数字我 Digital Me：全量入库（大文件走 Git LFS）
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{
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"event": {
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"canonicalName": "巨鹿之战（破釜沉舟）",
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"aliases": [
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"钜鹿之战",
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"破釜沉舟",
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"项羽救赵"
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],
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"era": "秦二世三年",
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"date": "公元前207年",
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"place": "钜鹿城、棘原及邻近河道（古城位置约今河北邢台平乡一带，尚有异说）",
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"summary": "项羽夺取楚军指挥权后渡河决战，九战绝秦军甬道，击溃围城的王离军，杀苏角、俘王离，解除钜鹿之围并成为诸侯上将军。"
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},
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"narration": {
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"language": "zh-CN",
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"estimatedSeconds": 89,
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"fullText": "公元前二〇七年，秦将王离围困钜鹿，赵王歇和张耳困在城中，粮食将尽。章邯的大军驻在钜鹿以南的棘原，修筑甬道，把粮食送给围城军。十余路诸侯来救，却都停在营垒里观望。楚军上将宋义在安阳停留四十六日，项羽杀宋义，取得指挥权。他先遣英布、蒲将军率二万人渡河，随后率全军渡河，沉船、破釜甑、烧庐舍，只带三日粮。决战中，楚军九次交锋，切断秦军甬道，使王离军失去补给。苏角战死，王离被俘，涉间不降而自尽。观战的诸侯将领进入项羽辕门时，无不跪行，不敢仰视。钜鹿之围解除，项羽由此成为诸侯上将军。后来章邯投降与新安坑降卒，是这场战役的后续，不应混在同一天的钜鹿战场。"
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},
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"scenes": [
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{
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"id": "01",
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"title": "孤城与甬道",
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"timePlace": "钜鹿城与城南棘原",
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"purpose": "解释秦军围城体系：王离攻城，章邯驻南并以甬道输粮。",
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"narration": "王离急攻钜鹿，城中食尽兵少。章邯驻军城南棘原，以夹墙甬道向围城军输粮。",
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"overlay": {
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"heading": "孤城与甬道",
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"line": "围城靠的不只兵力，还有一条不断粮的通道。"
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},
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"people": [
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{
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"name": "王离",
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"office": "秦武城侯、围城前线主将",
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"action": "率长城戍边军围攻钜鹿"
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},
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{
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"name": "章邯",
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"office": "秦军全局主帅",
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"action": "驻棘原并筑甬道输粮"
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},
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{
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"name": "赵王歇、张耳",
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"office": "赵王与赵相",
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"action": "被围城中，食尽兵少"
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}
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],
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"image": {
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"original": "images/01-city-and-supply-corridor.png",
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"delivery": "images/01-city-and-supply-corridor.webp",
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"alt": "高处俯瞰钜鹿夯土城、王离围城营垒与通向南方棘原的夹墙甬道，粮车正在通道中运行，三层空间关系清楚但不像现代地图。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Elevated oblique view across the Julu battlefield on the Hebei plain. A compact rammed-earth city with worn timber gates sits under tight Qin siege lines led by Wang Li; southward, a long protected supply corridor formed by parallel low earth walls guides grain carts toward the siege camps, visually linking to Zhang Han’s distant field encampment at Jiyuan. Inside the city, sparse defenders are visible without individual close-ups. Make geography legible through natural terrain and depth, never as a modern map or infographic. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
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"visualInference": "古城、营垒、甬道和棘原军营的同框空间关系为视觉重构；王离围城、章邯军棘原及筑甬道输粟有史载。",
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"refinementPrompt": ""
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||||
},
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||||
"sources": [
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||||
"《史记·项羽本纪》卷七",
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"《史记·张耳陈余列传》卷八十九"
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]
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},
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{
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"id": "02",
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"title": "斩宋义夺军",
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"timePlace": "安阳，楚军停驻期间",
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"purpose": "交代项羽如何从次将成为实际主帅；克制表现帐中处决。",
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"narration": "宋义在安阳停留四十六日。项羽入帐杀宋义，楚怀王随后任命项羽为上将军。",
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"overlay": {
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"heading": "斩宋义夺军",
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"line": "救赵之前，楚军先换了主帅。"
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},
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"people": [
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{
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"name": "项羽",
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"office": "楚军次将，后为上将军",
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"action": "帐中杀宋义并取得救赵军指挥权"
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},
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{
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"name": "宋义",
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"office": "楚上将军、卿子冠军",
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"action": "停军安阳四十六日，后被项羽所杀"
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},
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{
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"name": "楚军将领",
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"office": "救赵军军官",
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"action": "在权力骤变后接受项羽指挥"
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}
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],
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"image": {
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"original": "images/02-command-changes-at-anyang.png",
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"delivery": "images/02-command-changes-at-anyang.webp",
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"alt": "寒雨后的楚军营帐内，项羽持未出鞘佩剑站在倒下的案几旁，宋义已不在正面视野，诸将震惊而沉默，画面以权力更替而非斩首血腥为中心。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Inside a rain-darkened Chu command tent at Anyang after the decisive confrontation. Xiang Yu, a powerful young East Asian commander in his mid-twenties with broad shoulders, tied hair, weathered face and practical dark Chu lamellar armor with muted red-brown cloth, stands beside an overturned command table, one hand on a sheathed sword. Song Yi is implied only by an abandoned official cap and screened attendants at the far edge, no severed head or gore. Shocked Chu officers hold still as authority shifts. Cold wet camp visible through the open flap; tense, contained political violence. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
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"visualInference": "帐内位置、倒案、佩剑和以冠帽暗示宋义结局均为克制视觉重构；停安阳四十六日、项羽帐中斩宋义及继任有史载。",
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"refinementPrompt": ""
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},
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"sources": [
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||||
"《史记·项羽本纪》卷七"
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]
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},
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{
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"id": "03",
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"title": "渡河破釜",
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"timePlace": "钜鹿外围河道，决战前",
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"purpose": "呈现破釜沉舟的完整行动，不把它简化成只砸一口锅的摆拍。",
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"narration": "英布、蒲将军先率二万人渡河。项羽随后引全军渡河，沉船、破釜、烧庐，只带三日粮。",
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"overlay": {
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"heading": "渡河破釜",
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"line": "船沉、釜破、庐烧，退路被主动从军中拿走。"
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},
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"people": [
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{
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"name": "项羽",
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"office": "楚上将军",
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"action": "率楚军主力渡河并下达绝退行动"
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},
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{
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"name": "英布",
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"office": "当阳君、楚军先遣将领",
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"action": "与蒲将军率二万先渡河击秦"
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},
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{
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"name": "蒲将军",
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"office": "楚军先遣将领",
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"action": "与英布率二万先渡河"
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}
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||||
],
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||||
"image": {
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"original": "images/03-cross-river-break-cauldrons.png",
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"delivery": "images/03-cross-river-break-cauldrons.webp",
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"alt": "河滩上楚军完成渡河，士卒凿沉木船、砸破陶釜并拆烧临时庐舍，项羽在高处监督向前集结，动作真实且无夸张火海。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Broad riverbank after the Chu crossing. Soldiers deliberately hole and push simple wooden boats into the water, smash clay cooking cauldrons with stones, and burn a few rough shelters in controlled low flames; others shoulder only small three-day ration bundles and form for the advance. Xiang Yu, same identity as scene 02, stands on a low bank directing the forward assembly. Show purposeful discipline and unease, not a festival bonfire. No readable banners, no huge explosion, no modern bridge. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
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"visualInference": "具体河岸、船型、破釜动作、三日粮包与火势为视觉补全；沉船、破釜甑、烧庐舍、持三日粮有史载。",
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"refinementPrompt": ""
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},
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||||
"sources": [
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"《史记·项羽本纪》卷七"
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]
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},
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{
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"id": "04",
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"title": "九战绝甬道",
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"timePlace": "钜鹿城外及秦军甬道",
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"purpose": "把胜负关键落在连续交战与切断补给，不虚构单次冲锋即结束全役。",
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"narration": "楚军与秦军九战，反复截断甬道。粮车停住，王离围城军逐渐失去补给，攻守由此逆转。",
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"overlay": {
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"heading": "九战绝甬道",
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"line": "真正被击中的，是围城军赖以维持的粮道。"
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},
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"people": [
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{
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"name": "项羽",
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"office": "楚上将军",
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"action": "率军九战并绝秦军甬道"
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},
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{
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"name": "王离",
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"office": "秦军前线主将",
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"action": "围城军在粮道被断后陷入乏食"
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},
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{
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"name": "楚军与秦军士卒",
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"office": "交战双方",
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"action": "围绕甬道反复争夺"
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}
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],
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"image": {
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"original": "images/04-nine-battles-cut-the-corridor.png",
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"delivery": "images/04-nine-battles-cut-the-corridor.webp",
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"alt": "破损甬道旁，楚军越过倒塌土墙截住粮车，项羽指向前方组织推进；王离的秦军在远处回防，连续争夺通过尘土与多处旧损表现。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Decisive fighting around the Qin supply corridor. Sections of the parallel earth walls are breached; Chu spear-and-shield groups surge through to halt grain carts while Qin defenders pivot from the siege lines to protect the route. Xiang Yu, same face and armor, directs from the active middle ground without superhero posing. Repeated prior clashes are suggested by repaired walls, several old breaks, abandoned cart wheels and trampled earth, not nine simultaneous cloned battles. Dynamic wide frame, non-graphic action, Julu city distant in haze. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
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||||
"visualInference": "九次交战以多处新旧破损压缩表现，具体突破点、粮车位置与项羽指挥姿态为视觉推演；“九战，绝其甬道”有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·项羽本纪》卷七",
|
||||
"《史记·张耳陈余列传》卷八十九"
|
||||
]
|
||||
},
|
||||
{
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||||
"id": "05",
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||||
