数字我 Digital Me:全量入库(大文件走 Git LFS)
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{
"event": {
"canonicalName": "秦灭赵之战(邯郸陷落)",
"aliases": [
"秦灭赵",
"邯郸陷落",
"秦统一战争·灭赵"
],
"era": "战国末期·秦王政十八年至十九年",
"date": "公元前229年至前228年",
"place": "上地、井陉、河内、邯郸、赵东阳及中山",
"summary": "秦军多路攻赵,王翦、羌瘣尽定赵地东阳并俘赵王迁;赵公子嘉北走代地,赵国本土政权灭亡。"
},
"narration": {
"language": "zh-CN",
"estimatedSeconds": 82,
"fullText": "公元前二二九年,秦大举攻赵。王翦率上地军下井陉,端和由河内进兵,羌瘣也加入攻势,邯郸被围。赵国在长平之后反复失血,最后的国都已无足够空间周旋。第二年,王翦、羌瘣尽定赵地东阳,赵王迁被俘。秦军没有就此停下,而是屯兵中山,准备继续向燕推进。赵公子嘉带着宗族数百人逃往代地,自立为代王,又与燕合兵驻上谷。赵国本土至此灭亡,但代地的残余政权仍延续到公元前二二二年。邯郸的陷落不是六国战争的终点,它让秦军直接抵达燕南边界,也把下一场灭国战争提前推到了易水。"
},
"scenes": [
{
"id": "01",
"title": "三路压境",
"timePlace": "公元前229年,上地、井陉与河内方向",
"purpose": "交代秦军多路攻赵形成的战略合围。",
"narration": "秦大兴兵攻赵。王翦由上地军下井陉,端和从河内推进,羌瘣也率军入赵。",
"overlay": {
"heading": "三路压境",
"line": "山口、河内与东阳,秦军同时收紧。"
},
"people": [
{
"name": "王翦",
"office": "秦将",
"action": "率上地军下井陉攻赵"
},
{
"name": "端和",
"office": "秦将",
"action": "率河内军围攻邯郸"
},
{
"name": "羌瘣",
"office": "秦将",
"action": "参与攻赵并与王翦定取赵地东阳"
}
],
"image": {
"original": "images/01-three-routes-into-zhao.png",
"delivery": "images/01-three-routes-into-zhao.webp",
"alt": "井陉山口俯瞰秦军穿越谷道,王翦在前景观察地形,远处以三股不同方向的行军烟尘暗示多路攻赵。",
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: High, cold morning in the rugged Jingxing mountain pass. Veteran commander Wang Jian, East Asian man in his late fifties with weathered face, graying moustache and short beard, dark lacquered Qin lamellar armor and plain black-brown cloak, studies the valley from a rock shelf. Qin infantry, crossbowmen, pack carts and a few riders thread through the narrow pass below. Far across the layered landscape, two separate dust columns subtly suggest the other Qin approaches from Henei and under Qiang Hui without using a map graphic. Wide 16:9 strategic composition, subdued gray-ochre palette, real terrain scale, no giant armies. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
"visualInference": "同一画面中的三路烟尘、王翦站位、行军队列和季节气候为视觉补全;史料明确多路进军,但没有这一共同视角。",
"referenceImages": [
"../秦灭齐之战(天下一统)/images/02-wang-ben-south.png(视觉世界、秦军材质与低饱和电影质感参照)"
],
"refinementPrompt": ""
},
"sources": [
"《史记·秦始皇本纪》卷六"
]
},
{
"id": "02",
"title": "邯郸被围",
"timePlace": "公元前229年至前228年,赵都邯郸",
"purpose": "表现国都被围与赵军防线耗尽,不虚构一次决定性城头大战。",
"narration": "端和围住邯郸。赵国最后的国都被压在夯土城墙和秦军营垒之间,再没有纵深可退。",
"overlay": {
"heading": "邯郸被围",
"line": "最后的城墙之外,已经没有第二座赵国。"
},
"people": [
{
"name": "端和",
"office": "秦将",
"action": "率河内军围邯郸"
},
{
"name": "邯郸守军",
"office": "赵军与都城守卫",
"action": "守卫城门与城墙;具体主将和战斗细节不在本幕虚构"
}
],
"image": {
"original": "images/02-handan-encircled.png",
