene": "02",
|
||||
"direction": "以步行节奏推进山道。"
|
||||
},
|
||||
{
|
||||
"from": "00:41",
|
||||
"to": "01:02",
|
||||
"scene": "03",
|
||||
"direction": "保持克制，不做征服凯歌。"
|
||||
},
|
||||
{
|
||||
"from": "01:02",
|
||||
"to": "01:23",
|
||||
"scene": "04",
|
||||
"direction": "木质脉冲与低弦安静收束。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "朱褒、雍闿、高定叛乱及诸葛亮南征四郡皆平",
|
||||
"citation": "《三国志·蜀书·后主传》卷三十三",
|
||||
"url": "https://zh.wikisource.org/zh-hans/三国志/卷33"
|
||||
},
|
||||
{
|
||||
"claim": "诸葛亮治蜀与南征的纪年框架",
|
||||
"citation": "《三国志·蜀书·诸葛亮传》卷三十五",
|
||||
"url": "https://zh.wikisource.org/zh-hans/三国志/卷35"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把七擒孟获、火烧藤甲兵、木鹿大王等后世叙事当作陈寿正文节点",
|
||||
"把南中各地塑造成同一民族、同一服饰的蛮族人海",
|
||||
"直接复制任何现代少数民族节庆服饰并标作古代叛军",
|
||||
"用屠村、焚寨、尸体表现四郡皆平，或把平叛做成征服奇观",
|
||||
"出现羽扇施法、祭坛妖术、巨象军团等幻想画面",
|
||||
"现代文字、水印、后世服饰建筑、火器爆炸或动漫画风"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,134 @@
|
||||
# 诸葛亮南征（四郡皆平）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：诸葛亮南征（四郡皆平）
|
||||
- 常用称呼：诸葛亮南征、平定南中、南中四郡平叛
|
||||
- 项目归类：蜀汉
|
||||
- 时代：蜀汉后主建兴三年
|
||||
- 日期：公元225年三月至十二月
|
||||
- 地点：越巂、益州、永昌、牂柯等南中地区
|
||||
- 一句话结论：刘备去世后南中数郡叛乱，诸葛亮于225年亲率军南征，四郡皆平；战后改益州郡为建宁，并分置云南、兴古，以军事平定转入行政重组。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
刘备去世后，蜀汉政权尚未稳定，南中多地相继反叛。牂柯太守朱褒拥郡起兵；益州郡大姓雍闿据郡不服，把太守张裔流放到孙吴；越巂夷王高定也脱离蜀汉。建兴三年春，诸葛亮决定亲率军队南下。正史本纪对战斗过程写得极简，只留下“南征四郡，四郡皆平”八个字，因此画面不能把后世传说当成确定战况。能够确认的是，这不是一场单点决战，而是一次跨越山地与河谷、处理多个叛乱中心的连续行动。到当年秋天，平定完成。蜀汉随后把原益州郡改为建宁郡，又从建宁、永昌分置云南郡，从建宁、牂柯分置兴古郡。军事行动的结果，被固定成新的郡界、户籍和驻治体系。十二月，诸葛亮返回成都。小说与民间叙事中的七擒孟获、火烧藤甲兵，不属于陈寿本纪写明的节点；本包只呈现多路平叛、归附与行政接管，不给任何现代族群套上古代叛军身份。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜乘丧并叛
|
||||
|
||||
- 时间地点：公元223年至225年初，南中数郡
|
||||
- 本幕作用：用并行地点表现多个叛乱中心，而非单一蛮族大军。
|
||||
- 分幕旁白：先主去世后，朱褒、雍闿、高定分别在南中起兵或据郡不服。
|
||||
- 页面标题：乘丧并叛
|
||||
- 页面短句：南中的危机不是一面叛旗，而是数个地方权力同时脱离。
|
||||
- PNG：`images/01-several-commandaries-rebel.png`
|
||||
- WebP：`images/01-several-commandaries-rebel.webp`
|
||||
- 替代文本：南中山地广角中，以河谷、山口和郡治三个分离空间表现不同地方武装各自封锁道路，服饰来源多样、不做统一异族符号。
|
||||
- 视觉推演边界：三地同框、武装构成、道路封锁与服饰为视觉重构；朱褒拥郡反、雍闿据郡不宾、高定背叛有史载。
|
||||
- 人物：雍闿（益州郡大姓；据郡不宾，并把太守张裔流于吴）；高定（越巂夷王；在越巂背叛蜀汉）；朱褒（牂柯太守；以地方官身份拥郡而反）
|
||||
- 史料：《三国志·蜀书·后主传》卷三十三
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Wide subtropical mountain landscape organized into three separated zones: a river-valley checkpoint controlled by local gentry retainers, a highland pass held by another mixed community force, and a modest commandery compound whose official troops have changed allegiance. Yong Kai, Gao Ding and Zhu Bao appear only as distinct distant leadership groups, not posed together. People wear varied late-Han frontier clothing with regional textiles, avoiding any direct copy of modern ethnic ceremonial dress. No uniform “tribal horde,” no exotic fantasy. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 02｜丞相亲征