"title": "王离被俘",
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||||
"timePlace": "钜鹿城外，秦围城军崩溃后",
|
||||
"purpose": "呈现围城解除与项羽成为诸侯领袖，不把章邯后降和新安坑卒混入。",
|
||||
"narration": "苏角战死，王离被俘，涉间不降自尽。诸侯将入项羽辕门跪行，钜鹿之围终于解除。",
|
||||
"overlay": {
|
||||
"heading": "王离被俘",
|
||||
"line": "一场解围战，把项羽推成了诸侯上将军。"
|
||||
},
|
||||
"people": [
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||||
{
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||||
"name": "项羽",
|
||||
"office": "楚上将军",
|
||||
"action": "大破围城秦军，成为诸侯上将军"
|
||||
},
|
||||
{
|
||||
"name": "王离",
|
||||
"office": "秦武城侯、围城前线主将",
|
||||
"action": "兵败被俘"
|
||||
},
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||||
{
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||||
"name": "苏角、涉间",
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||||
"office": "秦将",
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||||
"action": "苏角战死；涉间不降自尽，均不作血腥近景"
|
||||
},
|
||||
{
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||||
"name": "诸侯将领",
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||||
"office": "各路援军主将",
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||||
"action": "入辕门膝行，不敢仰视"
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||||
}
|
||||
],
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||||
"image": {
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||||
"original": "images/05-wang-li-captured.png",
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||||
"delivery": "images/05-wang-li-captured.webp",
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||||
"alt": "楚军辕门前，王离卸下兵器被看守但未受羞辱，项羽站在营内接受战报，数名诸侯将领低身进入；远处钜鹿城门开启，守军与百姓谨慎走出。",
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||||
"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: After the collapse of the Qin siege army, outside the Chu command gate. Wang Li, an older East Asian Qin commander in damaged but dignified dark lamellar armor, has surrendered his sword and stands guarded, not bound, kneeling or humiliated. Xiang Yu, consistent with prior scenes, receives reports inside the gate while several allied lords enter deeply bowed and hesitant, conveying “dare not look up” without a mass worship spectacle. Far behind, Julu’s gate opens and thin defenders emerge. Quiet aftermath, scattered weapons, no portrayal of Su Jiao’s corpse or She Jian’s death. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
|
||||
"visualInference": "王离交剑、诸侯人数与姿态、城门开启及解围后的同框为视觉补全；杀苏角、虏王离、涉间不降自尽、诸侯膝行与围解均有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·项羽本纪》卷七",
|
||||
"《史记·张耳陈余列传》卷八十九"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:julu#0",
|
||||
"title": "巨鹿之战",
|
||||
"version": "电影级配乐·建议使用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "抽取项目专属巨鹿曲的器乐层：第一幕以压迫低频入场，第二幕收紧，第三幕建立连续推进，第四幕达到唯一高潮，第五幕撤鼓留余震；删除全部歌词与品牌尾签。",
|
||||
"reason": "项目内与巨鹿直接绑定的自生成音乐方案，情绪结构与破釜、绝甬道、诸侯归服的五幕推进完全匹配；仓库内暂无可直接附加的成品音频。",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:18",
|
||||
"scene": "01",
|
||||
"direction": "低频与孤立敲击建立围城和粮道压力。"
|
||||
},
|
||||
{
|
||||
"from": "00:18",
|
||||
"to": "00:36",
|
||||
"scene": "02",
|
||||
"direction": "收窄声场，以低弦紧张表现军权骤变。"
|
||||
},
|
||||
{
|
||||
"from": "00:36",
|
||||
"to": "00:54",
|
||||
"scene": "03",
|
||||
"direction": "行军鼓逐层加入，但不在破釜动作处提前爆发。"
|
||||
},
|
||||
{
|
||||
"from": "00:54",
|
||||
"to": "01:12",
|
||||
"scene": "04",
|
||||
"direction": "全曲唯一高潮落在甬道被截断。"
|
||||
},
|
||||
{
|
||||
"from": "01:12",
|
||||
"to": "01:30",
|
||||
"scene": "05",
|
||||
"direction": "迅速撤鼓，留低弦与金石余响收束权力转移。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "宋义停军、项羽夺军、先遣二万、破釜沉舟、九战绝甬道、杀苏角虏王离及诸侯归服",
|
||||
"citation": "《史记·项羽本纪》卷七",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷007"
|
||||
},
|
||||
{
|
||||
"claim": "钜鹿城中粮尽兵少、章邯军棘原、甬道输粮、王离军乏食与围城解除",
|
||||
"citation": "《史记·张耳陈余列传》卷八十九",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷089"
|
||||
},
|
||||
{
|
||||
"claim": "王离为王翦之孙、王贲之子及其兵败被俘",
|
||||
"citation": "《史记·白起王翦列传》卷七十三",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷073"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把章邯和王离混成同一位前线主将；王离围城，章邯驻棘原并负责后援粮道",
|
||||
"宣称秦军总数为四十万；正史无钜鹿秦军总兵力，二十余万是后来章邯降卒数据",
|
||||
"把安阳寒雨当成钜鹿决战当天的天气，或把天气写成胜负关键",
|
||||
"把破釜沉舟画成项羽独自砸一口锅，忽略沉船、烧庐、持三日粮与全军行动",
|
||||
"把新安坑杀二十余万降卒、章邯洹水投降直接混进钜鹿决战当天",
|
||||
"把古钜鹿位置断言为今天巨鹿县唯一确定地点；项目采用平乡一带但注明有异说",
|
||||
"现代文字、字幕、地图箭头、Logo、水印、可读军旗、后世盔甲建筑、火器爆炸或血腥尸山"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,156 @@
|
||||
# 巨鹿之战（破釜沉舟）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：巨鹿之战（破釜沉舟）
|
||||
- 常用称呼：钜鹿之战、破釜沉舟、项羽救赵
|
||||
- 时代：秦二世三年
|
||||
- 日期：公元前207年
|
||||
- 地点：钜鹿城、棘原及邻近河道（古城位置约今河北邢台平乡一带，尚有异说）
|
||||
- 一句话结论：项羽夺取楚军指挥权后渡河决战，九战绝秦军甬道，击溃围城的王离军，杀苏角、俘王离，解除钜鹿之围并成为诸侯上将军。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
公元前二〇七年，秦将王离围困钜鹿，赵王歇和张耳困在城中，粮食将尽。章邯的大军驻在钜鹿以南的棘原，修筑甬道，把粮食送给围城军。十余路诸侯来救，却都停在营垒里观望。楚军上将宋义在安阳停留四十六日，项羽杀宋义，取得指挥权。他先遣英布、蒲将军率二万人渡河，随后率全军渡河，沉船、破釜甑、烧庐舍，只带三日粮。决战中，楚军九次交锋，切断秦军甬道，使王离军失去补给。苏角战死，王离被俘，涉间不降而自尽。观战的诸侯将领进入项羽辕门时，无不跪行，不敢仰视。钜鹿之围解除，项羽由此成为诸侯上将军。后来章邯投降与新安坑降卒，是这场战役的后续，不应混在同一天的钜鹿战场。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜孤城与甬道
|
||||
|
||||
- 时间地点：钜鹿城与城南棘原
|
||||
- 本幕作用：解释秦军围城体系：王离攻城，章邯驻南并以甬道输粮。
|
||||
- 分幕旁白：王离急攻钜鹿，城中食尽兵少。章邯驻军城南棘原，以夹墙甬道向围城军输粮。
|
||||
- 页面标题：孤城与甬道
|
||||
- 页面短句：围城靠的不只兵力，还有一条不断粮的通道。
|
||||
- PNG：`images/01-city-and-supply-corridor.png`
|
||||
- WebP：`images/01-city-and-supply-corridor.webp`
|
||||
- 替代文本：高处俯瞰钜鹿夯土城、王离围城营垒与通向南方棘原的夹墙甬道，粮车正在通道中运行，三层空间关系清楚但不像现代地图。
|
||||
- 视觉推演边界：古城、营垒、甬道和棘原军营的同框空间关系为视觉重构；王离围城、章邯军棘原及筑甬道输粟有史载。
|
||||
- 人物：王离（秦武城侯、围城前线主将；率长城戍边军围攻钜鹿）；章邯（秦军全局主帅；驻棘原并筑甬道输粮）；赵王歇、张耳（赵王与赵相；被围城中，食尽兵少）
|
||||
- 史料：《史记·项羽本纪》卷七；《史记·张耳陈余列传》卷八十九
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Elevated oblique view across the Julu battlefield on the Hebei plain. A compact rammed-earth city with worn timber gates sits under tight Qin siege lines led by Wang Li; southward, a long protected supply corridor formed by parallel low earth walls guides grain carts toward the siege camps, visually linking to Zhang Han’s distant field encampment at Jiyuan. Inside the city, sparse defenders are visible without individual close-ups. Make geography legible through natural terrain and depth, never as a modern map or infographic. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
### 02｜斩宋义夺军
|
||||
|
||||
- 时间地点：安阳，楚军停驻期间
|
||||
- 本幕作用：交代项羽如何从次将成为实际主帅；克制表现帐中处决。
|
||||
- 分幕旁白：宋义在安阳停留四十六日。项羽入帐杀宋义，楚怀王随后任命项羽为上将军。
|
||||
- 页面标题：斩宋义夺军
|
||||
- 页面短句：救赵之前，楚军先换了主帅。
|
||||
- PNG：`images/02-command-changes-at-anyang.png`
|
||||
- WebP：`images/02-command-changes-at-anyang.webp`
|
||||
- 替代文本：寒雨后的楚军营帐内，项羽持未出鞘佩剑站在倒下的案几旁，宋义已不在正面视野，诸将震惊而沉默，画面以权力更替而非斩首血腥为中心。
|
||||
- 视觉推演边界：帐内位置、倒案、佩剑和以冠帽暗示宋义结局均为克制视觉重构；停安阳四十六日、项羽帐中斩宋义及继任有史载。
|
||||
- 人物：项羽（楚军次将，后为上将军；帐中杀宋义并取得救赵军指挥权）；宋义（楚上将军、卿子冠军；停军安阳四十六日，后被项羽所杀）；楚军将领（救赵军军官；在权力骤变后接受项羽指挥）
|
||||
- 史料：《史记·项羽本纪》卷七
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Inside a rain-darkened Chu command tent at Anyang after the decisive confrontation. Xiang Yu, a powerful young East Asian commander in his mid-twenties with broad shoulders, tied hair, weathered face and practical dark Chu lamellar armor with muted red-brown cloth, stands beside an overturned command table, one hand on a sheathed sword. Song Yi is implied only by an abandoned official cap and screened attendants at the far edge, no severed head or gore. Shocked Chu officers hold still as authority shifts. Cold wet camp visible through the open flap; tense, contained political violence. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
### 03｜渡河破釜
|
||||
|
||||
- 时间地点：钜鹿外围河道，决战前
|
||||
- 本幕作用：呈现破釜沉舟的完整行动，不把它简化成只砸一口锅的摆拍。
|
||||
- 分幕旁白：英布、蒲将军先率二万人渡河。项羽随后引全军渡河，沉船、破釜、烧庐，只带三日粮。
|
||||
- 页面标题：渡河破釜
|
||||
- 页面短句：船沉、釜破、庐烧，退路被主动从军中拿走。
|
||||
- PNG：`images/03-cross-river-break-cauldrons.png`
|
||||
- WebP：`images/03-cross-river-break-cauldrons.webp`
|
||||
- 替代文本：河滩上楚军完成渡河，士卒凿沉木船、砸破陶釜并拆烧临时庐舍，项羽在高处监督向前集结，动作真实且无夸张火海。
|
||||
- 视觉推演边界：具体河岸、船型、破釜动作、三日粮包与火势为视觉补全；沉船、破釜甑、烧庐舍、持三日粮有史载。
|
||||
- 人物：项羽（楚上将军；率楚军主力渡河并下达绝退行动）；英布（当阳君、楚军先遣将领；与蒲将军率二万先渡河击秦）；蒲将军（楚军先遣将领；与英布率二万先渡河）
|
||||
- 史料：《史记·项羽本纪》卷七
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Broad riverbank after the Chu crossing. Soldiers deliberately hole and push simple wooden boats into the water, smash clay cooking cauldrons with stones, and burn a few rough shelters in controlled low flames; others shoulder only small three-day ration bundles and form for the advance. Xiang Yu, same identity as scene 02, stands on a low bank directing the forward assembly. Show purposeful discipline and unease, not a festival bonfire. No readable banners, no huge explosion, no modern bridge. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
### 04｜九战绝甬道
|
||||
|
||||
- 时间地点：钜鹿城外及秦军甬道
|
||||
- 本幕作用：把胜负关键落在连续交战与切断补给，不虚构单次冲锋即结束全役。
|
||||
- 分幕旁白：楚军与秦军九战，反复截断甬道。粮车停住，王离围城军逐渐失去补给，攻守由此逆转。
|
||||
- 页面标题：九战绝甬道
|
||||
- 页面短句：真正被击中的，是围城军赖以维持的粮道。
|
||||
- PNG：`images/04-nine-battles-cut-the-corridor.png`
|
||||
- WebP：`images/04-nine-battles-cut-the-corridor.webp`
|
||||
- 替代文本：破损甬道旁，楚军越过倒塌土墙截住粮车，项羽指向前方组织推进；王离的秦军在远处回防，连续争夺通过尘土与多处旧损表现。
|
||||
- 视觉推演边界：九次交战以多处新旧破损压缩表现，具体突破点、粮车位置与项羽指挥姿态为视觉推演；“九战，绝其甬道”有史载。
|
||||
- 人物：项羽（楚上将军；率军九战并绝秦军甬道）；王离（秦军前线主将；围城军在粮道被断后陷入乏食）；楚军与秦军士卒（交战双方；围绕甬道反复争夺）
|
||||
- 史料：《史记·项羽本纪》卷七；《史记·张耳陈余列传》卷八十九
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Decisive fighting around the Qin supply corridor. Sections of the parallel earth walls are breached; Chu spear-and-shield groups surge through to halt grain carts while Qin defenders pivot from the siege lines to protect the route. Xiang Yu, same face and armor, directs from the active middle ground without superhero posing. Repeated prior clashes are suggested by repaired walls, several old breaks, abandoned cart wheels and trampled earth, not nine simultaneous cloned battles. Dynamic wide frame, non-graphic action, Julu city distant in haze. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
### 05｜王离被俘
|
||||
|
||||
- 时间地点：钜鹿城外，秦围城军崩溃后
|
||||
- 本幕作用：呈现围城解除与项羽成为诸侯领袖，不把章邯后降和新安坑卒混入。
|
||||
- 分幕旁白：苏角战死，王离被俘，涉间不降自尽。诸侯将入项羽辕门跪行，钜鹿之围终于解除。
|
||||
- 页面标题：王离被俘
|
||||
- 页面短句：一场解围战，把项羽推成了诸侯上将军。
|
||||
- PNG：`images/05-wang-li-captured.png`
|
||||
- WebP：`images/05-wang-li-captured.webp`
|
||||
- 替代文本：楚军辕门前，王离卸下兵器被看守但未受羞辱，项羽站在营内接受战报，数名诸侯将领低身进入；远处钜鹿城门开启，守军与百姓谨慎走出。
|
||||
- 视觉推演边界：王离交剑、诸侯人数与姿态、城门开启及解围后的同框为视觉补全；杀苏角、虏王离、涉间不降自尽、诸侯膝行与围解均有史载。
|
||||
- 人物：项羽（楚上将军；大破围城秦军，成为诸侯上将军）；王离（秦武城侯、围城前线主将；兵败被俘）；苏角、涉间（秦将；苏角战死；涉间不降自尽，均不作血腥近景）；诸侯将领（各路援军主将；入辕门膝行，不敢仰视）
|
||||
- 史料：《史记·项羽本纪》卷七；《史记·张耳陈余列传》卷八十九
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: After the collapse of the Qin siege army, outside the Chu command gate. Wang Li, an older East Asian Qin commander in damaged but dignified dark lamellar armor, has surrendered his sword and stands guarded, not bound, kneeling or humiliated. Xiang Yu, consistent with prior scenes, receives reports inside the gate while several allied lords enter deeply bowed and hesitant, conveying “dare not look up” without a mass worship spectacle. Far behind, Julu’s gate opens and thin defenders emerge. Quiet aftermath, scattered weapons, no portrayal of Su Jiao’s corpse or She Jian’s death. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
## BGM 选曲
|
||||
|
||||
- 项目曲目：`zhanzhen:julu#0`｜巨鹿之战｜电影级配乐·建议使用无主唱器乐 stem
|
||||
- 状态：pending-export
|
||||
- 用法：抽取项目专属巨鹿曲的器乐层：第一幕以压迫低频入场，第二幕收紧，第三幕建立连续推进，第四幕达到唯一高潮，第五幕撤鼓留余震；删除全部歌词与品牌尾签。
|
||||
- 选择理由：项目内与巨鹿直接绑定的自生成音乐方案，情绪结构与破釜、绝甬道、诸侯归服的五幕推进完全匹配；仓库内暂无可直接附加的成品音频。
|
||||
- 音频路径或 URL：仓库暂缺，待导出
|
||||
|
||||
| 时间 | 分幕 | 编排 |
|
||||
|---|---|---|
|
||||
| 00:00–00:18 | 01 | 低频与孤立敲击建立围城和粮道压力。 |
|
||||
| 00:18–00:36 | 02 | 收窄声场，以低弦紧张表现军权骤变。 |
|
||||
| 00:36–00:54 | 03 | 行军鼓逐层加入，但不在破釜动作处提前爆发。 |
|
||||
| 00:54–01:12 | 04 | 全曲唯一高潮落在甬道被截断。 |
|
||||
| 01:12–01:30 | 05 | 迅速撤鼓，留低弦与金石余响收束权力转移。 |
|
||||
|
||||
## 史料来源
|
||||
|
||||
- 宋义停军、项羽夺军、先遣二万、破釜沉舟、九战绝甬道、杀苏角虏王离及诸侯归服：[《史记·项羽本纪》卷七](https://zh.wikisource.org/zh-hans/史记/卷007)
|
||||
- 钜鹿城中粮尽兵少、章邯军棘原、甬道输粮、王离军乏食与围城解除：[《史记·张耳陈余列传》卷八十九](https://zh.wikisource.org/zh-hans/史记/卷089)
|
||||
- 王离为王翦之孙、王贲之子及其兵败被俘：[《史记·白起王翦列传》卷七十三](https://zh.wikisource.org/zh-hans/史记/卷073)
|
||||
|
||||
## 禁区与误读防护
|
||||
|
||||
- 把章邯和王离混成同一位前线主将；王离围城，章邯驻棘原并负责后援粮道
|
||||
- 宣称秦军总数为四十万；正史无钜鹿秦军总兵力，二十余万是后来章邯降卒数据
|
||||
- 把安阳寒雨当成钜鹿决战当天的天气，或把天气写成胜负关键
|
||||
- 把破釜沉舟画成项羽独自砸一口锅，忽略沉船、烧庐、持三日粮与全军行动
|
||||
- 把新安坑杀二十余万降卒、章邯洹水投降直接混进钜鹿决战当天
|
||||
- 把古钜鹿位置断言为今天巨鹿县唯一确定地点；项目采用平乡一带但注明有异说
|
||||
- 现代文字、字幕、地图箭头、Logo、水印、可读军旗、后世盔甲建筑、火器爆炸或血腥尸山
|
||||
|
||||
## 交付检查
|
||||
|
||||
- [x] 每幕 PNG 原图存在且为 16:9
|
||||
- [x] 每幕 WebP 交付图存在且为 16:9
|
||||
- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
|
||||
- [ ] BGM 已导出并填写可用路径
|
||||
- [x] `manifest.json` 与本说明中的文件名全部校验通过
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "秦灭楚之战（王翦伐楚）",
|
||||
"aliases": [
|
||||
"秦灭楚",
|
||||
"王翦灭楚",
|
||||
"李信伐楚",
|
||||
"秦统一战争·灭楚"
|
||||
],
|
||||
"era": "战国末期·秦王政二十二年至二十四年",
|
||||
"date": "公元前225年至前223年（后续抵抗至前223年前后）",
|
||||
"place": "平与、寝、鄢郢、城父、频阳、灞上、平舆、蕲南及楚地",
|
||||
"summary": "李信、蒙恬先以二十万伐楚而败，秦王改用王翦六十万；王翦坚壁蓄锐后追破楚军，秦最终俘楚王负刍、平定楚地。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 90,
|
||||
"fullText": "秦准备攻楚时，年轻将领李信认为二十万人足够，老将王翦却坚持非六十万不可。秦王采用李信之策。李信、蒙恬初战连捷，随后楚军紧追三日三夜，攻破秦军两座营垒，杀七名都尉，秦军败走。秦王亲赴频阳向王翦致歉，终于把六十万兵交给他。王翦一路索要田宅，不是贪财，而是让多疑的秦王相信自己只求封赏。抵达楚地后，他坚壁不战，让士卒休息洗沐、吃饱训练。楚军屡次挑战无果，只得东撤。王翦这才追击，大破楚军。秦本纪还记载楚王负刍被俘，此后昌平君与项燕继续反秦，最终也被击破。灭楚不是一次冲锋，而是一次失败之后，用更大兵力、更长耐心完成的战争。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "二十万南伐",
|
||||
"timePlace": "公元前225年前后，平与、寝及楚北",
|
||||
"purpose": "交代李信方案被采用及秦军初战得手。",
|
||||
"narration": "李信说二十万人足够。秦王让他与蒙恬南伐，秦军在平与、寝一带初战连捷。",
|
||||
"overlay": {
|
||||
"heading": "二十万南伐",
|
||||
"line": "年轻将军先赢了几座城，也赢得了自己的判断。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "李信",
|
||||
"office": "秦将",
|
||||
"action": "率主力攻楚，初战攻平与并推进"
|
||||
},
|
||||
{
|
||||
"name": "蒙恬",
|
||||
"office": "秦将",
|
||||
"action": "率军攻寝，与李信分进会合"
|
||||
},
|
||||
{
|
||||
"name": "楚军守军",
|
||||
"office": "楚北守军",
|
||||
"action": "抵抗秦军进攻；具体将领不详"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-li-xin-twenty-armies.png",
|
||||
"delivery": "images/01-li-xin-twenty-armies.webp",
|
||||
"alt": "李信与蒙恬分别率秦军越过楚北丘陵，在会合点前观察远处被攻破的夯土城塞，秦军保持克制队形。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 01 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Northern Chu frontier in humid early summer. Young Qin general Li Xin, East Asian man in his early thirties with sharp confident face, dark lacquered lamellar armor and short black cloak, points across low wooded hills from a forward ridge. In the distance, Meng Tian, a similarly young but broader Qin officer, approaches with a separate compact column. A recently taken small rammed-earth fort shows an open gate and smoke from cooking fires, not a burning city. Wide converging composition, muted green-brown landscape, energetic but disciplined mood, no heroic fantasy poster. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "李信与蒙恬会合视角、人物外貌、城塞位置和初胜后的场面为视觉补全；战果地名与分兵进击来自《王翦列传》。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·白起王翦列传》卷七十三"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "三日追破",
|
||||
"timePlace": "公元前225年前后，城父附近秦军营垒",
|
||||
"purpose": "表现李信方案失败的关键转折。",
|
||||