"delivery": "images/02-handan-encircled.webp",
"alt": "雨后平原上的邯郸夯土城墙与秦军营垒遥相对峙,端和在前景巡视壕沟,赵军在城头守望,没有攻城火海。",
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Rain-darkened plain outside Handan. Massive late-Warring-States rammed-earth walls and timber gate towers rise in the middle distance, with restrained Zhao guards visible along the parapet. Qin siege lines consist of ditches, palisades, low tents, crossbow positions and supply carts rather than fantasy machines. Commander Duan He, a lean middle-aged East Asian officer in practical Qin armor, walks the foreground trench with aides, sword sheathed. Wide horizontal standoff composition, damp brown earth and muted blue-gray sky, quiet siege pressure, no flaming assault, leave empty cloud area at upper left. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
"visualInference": "邯郸城防形态、秦军壕沟营垒、端和巡视和雨后环境为合理视觉重构;史料仅明确端和围邯郸。",
"referenceImages": [
"../秦灭齐之战(天下一统)/images/02-wang-ben-south.png(视觉世界、秦军材质与低饱和电影质感参照)"
],
"refinementPrompt": ""
},
"sources": [
"《史记·秦始皇本纪》卷六"
]
},
{
"id": "03",
"title": "赵王被俘",
"timePlace": "公元前228年,邯郸与赵地东阳",
"purpose": "呈现赵国本土政权终结,并保持对俘虏场面的克制。",
"narration": "王翦、羌瘣尽定赵地东阳,赵王迁被俘。邯郸的王旗就此落下。",
"overlay": {
"heading": "赵王被俘",
"line": "东阳既定,邯郸不再属于赵王。"
},
"people": [
{
"name": "王翦",
"office": "秦将",
"action": "与羌瘣定取赵地东阳"
},
{
"name": "羌瘣",
"office": "秦将",
"action": "与王翦共同完成赵地控制"
},
{
"name": "赵王迁",
"office": "赵国末代国君",
"action": "被秦军取得;史书另载迁于房陵"
}
],
"image": {
"original": "images/03-zhao-king-captured.png",
"delivery": "images/03-zhao-king-captured.webp",
"alt": "邯郸城门内,赵王迁站在被收起的赵军兵器旁,王翦与羌瘣在秦军队列前接受城防交接,没有捆绑、跪拜和羞辱。",
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Inside the opened gate of Handan after the campaign. Zhao King Qian, a young East Asian ruler in a faded blue-gray court robe with simple late-Warring-States headpiece, stands upright beside two attendants, guarded but not bound or kneeling. Wang Jian, matching scene 1, and Qiang Hui, a sturdy middle-aged Qin officer, stand before disciplined Qin ranks with lowered weapons. Zhao spears and shields are stacked on woven mats as visual shorthand for lost control. Rammed-earth gate, timber beams, muted winter light, balanced wide tableau, exhausted silence rather than victory celebration. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
"visualInference": "赵王迁与王翦、羌瘣同场交接、兵器集中放置和具体城门环境均为视觉补全;史料只载秦军定赵地并得赵王。",
"referenceImages": [
"../秦灭齐之战(天下一统)/images/02-wang-ben-south.png(视觉世界、秦军材质与低饱和电影质感参照)"
],
"refinementPrompt": ""
},
"sources": [
"《史记·秦始皇本纪》卷六",
"《史记·白起王翦列传》卷七十三"
]
},
{
"id": "04",
"title": "代地余火",