|
||||
|
||||
- 时间地点：建兴三年春，成都向南中山道
|
||||
- 本幕作用：呈现诸葛亮亲自带队进入险远地区。
|
||||
- 分幕旁白：三月，诸葛亮亲率军队南征，沿山道和河谷向多个郡推进。
|
||||
- 页面标题：丞相亲征
|
||||
- 页面短句：新丧之国要让远方重新服从，主政者选择亲自到场。
|
||||
- PNG：`images/02-zhuge-liang-leads-the-southern-march.png`
|
||||
- WebP：`images/02-zhuge-liang-leads-the-southern-march.webp`
|
||||
- 替代文本：多雨山道上，诸葛亮穿朴素深灰袍与轻甲骑马随军，步卒民夫分段通过木桥和陡坡，地图木牍无字，不画羽扇神坛。
|
||||
- 视觉推演边界：路线、桥梁、天气、军队编组与人物外貌为视觉重构；建兴三年春三月诸葛亮亲率军南征有史载。
|
||||
- 人物：诸葛亮（蜀汉丞相；亲率军队南征四郡）；蜀汉军民夫（军队与转运人员；沿山道分段运输粮械、架设便桥）
|
||||
- 史料：《三国志·蜀书·后主传》卷三十三；《三国志·蜀书·诸葛亮传》卷三十五
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Spring rain in steep southern mountain country. Zhuge Liang, mid-40s, slim, composed, tied hair under a plain scholar’s cap, dark gray robe over light practical lamellar armor, rides modestly among staff rather than in a ceremonial chariot. Infantry, engineers and porters move in separated columns across a small timber bridge and along switchback paths, carrying grain and tools. Lush but realistic terrain, no feather-fan sorcery, altar, elephants, fantasy jungle or readable maps. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 03｜四郡皆平
|
||||
|
||||
- 时间地点：建兴三年秋，南中各郡治与道路
|
||||
- 本幕作用：用解除关卡、接收印信表现平定，不虚构具体会战。
|
||||
- 分幕旁白：正史没有留下逐战细节，只确认到秋天四郡皆平，各处重新接受蜀汉政令。
|
||||
- 页面标题：四郡皆平
|
||||
- 页面短句：史书压缩成八个字的，是一整片山地重新接上政令。
|
||||
- PNG：`images/03-four-commandaries-submit.png`
|
||||
- WebP：`images/03-four-commandaries-submit.webp`
|
||||
- 替代文本：南中郡治外，几个来自不同河谷的地方代表分组交出无字木牍与关卡钥匙，蜀军解除路障但保持距离，诸葛亮主持接收。
|
||||
- 视觉推演边界：归附礼节、代表构成、郡治形制与解除路障为视觉重构；南征四郡、四郡皆平有史载，但逐战过程未详。
|
||||
- 人物：诸葛亮（南征主帅；完成四郡平定并接受地方归附）；南中地方首领与官吏（各郡地方力量；交还关卡、印信或重新接受任命；具体人名不臆断）
|
||||
- 史料：《三国志·蜀书·后主传》卷三十三
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. Outside a modest late-Han frontier commandery, several clearly separate delegations from different valleys present blank wooden tallies, sealed cases and gate keys to Zhuge Liang’s officials. Shu soldiers dismantle road barriers and reopen a market path while keeping a respectful distance from civilians. No mass kneeling, no ethnic caricature and no invented central battle. Mixed local clothing remains varied, practical and historically generalized rather than copied from modern ceremonial costume. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
### 04｜改置三郡·十二月还成都
|
||||
|
||||
- 时间地点：平定后至建兴三年十二月
|
||||
- 本幕作用：以郡界、户籍和归还成都交代长期结果。
|
||||
- 分幕旁白：蜀汉改益州郡为建宁，又分置云南、兴古。十二月，诸葛亮还成都。
|
||||
- 页面标题：战后画界
|
||||
- 页面短句：军队离开以后，真正长期留下的是三套新的官署与户籍。
|
||||
- PNG：`images/04-new-commandaries-and-return-to-chengdu.png`
|
||||
- WebP：`images/04-new-commandaries-and-return-to-chengdu.webp`