"narration": "楚军紧追三日三夜不休，攻破秦军两座营垒，杀七名都尉。李信军败走。",
|
||||
"overlay": {
|
||||
"heading": "三日追破",
|
||||
"line": "真正的楚军，在秦军转身之后追了上来。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "李信",
|
||||
"office": "秦将",
|
||||
"action": "与蒙恬会城父后遭楚军追破，率残军撤退"
|
||||
},
|
||||
{
|
||||
"name": "蒙恬",
|
||||
"office": "秦将",
|
||||
"action": "随秦军承受楚军反击"
|
||||
},
|
||||
{
|
||||
"name": "楚军将士",
|
||||
"office": "楚军追击部队",
|
||||
"action": "连续追击并攻破秦军营垒；本段主将史载不详"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-chu-pursues-three-days.png",
|
||||
"delivery": "images/02-chu-pursues-three-days.webp",
|
||||
"alt": "夜雨后的秦军土木营垒被楚军突破，李信指挥残军有序撤离，蒙恬回望倒塌栅栏，画面表现溃败而不展示血腥尸体。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 02 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Dawn after a relentless three-day pursuit near Chengfu. Two Qin field camps of earth berms and timber palisades have been breached; broken gates and abandoned carts show collapse without gore. Li Xin, preserving scene 1 identity, shouts withdrawal orders while helping reform a battered crossbow unit. Meng Tian turns back toward advancing Chu infantry emerging through wet mist. The Chu soldiers wear varied muted lacquered gear and woven clothing, not a single fantasy uniform. Dynamic wide retreat composition with rain, mud and diagonal pressure, restrained violence, no corpses in close-up. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "夜雨、营垒具体形态、撤退队形和李信蒙恬同框均为视觉补全；三日三夜追击、入两壁、杀七都尉及秦军走为史载。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·白起王翦列传》卷七十三"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "频阳请将",
|
||||
"timePlace": "李信败后，频阳与灞上",
|
||||
"purpose": "表现秦王改弦更张、起用王翦六十万的政治与用人转折。",
|
||||
"narration": "秦王亲赴频阳向王翦致歉。王翦仍说非六十万不可，秦王这次答应了。",
|
||||
"overlay": {
|
||||
"heading": "频阳请将",
|
||||
"line": "一次败军，让秦王亲自来听那个被拒绝的答案。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "秦王政",
|
||||
"office": "秦王",
|
||||
"action": "亲赴频阳致歉并强起王翦"
|
||||
},
|
||||
{
|
||||
"name": "王翦",
|
||||
"office": "秦老将",
|
||||
"action": "坚持六十万方案并重新出征"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-king-apologizes-to-wang-jian.png",
|
||||
"delivery": "images/03-king-apologizes-to-wang-jian.webp",
|
||||
"alt": "频阳朴素宅院中，秦王政站在庭前向年老的王翦郑重致意，王翦手扶木杖保持克制，背景没有奢华宫殿。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 03 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: A restrained private courtyard at Pinyang, not a palace. Qin King Zheng, East Asian man age about thirty-five with lean face, neat moustache and short beard, wears a formal black robe with dark cinnabar edging and a simple period headpiece. He stands facing veteran Wang Jian, matching the weathered gray-bearded commander established in the Zhao campaign, who wears a plain home robe and rests one hand on a wooden staff. The posture of the king is direct and apologetic without kneeling; Wang Jian remains cautious. A few aides wait far behind. Medium-wide composition under bare timber eaves, soft morning light, political gravity, no readable documents or symbols. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "频阳宅院形制、秦王与王翦的具体姿态、随从和木杖为视觉补全；秦王自驰频阳见谢、王翦坚持六十万见《王翦列传》。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·白起王翦列传》卷七十三"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "坚壁蓄锐",
|
||||
"timePlace": "公元前224年前后，平舆一带秦楚前线",
|
||||
"purpose": "表现王翦以休养、训练和拒战消耗楚军耐心。",
|
||||
"narration": "王翦到楚地后坚壁不战，让士卒洗沐、吃饱、投石跳跃。楚军挑战，他始终不出。",
|
||||
"overlay": {
|
||||
"heading": "坚壁蓄锐",
|
||||
"line": "六十万人的锋芒，被老将按在营门之内。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王翦",
|
||||
"office": "秦军主将",
|
||||
"action": "坚壁不战、休士洗沐、善饮食抚循士卒"
|
||||
},
|
||||
{
|
||||
"name": "秦军士卒",
|
||||
"office": "秦军主力",
|
||||
"action": "在营内休养并投石超距，等待可用之时"
|
||||
},
|
||||
{
|
||||
"name": "楚军挑战者",
|
||||
"office": "楚军前线部队",
|
||||
"action": "多次挑战，秦军不应"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-wang-jian-holds-the-line.png",
|
||||
"delivery": "images/04-wang-jian-holds-the-line.webp",
|
||||
"alt": "坚固秦营内，士卒在洗甲、进食和投石训练，王翦沿营墙观察；营外远处楚军列阵挑战但没有交战。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 04 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Inside a large but human-scale Qin fortified camp near Pingyu. Veteran Wang Jian, back in dark lacquered armor and plain cloak, walks the timber-and-earth rampart. Below, soldiers wash dust from armor, eat from simple bowls, repair crossbows, throw heavy stones and practice standing jumps exactly as morale signs described in the Shiji. Beyond the palisade, distant Chu ranks issue a challenge but do not attack. Wide layered composition from camp life to silent enemy line, warm late-afternoon light, patient confidence rather than spectacle, no giant troop sea. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "营地布局、洗甲、进食和训练同场呈现为视觉压缩；休士洗沐、善饮食、投石超距和楚军挑战不出均有史载。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·白起王翦列传》卷七十三"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "楚地收束",
|
||||
"timePlace": "公元前224年至前223年前后，蕲南及楚地",
|
||||
"purpose": "呈现楚军东撤后被追破、项燕败亡及楚地最终并入秦，同时说明事件并非同日完成。",
|
||||
"narration": "楚军久挑不成，只得东撤。王翦随即追击，在蕲南大破楚军。秦本纪记楚王负刍被俘，随后昌平君与项燕继续反秦，也终于败亡。",
|
||||
"overlay": {
|
||||
"heading": "楚地收束",
|
||||
"line": "一国的终局，分成了数次败退与最后抵抗。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王翦",
|
||||
"office": "秦军主将",
|
||||
"action": "追击并大破楚军，最终平定楚地"
|
||||
},
|
||||
{
|
||||
"name": "项燕",
|
||||
"office": "楚将",
|
||||
"action": "在后续抵抗中兵败；《王翦列传》载至蕲南被杀，《秦本纪》载遂自杀"
|
||||
},
|
||||
{
|
||||
"name": "昌平君",
|
||||
"office": "被立为楚王的反秦者",
|
||||
"action": "后续在淮南反秦，最终战败身死"
|
||||
},
|
||||
{
|
||||
"name": "楚王负刍",
|
||||
"office": "楚国末代国君",
|
||||
"action": "被秦军俘获"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-chu-final-resistance.png",
|
||||
"delivery": "images/05-chu-final-resistance.webp",
|
||||
"alt": "蕲南开阔地上，王翦在高地观察秦军追击撤退中的楚军，远处楚旗逐渐收拢，前景以弃置战车和折断栅栏表现败局而非血腥。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 05 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Broad southern plain near Qinan at the culmination of the campaign. Wang Jian, preserving his identity, stands on a low rise as disciplined Qin infantry advances after a withdrawing Chu army. The Chu line is breaking around abandoned wooden chariots and collapsed field barriers, but there are no graphic bodies. One distant older Chu commander, Xiang Yan, is shown rallying a final defensive cluster rather than dying on screen. Misty low hills and rivers mark the vast Chu landscape still beyond. Wide panoramic composition, storm clouds opening slightly, grave finality without triumphal parade or single-combat duel. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "王翦观战位置、项燕在远处集结、战车栅栏与天气均为视觉补全；不同史记篇章对楚王被俘、昌平君反秦、项燕败亡的编年叙述存在先后差异，本幕只做长期战争的合成收束。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六",
|
||||
"《史记·白起王翦列传》卷七十三"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:yanying#1",
|
||||
"title": "鄢郢之战",
|
||||
"version": "男声版配器·建议抽取无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "只取项目曲目的空旷弦乐、低速东行主题和古琴留白，移除楚顷襄王歌词；李信败退处短促加压，王翦坚壁处回到克制。",
|
||||
"reason": "同属秦楚战争历史链条，曲目中的东退与故国崩解气质适合楚地长期收束，又不会把灭楚处理成单纯凯旋；仓库没有可直接附加的音频文件。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:16",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器进入，先建立地理与政治压力，避免英雄主题。"
|
||||
},
|
||||
{
|
||||
"from": "00:16",
|
||||
"to": "00:32",
|
||||
"scene": "02",
|
||||
"direction": "随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:32",
|
||||
"to": "00:48",
|
||||
"scene": "03",
|
||||
"direction": "随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:48",
|
||||
"to": "00:64",
|
||||
"scene": "04",
|
||||
"direction": "随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:64",
|
||||
"to": "00:84",
|
||||
"scene": "05",
|
||||
"direction": "结尾扩展低弦后留出停顿，以灭国后的空场收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "事件编年、主将、地点、灭国结果与后续郡县化",
|
||||
"citation": "《史记·秦始皇本纪》卷六",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷006"
|
||||
},
|
||||
{
|
||||
"claim": "王翦、王贲、李信等将领的战役行动及关键战术过程",
|
||||
"citation": "《史记·白起王翦列传》卷七十三",
|
||||
"url": "https://zh.wikisource.org/zh/史記/卷073"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把李信二十万伐楚写成一路胜利，遗漏楚军追击三日三夜、破两壁和杀七都尉的败局",
|
||||
"把王翦索取田宅写成贪腐定论；《史记》明确其意在自坚、消除秦王疑心",
|
||||
"把楚王负刍被俘、昌平君反秦与项燕之死压成同一天同一地点的单场决战",
|
||||
"让项羽、刘邦、虞姬或汉军出现在灭楚战场；当时项羽尚未成为史载战场人物",
|
||||
"秦兵陶俑化、克隆脸、玄幻黑甲、超大军团堆叠或血腥尸山",
|
||||
"使用汉唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒或后世军旗",
|
||||
"出现可读汉字、字幕、书法、地图箭头、Logo、水印或现代物件",
|
||||
"使用火器、爆炸、欧洲板甲、日本武士甲、奇幻怪兽或动漫画风"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,146 @@
|
||||
# 秦灭楚之战（王翦伐楚）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：秦灭楚之战（王翦伐楚）
|
||||
- 常用称呼：秦灭楚、王翦灭楚、李信伐楚、秦统一战争·灭楚
|
||||
- 时代：战国末期·秦王政二十二年至二十四年
|
||||
- 日期：公元前225年至前223年（后续抵抗至前223年前后）
|
||||
- 地点：平与、寝、鄢郢、城父、频阳、灞上、平舆、蕲南及楚地
|
||||
- 一句话结论：李信、蒙恬先以二十万伐楚而败，秦王改用王翦六十万；王翦坚壁蓄锐后追破楚军，秦最终俘楚王负刍、平定楚地。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
秦准备攻楚时，年轻将领李信认为二十万人足够，老将王翦却坚持非六十万不可。秦王采用李信之策。李信、蒙恬初战连捷，随后楚军紧追三日三夜，攻破秦军两座营垒，杀七名都尉，秦军败走。秦王亲赴频阳向王翦致歉，终于把六十万兵交给他。王翦一路索要田宅，不是贪财，而是让多疑的秦王相信自己只求封赏。抵达楚地后，他坚壁不战，让士卒休息洗沐、吃饱训练。楚军屡次挑战无果，只得东撤。王翦这才追击，大破楚军。秦本纪还记载楚王负刍被俘，此后昌平君与项燕继续反秦，最终也被击破。灭楚不是一次冲锋，而是一次失败之后，用更大兵力、更长耐心完成的战争。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜二十万南伐
|
||||
|
||||
- 时间地点：公元前225年前后，平与、寝及楚北
|
||||
- 叙事作用：交代李信方案被采用及秦军初战得手。
|
||||
- 本幕旁白：李信说二十万人足够。秦王让他与蒙恬南伐，秦军在平与、寝一带初战连捷。
|
||||
- 叠字标题：二十万南伐
|
||||
- 一句短文案：年轻将军先赢了几座城，也赢得了自己的判断。
|
||||
- 图片文件：`images/01-li-xin-twenty-armies.png` / `images/01-li-xin-twenty-armies.webp`
|
||||
- 替代文本：李信与蒙恬分别率秦军越过楚北丘陵，在会合点前观察远处被攻破的夯土城塞，秦军保持克制队形。
|
||||
- 人物标签：
|
||||
- 李信｜秦将｜率主力攻楚，初战攻平与并推进
|
||||
- 蒙恬｜秦将｜率军攻寝，与李信分进会合
|
||||
- 楚军守军｜楚北守军｜抵抗秦军进攻；具体将领不详
|
||||
- 画面补全说明：李信与蒙恬会合视角、人物外貌、城塞位置和初胜后的场面为视觉补全；战果地名与分兵进击来自《王翦列传》。
|
||||
- 史实依据：《史记·白起王翦列传》卷七十三
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 01 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Northern Chu frontier in humid early summer. Young Qin general Li Xin, East Asian man in his early thirties with sharp confident face, dark lacquered lamellar armor and short black cloak, points across low wooded hills from a forward ridge. In the distance, Meng Tian, a similarly young but broader Qin officer, approaches with a separate compact column. A recently taken small rammed-earth fort shows an open gate and smoke from cooking fires, not a burning city. Wide converging composition, muted green-brown landscape, energetic but disciplined mood, no heroic fantasy poster. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 02｜三日追破
|
||||
|
||||
- 时间地点：公元前225年前后，城父附近秦军营垒
|
||||
- 叙事作用：表现李信方案失败的关键转折。
|
||||
- 本幕旁白：楚军紧追三日三夜不休，攻破秦军两座营垒，杀七名都尉。李信军败走。
|
||||
- 叠字标题：三日追破
|
||||
- 一句短文案：真正的楚军，在秦军转身之后追了上来。
|
||||
- 图片文件：`images/02-chu-pursues-three-days.png` / `images/02-chu-pursues-three-days.webp`
|
||||
- 替代文本：夜雨后的秦军土木营垒被楚军突破，李信指挥残军有序撤离，蒙恬回望倒塌栅栏，画面表现溃败而不展示血腥尸体。
|
||||
- 人物标签：
|
||||
- 李信｜秦将｜与蒙恬会城父后遭楚军追破，率残军撤退
|
||||
- 蒙恬｜秦将｜随秦军承受楚军反击
|
||||
- 楚军将士｜楚军追击部队｜连续追击并攻破秦军营垒；本段主将史载不详
|
||||
- 画面补全说明：夜雨、营垒具体形态、撤退队形和李信蒙恬同框均为视觉补全；三日三夜追击、入两壁、杀七都尉及秦军走为史载。
|
||||
- 史实依据：《史记·白起王翦列传》卷七十三
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 02 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Dawn after a relentless three-day pursuit near Chengfu. Two Qin field camps of earth berms and timber palisades have been breached; broken gates and abandoned carts show collapse without gore. Li Xin, preserving scene 1 identity, shouts withdrawal orders while helping reform a battered crossbow unit. Meng Tian turns back toward advancing Chu infantry emerging through wet mist. The Chu soldiers wear varied muted lacquered gear and woven clothing, not a single fantasy uniform. Dynamic wide retreat composition with rain, mud and diagonal pressure, restrained violence, no corpses in close-up. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 03｜频阳请将
|
||||
|
||||
- 时间地点：李信败后，频阳与灞上
|
||||
- 叙事作用：表现秦王改弦更张、起用王翦六十万的政治与用人转折。
|
||||
- 本幕旁白：秦王亲赴频阳向王翦致歉。王翦仍说非六十万不可，秦王这次答应了。
|
||||
- 叠字标题：频阳请将
|
||||
- 一句短文案：一次败军，让秦王亲自来听那个被拒绝的答案。
|
||||
- 图片文件：`images/03-king-apologizes-to-wang-jian.png` / `images/03-king-apologizes-to-wang-jian.webp`
|
||||
- 替代文本：频阳朴素宅院中，秦王政站在庭前向年老的王翦郑重致意，王翦手扶木杖保持克制，背景没有奢华宫殿。
|
||||
- 人物标签：
|
||||
- 秦王政｜秦王｜亲赴频阳致歉并强起王翦
|
||||
- 王翦｜秦老将｜坚持六十万方案并重新出征
|
||||
- 画面补全说明：频阳宅院形制、秦王与王翦的具体姿态、随从和木杖为视觉补全；秦王自驰频阳见谢、王翦坚持六十万见《王翦列传》。
|
||||
- 史实依据：《史记·白起王翦列传》卷七十三
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 03 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: A restrained private courtyard at Pinyang, not a palace. Qin King Zheng, East Asian man age about thirty-five with lean face, neat moustache and short beard, wears a formal black robe with dark cinnabar edging and a simple period headpiece. He stands facing veteran Wang Jian, matching the weathered gray-bearded commander established in the Zhao campaign, who wears a plain home robe and rests one hand on a wooden staff. The posture of the king is direct and apologetic without kneeling; Wang Jian remains cautious. A few aides wait far behind. Medium-wide composition under bare timber eaves, soft morning light, political gravity, no readable documents or symbols. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 04｜坚壁蓄锐
|
||||
|
||||
- 时间地点：公元前224年前后，平舆一带秦楚前线
|
||||
- 叙事作用：表现王翦以休养、训练和拒战消耗楚军耐心。
|
||||
- 本幕旁白：王翦到楚地后坚壁不战，让士卒洗沐、吃饱、投石跳跃。楚军挑战，他始终不出。
|
||||
- 叠字标题：坚壁蓄锐
|
||||
- 一句短文案：六十万人的锋芒，被老将按在营门之内。
|
||||
- 图片文件：`images/04-wang-jian-holds-the-line.png` / `images/04-wang-jian-holds-the-line.webp`
|
||||
- 替代文本：坚固秦营内，士卒在洗甲、进食和投石训练，王翦沿营墙观察；营外远处楚军列阵挑战但没有交战。
|
||||
- 人物标签：
|
||||
- 王翦｜秦军主将｜坚壁不战、休士洗沐、善饮食抚循士卒
|
||||
- 秦军士卒｜秦军主力｜在营内休养并投石超距，等待可用之时
|
||||
- 楚军挑战者｜楚军前线部队｜多次挑战，秦军不应
|
||||
- 画面补全说明：营地布局、洗甲、进食和训练同场呈现为视觉压缩；休士洗沐、善饮食、投石超距和楚军挑战不出均有史载。
|
||||
- 史实依据：《史记·白起王翦列传》卷七十三
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 04 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Inside a large but human-scale Qin fortified camp near Pingyu. Veteran Wang Jian, back in dark lacquered armor and plain cloak, walks the timber-and-earth rampart. Below, soldiers wash dust from armor, eat from simple bowls, repair crossbows, throw heavy stones and practice standing jumps exactly as morale signs described in the Shiji. Beyond the palisade, distant Chu ranks issue a challenge but do not attack. Wide layered composition from camp life to silent enemy line, warm late-afternoon light, patient confidence rather than spectacle, no giant troop sea. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 05｜楚地收束
|
||||
|
||||
- 时间地点：公元前224年至前223年前后，蕲南及楚地
|
||||
- 叙事作用：呈现楚军东撤后被追破、项燕败亡及楚地最终并入秦，同时说明事件并非同日完成。
|
||||
- 本幕旁白：楚军久挑不成，只得东撤。王翦随即追击，在蕲南大破楚军。秦本纪记楚王负刍被俘，随后昌平君与项燕继续反秦，也终于败亡。
|
||||
- 叠字标题：楚地收束
|
||||
- 一句短文案：一国的终局，分成了数次败退与最后抵抗。
|
||||
- 图片文件：`images/05-chu-final-resistance.png` / `images/05-chu-final-resistance.webp`
|
||||
- 替代文本：蕲南开阔地上，王翦在高地观察秦军追击撤退中的楚军，远处楚旗逐渐收拢，前景以弃置战车和折断栅栏表现败局而非血腥。
|
||||
- 人物标签：
|
||||
- 王翦｜秦军主将｜追击并大破楚军，最终平定楚地
|
||||
- 项燕｜楚将｜在后续抵抗中兵败；《王翦列传》载至蕲南被杀，《秦本纪》载遂自杀
|
||||
- 昌平君｜被立为楚王的反秦者｜后续在淮南反秦，最终战败身死
|
||||
- 楚王负刍｜楚国末代国君｜被秦军俘获
|
||||
- 画面补全说明：王翦观战位置、项燕在远处集结、战车栅栏与天气均为视觉补全；不同史记篇章对楚王被俘、昌平君反秦、项燕败亡的编年叙述存在先后差异，本幕只做长期战争的合成收束。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六；《史记·白起王翦列传》卷七十三