"timePlace": "公元前228年,赵北部通往代地与上谷的道路",
"purpose": "说明赵国本土虽亡,公子嘉仍在代地延续抵抗。",
"narration": "赵公子嘉带宗族数百人北走代地,自立为代王,又与燕合兵驻上谷。赵亡了,余火尚未熄灭。",
"overlay": {
"heading": "代地余火",
"line": "邯郸已失,赵人的旗还向北走。"
},
"people": [
{
"name": "赵公子嘉",
"office": "赵宗室,后自立为代王",
"action": "率宗族数百人北走代地,与燕合兵"
},
{
"name": "赵宗族与随从",
"office": "赵国残余人员",
"action": "随公子嘉撤向代地"
}
],
"image": {
"original": "images/04-prince-jia-flees-to-dai.png",
"delivery": "images/04-prince-jia-flees-to-dai.webp",
"alt": "冬日北方山路上,赵公子嘉回望南方烟霭中的邯郸,宗族车队与少量赵军向代地撤退,画面克制而非英雄凯旋。",
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Cold northern road after the fall of Handan. Prince Jia of Zhao, an East Asian man in his thirties wearing travel-worn muted blue-gray robe over light armor, has halted on a ridge and looks back south. A modest convoy of clan carts, elders, children, attendants and a small guard continues north toward Dai; no gigantic army. In the far haze, the southern plain disappears behind winter dust. Wide rearward-looking composition with human-scale exile, pale sky and bare hills, no readable banners, no triumph. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
"visualInference": "撤退队伍中的家属、车辆、回望动作与具体路线环境为视觉补全;史料只载公子嘉率宗数百人之代、自立并与燕合兵。",
"referenceImages": [
"../秦灭齐之战(天下一统)/images/02-wang-ben-south.png(视觉世界、秦军材质与低饱和电影质感参照)"
],
"refinementPrompt": ""
},
"sources": [
"《史记·秦始皇本纪》卷六"
]
}
],
"bgm": {
"catalogId": "zhanzhen:changping#0",
"title": "长平之战",
"version": "电影级配乐·建议抽取无主唱器乐 stem",
"status": "pending-export",
"usage": "保留埙、低弦和缓慢战鼓,删去全部歌词与长平专属声音设计;邯郸陷落时不做凯旋高潮。",
"reason": "曲目属于秦赵战争同一历史链条,低沉下坠的情绪可承接赵国长期失血后的终局;仓库没有可直接附加的音频文件。",
"pathOrUrl": "",
"cues": [
{
"from": "00:00",
"to": "00:21",
"scene": "01",
"direction": "以最少配器进入,先建立地理与政治压力,避免英雄主题。"
},
{
"from": "00:21",
"to": "00:42",
"scene": "02",
"direction": "随叙事增加一层低频或弦乐,旁白期间保持节奏稀疏。"
},
{
"from": "00:42",
"to": "00:63",
"scene": "03",
"direction": "随叙事增加一层低频或弦乐,旁白期间保持节奏稀疏。"
},
{
"from": "00:63",
"to": "00:84",
"scene": "04",
"direction": "结尾扩展低弦后留出停顿,以灭国后的空场收束,不作大调凯旋。"
}
]
},
"sources": [
{
"claim": "事件编年、主将、地点、灭国结果与后续郡县化",
"citation": "《史记·秦始皇本纪》卷六",
"url": "https://zh.wikisource.org/zh-hans/史记/卷006"
},
{
"claim": "王翦、王贲、李信等将领的战役行动及关键战术过程",
"citation": "《史记·白起王翦列传》卷七十三",
"url": "https://zh.wikisource.org/zh/史記/卷073"
}
],
"blacklist": [
"把前228年的灭赵与前260年的长平之战混成同一场战役,或让白起、赵括出现在邯郸陷落现场",
"虚构王翦与赵王迁单挑,或把赵王被俘画成公开处刑",
"把赵公子嘉逃往代地误写成当年即被俘;代政权延续至前222年",
"给秦军或赵军编造史书未载的精确总兵力、现代地图路线与统一制服色",
"秦兵陶俑化、克隆脸、玄幻黑甲、超大军团堆叠或血腥尸山",
"使用汉唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒或后世军旗",
"出现可读汉字、字幕、书法、地图箭头、Logo、水印或现代物件",
"使用火器、爆炸、欧洲板甲、日本武士甲、奇幻怪兽或动漫画风"
]
}