|
||||
- 替代文本：新设郡治的木案上，官吏用绳结木片和无字简牍重分辖区，窗外百姓恢复集市；远景诸葛亮小队沿北向山路返回成都。
|
||||
- 视觉推演边界：官署工作、图册表现、市场恢复和返程同框为视觉重构；改置建宁、云南、兴古三郡及十二月还成都有史载。
|
||||
- 人物：诸葛亮（蜀汉丞相；主持平定后行政重组并于十二月还成都）；新郡官吏与小吏（建宁、云南、兴古郡行政人员；重造边界图册、户籍与仓储清单）
|
||||
- 史料：《三国志·蜀书·后主传》卷三十三
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Digital Me Shu Han story frame. A newly organized frontier office after the campaign. Clerks use blank bamboo slips, sealed baskets, knotted cords and small terrain models to re-register communities for the new commanderies, with no readable map labels. Through the open courtyard a local market road has reopened. In a distant upper-background road, Zhuge Liang’s compact escort begins the northward return toward Chengdu under early-winter light. Administrative aftermath, not triumphal parade. Premium live-action Chinese historical film still, archaeology-informed Three Kingdoms material culture, cinematic 16:9 landscape, subtle film grain, physically plausible scale, rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered iron lamellar armor, straight swords, crossbows, spears, ji halberds, cavalry tack and wooden carts. Leave calm negative space for webpage copy. No baked-in text, readable banners, subtitles, logo or watermark; no clone-face armies, fantasy armor, Tang/Song/Ming/Qing gear or architecture, imperial yellow dragon robes, Forbidden City, firearms, cannons, gunpowder explosions, samurai armor, European plate, magic, anime, gore or body piles.
|
||||
```
|
||||
|
||||
## BGM 选曲
|
||||
|
||||
- 项目曲目：`tazhuan:zhugeliang#0`｜诸葛亮｜电影级配乐·仅用无主唱器乐 stem
|
||||
- 状态：pending-export
|
||||
- 用法：弱化人物颂歌感，前两幕以低弦与山路环境声推进，第三幕不做征服式高潮，第四幕用木质敲击转向行政收束；删除歌词、合唱和品牌尾签。
|
||||
- 选择理由：项目没有南征专属曲，采用项目自生成的诸葛亮器乐主题并重编为克制的行军—治理结构；仓库暂无成品音频。
|
||||
- 音频路径或 URL：仓库暂缺，待导出
|
||||
|
||||
| 时间 | 分幕 | 编排 |
|
||||
|---|---|---|
|
||||
| 00:00–00:20 | 01 | 分散声部对应多地并叛。 |
|
||||
| 00:20–00:41 | 02 | 以步行节奏推进山道。 |
|
||||
| 00:41–01:02 | 03 | 保持克制，不做征服凯歌。 |
|
||||
| 01:02–01:23 | 04 | 木质脉冲与低弦安静收束。 |
|
||||
|
||||
## 史料来源
|
||||
|
||||
- 朱褒、雍闿、高定叛乱及诸葛亮南征四郡皆平：[《三国志·蜀书·后主传》卷三十三](https://zh.wikisource.org/zh-hans/三国志/卷33)
|
||||
- 诸葛亮治蜀与南征的纪年框架：[《三国志·蜀书·诸葛亮传》卷三十五](https://zh.wikisource.org/zh-hans/三国志/卷35)
|
||||
|
||||
## 禁区与误读防护
|
||||
|
||||
- 把七擒孟获、火烧藤甲兵、木鹿大王等后世叙事当作陈寿正文节点
|
||||
- 把南中各地塑造成同一民族、同一服饰的蛮族人海
|
||||
- 直接复制任何现代少数民族节庆服饰并标作古代叛军
|
||||
- 用屠村、焚寨、尸体表现四郡皆平，或把平叛做成征服奇观
|
||||
- 出现羽扇施法、祭坛妖术、巨象军团等幻想画面
|
||||
- 现代文字、水印、后世服饰建筑、火器爆炸或动漫画风
|
||||
|
||||
## 交付检查
|
||||
|
||||
- [x] 每幕 PNG 原图存在且为 16:9
|
||||
- [x] 每幕 WebP 交付图存在且为 16:9
|
||||
- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
|
||||
- [ ] BGM 已导出并填写可用路径
|
||||
- [x] `manifest.json` 与本说明中的文件名全部校验通过
|
||||
Reference in New Issue
Block a user