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 05 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Broad southern plain near Qinan at the culmination of the campaign. Wang Jian, preserving his identity, stands on a low rise as disciplined Qin infantry advances after a withdrawing Chu army. The Chu line is breaking around abandoned wooden chariots and collapsed field barriers, but there are no graphic bodies. One distant older Chu commander, Xiang Yan, is shown rallying a final defensive cluster rather than dying on screen. Misty low hills and rivers mark the vast Chu landscape still beyond. Wide panoramic composition, storm clouds opening slightly, grave finality without triumphal parade or single-combat duel. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:yanying#1`
|
||||
- 曲名：鄢郢之战
|
||||
- 版本：男声版配器·建议抽取无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：只取项目曲目的空旷弦乐、低速东行主题和古琴留白，移除楚顷襄王歌词；李信败退处短促加压，王翦坚壁处回到克制。
|
||||
- 选择理由：同属秦楚战争历史链条，曲目中的东退与故国崩解气质适合楚地长期收束，又不会把灭楚处理成单纯凯旋；仓库没有可直接附加的音频文件。
|
||||
- Cue sheet：
|
||||
- 00:00–00:16｜第 01 幕｜以最少配器进入，先建立地理与政治压力，避免英雄主题。
|
||||
- 00:16–00:32｜第 02 幕｜随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。
|
||||
- 00:32–00:48｜第 03 幕｜随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。
|
||||
- 00:48–00:64｜第 04 幕｜随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。
|
||||
- 00:64–00:84｜第 05 幕｜结尾扩展低弦后留出停顿，以灭国后的空场收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《史记·秦始皇本纪》卷六：事件编年、主将、地点、灭国结果与后续郡县化（https://zh.wikisource.org/zh-hans/史记/卷006）
|
||||
- 《史记·白起王翦列传》卷七十三：王翦、王贲、李信等将领的战役行动及关键战术过程（https://zh.wikisource.org/zh/史記/卷073）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 把李信二十万伐楚写成一路胜利，遗漏楚军追击三日三夜、破两壁和杀七都尉的败局
|
||||
- 把王翦索取田宅写成贪腐定论；《史记》明确其意在自坚、消除秦王疑心
|
||||
- 把楚王负刍被俘、昌平君反秦与项燕之死压成同一天同一地点的单场决战
|
||||
- 让项羽、刘邦、虞姬或汉军出现在灭楚战场；当时项羽尚未成为史载战场人物
|
||||
- 秦兵陶俑化、克隆脸、玄幻黑甲、超大军团堆叠或血腥尸山
|
||||
- 使用汉唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒或后世军旗
|
||||
- 出现可读汉字、字幕、书法、地图箭头、Logo、水印或现代物件
|
||||
- 使用火器、爆炸、欧洲板甲、日本武士甲、奇幻怪兽或动漫画风
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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@@ -0,0 +1,299 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "秦灭燕之战（易水至辽东）",
|
||||
"aliases": [
|
||||
"秦灭燕",
|
||||
"王翦伐燕",
|
||||
"易水之战",
|
||||
"秦统一战争·灭燕"
|
||||
],
|
||||
"era": "战国末期·秦王政二十年至二十五年",
|
||||
"date": "公元前227年至前222年",
|
||||
"place": "易水以西、燕都蓟、衍水、辽东及代地",
|
||||
"summary": "荆轲刺秦失败后，王翦、辛胜破燕代联军，秦军取蓟；燕王喜退守辽东五年，最终被王贲俘获，燕亡。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 86,
|
||||
"fullText": "公元前二二七年，荆轲刺秦失败。秦王大怒，增兵伐燕。王翦、辛胜向北推进，燕与代在易水以西迎战，联军被秦军击破。第二年，秦军再度增援，攻下蓟城。燕王喜与太子丹率精兵东逃辽东。李信一路追击，代王嘉写信劝燕王献出太子丹，希望换来秦军停兵；太子丹最终被杀，但秦并未停止。燕国在辽东又维持了五年。公元前二二二年，王贲率军进攻辽东，俘燕王喜；回师后又灭代、俘代王嘉。刺客的一击没有救下燕国，反而让战争提前越过易水。蓟城陷落并非燕亡的最后一天，辽东五年的余烬，才是这场灭国战争真正的尾声。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "易水破军",
|
||||
"timePlace": "公元前227年，易水以西",
|
||||
"purpose": "表现刺秦失败后燕代联军正面阻击秦军而败。",
|
||||
"narration": "刺秦失败后，王翦、辛胜攻燕。燕、代联军在易水以西迎战，被秦军击破。",
|
||||
"overlay": {
|
||||
"heading": "易水破军",
|
||||
"line": "匕首落空之后，真正越过边界的是军队。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王翦",
|
||||
"office": "秦将",
|
||||
"action": "与辛胜率军攻燕"
|
||||
},
|
||||
{
|
||||
"name": "辛胜",
|
||||
"office": "秦将",
|
||||
"action": "参与攻燕并破燕代联军"
|
||||
},
|
||||
{
|
||||
"name": "燕、代联军",
|
||||
"office": "燕国与代地军队",
|
||||
"action": "在易水以西迎击秦军"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-battle-west-of-yi-water.png",
|
||||
"delivery": "images/01-battle-west-of-yi-water.webp",
|
||||
"alt": "宽阔易水河滩上，王翦与辛胜在秦军前列指挥渡河后的推进，燕代联军在远处撤向北岸，没有血腥近战。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 01 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Cold autumn on the broad gravel flats west of the Yi River. Veteran Wang Jian, preserving the same weathered face and dark Qin armor from the Zhao and Chu sequences, and commander Xin Sheng, a younger lean officer, direct disciplined Qin crossbow and spear ranks advancing from a shallow ford. In the middle distance, mixed Yan and Dai forces in muted blue, russet and brown withdraw toward higher northern ground while maintaining a rear guard. Wide river-level composition, wind in reeds and plain unmarked cloth banners, controlled battle aftermath without graphic combat or heroic duel. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "具体渡河点、双方阵型、辛胜外貌和撤退方向为视觉补全；易水以西破燕代军见《秦始皇本纪》。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "蓟城陷落",
|
||||
"timePlace": "公元前226年，燕都蓟城",
|
||||
"purpose": "表现秦军增援后取燕都，燕王与太子丹东逃。",
|
||||
"narration": "秦军得到增援，攻下蓟城。燕王喜与太子丹率精兵东逃辽东。",
|
||||
"overlay": {
|
||||
"heading": "蓟城陷落",
|
||||
"line": "燕都失守，王与太子把国都留在身后。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王翦",
|
||||
"office": "秦军主将",
|
||||
"action": "攻取燕蓟后还军"
|
||||
},
|
||||
{
|
||||
"name": "燕王喜",
|
||||
"office": "燕王",
|
||||
"action": "率精兵东保辽东"
|
||||
},
|
||||
{
|
||||
"name": "燕太子丹",
|
||||
"office": "燕国太子",
|
||||
"action": "随燕王东逃，后被追至衍水"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-ji-city-falls.png",
|
||||
"delivery": "images/02-ji-city-falls.webp",
|
||||
"alt": "蓟城夯土城门被秦军控制，王翦在城外维持队列；远处燕王喜与太子丹的车骑队伍从另一条道路向辽东方向撤离。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 02 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Fall of Ji without a burning-city fantasy. A late-Warring-States rammed-earth gate stands open under Qin control; Wang Jian, matching scene 1, keeps troops in orderly formation with weapons lowered. In a distant side road beyond the wall, a modest Yan royal convoy of chariots, riders and guards retreats east through gray dust, carrying King Xi and Crown Prince Dan without identifying text or banners. Use a wide split-depth composition that simultaneously shows controlled city entry and escape, pale winter sky, restrained smoke only from campfires, no massacre or looting. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "同框表现秦军入蓟与燕王车队东逃是叙事压缩；具体城门、撤退路线、车骑数量与王翦在场站位为视觉补全。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六",
|
||||
"《史记·白起王翦列传》卷七十三",
|
||||
"《史记·刺客列传》卷八十六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "衍水急追",
|
||||
"timePlace": "蓟城失守后，辽东衍水一带",
|
||||
"purpose": "呈现李信追击太子丹以及燕王牺牲太子仍未换来停战。",
|
||||
"narration": "李信追击甚急。代王嘉劝燕王献出太子丹，太子丹最终被杀，但秦军没有因此停止。",
|
||||
"overlay": {
|
||||
"heading": "衍水急追",
|
||||
"line": "一颗首级没能换回燕国的时间。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "李信",
|
||||
"office": "秦将",
|
||||
"action": "率数千军追击燕太子丹至衍水一带"
|
||||
},
|
||||
{
|
||||
"name": "燕太子丹",
|
||||
"office": "燕国太子",
|
||||
"action": "逃匿衍水，后被燕王派人杀死"
|
||||
},
|
||||
{
|
||||
"name": "代王嘉",
|
||||
"office": "代王",
|
||||
"action": "致书燕王喜，建议杀太子丹献秦求缓兵"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-pursuit-at-yan-water.png",
|
||||
"delivery": "images/03-pursuit-at-yan-water.webp",
|
||||
"alt": "衍水芦苇与浅滩间，李信率少量秦军骑步队搜索渡口，远处一艘小舟和燕军随从隐入雾中，不展示太子丹被杀。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 03 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Misty waterways and reed marshes near the Yan River in Liaodong. Young general Li Xin, preserving his sharp face from the Chu sequence but now in weathered campaign armor, leads a small mixed pursuit of riders and light infantry along a muddy bank. Across the pale water, a distant unmarked skiff and a few Yan attendants disappear into reed fog, suggesting the flight of Crown Prince Dan without showing his death. Low tracking composition, cold blue-gray and brown palette, urgency held inside silence, no severed head, assassination scene or palace imagery. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "衍水湿地、舟船、李信搜索队形和太子丹远景均为视觉补全；李信急追、丹匿衍水及燕王使人斩丹为史载。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·白起王翦列传》卷七十三",
|
||||
"《史记·刺客列传》卷八十六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "辽东五年",
|
||||
"timePlace": "公元前226年至前222年，辽东",
|
||||
"purpose": "纠正“蓟城一失燕即亡”的简化，表现燕政权在辽东延续五年。",
|
||||
"narration": "燕王喜退到辽东，残余政权又维持五年。蓟城已经丢了，燕国却还没有写完最后一页。",
|
||||
"overlay": {
|
||||
"heading": "辽东五年",
|
||||
"line": "国都已失，最后的朝廷守在更远的东岸。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "燕王喜",
|
||||
"office": "燕王",
|
||||
"action": "在辽东维持燕国残余政权至前222年"
|
||||
},
|
||||
{
|
||||
"name": "燕国残军与民众",
|
||||
"office": "辽东守军、官吏与迁徙者",
|
||||
"action": "在边远据点维持防守与生活"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-five-years-in-liaodong.png",
|
||||
"delivery": "images/04-five-years-in-liaodong.webp",
|
||||
"alt": "辽东寒冷海河平原上的小型夯土据点，燕王喜站在木墙上远望，守军与迁徙民众在营内修屋备粮，表现五年残存而非决战。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 04 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: A remote Liaodong frontier settlement during the five-year Yan remnant. King Xi of Yan, older East Asian man with tired face, gray moustache and muted blue-brown robe over light armor, stands on a modest timber-and-rammed-earth rampart looking west. Below, a small community of remaining officials, soldiers, carts, families and livestock repairs roofs, stores grain and endures a cold wind. Rivers and low coastal hills fade into a huge pale sky. Wide contemplative composition, worn materials and endurance, not a heroic fortress or rich royal court. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "辽东据点、迁徙民众、王喜登墙与日常备粮为视觉补全；燕王在辽东延续五年是史载时间结论。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·刺客列传》卷八十六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "辽东终局",
|
||||
"timePlace": "公元前222年，辽东及代地",
|
||||
"purpose": "完成燕国最终灭亡，并交代王贲回师灭代。",
|
||||
"narration": "公元前二二二年，王贲攻辽东，俘燕王喜。回师后又灭代、俘代王嘉。燕与赵的最后余火同时熄灭。",
|
||||
"overlay": {
|
||||
"heading": "辽东终局",
|
||||
"line": "五年之后，王贲收走了最后一面燕王旗。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王贲",
|
||||
"office": "秦将",
|
||||
"action": "率军攻辽东，俘燕王喜，回师灭代"
|
||||
},
|
||||
{
|
||||
"name": "燕王喜",
|
||||
"office": "燕国末代国君",
|
||||
"action": "在辽东被俘，燕亡"
|
||||
},
|
||||
{
|
||||
"name": "代王嘉",
|
||||
"office": "代王、赵公子嘉",
|
||||
"action": "王贲回师攻代时被俘"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-wang-ben-takes-liaodong.png",
|
||||
"delivery": "images/05-wang-ben-takes-liaodong.webp",
|
||||
"alt": "辽东据点打开木门，燕王喜站立着被秦军看守，王贲骑马停在门外，秦军在寒风中保持队形，远处道路指向回师代地。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 05 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Final surrender at a cold Liaodong frontier stronghold in 222 BCE. Wang Ben, preserving the weathered face, graying beard, dark lacquered armor and plain black cloak from the existing Qin-unification reference, sits on horseback outside an opened timber-and-earth gate. King Xi, matching scene 4, stands upright with attendants under guard, unbound and not kneeling. Qin ranks remain compact and weapons lowered; exhausted Yan guards have set bows aside. A long road turns west through the background, hinting at the return campaign against Dai without a map. Wide sober composition, windblown muted palette, no cheering, chains, execution or triumphal parade. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "王贲与燕王喜同场、开门交接、回师道路暗示和双方站位均为视觉补全；王贲攻辽东得燕王喜、还攻代虏代王嘉为史载。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六",
|
||||
"《史记·刺客列传》卷八十六"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "mingchangmian:jingkecisqin#0",
|
||||
"title": "荆轲刺秦·图穷匕见",
|
||||
"version": "电影级配乐·建议抽取无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "使用项目曲目的古琴动机、渐进弦乐与最后骤停，移除荆轲人声；易水战前保持低压，蓟城陷落后撤去鼓点，辽东终局再收紧。",
|
||||
"reason": "这是项目中与灭燕直接前因完全对应的原创配乐方案，可自然连接刺秦失败与秦军北进；仓库没有可直接附加的音频文件。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:16",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器进入，先建立地理与政治压力，避免英雄主题。"
|
||||
},
|
||||
{
|
||||
"from": "00:16",
|
||||
"to": "00:32",
|
||||
"scene": "02",
|
||||
"direction": "随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:32",
|
||||
"to": "00:48",
|
||||
"scene": "03",
|
||||
"direction": "随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:48",
|
||||
"to": "00:64",
|
||||
"scene": "04",
|
||||
"direction": "随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:64",
|
||||
"to": "00:84",
|
||||
"scene": "05",
|
||||
"direction": "结尾扩展低弦后留出停顿，以灭国后的空场收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "事件编年、主将、地点、灭国结果与后续郡县化",
|
||||
"citation": "《史记·秦始皇本纪》卷六",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷006"
|
||||
},
|
||||
{
|
||||
"claim": "王翦、王贲、李信等将领的战役行动及关键战术过程",
|
||||
"citation": "《史记·白起王翦列传》卷七十三",
|
||||
"url": "https://zh.wikisource.org/zh/史記/卷073"
|
||||
},
|
||||
{
|
||||
"claim": "刺秦失败后秦伐燕、蓟城陷落、衍水追丹及辽东五年终局",
|
||||
"citation": "《史记·刺客列传》卷八十六",
|
||||
"url": "https://zh.wikisource.org/zh/史記/卷086"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把荆轲画成在易水战场指挥燕军，或让他在秦军伐燕之后仍然存活",
|
||||
"把蓟城陷落的前226年直接写成燕国最终灭亡；燕王喜在辽东延续至前222年",
|
||||
"虚构秦军因为燕王献太子丹首级就停止进攻，或把太子丹之死画成燕国获救",
|
||||
"把易水送别诗句、图穷匕见或秦宫绕柱追逐混入战场图片",
|
||||
"秦兵陶俑化、克隆脸、玄幻黑甲、超大军团堆叠或血腥尸山",
|
||||
"使用汉唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒或后世军旗",
|
||||
"出现可读汉字、字幕、书法、地图箭头、Logo、水印或现代物件",
|
||||
"使用火器、爆炸、欧洲板甲、日本武士甲、奇幻怪兽或动漫画风"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,146 @@
|
||||
# 秦灭燕之战（易水至辽东）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：秦灭燕之战（易水至辽东）
|
||||
- 常用称呼：秦灭燕、王翦伐燕、易水之战、秦统一战争·灭燕
|
||||
- 时代：战国末期·秦王政二十年至二十五年
|
||||
- 日期：公元前227年至前222年
|
||||
- 地点：易水以西、燕都蓟、衍水、辽东及代地
|
||||
- 一句话结论：荆轲刺秦失败后，王翦、辛胜破燕代联军，秦军取蓟；燕王喜退守辽东五年，最终被王贲俘获，燕亡。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
公元前二二七年，荆轲刺秦失败。秦王大怒，增兵伐燕。王翦、辛胜向北推进，燕与代在易水以西迎战，联军被秦军击破。第二年，秦军再度增援，攻下蓟城。燕王喜与太子丹率精兵东逃辽东。李信一路追击，代王嘉写信劝燕王献出太子丹，希望换来秦军停兵；太子丹最终被杀，但秦并未停止。燕国在辽东又维持了五年。公元前二二二年，王贲率军进攻辽东，俘燕王喜；回师后又灭代、俘代王嘉。刺客的一击没有救下燕国，反而让战争提前越过易水。蓟城陷落并非燕亡的最后一天，辽东五年的余烬，才是这场灭国战争真正的尾声。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜易水破军
|
||||
|
||||
- 时间地点：公元前227年，易水以西
|
||||
- 叙事作用：表现刺秦失败后燕代联军正面阻击秦军而败。
|
||||
- 本幕旁白：刺秦失败后，王翦、辛胜攻燕。燕、代联军在易水以西迎战，被秦军击破。
|
||||
- 叠字标题：易水破军
|
||||
- 一句短文案：匕首落空之后，真正越过边界的是军队。
|
||||
- 图片文件：`images/01-battle-west-of-yi-water.png` / `images/01-battle-west-of-yi-water.webp`
|
||||
- 替代文本：宽阔易水河滩上，王翦与辛胜在秦军前列指挥渡河后的推进，燕代联军在远处撤向北岸，没有血腥近战。
|
||||
- 人物标签：
|
||||
- 王翦｜秦将｜与辛胜率军攻燕
|
||||
- 辛胜｜秦将｜参与攻燕并破燕代联军
|
||||
- 燕、代联军｜燕国与代地军队｜在易水以西迎击秦军
|
||||
- 画面补全说明：具体渡河点、双方阵型、辛胜外貌和撤退方向为视觉补全；易水以西破燕代军见《秦始皇本纪》。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 01 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Cold autumn on the broad gravel flats west of the Yi River. Veteran Wang Jian, preserving the same weathered face and dark Qin armor from the Zhao and Chu sequences, and commander Xin Sheng, a younger lean officer, direct disciplined Qin crossbow and spear ranks advancing from a shallow ford. In the middle distance, mixed Yan and Dai forces in muted blue, russet and brown withdraw toward higher northern ground while maintaining a rear guard. Wide river-level composition, wind in reeds and plain unmarked cloth banners, controlled battle aftermath without graphic combat or heroic duel. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 02｜蓟城陷落
|
||||
|
||||
- 时间地点：公元前226年，燕都蓟城
|
||||
- 叙事作用：表现秦军增援后取燕都，燕王与太子丹东逃。
|
||||
- 本幕旁白：秦军得到增援，攻下蓟城。燕王喜与太子丹率精兵东逃辽东。
|
||||
- 叠字标题：蓟城陷落
|
||||
- 一句短文案：燕都失守，王与太子把国都留在身后。
|
||||
- 图片文件：`images/02-ji-city-falls.png` / `images/02-ji-city-falls.webp`
|
||||
- 替代文本：蓟城夯土城门被秦军控制，王翦在城外维持队列；远处燕王喜与太子丹的车骑队伍从另一条道路向辽东方向撤离。
|
||||
- 人物标签：
|
||||
- 王翦｜秦军主将｜攻取燕蓟后还军
|
||||
- 燕王喜｜燕王｜率精兵东保辽东
|
||||
- 燕太子丹｜燕国太子｜随燕王东逃，后被追至衍水
|
||||
- 画面补全说明：同框表现秦军入蓟与燕王车队东逃是叙事压缩；具体城门、撤退路线、车骑数量与王翦在场站位为视觉补全。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六；《史记·白起王翦列传》卷七十三；《史记·刺客列传》卷八十六
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 02 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Fall of Ji without a burning-city fantasy. A late-Warring-States rammed-earth gate stands open under Qin control; Wang Jian, matching scene 1, keeps troops in orderly formation with weapons lowered. In a distant side road beyond the wall, a modest Yan royal convoy of chariots, riders and guards retreats east through gray dust, carrying King Xi and Crown Prince Dan without identifying text or banners. Use a wide split-depth composition that simultaneously shows controlled city entry and escape, pale winter sky, restrained smoke only from campfires, no massacre or looting. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 03｜衍水急追
|
||||
|
||||
- 时间地点：蓟城失守后，辽东衍水一带
|
||||
- 叙事作用：呈现李信追击太子丹以及燕王牺牲太子仍未换来停战。
|
||||
- 本幕旁白：李信追击甚急。代王嘉劝燕王献出太子丹，太子丹最终被杀，但秦军没有因此停止。
|
||||
- 叠字标题：衍水急追
|
||||
- 一句短文案：一颗首级没能换回燕国的时间。
|
||||
- 图片文件：`images/03-pursuit-at-yan-water.png` / `images/03-pursuit-at-yan-water.webp`
|
||||
- 替代文本：衍水芦苇与浅滩间，李信率少量秦军骑步队搜索渡口，远处一艘小舟和燕军随从隐入雾中，不展示太子丹被杀。
|
||||
- 人物标签：
|
||||
- 李信｜秦将｜率数千军追击燕太子丹至衍水一带
|
||||
- 燕太子丹｜燕国太子｜逃匿衍水，后被燕王派人杀死
|
||||
- 代王嘉｜代王｜致书燕王喜，建议杀太子丹献秦求缓兵
|
||||
- 画面补全说明：衍水湿地、舟船、李信搜索队形和太子丹远景均为视觉补全；李信急追、丹匿衍水及燕王使人斩丹为史载。
|
||||
- 史实依据：《史记·白起王翦列传》卷七十三；《史记·刺客列传》卷八十六
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 03 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Misty waterways and reed marshes near the Yan River in Liaodong. Young general Li Xin, preserving his sharp face from the Chu sequence but now in weathered campaign armor, leads a small mixed pursuit of riders and light infantry along a muddy bank. Across the pale water, a distant unmarked skiff and a few Yan attendants disappear into reed fog, suggesting the flight of Crown Prince Dan without showing his death. Low tracking composition, cold blue-gray and brown palette, urgency held inside silence, no severed head, assassination scene or palace imagery. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 04｜辽东五年
|
||||
|
||||
- 时间地点：公元前226年至前222年，辽东
|
||||
- 叙事作用：纠正“蓟城一失燕即亡”的简化，表现燕政权在辽东延续五年。
|
||||
- 本幕旁白：燕王喜退到辽东，残余政权又维持五年。蓟城已经丢了，燕国却还没有写完最后一页。
|
||||
- 叠字标题：辽东五年
|
||||
- 一句短文案：国都已失，最后的朝廷守在更远的东岸。
|
||||
- 图片文件：`images/04-five-years-in-liaodong.png` / `images/04-five-years-in-liaodong.webp`
|
||||
- 替代文本：辽东寒冷海河平原上的小型夯土据点，燕王喜站在木墙上远望，守军与迁徙民众在营内修屋备粮，表现五年残存而非决战。
|
||||
- 人物标签：
|
||||
- 燕王喜｜燕王｜在辽东维持燕国残余政权至前222年
|
||||
- 燕国残军与民众｜辽东守军、官吏与迁徙者｜在边远据点维持防守与生活
|
||||
- 画面补全说明：辽东据点、迁徙民众、王喜登墙与日常备粮为视觉补全；燕王在辽东延续五年是史载时间结论。
|
||||
- 史实依据：《史记·刺客列传》卷八十六
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 04 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: A remote Liaodong frontier settlement during the five-year Yan remnant. King Xi of Yan, older East Asian man with tired face, gray moustache and muted blue-brown robe over light armor, stands on a modest timber-and-rammed-earth rampart looking west. Below, a small community of remaining officials, soldiers, carts, families and livestock repairs roofs, stores grain and endures a cold wind. Rivers and low coastal hills fade into a huge pale sky. Wide contemplative composition, worn materials and endurance, not a heroic fortress or rich royal court. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 05｜辽东终局
|
||||
|
||||
- 时间地点：公元前222年，辽东及代地
|
||||
- 叙事作用：完成燕国最终灭亡，并交代王贲回师灭代。
|
||||
- 本幕旁白：公元前二二二年，王贲攻辽东，俘燕王喜。回师后又灭代、俘代王嘉。燕与赵的最后余火同时熄灭。
|
||||
- 叠字标题：辽东终局
|
||||
- 一句短文案：五年之后，王贲收走了最后一面燕王旗。
|
||||
- 图片文件：`images/05-wang-ben-takes-liaodong.png` / `images/05-wang-ben-takes-liaodong.webp`
|
||||
- 替代文本：辽东据点打开木门，燕王喜站立着被秦军看守，王贲骑马停在门外，秦军在寒风中保持队形，远处道路指向回师代地。
|
||||
- 人物标签：
|
||||
- 王贲｜秦将｜率军攻辽东，俘燕王喜，回师灭代
|
||||
- 燕王喜｜燕国末代国君｜在辽东被俘，燕亡
|
||||
- 代王嘉｜代王、赵公子嘉｜王贲回师攻代时被俘
|
||||
- 画面补全说明：王贲与燕王喜同场、开门交接、回师道路暗示和双方站位均为视觉补全；王贲攻辽东得燕王喜、还攻代虏代王嘉为史载。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六；《史记·刺客列传》卷八十六
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 05 of 5, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Final surrender at a cold Liaodong frontier stronghold in 222 BCE. Wang Ben, preserving the weathered face, graying beard, dark lacquered armor and plain black cloak from the existing Qin-unification reference, sits on horseback outside an opened timber-and-earth gate. King Xi, matching scene 4, stands upright with attendants under guard, unbound and not kneeling. Qin ranks remain compact and weapons lowered; exhausted Yan guards have set bows aside. A long road turns west through the background, hinting at the return campaign against Dai without a map. Wide sober composition, windblown muted palette, no cheering, chains, execution or triumphal parade. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`mingchangmian:jingkecisqin#0`
|
||||
- 曲名：荆轲刺秦·图穷匕见
|
||||
- 版本：电影级配乐·建议抽取无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：使用项目曲目的古琴动机、渐进弦乐与最后骤停，移除荆轲人声；易水战前保持低压，蓟城陷落后撤去鼓点，辽东终局再收紧。
|
||||
- 选择理由：这是项目中与灭燕直接前因完全对应的原创配乐方案，可自然连接刺秦失败与秦军北进；仓库没有可直接附加的音频文件。
|
||||
- Cue sheet：
|
||||
- 00:00–00:16｜第 01 幕｜以最少配器进入，先建立地理与政治压力，避免英雄主题。
|
||||
- 00:16–00:32｜第 02 幕｜随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。
|
||||
- 00:32–00:48｜第 03 幕｜随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。
|
||||
- 00:48–00:64｜第 04 幕｜随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。
|
||||
- 00:64–00:84｜第 05 幕｜结尾扩展低弦后留出停顿，以灭国后的空场收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《史记·秦始皇本纪》卷六：事件编年、主将、地点、灭国结果与后续郡县化（https://zh.wikisource.org/zh-hans/史记/卷006）
|
||||
- 《史记·白起王翦列传》卷七十三：王翦、王贲、李信等将领的战役行动及关键战术过程（https://zh.wikisource.org/zh/史記/卷073）
|
||||
- 《史记·刺客列传》卷八十六：刺秦失败后秦伐燕、蓟城陷落、衍水追丹及辽东五年终局（https://zh.wikisource.org/zh/史記/卷086）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 把荆轲画成在易水战场指挥燕军，或让他在秦军伐燕之后仍然存活
|
||||
- 把蓟城陷落的前226年直接写成燕国最终灭亡；燕王喜在辽东延续至前222年
|
||||
- 虚构秦军因为燕王献太子丹首级就停止进攻，或把太子丹之死画成燕国获救
|
||||
- 把易水送别诗句、图穷匕见或秦宫绕柱追逐混入战场图片
|
||||
- 秦兵陶俑化、克隆脸、玄幻黑甲、超大军团堆叠或血腥尸山
|
||||
- 使用汉唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒或后世军旗
|
||||
- 出现可读汉字、字幕、书法、地图箭头、Logo、水印或现代物件
|
||||
- 使用火器、爆炸、欧洲板甲、日本武士甲、奇幻怪兽或动漫画风
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "秦灭赵之战（邯郸陷落）",
|
||||
"aliases": [
|
||||
"秦灭赵",
|
||||
"邯郸陷落",
|
||||
"秦统一战争·灭赵"
|
||||
],
|
||||
"era": "战国末期·秦王政十八年至十九年",
|
||||
"date": "公元前229年至前228年",
|
||||
"place": "上地、井陉、河内、邯郸、赵东阳及中山",
|
||||
"summary": "秦军多路攻赵，王翦、羌瘣尽定赵地东阳并俘赵王迁；赵公子嘉北走代地，赵国本土政权灭亡。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 82,
|
||||
"fullText": "公元前二二九年，秦大举攻赵。王翦率上地军下井陉，端和由河内进兵，羌瘣也加入攻势，邯郸被围。赵国在长平之后反复失血，最后的国都已无足够空间周旋。第二年，王翦、羌瘣尽定赵地东阳，赵王迁被俘。秦军没有就此停下，而是屯兵中山，准备继续向燕推进。赵公子嘉带着宗族数百人逃往代地，自立为代王，又与燕合兵驻上谷。赵国本土至此灭亡，但代地的残余政权仍延续到公元前二二二年。邯郸的陷落不是六国战争的终点，它让秦军直接抵达燕南边界，也把下一场灭国战争提前推到了易水。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "三路压境",
|
||||
"timePlace": "公元前229年，上地、井陉与河内方向",
|
||||
"purpose": "交代秦军多路攻赵形成的战略合围。",
|
||||
"narration": "秦大兴兵攻赵。王翦由上地军下井陉，端和从河内推进，羌瘣也率军入赵。",
|
||||
"overlay": {
|
||||
"heading": "三路压境",
|
||||
"line": "山口、河内与东阳，秦军同时收紧。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王翦",
|
||||
"office": "秦将",
|
||||
"action": "率上地军下井陉攻赵"
|
||||
},
|
||||
{
|
||||
"name": "端和",
|
||||
"office": "秦将",
|
||||
"action": "率河内军围攻邯郸"
|
||||
},
|
||||
{
|
||||
"name": "羌瘣",
|
||||
"office": "秦将",
|
||||
"action": "参与攻赵并与王翦定取赵地东阳"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-three-routes-into-zhao.png",
|
||||
"delivery": "images/01-three-routes-into-zhao.webp",
|
||||
"alt": "井陉山口俯瞰秦军穿越谷道，王翦在前景观察地形，远处以三股不同方向的行军烟尘暗示多路攻赵。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: High, cold morning in the rugged Jingxing mountain pass. Veteran commander Wang Jian, East Asian man in his late fifties with weathered face, graying moustache and short beard, dark lacquered Qin lamellar armor and plain black-brown cloak, studies the valley from a rock shelf. Qin infantry, crossbowmen, pack carts and a few riders thread through the narrow pass below. Far across the layered landscape, two separate dust columns subtly suggest the other Qin approaches from Henei and under Qiang Hui without using a map graphic. Wide 16:9 strategic composition, subdued gray-ochre palette, real terrain scale, no giant armies. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "同一画面中的三路烟尘、王翦站位、行军队列和季节气候为视觉补全；史料明确多路进军，但没有这一共同视角。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "邯郸被围",
|
||||
"timePlace": "公元前229年至前228年，赵都邯郸",
|
||||
"purpose": "表现国都被围与赵军防线耗尽，不虚构一次决定性城头大战。",
|
||||
"narration": "端和围住邯郸。赵国最后的国都被压在夯土城墙和秦军营垒之间，再没有纵深可退。",
|
||||
"overlay": {
|
||||
"heading": "邯郸被围",
|
||||
"line": "最后的城墙之外，已经没有第二座赵国。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "端和",
|
||||
"office": "秦将",
|
||||
"action": "率河内军围邯郸"
|
||||
},
|
||||
{
|
||||
"name": "邯郸守军",
|
||||
"office": "赵军与都城守卫",
|
||||
"action": "守卫城门与城墙；具体主将和战斗细节不在本幕虚构"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-handan-encircled.png",
|
||||
"delivery": "images/02-handan-encircled.webp",
|
||||
"alt": "雨后平原上的邯郸夯土城墙与秦军营垒遥相对峙，端和在前景巡视壕沟，赵军在城头守望，没有攻城火海。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Rain-darkened plain outside Handan. Massive late-Warring-States rammed-earth walls and timber gate towers rise in the middle distance, with restrained Zhao guards visible along the parapet. Qin siege lines consist of ditches, palisades, low tents, crossbow positions and supply carts rather than fantasy machines. Commander Duan He, a lean middle-aged East Asian officer in practical Qin armor, walks the foreground trench with aides, sword sheathed. Wide horizontal standoff composition, damp brown earth and muted blue-gray sky, quiet siege pressure, no flaming assault, leave empty cloud area at upper left. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "邯郸城防形态、秦军壕沟营垒、端和巡视和雨后环境为合理视觉重构；史料仅明确端和围邯郸。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "赵王被俘",
|
||||
"timePlace": "公元前228年，邯郸与赵地东阳",
|
||||
"purpose": "呈现赵国本土政权终结，并保持对俘虏场面的克制。",
|
||||
"narration": "王翦、羌瘣尽定赵地东阳，赵王迁被俘。邯郸的王旗就此落下。",
|
||||
"overlay": {
|
||||
"heading": "赵王被俘",
|
||||
"line": "东阳既定，邯郸不再属于赵王。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王翦",
|
||||
"office": "秦将",
|
||||
"action": "与羌瘣定取赵地东阳"
|
||||
},
|
||||
{
|
||||
"name": "羌瘣",
|
||||
"office": "秦将",
|
||||
"action": "与王翦共同完成赵地控制"
|
||||
},
|
||||
{
|
||||
"name": "赵王迁",
|
||||
"office": "赵国末代国君",
|
||||
"action": "被秦军取得；史书另载迁于房陵"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-zhao-king-captured.png",
|
||||
"delivery": "images/03-zhao-king-captured.webp",
|
||||
"alt": "邯郸城门内，赵王迁站在被收起的赵军兵器旁，王翦与羌瘣在秦军队列前接受城防交接，没有捆绑、跪拜和羞辱。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Inside the opened gate of Handan after the campaign. Zhao King Qian, a young East Asian ruler in a faded blue-gray court robe with simple late-Warring-States headpiece, stands upright beside two attendants, guarded but not bound or kneeling. Wang Jian, matching scene 1, and Qiang Hui, a sturdy middle-aged Qin officer, stand before disciplined Qin ranks with lowered weapons. Zhao spears and shields are stacked on woven mats as visual shorthand for lost control. Rammed-earth gate, timber beams, muted winter light, balanced wide tableau, exhausted silence rather than victory celebration. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "赵王迁与王翦、羌瘣同场交接、兵器集中放置和具体城门环境均为视觉补全；史料只载秦军定赵地并得赵王。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六",
|
||||
"《史记·白起王翦列传》卷七十三"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "代地余火",
|
||||
"timePlace": "公元前228年，赵北部通往代地与上谷的道路",
|
||||
"purpose": "说明赵国本土虽亡，公子嘉仍在代地延续抵抗。",
|
||||
"narration": "赵公子嘉带宗族数百人北走代地，自立为代王，又与燕合兵驻上谷。赵亡了，余火尚未熄灭。",
|
||||
"overlay": {
|
||||
"heading": "代地余火",
|
||||
"line": "邯郸已失，赵人的旗还向北走。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "赵公子嘉",
|
||||
"office": "赵宗室，后自立为代王",
|
||||
"action": "率宗族数百人北走代地，与燕合兵"
|
||||
},
|
||||
{
|
||||
"name": "赵宗族与随从",
|
||||
"office": "赵国残余人员",
|
||||
"action": "随公子嘉撤向代地"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-prince-jia-flees-to-dai.png",
|
||||
"delivery": "images/04-prince-jia-flees-to-dai.webp",
|
||||
"alt": "冬日北方山路上，赵公子嘉回望南方烟霭中的邯郸，宗族车队与少量赵军向代地撤退，画面克制而非英雄凯旋。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Cold northern road after the fall of Handan. Prince Jia of Zhao, an East Asian man in his thirties wearing travel-worn muted blue-gray robe over light armor, has halted on a ridge and looks back south. A modest convoy of clan carts, elders, children, attendants and a small guard continues north toward Dai; no gigantic army. In the far haze, the southern plain disappears behind winter dust. Wide rearward-looking composition with human-scale exile, pale sky and bare hills, no readable banners, no triumph. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "撤退队伍中的家属、车辆、回望动作与具体路线环境为视觉补全；史料只载公子嘉率宗数百人之代、自立并与燕合兵。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:changping#0",
|
||||
"title": "长平之战",
|
||||
"version": "电影级配乐·建议抽取无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "保留埙、低弦和缓慢战鼓，删去全部歌词与长平专属声音设计；邯郸陷落时不做凯旋高潮。",
|
||||
"reason": "曲目属于秦赵战争同一历史链条，低沉下坠的情绪可承接赵国长期失血后的终局；仓库没有可直接附加的音频文件。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:21",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器进入，先建立地理与政治压力，避免英雄主题。"
|
||||
},
|
||||
{
|
||||
"from": "00:21",
|
||||
"to": "00:42",
|
||||
"scene": "02",
|
||||
"direction": "随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:42",
|
||||
"to": "00:63",
|
||||
"scene": "03",
|
||||
"direction": "随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:63",
|
||||
"to": "00:84",
|
||||
"scene": "04",
|
||||
"direction": "结尾扩展低弦后留出停顿，以灭国后的空场收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "事件编年、主将、地点、灭国结果与后续郡县化",
|
||||
"citation": "《史记·秦始皇本纪》卷六",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷006"
|
||||
},
|
||||
{
|
||||
"claim": "王翦、王贲、李信等将领的战役行动及关键战术过程",
|
||||
"citation": "《史记·白起王翦列传》卷七十三",
|
||||
"url": "https://zh.wikisource.org/zh/史記/卷073"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把前228年的灭赵与前260年的长平之战混成同一场战役，或让白起、赵括出现在邯郸陷落现场",
|
||||
"虚构王翦与赵王迁单挑，或把赵王被俘画成公开处刑",
|
||||
"把赵公子嘉逃往代地误写成当年即被俘；代政权延续至前222年",
|
||||
"给秦军或赵军编造史书未载的精确总兵力、现代地图路线与统一制服色",
|
||||
"秦兵陶俑化、克隆脸、玄幻黑甲、超大军团堆叠或血腥尸山",
|
||||
"使用汉唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒或后世军旗",
|
||||
"出现可读汉字、字幕、书法、地图箭头、Logo、水印或现代物件",
|
||||
"使用火器、爆炸、欧洲板甲、日本武士甲、奇幻怪兽或动漫画风"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,124 @@
|
||||
# 秦灭赵之战（邯郸陷落）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：秦灭赵之战（邯郸陷落）
|
||||
- 常用称呼：秦灭赵、邯郸陷落、秦统一战争·灭赵
|
||||
- 时代：战国末期·秦王政十八年至十九年
|
||||
- 日期：公元前229年至前228年
|
||||
- 地点：上地、井陉、河内、邯郸、赵东阳及中山
|
||||
- 一句话结论：秦军多路攻赵，王翦、羌瘣尽定赵地东阳并俘赵王迁；赵公子嘉北走代地，赵国本土政权灭亡。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
公元前二二九年，秦大举攻赵。王翦率上地军下井陉，端和由河内进兵，羌瘣也加入攻势，邯郸被围。赵国在长平之后反复失血，最后的国都已无足够空间周旋。第二年，王翦、羌瘣尽定赵地东阳，赵王迁被俘。秦军没有就此停下，而是屯兵中山，准备继续向燕推进。赵公子嘉带着宗族数百人逃往代地，自立为代王，又与燕合兵驻上谷。赵国本土至此灭亡，但代地的残余政权仍延续到公元前二二二年。邯郸的陷落不是六国战争的终点，它让秦军直接抵达燕南边界，也把下一场灭国战争提前推到了易水。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜三路压境
|
||||
|
||||
- 时间地点：公元前229年，上地、井陉与河内方向
|
||||
- 叙事作用：交代秦军多路攻赵形成的战略合围。
|
||||
- 本幕旁白：秦大兴兵攻赵。王翦由上地军下井陉，端和从河内推进，羌瘣也率军入赵。
|
||||
- 叠字标题：三路压境
|
||||
- 一句短文案：山口、河内与东阳，秦军同时收紧。
|
||||
- 图片文件：`images/01-three-routes-into-zhao.png` / `images/01-three-routes-into-zhao.webp`
|
||||
- 替代文本：井陉山口俯瞰秦军穿越谷道，王翦在前景观察地形，远处以三股不同方向的行军烟尘暗示多路攻赵。
|
||||
- 人物标签：
|
||||
- 王翦｜秦将｜率上地军下井陉攻赵
|
||||
- 端和｜秦将｜率河内军围攻邯郸
|
||||
- 羌瘣｜秦将｜参与攻赵并与王翦定取赵地东阳
|
||||
- 画面补全说明：同一画面中的三路烟尘、王翦站位、行军队列和季节气候为视觉补全；史料明确多路进军，但没有这一共同视角。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: High, cold morning in the rugged Jingxing mountain pass. Veteran commander Wang Jian, East Asian man in his late fifties with weathered face, graying moustache and short beard, dark lacquered Qin lamellar armor and plain black-brown cloak, studies the valley from a rock shelf. Qin infantry, crossbowmen, pack carts and a few riders thread through the narrow pass below. Far across the layered landscape, two separate dust columns subtly suggest the other Qin approaches from Henei and under Qiang Hui without using a map graphic. Wide 16:9 strategic composition, subdued gray-ochre palette, real terrain scale, no giant armies. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 02｜邯郸被围
|
||||
|
||||
- 时间地点：公元前229年至前228年，赵都邯郸
|
||||
- 叙事作用：表现国都被围与赵军防线耗尽，不虚构一次决定性城头大战。
|
||||
- 本幕旁白：端和围住邯郸。赵国最后的国都被压在夯土城墙和秦军营垒之间，再没有纵深可退。
|
||||
- 叠字标题：邯郸被围
|
||||
- 一句短文案：最后的城墙之外，已经没有第二座赵国。
|
||||
- 图片文件：`images/02-handan-encircled.png` / `images/02-handan-encircled.webp`
|
||||
- 替代文本：雨后平原上的邯郸夯土城墙与秦军营垒遥相对峙，端和在前景巡视壕沟，赵军在城头守望，没有攻城火海。
|
||||
- 人物标签：
|
||||
- 端和｜秦将｜率河内军围邯郸
|
||||
- 邯郸守军｜赵军与都城守卫｜守卫城门与城墙；具体主将和战斗细节不在本幕虚构
|
||||
- 画面补全说明：邯郸城防形态、秦军壕沟营垒、端和巡视和雨后环境为合理视觉重构；史料仅明确端和围邯郸。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Rain-darkened plain outside Handan. Massive late-Warring-States rammed-earth walls and timber gate towers rise in the middle distance, with restrained Zhao guards visible along the parapet. Qin siege lines consist of ditches, palisades, low tents, crossbow positions and supply carts rather than fantasy machines. Commander Duan He, a lean middle-aged East Asian officer in practical Qin armor, walks the foreground trench with aides, sword sheathed. Wide horizontal standoff composition, damp brown earth and muted blue-gray sky, quiet siege pressure, no flaming assault, leave empty cloud area at upper left. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 03｜赵王被俘
|
||||
|
||||
- 时间地点：公元前228年，邯郸与赵地东阳
|
||||
- 叙事作用：呈现赵国本土政权终结，并保持对俘虏场面的克制。
|
||||
- 本幕旁白：王翦、羌瘣尽定赵地东阳，赵王迁被俘。邯郸的王旗就此落下。
|
||||
- 叠字标题：赵王被俘
|
||||
- 一句短文案：东阳既定，邯郸不再属于赵王。
|
||||
- 图片文件：`images/03-zhao-king-captured.png` / `images/03-zhao-king-captured.webp`
|
||||
- 替代文本：邯郸城门内，赵王迁站在被收起的赵军兵器旁，王翦与羌瘣在秦军队列前接受城防交接，没有捆绑、跪拜和羞辱。
|
||||
- 人物标签：
|
||||
- 王翦｜秦将｜与羌瘣定取赵地东阳
|
||||
- 羌瘣｜秦将｜与王翦共同完成赵地控制
|
||||
- 赵王迁｜赵国末代国君｜被秦军取得；史书另载迁于房陵
|
||||
- 画面补全说明：赵王迁与王翦、羌瘣同场交接、兵器集中放置和具体城门环境均为视觉补全；史料只载秦军定赵地并得赵王。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六；《史记·白起王翦列传》卷七十三
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Inside the opened gate of Handan after the campaign. Zhao King Qian, a young East Asian ruler in a faded blue-gray court robe with simple late-Warring-States headpiece, stands upright beside two attendants, guarded but not bound or kneeling. Wang Jian, matching scene 1, and Qiang Hui, a sturdy middle-aged Qin officer, stand before disciplined Qin ranks with lowered weapons. Zhao spears and shields are stacked on woven mats as visual shorthand for lost control. Rammed-earth gate, timber beams, muted winter light, balanced wide tableau, exhausted silence rather than victory celebration. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 04｜代地余火
|
||||
|
||||
- 时间地点：公元前228年，赵北部通往代地与上谷的道路
|
||||
- 叙事作用：说明赵国本土虽亡，公子嘉仍在代地延续抵抗。
|
||||
- 本幕旁白：赵公子嘉带宗族数百人北走代地，自立为代王，又与燕合兵驻上谷。赵亡了，余火尚未熄灭。
|
||||
- 叠字标题：代地余火
|
||||
- 一句短文案：邯郸已失，赵人的旗还向北走。
|
||||
- 图片文件：`images/04-prince-jia-flees-to-dai.png` / `images/04-prince-jia-flees-to-dai.webp`
|
||||
- 替代文本：冬日北方山路上，赵公子嘉回望南方烟霭中的邯郸，宗族车队与少量赵军向代地撤退，画面克制而非英雄凯旋。
|
||||
- 人物标签：
|
||||
- 赵公子嘉｜赵宗室，后自立为代王｜率宗族数百人北走代地，与燕合兵
|
||||
- 赵宗族与随从｜赵国残余人员｜随公子嘉撤向代地
|
||||
- 画面补全说明：撤退队伍中的家属、车辆、回望动作与具体路线环境为视觉补全；史料只载公子嘉率宗数百人之代、自立并与燕合兵。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Cold northern road after the fall of Handan. Prince Jia of Zhao, an East Asian man in his thirties wearing travel-worn muted blue-gray robe over light armor, has halted on a ridge and looks back south. A modest convoy of clan carts, elders, children, attendants and a small guard continues north toward Dai; no gigantic army. In the far haze, the southern plain disappears behind winter dust. Wide rearward-looking composition with human-scale exile, pale sky and bare hills, no readable banners, no triumph. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:changping#0`
|
||||
- 曲名：长平之战
|
||||
- 版本：电影级配乐·建议抽取无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：保留埙、低弦和缓慢战鼓，删去全部歌词与长平专属声音设计；邯郸陷落时不做凯旋高潮。
|
||||
- 选择理由：曲目属于秦赵战争同一历史链条，低沉下坠的情绪可承接赵国长期失血后的终局；仓库没有可直接附加的音频文件。
|
||||
- Cue sheet：
|
||||
- 00:00–00:21｜第 01 幕｜以最少配器进入，先建立地理与政治压力，避免英雄主题。
|
||||
- 00:21–00:42｜第 02 幕｜随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。
|
||||
- 00:42–00:63｜第 03 幕｜随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。
|
||||
- 00:63–00:84｜第 04 幕｜结尾扩展低弦后留出停顿，以灭国后的空场收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《史记·秦始皇本纪》卷六：事件编年、主将、地点、灭国结果与后续郡县化（https://zh.wikisource.org/zh-hans/史记/卷006）
|
||||
- 《史记·白起王翦列传》卷七十三：王翦、王贲、李信等将领的战役行动及关键战术过程（https://zh.wikisource.org/zh/史記/卷073）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 把前228年的灭赵与前260年的长平之战混成同一场战役，或让白起、赵括出现在邯郸陷落现场
|
||||
- 虚构王翦与赵王迁单挑，或把赵王被俘画成公开处刑
|
||||
- 把赵公子嘉逃往代地误写成当年即被俘；代政权延续至前222年
|
||||
- 给秦军或赵军编造史书未载的精确总兵力、现代地图路线与统一制服色
|
||||
- 秦兵陶俑化、克隆脸、玄幻黑甲、超大军团堆叠或血腥尸山
|
||||
- 使用汉唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒或后世军旗
|
||||
- 出现可读汉字、字幕、书法、地图箭头、Logo、水印或现代物件
|
||||
- 使用火器、爆炸、欧洲板甲、日本武士甲、奇幻怪兽或动漫画风
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "秦灭韩之战（颍川置郡）",
|
||||
"aliases": [
|
||||
"秦灭韩",
|
||||
"灭韩之战",
|
||||
"秦统一战争·灭韩"
|
||||
],
|
||||
"era": "战国末期·秦王政十六年至十七年",
|
||||
"date": "公元前231年至前230年",
|
||||
"place": "韩国南阳、新郑及韩地",
|
||||
"summary": "韩南阳先行交地，次年秦内史腾攻韩、俘韩王安，韩国成为六国中最先灭亡者，其地置颍川郡。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 72,
|
||||
"fullText": "公元前二三一年，韩国已被秦地层层压近。九月，韩南阳交地，秦以腾为南阳假守。第二年，腾以秦内史身份率军攻韩。史书没有留下夸张的城下决战，只用一句话记下结果：得韩王安，尽纳其地。新郑的王宫沉默下来，韩国自此退出列国。秦没有把这里继续当作诸侯封国，而是将韩地改置颍川郡，让道路、户籍和征发直接进入秦的郡县体系。灭韩规模不见于史书，却打开了秦东出的通道。六国的第一块骨牌倒下，赵、魏与楚面对的，已不再是隔着韩国的秦。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "南阳先交",
|
||||
"timePlace": "公元前231年九月，韩国南阳",
|
||||
"purpose": "交代韩国防线已先被切开，为次年灭韩建立地缘前因。",
|
||||
"narration": "韩国先把南阳交给秦。秦派假守腾接管土地，东出的门已经被推开。",
|
||||
"overlay": {
|
||||
"heading": "南阳先交",
|
||||
"line": "灭国之前，边地已经先换了主人。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "腾",
|
||||
"office": "秦南阳假守",
|
||||
"action": "接收韩南阳之地；是否与次年内史腾为同一人，史书未明言"
|
||||
},
|
||||
{
|
||||
"name": "韩方使者",
|
||||
"office": "韩国交地人员",
|
||||
"action": "交付土地与关塞；具体身份和仪式不详"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-nanyang-handover.png",
|
||||
"delivery": "images/01-nanyang-handover.webp",
|
||||
"alt": "南阳夯土关塞外，秦方官吏腾与韩国使者隔案核验无字木牍，远处秦军有序接管道路，没有战斗。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 01 of 3, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Late autumn at a rammed-earth pass in Nanyang. A middle-aged Qin official named Teng, in restrained dark robe over practical lacquered lamellar protection, stands beside a low field table. Korean envoys in muted russet and faded blue present plain unmarked wooden tallies. Qin infantry quietly takes control of the road and gate behind them; weapons remain lowered. The action is territorial handover under pressure, not a ceremonial alliance. Use a wide eye-level composition with the table slightly left and a long road opening toward the east; leave pale sky at upper right as negative space. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "交地地点的关塞、双方核验木牍、服色与站位均为视觉补全；史料只载发卒受韩南阳之地并置假守腾。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "内史攻韩",
|
||||
"timePlace": "公元前230年，韩境通往新郑的道路",
|
||||
"purpose": "表现灭韩的军事推进，但不虚构史书未载的大战。",
|
||||
"narration": "次年，内史腾率军攻韩。秦军沿已经打开的道路向新郑推进，韩国再没有足够纵深。",
|
||||
"overlay": {
|
||||
"heading": "内史攻韩",
|
||||
"line": "秦军越过南阳，韩国已无第二道国土。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "内史腾",
|
||||
"office": "秦国内史、攻韩主将",
|
||||
"action": "奉命率军攻韩"
|
||||
},
|
||||
{
|
||||
"name": "秦军将士",
|
||||
"office": "秦军步弩军阵",
|
||||
"action": "沿韩地道路推进并控制关隘"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-teng-advances-on-han.png",
|
||||
"delivery": "images/02-teng-advances-on-han.webp",
|
||||
"alt": "内史腾骑马停在土坡上观察通往新郑的道路，秦军步弩队列穿过被接管的韩地关口，远处没有虚构的大规模会战。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 02 of 3, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: A disciplined Qin advance through the rolling loess approaches toward Xinzheng in 230 BCE. Commander Neishi Teng, the same restrained middle-aged face as scene 1 but now in dark lacquered lamellar armor and black-brown cloak, pauses on horseback to study the road. Compact Qin crossbow and spear formations pass through a recently secured earthen gate. A few distant Korean watchmen withdraw rather than stage an invented huge battle. Wide strategic shot from low hillside, diagonal marching line, cold dawn haze, no triumphal spectacle, usable quiet sky on the left. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "内史腾的外貌、军阵规模、具体进军路线与韩军撤守均为镜头化补全；史料只明确“内史腾攻韩”。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "韩亡置郡",
|
||||
"timePlace": "公元前230年，新郑及韩地",
|
||||
"purpose": "呈现韩王被俘与韩地转为颍川郡的政治结果。",
|
||||
"narration": "韩王安被俘，韩地尽入秦。秦随即在这里设置颍川郡，韩国成为六国中最先消失的一国。",
|
||||
"overlay": {
|
||||
"heading": "韩亡置郡",
|
||||
"line": "王国退场，郡县接管了道路与户籍。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "韩王安",
|
||||
"office": "韩国末代国君",
|
||||
"action": "被秦军取得；后续处置不在本幕断言"
|
||||
},
|
||||
{
|
||||
"name": "内史腾",
|
||||
"office": "秦国内史、攻韩主将",
|
||||
"action": "完成攻韩并控制韩地"
|
||||
},
|
||||
{
|
||||
"name": "秦吏",
|
||||
"office": "接管韩地的秦方官吏",
|
||||
"action": "整理无字木牍与道路关塞，象征置颍川郡"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-king-an-captured.png",
|
||||
"delivery": "images/03-king-an-captured.webp",
|
||||
"alt": "新郑夯土宫门前，韩王安站立着被秦军看守，内史腾在一旁，秦吏收拢无字木牍准备接管韩地，没有跪拜和处刑。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 03 of 3, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Sober aftermath outside a late-Warring-States rammed-earth palace gate at Xinzheng. King An of Han, an exhausted East Asian man in his forties wearing a muted russet court robe and simple period headpiece, stands upright with two attendants under guard, unbound and not kneeling. Neishi Teng, matching scene 2, watches with sword sheathed. Qin clerks arrange plain unmarked wooden slips and sealed cases on low mats as a non-literal sign of administrative takeover. Korean guards have placed spears aside. Balanced wide composition, flat afternoon light, silence and finality rather than humiliation; clean earthen wall for later overlay. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "韩王安与内史腾同场、交接木牍和秦吏现场整理行政资料均为视觉补全；“置颍川郡”是史载结果，不代表存在这一具体仪式。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:changping#0",
|
||||
"title": "长平之战",
|
||||
"version": "电影级配乐·建议抽取无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "只使用项目曲目的埙、低弦和低频鼓点器乐层，不使用原歌词或人声；剪成克制的灭国推进版。",
|
||||
"reason": "同属秦统一战争时代，低沉而不凯旋的配器适合表现韩国无力回转和郡县秩序接管；仓库没有可直接附加的音频文件。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:28",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器进入，先建立地理与政治压力，避免英雄主题。"
|
||||
},
|
||||
{
|
||||
"from": "00:28",
|
||||
"to": "00:56",
|
||||
"scene": "02",
|
||||
"direction": "随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:56",
|
||||
"to": "00:84",
|
||||
"scene": "03",
|
||||
"direction": "结尾扩展低弦后留出停顿，以灭国后的空场收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "事件编年、主将、地点、灭国结果与后续郡县化",
|
||||
"citation": "《史记·秦始皇本纪》卷六",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷006"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"虚构内史腾与韩军主将单挑，或编造韩国都城发生大规模巷战与屠城",
|
||||
"断言南阳假守腾与次年的内史腾在史书中被明说为同一人；两条记载仅同名且相隔一年",
|
||||
"把韩王安画成被处刑、囚车示众或跪地受辱；史书只载“得韩王安”",
|
||||
"把颍川郡设置表现成现代行政区划地图或现代官署仪式",
|
||||
"秦兵陶俑化、克隆脸、玄幻黑甲、超大军团堆叠或血腥尸山",
|
||||
"使用汉唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒或后世军旗",
|
||||
"出现可读汉字、字幕、书法、地图箭头、Logo、水印或现代物件",
|
||||
"使用火器、爆炸、欧洲板甲、日本武士甲、奇幻怪兽或动漫画风"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,103 @@
|
||||
# 秦灭韩之战（颍川置郡）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：秦灭韩之战（颍川置郡）
|
||||
- 常用称呼：秦灭韩、灭韩之战、秦统一战争·灭韩
|
||||
- 时代：战国末期·秦王政十六年至十七年
|
||||
- 日期：公元前231年至前230年
|
||||
- 地点：韩国南阳、新郑及韩地
|
||||
- 一句话结论：韩南阳先行交地，次年秦内史腾攻韩、俘韩王安，韩国成为六国中最先灭亡者，其地置颍川郡。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
公元前二三一年，韩国已被秦地层层压近。九月，韩南阳交地，秦以腾为南阳假守。第二年，腾以秦内史身份率军攻韩。史书没有留下夸张的城下决战，只用一句话记下结果：得韩王安，尽纳其地。新郑的王宫沉默下来，韩国自此退出列国。秦没有把这里继续当作诸侯封国，而是将韩地改置颍川郡，让道路、户籍和征发直接进入秦的郡县体系。灭韩规模不见于史书，却打开了秦东出的通道。六国的第一块骨牌倒下，赵、魏与楚面对的，已不再是隔着韩国的秦。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜南阳先交
|
||||
|
||||
- 时间地点：公元前231年九月，韩国南阳
|
||||
- 叙事作用：交代韩国防线已先被切开，为次年灭韩建立地缘前因。
|
||||
- 本幕旁白：韩国先把南阳交给秦。秦派假守腾接管土地，东出的门已经被推开。
|
||||
- 叠字标题：南阳先交
|
||||
- 一句短文案：灭国之前，边地已经先换了主人。
|
||||
- 图片文件：`images/01-nanyang-handover.png` / `images/01-nanyang-handover.webp`
|
||||
- 替代文本：南阳夯土关塞外，秦方官吏腾与韩国使者隔案核验无字木牍，远处秦军有序接管道路，没有战斗。
|
||||
- 人物标签：
|
||||
- 腾｜秦南阳假守｜接收韩南阳之地；是否与次年内史腾为同一人，史书未明言
|
||||
- 韩方使者｜韩国交地人员｜交付土地与关塞；具体身份和仪式不详
|
||||
- 画面补全说明：交地地点的关塞、双方核验木牍、服色与站位均为视觉补全；史料只载发卒受韩南阳之地并置假守腾。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 01 of 3, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Late autumn at a rammed-earth pass in Nanyang. A middle-aged Qin official named Teng, in restrained dark robe over practical lacquered lamellar protection, stands beside a low field table. Korean envoys in muted russet and faded blue present plain unmarked wooden tallies. Qin infantry quietly takes control of the road and gate behind them; weapons remain lowered. The action is territorial handover under pressure, not a ceremonial alliance. Use a wide eye-level composition with the table slightly left and a long road opening toward the east; leave pale sky at upper right as negative space. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 02｜内史攻韩
|
||||
|
||||
- 时间地点：公元前230年，韩境通往新郑的道路
|
||||
- 叙事作用：表现灭韩的军事推进，但不虚构史书未载的大战。
|
||||
- 本幕旁白：次年，内史腾率军攻韩。秦军沿已经打开的道路向新郑推进，韩国再没有足够纵深。
|
||||
- 叠字标题：内史攻韩
|
||||
- 一句短文案：秦军越过南阳，韩国已无第二道国土。
|
||||
- 图片文件：`images/02-teng-advances-on-han.png` / `images/02-teng-advances-on-han.webp`
|
||||
- 替代文本：内史腾骑马停在土坡上观察通往新郑的道路，秦军步弩队列穿过被接管的韩地关口，远处没有虚构的大规模会战。
|
||||
- 人物标签：
|
||||
- 内史腾｜秦国内史、攻韩主将｜奉命率军攻韩
|
||||
- 秦军将士｜秦军步弩军阵｜沿韩地道路推进并控制关隘
|
||||
- 画面补全说明：内史腾的外貌、军阵规模、具体进军路线与韩军撤守均为镜头化补全；史料只明确“内史腾攻韩”。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 02 of 3, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: A disciplined Qin advance through the rolling loess approaches toward Xinzheng in 230 BCE. Commander Neishi Teng, the same restrained middle-aged face as scene 1 but now in dark lacquered lamellar armor and black-brown cloak, pauses on horseback to study the road. Compact Qin crossbow and spear formations pass through a recently secured earthen gate. A few distant Korean watchmen withdraw rather than stage an invented huge battle. Wide strategic shot from low hillside, diagonal marching line, cold dawn haze, no triumphal spectacle, usable quiet sky on the left. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 03｜韩亡置郡
|
||||
|
||||
- 时间地点：公元前230年，新郑及韩地
|
||||
- 叙事作用：呈现韩王被俘与韩地转为颍川郡的政治结果。
|
||||
- 本幕旁白：韩王安被俘，韩地尽入秦。秦随即在这里设置颍川郡，韩国成为六国中最先消失的一国。
|
||||
- 叠字标题：韩亡置郡
|
||||
- 一句短文案：王国退场，郡县接管了道路与户籍。
|
||||
- 图片文件：`images/03-king-an-captured.png` / `images/03-king-an-captured.webp`
|
||||
- 替代文本：新郑夯土宫门前，韩王安站立着被秦军看守，内史腾在一旁，秦吏收拢无字木牍准备接管韩地，没有跪拜和处刑。
|
||||
- 人物标签：
|
||||
- 韩王安｜韩国末代国君｜被秦军取得；后续处置不在本幕断言
|
||||
- 内史腾｜秦国内史、攻韩主将｜完成攻韩并控制韩地
|
||||
- 秦吏｜接管韩地的秦方官吏｜整理无字木牍与道路关塞，象征置颍川郡
|
||||
- 画面补全说明：韩王安与内史腾同场、交接木牍和秦吏现场整理行政资料均为视觉补全；“置颍川郡”是史载结果，不代表存在这一具体仪式。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 03 of 3, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Sober aftermath outside a late-Warring-States rammed-earth palace gate at Xinzheng. King An of Han, an exhausted East Asian man in his forties wearing a muted russet court robe and simple period headpiece, stands upright with two attendants under guard, unbound and not kneeling. Neishi Teng, matching scene 2, watches with sword sheathed. Qin clerks arrange plain unmarked wooden slips and sealed cases on low mats as a non-literal sign of administrative takeover. Korean guards have placed spears aside. Balanced wide composition, flat afternoon light, silence and finality rather than humiliation; clean earthen wall for later overlay. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:changping#0`
|
||||
- 曲名：长平之战
|
||||
- 版本：电影级配乐·建议抽取无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：只使用项目曲目的埙、低弦和低频鼓点器乐层，不使用原歌词或人声；剪成克制的灭国推进版。
|
||||
- 选择理由：同属秦统一战争时代，低沉而不凯旋的配器适合表现韩国无力回转和郡县秩序接管；仓库没有可直接附加的音频文件。
|
||||
- Cue sheet：
|
||||
- 00:00–00:28｜第 01 幕｜以最少配器进入，先建立地理与政治压力，避免英雄主题。
|
||||
- 00:28–00:56｜第 02 幕｜随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。
|
||||
- 00:56–00:84｜第 03 幕｜结尾扩展低弦后留出停顿，以灭国后的空场收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《史记·秦始皇本纪》卷六：事件编年、主将、地点、灭国结果与后续郡县化（https://zh.wikisource.org/zh-hans/史记/卷006）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 虚构内史腾与韩军主将单挑，或编造韩国都城发生大规模巷战与屠城
|
||||
- 断言南阳假守腾与次年的内史腾在史书中被明说为同一人；两条记载仅同名且相隔一年
|
||||
- 把韩王安画成被处刑、囚车示众或跪地受辱；史书只载“得韩王安”
|
||||
- 把颍川郡设置表现成现代行政区划地图或现代官署仪式
|
||||
- 秦兵陶俑化、克隆脸、玄幻黑甲、超大军团堆叠或血腥尸山
|
||||
- 使用汉唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒或后世军旗
|
||||
- 出现可读汉字、字幕、书法、地图箭头、Logo、水印或现代物件
|
||||
- 使用火器、爆炸、欧洲板甲、日本武士甲、奇幻怪兽或动漫画风
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "秦灭魏之战（水灌大梁）",
|
||||
"aliases": [
|
||||
"秦灭魏",
|
||||
"水灌大梁",
|
||||
"王贲灭魏",
|
||||
"秦统一战争·灭魏"
|
||||
],
|
||||
"era": "战国末期·秦王政二十二年",
|
||||
"date": "公元前225年",
|
||||
"place": "魏都大梁及周边河沟",
|
||||
"summary": "秦将王贲引河沟灌大梁，三月后城坏，魏王假请降，魏国灭亡。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 78,
|
||||
"fullText": "公元前二二五年，王贲率秦军攻魏都大梁。大梁城防坚固，秦军没有把胜负押在一次强攻上，而是转向城外水系，引河沟之水灌城。水位一天天抬高，城墙和民居长久浸泡。三个月后，大梁城坏。魏王假请求投降，秦军尽取魏地。史书没有给这场灭国留下热烈的决战，只留下水、时间和一座逐渐失去承重的都城。此前韩国已经灭亡，魏失去西侧屏障；大梁一破，秦军的东进版图再度连成一片。灭魏最准确的画面，不是英雄登城，而是泥水越过夯土墙脚，城里的人看着裂缝一点点扩大。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "兵临大梁",
|
||||
"timePlace": "公元前225年，魏都大梁城外",
|
||||
"purpose": "建立坚城与秦军改变攻法的前提。",
|
||||
"narration": "王贲率秦军抵达大梁。面对夯土坚城，他没有把全部兵力压上城墙。",
|
||||
"overlay": {
|
||||
"heading": "兵临大梁",
|
||||
"line": "攻城之前，王贲先看见了城外的水。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王贲",
|
||||
"office": "秦将、王翦之子",
|
||||
"action": "率军攻魏并观察大梁城防与周边水系"
|
||||
},
|
||||
{
|
||||
"name": "魏军守卫",
|
||||
"office": "大梁守军",
|
||||
"action": "守卫城墙与城门"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-wang-ben-besieges-daliang.png",
|
||||
"delivery": "images/01-wang-ben-besieges-daliang.webp",
|
||||
"alt": "王贲在大梁城外泥土高地观察夯土城墙和蜿蜒河沟，秦军在后方安营，魏军在城头守望。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Early spring outside Daliang in 225 BCE. Wang Ben, matching the existing Qin-unification visual reference: weathered East Asian commander in his fifties, graying moustache and short beard, dark lacquered lamellar armor, plain black cloak, stands on a muddy rise with aides. He studies massive rammed-earth walls and the natural channels crossing the flat floodplain. Qin troops establish restrained siege camps behind him while Wei guards watch from timber towers. Wide survey composition with winding water in the lower foreground leading to the city, overcast sky, no assault, no fantasy siege engines. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "王贲勘察水系、秦营位置和大梁外具体地貌构图为视觉补全；史料只明确王贲攻魏并引河沟灌大梁。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六",
|
||||
"《史记·魏世家》卷四十四"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "决渠引水",
|
||||
"timePlace": "公元前225年，大梁城外河沟",
|
||||
"purpose": "表现秦军以土木工程将水引向大梁，而非现代化水利奇观。",
|
||||
"narration": "秦军转向河沟。士卒开土、筑堰、改水道，让水缓慢压向大梁。",
|
||||
"overlay": {
|
||||
"heading": "决渠引水",
|
||||
"line": "最先抵达城墙的，不是秦弩，是水。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "王贲",
|
||||
"office": "秦将",
|
||||
"action": "统筹水攻大梁"
|
||||
},
|
||||
{
|
||||
"name": "秦军工役",
|
||||
"office": "秦军士卒与征发工役",
|
||||
"action": "以木、土、筐篓开渠筑堰；具体组织不详"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-divert-the-river-channel.png",
|
||||
"delivery": "images/02-divert-the-river-channel.webp",
|
||||
"alt": "秦军工役用木桩、土筐和铁木工具开挖河沟，浑水开始改道流向远处大梁城，王贲在高处监督。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Human-scale ancient field engineering on the Daliang floodplain. Qin soldiers and laborers use wooden spades, wicker earth baskets, timber piles and packed-earth embankments to breach and redirect an existing channel. Muddy water begins turning toward the distant rammed-earth city. Wang Ben, preserving the same identity and armor as scene 1, watches from a dry bank with survey aides holding plain unmarked cords and poles. Low wide composition close to the water, tactile mud and timber, restrained work rhythm, no modern machinery, dams or explosive breach. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "工役工具、筑堰方式、王贲现场监督和具体渠线为基于先秦土木条件的视觉补全；“引河沟灌大梁”是史载事实。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六",
|
||||
"《史记·魏世家》卷四十四"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "三月城坏",
|
||||
"timePlace": "公元前225年，大梁围城第三月",
|
||||
"purpose": "用长期浸泡与夯土开裂表现城坏，不制造瞬间海啸。",
|
||||
"narration": "水围大梁三个月。夯土吸满泥水，墙脚崩裂，城里的道路和粮仓也逐渐失去支撑。",
|
||||
"overlay": {
|
||||
"heading": "三月城坏",
|
||||
"line": "城不是一夜倒下，是被水一点点泡软。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "大梁军民",
|
||||
"office": "魏都守军与居民",
|
||||
"action": "在积水、断路与城墙开裂中维持防守"
|
||||
},
|
||||
{
|
||||
"name": "秦军守望者",
|
||||
"office": "秦军围城部队",
|
||||
"action": "在高地观察水位与城墙变化"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-three-months-of-flooding.png",
|
||||
"delivery": "images/03-three-months-of-flooding.webp",
|
||||
"alt": "大梁城内外浑水漫过道路和墙脚，夯土城墙出现巨大裂缝，魏军与居民用木料加固，远处秦军在高地守望。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: After three months of flooding, muddy water surrounds and enters low areas of Daliang. A massive rammed-earth wall is saturated at the base and split by broad structural cracks; one outer section has slumped, not exploded. Wei soldiers and civilians brace timber against a gate approach and carry baskets through knee-deep water. Qin observers remain on distant dry high ground. Wide dramatic cross-city view with water reflections, rain-muted light and exhausted human effort, no bodies, no giant wave, no boats charging streets. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "城内积水深度、居民加固、城墙裂缝形态和秦军观察位置为视觉重构；三月城坏见《魏世家》，秦本纪只载大梁城坏。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六",
|
||||
"《史记·魏世家》卷四十四"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "魏王请降",
|
||||
"timePlace": "公元前225年，大梁",
|
||||
"purpose": "表现魏王假请降与魏国灭亡，避免羞辱性仪式。",
|
||||
"narration": "大梁城坏，魏王假请求投降。秦军尽取魏地，魏国自此退出列国。",
|
||||
"overlay": {
|
||||
"heading": "魏王请降",
|
||||
"line": "水退之前，魏国已经没有城可以守。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "魏王假",
|
||||
"office": "魏国末代国君",
|
||||
"action": "城坏后请降或被俘；投降后的具体死因不在本幕断言"
|
||||
},
|
||||
{
|
||||
"name": "王贲",
|
||||
"office": "秦将",
|
||||
"action": "接受魏降并控制魏地"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-king-jia-surrenders.png",
|
||||
"delivery": "images/04-king-jia-surrenders.webp",
|
||||
"alt": "积水中的大梁宫门外，魏王假站立着向王贲交出无字木制兵符，双方士卒收起兵器，背景城墙仍有水蚀裂痕。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Sober surrender in a shallow-water forecourt inside damaged Daliang. King Jia of Wei, East Asian man around forty in a rain-darkened faded blue robe and simple headpiece, stands upright with two attendants and extends a plain unmarked wooden command tally toward Wang Ben. Wang Ben, matching scenes 1-2, receives it with sword sheathed and no triumphant gesture. Wei weapons lie neatly on raised wooden mats; Qin soldiers keep formation. Water-stained rammed-earth walls and timber supports show the cost of the siege. Balanced wide composition, gray light, dignity and exhaustion, no kneeling, chains, execution or cheering. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.",
|
||||
"visualInference": "魏王假与王贲当面对交、兵符、积水宫门和兵器收拢均为镜头化补全；史料只确认城坏、王请降或被俘、魏亡。",
|
||||
"referenceImages": [
|
||||
"../秦灭齐之战（天下一统）/images/02-wang-ben-south.png（视觉世界、秦军材质与低饱和电影质感参照）"
|
||||
],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六",
|
||||
"《史记·魏世家》卷四十四"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:yanying#0",
|
||||
"title": "鄢郢之战",
|
||||
"version": "电影级配乐·建议抽取无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "只使用项目曲目中冷峻的低频、碎拍和埙色器乐层，移除白起与鄢郢专属人声；按三个月水位缓慢上升的结构重新剪辑。",
|
||||
"reason": "项目中现有最贴近“水攻围城”的原创配乐方案，冷静、无凯旋感，适合表现大梁在时间和水压下崩解；仓库没有可直接附加的音频文件。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:21",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器进入，先建立地理与政治压力，避免英雄主题。"
|
||||
},
|
||||
{
|
||||
"from": "00:21",
|
||||
"to": "00:42",
|
||||
"scene": "02",
|
||||
"direction": "随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:42",
|
||||
"to": "00:63",
|
||||
"scene": "03",
|
||||
"direction": "随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。"
|
||||
},
|
||||
{
|
||||
"from": "00:63",
|
||||
"to": "00:84",
|
||||
"scene": "04",
|
||||
"direction": "结尾扩展低弦后留出停顿，以灭国后的空场收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "事件编年、主将、地点、灭国结果与后续郡县化",
|
||||
"citation": "《史记·秦始皇本纪》卷六",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷006"
|
||||
},
|
||||
{
|
||||
"claim": "水灌大梁三月、城坏、魏王请降与魏亡",
|
||||
"citation": "《史记·魏世家》卷四十四",
|
||||
"url": "https://zh.wikisource.org/zh-hant/史記/卷044"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把王贲水灌大梁误写成白起水灌鄢城，或让白起出现在前225年的灭魏现场",
|
||||
"把河沟画成现代混凝土大坝、闸门、水泵或爆破工程",
|
||||
"虚构秦军驾驶战船在大梁街道大规模屠杀，或把城破画成海啸瞬间淹没全城",
|
||||
"断言魏王假在投降现场被杀；《史记》相关篇章只足以确认请降或被俘与魏亡",
|
||||
"秦兵陶俑化、克隆脸、玄幻黑甲、超大军团堆叠或血腥尸山",
|
||||
"使用汉唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒或后世军旗",
|
||||
"出现可读汉字、字幕、书法、地图箭头、Logo、水印或现代物件",
|
||||
"使用火器、爆炸、欧洲板甲、日本武士甲、奇幻怪兽或动漫画风"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,122 @@
|
||||
# 秦灭魏之战（水灌大梁）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：秦灭魏之战（水灌大梁）
|
||||
- 常用称呼：秦灭魏、水灌大梁、王贲灭魏、秦统一战争·灭魏
|
||||
- 时代：战国末期·秦王政二十二年
|
||||
- 日期：公元前225年
|
||||
- 地点：魏都大梁及周边河沟
|
||||
- 一句话结论：秦将王贲引河沟灌大梁，三月后城坏，魏王假请降，魏国灭亡。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
公元前二二五年，王贲率秦军攻魏都大梁。大梁城防坚固，秦军没有把胜负押在一次强攻上，而是转向城外水系，引河沟之水灌城。水位一天天抬高，城墙和民居长久浸泡。三个月后，大梁城坏。魏王假请求投降，秦军尽取魏地。史书没有给这场灭国留下热烈的决战，只留下水、时间和一座逐渐失去承重的都城。此前韩国已经灭亡，魏失去西侧屏障；大梁一破，秦军的东进版图再度连成一片。灭魏最准确的画面，不是英雄登城，而是泥水越过夯土墙脚，城里的人看着裂缝一点点扩大。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜兵临大梁
|
||||
|
||||
- 时间地点：公元前225年，魏都大梁城外
|
||||
- 叙事作用：建立坚城与秦军改变攻法的前提。
|
||||
- 本幕旁白：王贲率秦军抵达大梁。面对夯土坚城，他没有把全部兵力压上城墙。
|
||||
- 叠字标题：兵临大梁
|
||||
- 一句短文案：攻城之前，王贲先看见了城外的水。
|
||||
- 图片文件：`images/01-wang-ben-besieges-daliang.png` / `images/01-wang-ben-besieges-daliang.webp`
|
||||
- 替代文本：王贲在大梁城外泥土高地观察夯土城墙和蜿蜒河沟，秦军在后方安营，魏军在城头守望。
|
||||
- 人物标签：
|
||||
- 王贲｜秦将、王翦之子｜率军攻魏并观察大梁城防与周边水系
|
||||
- 魏军守卫｜大梁守军｜守卫城墙与城门
|
||||
- 画面补全说明：王贲勘察水系、秦营位置和大梁外具体地貌构图为视觉补全；史料只明确王贲攻魏并引河沟灌大梁。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六；《史记·魏世家》卷四十四
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Early spring outside Daliang in 225 BCE. Wang Ben, matching the existing Qin-unification visual reference: weathered East Asian commander in his fifties, graying moustache and short beard, dark lacquered lamellar armor, plain black cloak, stands on a muddy rise with aides. He studies massive rammed-earth walls and the natural channels crossing the flat floodplain. Qin troops establish restrained siege camps behind him while Wei guards watch from timber towers. Wide survey composition with winding water in the lower foreground leading to the city, overcast sky, no assault, no fantasy siege engines. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 02｜决渠引水
|
||||
|
||||
- 时间地点：公元前225年，大梁城外河沟
|
||||
- 叙事作用：表现秦军以土木工程将水引向大梁，而非现代化水利奇观。
|
||||
- 本幕旁白：秦军转向河沟。士卒开土、筑堰、改水道，让水缓慢压向大梁。
|
||||
- 叠字标题：决渠引水
|
||||
- 一句短文案：最先抵达城墙的，不是秦弩，是水。
|
||||
- 图片文件：`images/02-divert-the-river-channel.png` / `images/02-divert-the-river-channel.webp`
|
||||
- 替代文本：秦军工役用木桩、土筐和铁木工具开挖河沟，浑水开始改道流向远处大梁城，王贲在高处监督。
|
||||
- 人物标签：
|
||||
- 王贲｜秦将｜统筹水攻大梁
|
||||
- 秦军工役｜秦军士卒与征发工役｜以木、土、筐篓开渠筑堰；具体组织不详
|
||||
- 画面补全说明：工役工具、筑堰方式、王贲现场监督和具体渠线为基于先秦土木条件的视觉补全；“引河沟灌大梁”是史载事实。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六；《史记·魏世家》卷四十四
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Human-scale ancient field engineering on the Daliang floodplain. Qin soldiers and laborers use wooden spades, wicker earth baskets, timber piles and packed-earth embankments to breach and redirect an existing channel. Muddy water begins turning toward the distant rammed-earth city. Wang Ben, preserving the same identity and armor as scene 1, watches from a dry bank with survey aides holding plain unmarked cords and poles. Low wide composition close to the water, tactile mud and timber, restrained work rhythm, no modern machinery, dams or explosive breach. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 03｜三月城坏
|
||||
|
||||
- 时间地点：公元前225年，大梁围城第三月
|
||||
- 叙事作用：用长期浸泡与夯土开裂表现城坏，不制造瞬间海啸。
|
||||
- 本幕旁白：水围大梁三个月。夯土吸满泥水，墙脚崩裂，城里的道路和粮仓也逐渐失去支撑。
|
||||
- 叠字标题：三月城坏
|
||||
- 一句短文案：城不是一夜倒下，是被水一点点泡软。
|
||||
- 图片文件：`images/03-three-months-of-flooding.png` / `images/03-three-months-of-flooding.webp`
|
||||
- 替代文本：大梁城内外浑水漫过道路和墙脚，夯土城墙出现巨大裂缝，魏军与居民用木料加固，远处秦军在高地守望。
|
||||
- 人物标签：
|
||||
- 大梁军民｜魏都守军与居民｜在积水、断路与城墙开裂中维持防守
|
||||
- 秦军守望者｜秦军围城部队｜在高地观察水位与城墙变化
|
||||
- 画面补全说明：城内积水深度、居民加固、城墙裂缝形态和秦军观察位置为视觉重构；三月城坏见《魏世家》，秦本纪只载大梁城坏。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六；《史记·魏世家》卷四十四
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: After three months of flooding, muddy water surrounds and enters low areas of Daliang. A massive rammed-earth wall is saturated at the base and split by broad structural cracks; one outer section has slumped, not exploded. Wei soldiers and civilians brace timber against a gate approach and carry baskets through knee-deep water. Qin observers remain on distant dry high ground. Wide dramatic cross-city view with water reflections, rain-muted light and exhausted human effort, no bodies, no giant wave, no boats charging streets. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
### 04｜魏王请降
|
||||
|
||||
- 时间地点：公元前225年，大梁
|
||||
- 叙事作用：表现魏王假请降与魏国灭亡，避免羞辱性仪式。
|
||||
- 本幕旁白：大梁城坏，魏王假请求投降。秦军尽取魏地，魏国自此退出列国。
|
||||
- 叠字标题：魏王请降
|
||||
- 一句短文案：水退之前，魏国已经没有城可以守。
|
||||
- 图片文件：`images/04-king-jia-surrenders.png` / `images/04-king-jia-surrenders.webp`
|
||||
- 替代文本：积水中的大梁宫门外，魏王假站立着向王贲交出无字木制兵符，双方士卒收起兵器，背景城墙仍有水蚀裂痕。
|
||||
- 人物标签：
|
||||
- 魏王假｜魏国末代国君｜城坏后请降或被俘；投降后的具体死因不在本幕断言
|
||||
- 王贲｜秦将｜接受魏降并控制魏地
|
||||
- 画面补全说明：魏王假与王贲当面对交、兵符、积水宫门和兵器收拢均为镜头化补全；史料只确认城坏、王请降或被俘、魏亡。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六；《史记·魏世家》卷四十四
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Qin-unification battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the existing Qin灭齐 Wang Ben image only as a visual-world reference for archaeology-inspired late-Warring-States realism, low-saturation cinematic color, tactile materials and natural human faces; do not copy its exact composition unless Wang Ben appears. Primary request: Sober surrender in a shallow-water forecourt inside damaged Daliang. King Jia of Wei, East Asian man around forty in a rain-darkened faded blue robe and simple headpiece, stands upright with two attendants and extends a plain unmarked wooden command tally toward Wang Ben. Wang Ben, matching scenes 1-2, receives it with sword sheathed and no triumphant gesture. Wei weapons lie neatly on raised wooden mats; Qin soldiers keep formation. Water-stained rammed-earth walls and timber supports show the cost of the siege. Balanced wide composition, gray light, dignity and exhaustion, no kneeling, chains, execution or cheering. Style/medium: premium live-action Chinese historical film still, archaeology-inspired 3rd-century BCE realism, subtle film grain, physically plausible scale. Historical materials: rammed earth, aged timber, gray clay tiles where appropriate, low-sheen silk and hemp, lacquered lamellar armor, leather, wood carts, bronze and iron tools. Qin equipment uses black, dark umber and restrained cinnabar accents, but not every person is dressed entirely in black. Composition: cinematic wide shot with clear foreground, middle ground and background; reserve a quiet area of sky, wall or water for later webpage overlay; every scene must have a distinct camera position. Constraints: no baked-in text, no readable banners, no names, no subtitles, no logo or watermark; violence shown through action, broken equipment and consequences rather than gore; preserve recurring character identity within this battle. Avoid: terracotta statues as living soldiers, clone faces, fantasy black armor, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, anime or illustration.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:yanying#0`
|
||||
- 曲名：鄢郢之战
|
||||
- 版本：电影级配乐·建议抽取无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：只使用项目曲目中冷峻的低频、碎拍和埙色器乐层，移除白起与鄢郢专属人声；按三个月水位缓慢上升的结构重新剪辑。
|
||||
- 选择理由：项目中现有最贴近“水攻围城”的原创配乐方案，冷静、无凯旋感，适合表现大梁在时间和水压下崩解；仓库没有可直接附加的音频文件。
|
||||
- Cue sheet：
|
||||
- 00:00–00:21｜第 01 幕｜以最少配器进入，先建立地理与政治压力，避免英雄主题。
|
||||
- 00:21–00:42｜第 02 幕｜随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。
|
||||
- 00:42–00:63｜第 03 幕｜随叙事增加一层低频或弦乐，旁白期间保持节奏稀疏。
|
||||
- 00:63–00:84｜第 04 幕｜结尾扩展低弦后留出停顿，以灭国后的空场收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《史记·秦始皇本纪》卷六：事件编年、主将、地点、灭国结果与后续郡县化（https://zh.wikisource.org/zh-hans/史记/卷006）
|
||||
- 《史记·魏世家》卷四十四：水灌大梁三月、城坏、魏王请降与魏亡（https://zh.wikisource.org/zh-hant/史記/卷044）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 把王贲水灌大梁误写成白起水灌鄢城，或让白起出现在前225年的灭魏现场
|
||||
- 把河沟画成现代混凝土大坝、闸门、水泵或爆破工程
|
||||
- 虚构秦军驾驶战船在大梁街道大规模屠杀，或把城破画成海啸瞬间淹没全城
|
||||
- 断言魏王假在投降现场被杀；《史记》相关篇章只足以确认请降或被俘与魏亡
|
||||
- 秦兵陶俑化、克隆脸、玄幻黑甲、超大军团堆叠或血腥尸山
|
||||
- 使用汉唐宋明清盔甲、明清城墙、紫禁城、龙袍、冕旒或后世军旗
|
||||
- 出现可读汉字、字幕、书法、地图箭头、Logo、水印或现代物件
|
||||
- 使用火器、爆炸、欧洲板甲、日本武士甲、奇幻怪兽或动漫画风
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "秦灭齐之战（天下一统）",
|
||||
"aliases": ["灭齐·天下一统一", "灭齐·天下一统", "秦灭齐", "秦灭齐之战"],
|
||||
"era": "战国末期、秦王政二十六年",
|
||||
"date": "公元前221年",
|
||||
"place": "齐国北境、临淄与秦都咸阳",
|
||||
"summary": "秦将王贲从燕地南下攻齐，齐王建听从后胜之计不战而降；齐亡后六国尽入秦，秦王政议定皇帝名号。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 86,
|
||||
"fullText": "公元前二二一年，韩、赵、魏、楚、燕都已亡，东方只剩齐国。齐王建在位四十余年，齐地久不受兵。相国后胜多受秦间金，宾客又劝齐王放弃合纵、不修战备。等到五国尽失，齐才发兵守西界。秦没有从西面硬攻。将军王贲自燕地南下，直入齐境。长期没有大战的齐国来不及调整，秦军最终进入临淄，百姓与守军无人抵抗。齐王建听从后胜之计，不战而降，被迁往共地；齐国被改为秦的郡县。至此，战国最后一个诸侯国消失，六国尽入秦。秦王政命群臣议定新名号，取“皇”与“帝”，自称始皇帝，并把天下分为三十六郡。灭齐不是一场血战的高潮，而是几十年离盟、失备之后，最后一扇门被推开。天下由列国并争，转入秦帝国的一统秩序。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "孤齐失备",
|
||||
"timePlace": "公元前221年以前，齐都临淄",
|
||||
"purpose": "交代齐国长期未受战火、后胜受秦影响并劝齐王远离合纵，造成战备松弛的背景。",
|
||||
"narration": "公元前二二一年，韩、赵、魏、楚、燕都已亡，东方只剩齐国。齐王建在位四十余年，齐地久不受兵。相国后胜多受秦间金，宾客又劝齐王放弃合纵、不修战备。",
|
||||
"overlay": {
|
||||
"heading": "孤齐失备",
|
||||
"line": "四十余年不受兵，也让最后的警报来得太迟。"
|
||||
},
|
||||
"people": [
|
||||
{"name": "齐王建", "office": "齐国国君", "action": "长期维持事秦政策，未能在五国覆亡前重整合纵与战备"},
|
||||
{"name": "后胜", "office": "齐国相国", "action": "多受秦间金，劝齐王不助五国、不修攻战之备"},
|
||||
{"name": "秦国宾客与使者", "office": "往来齐秦的政治中介", "action": "以秦的立场影响齐廷；具体人员与单次会面不可考"}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-isolated-qi-court.png",
|
||||
"delivery": "images/01-isolated-qi-court.webp",
|
||||
"alt": "临淄齐宫内，年长的齐王建立在案前望向远方，后胜在侧低声进言，守卫与远去使者处于阴影中。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, scene 1 of a five-image sequence, 16:9 landscape. Primary request: The isolated court of Qi before Qin's final campaign, Linzi, 221 BCE. Establish a sober late-Warring-States cinematic world and the political inaction that preceded the conquest, without inventing a battle. Scene/backdrop: Interior and open courtyard edge of the Qi royal palace at Linzi, built from rammed earth platforms, dark timber columns, restrained painted wood, woven mats and gray ceramic roof tiles. Through the open side, a distant western watchtower and quiet plain are visible. No later imperial palace. Subject: King Jian of Qi, an older East Asian ruler around sixty, thoughtful but worn face, graying moustache and short beard, stands beside a low lacquered table. He wears a period-plausible late-Warring-States ceremonial robe in muted deep teal and brown, with no dragon motifs and no later crown. Chancellor Hou Sheng, middle-aged, carefully composed, in a darker official robe, leans toward the table and calmly advises restraint. A departing Qin envoy is only a small background figure crossing the courtyard; several closed gift caskets sit nearby as an ambiguous visual sign of Qin influence, not a literal documented moment. Palace guards remain idle, weapons grounded. Style/medium: premium live-action historical film still, archaeology-inspired late Warring States realism, natural human faces, subtle film grain. Composition/framing: wide interior-to-exterior composition; King Jian and Hou Sheng in the middle ground, quiet guards and envoy creating depth; leave clean shadowed wall and negative space at upper left for later overlay. Lighting/mood: overcast daylight, airless political calm, gathering danger, restrained rather than melodramatic. Color palette: muted teal, weathered brown, black lacquer, gray clay, pale dust. Materials/textures: rammed earth, aged timber, lacquered wood, hemp, silk with low sheen, bronze fittings. Constraints: historically plausible 3rd-century BCE Chinese clothing and palace architecture; no readable writing; no claim that this exact meeting or gift handover is recorded; nonviolent. Avoid: any text, Chinese characters, captions, logo, watermark, Han/Tang/Ming/Qing palace, Forbidden City, dragon throne, imperial yellow robes, Manchu queue, fantasy crowns, Japanese architecture, terracotta statues as living people, firearms, plate armor, giant banners, anime, illustration, ethnic caricature.",
|
||||
"visualInference": "齐王建与后胜同处一室、秦使离场、礼箱、守卫站位和天气均为视觉重构；史料只明确后胜多受秦间金、宾客劝王去合纵并不修战备。",
|
||||
"referenceImages": [],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": ["《史记·田敬仲完世家》卷四十六"]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "王贲南下",
|
||||
"timePlace": "公元前221年，原燕地至齐国北境",
|
||||
"purpose": "呈现王贲不从齐国重点防守的西界硬攻，而是从已平定的燕地转向南下。",
|
||||
"narration": "等到五国尽失，齐才发兵守西界。秦没有从西面硬攻。将军王贲自燕地南下，直入齐境。",
|
||||
"overlay": {
|
||||
"heading": "王贲南下",
|
||||
"line": "齐军守着西界，秦军却从燕地转向南下。"
|
||||
},
|
||||
"people": [
|
||||
{"name": "王贲", "office": "秦国将军", "action": "在灭燕、代之后率军从燕地南下攻齐"},
|
||||
{"name": "秦军将士", "office": "参与灭齐的秦军", "action": "随王贲向齐境推进；具体兵力与编制史书未详"}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-wang-ben-south.png",
|
||||
"delivery": "images/02-wang-ben-south.webp",
|
||||
"alt": "王贲骑马立在北方平原的坡地上观察南向道路，身后秦军步骑与辎重队列沿道路持续进入齐境。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, scene 2 of the same five-image sequence, 16:9 landscape. Input images: Image 1 is the exact visual-world reference for late-Warring-States realism, film grain, muted palette, architecture and materials. Continue that world; the Qi court characters do not appear in this scene. Primary request: Wang Ben turns south from Yan toward Qi, 221 BCE. Show the strategic approach that bypassed Qi's expected western defense, without using a modern map or invented decisive battle. Scene/backdrop: A broad northern Qi plain seen from a low ridge, with dry millet fields, packed-earth roads, scattered trees and distant low rammed-earth settlements. Dawn haze over flat eastern terrain. No Great Wall brick battlements. Subject: General Wang Ben, East Asian man in his early forties, broad weathered face, straight brows, short moustache and compact beard, rides a sturdy period horse at the front edge of a disciplined Qin column. He wears dark brown-black late-Warring-States lamellar armor of small lacquered plates over a plain robe, a simple cloth headpiece/low practical helmet with no plume, and a faded black command cloak. He studies the southward road while scouts return from ahead. Behind him, compact infantry, crossbowmen, horsemen and supply carts descend in several controlled files from the former Yan direction. Plain geometric Qin pennants carry no symbols or writing. The army is veteran and orderly, not a fantasy horde. Style/medium: premium live-action historical film still, archaeology-inspired 3rd-century BCE Chinese military realism, consistent with Image 1. Composition/framing: wide strategic shot at rider height; Wang Ben in near foreground, long diagonal columns entering the plain, broad pale sky at upper right for later overlay; clearly different composition from scene 1. Lighting/mood: cold dawn light, relentless forward motion, disciplined tension, no triumphal spectacle. Color palette: black lacquer, dark umber, dusty ochre, faded gray-blue sky, restrained muted teal accents only in distant terrain. Materials/textures: lacquered lamellar plates, hemp, leather tack, wood carts, dry earth, horsehair. Constraints: period-plausible late Warring States Qin equipment; keep Wang Ben's face and armor available as identity reference for later scenes; no visible battle, no dead bodies, no readable writing. Avoid: any text, Chinese characters, captions, logo, watermark, modern maps, arrows or UI graphics, terracotta statues as living soldiers, identical clone faces, Han/Tang/Ming/Qing armor, samurai armor, Manchu queue, plate armor, horned helmets, giant cavalry-only army, firearms, cannons, explosions, fantasy, anime, illustration, modern objects.",
|
||||
"visualInference": "王贲的面貌、行军队形、侦骑、道路与季节性地表为视觉重构；“从燕南攻齐”来自史料，但具体路线、兵数和日程不可据此精确复原。",
|
||||
"referenceImages": ["images/01-isolated-qi-court.png（战国末期视觉世界、材质与色调参照；不继承人物身份）"],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": ["《史记·秦始皇本纪》卷六"]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "临淄无战",
|
||||
"timePlace": "公元前221年，齐都临淄",
|
||||
"purpose": "用秦军进入临淄而无人抵抗的场面，表现齐国政治与军事准备的崩解，而非虚构攻城大战。",
|
||||
"narration": "长期没有大战的齐国来不及调整，秦军最终进入临淄，百姓与守军无人抵抗。",
|
||||
"overlay": {
|
||||
"heading": "临淄无战",
|
||||
"line": "最后一国的都城，没有等来一场决战。"
|
||||
},
|
||||
"people": [
|
||||
{"name": "王贲", "office": "秦国将军", "action": "率秦军进入临淄，完成对齐的军事控制"},
|
||||
{"name": "齐国守军", "office": "齐军与都城守卫", "action": "未组织有效抵抗；具体缴械形式为视觉补全"},
|
||||
{"name": "临淄民众", "office": "齐国都城居民", "action": "面对秦军入城而未加抵抗"}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-qin-enters-linzi.png",
|
||||
"delivery": "images/03-qin-enters-linzi.webp",
|
||||
"alt": "临淄夯土城门敞开，王贲步行示意秦军保持队形，齐国守卫把兵器置于一旁，民众在道路两侧沉默观看。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, scene 3 of the same five-image sequence, 16:9 landscape. Input images: Image 1 is the exact reference for Wang Ben's face, age, dark lacquered lamellar armor, black cloak, Qin army design, muted palette and cinematic realism. Preserve his identity and equipment closely. Primary request: Qin troops enter Linzi; no one resists, 221 BCE, following the Shiji account. Show disciplined occupation and stunned stillness, not an invented climactic street battle. Scene/backdrop: The outer approach and broad gate passage of late-Warring-States Linzi, with massive rammed-earth walls, timber gate structures, gray clay tiles, packed-earth streets, modest workshops and carts. The gate stands open. No later brick city wall. Subject: Wang Ben, matching Image 1 exactly, has dismounted and walks at the front edge of a controlled Qin column through the open gate. His sword remains sheathed and one hand signals troops to hold formation. Qin crossbowmen and infantry move in compact ranks with weapons lowered; no looting. Qi guards have stacked spears and simple lacquered shields to one side, uncertain and motionless. Civilians watch silently from doorways and behind carts, keeping distance; they are fearful but not abused. The historical action is the absence of resistance. Style/medium: premium live-action historical film still, archaeology-inspired late-Warring-States realism, same film world as Image 1, natural faces, subtle film grain. Composition/framing: wide street-level shot looking through the open gate; Wang Ben and first Qin rank in the near middle ground, receding column behind, still Qi guards and civilians framing both sides; leave a clean haze-lit wall area at upper right for later overlay; different composition from scene 2. Lighting/mood: pale dusty afternoon, muffled footsteps, tension without combat, irreversible political collapse. Color palette: black lacquer and umber for Qin, muted teal-brown for Qi civilians, gray clay, pale dust. Materials/textures: rammed earth, aged timber, lacquered leather and iron lamellae, hemp clothing, wood wheels, dry soil. Constraints: no battle spectacle, no bodies, no fire, no triumphal cheering, no kneeling masses, no readable writing; period-plausible 3rd-century BCE clothing and equipment. Avoid: any text, Chinese characters, captions, logo, watermark, burning Linzi, street massacre, siege engines inside the gate, Qin soldiers looting, terracotta statues as living soldiers, modern police occupation imagery, Han/Tang/Ming/Qing architecture or armor, Forbidden City, dragon emblems, samurai armor, plate armor, firearms, explosions, fantasy, anime, illustration, modern objects.",
|
||||
"visualInference": "临淄具体城门、街道、王贲下马、秦军队形、齐军集中放下兵器均为视觉重构；史料只明确秦军进入临淄而民众无人抵抗。",
|
||||
"referenceImages": ["images/02-wang-ben-south.png（王贲身份、秦军衣甲、色调与视觉世界参照）"],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": ["《史记·田敬仲完世家》卷四十六", "《史记·秦始皇本纪》卷六"]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "齐王出降",
|
||||
"timePlace": "公元前221年，临淄",
|
||||
"purpose": "表现齐王建听从后胜之计不战而降、齐国政权终结，同时避免后世影视式羞辱与处刑。",
|
||||
"narration": "齐王建听从后胜之计，不战而降，被迁往共地；齐国被改为秦的郡县。",
|
||||
"overlay": {
|
||||
"heading": "齐王出降",
|
||||
"line": "没有决战，只有最后一次交出兵权。"
|
||||
},
|
||||
"people": [
|
||||
{"name": "齐王建", "office": "齐国末代国君", "action": "听从后胜计，以军队降秦，随后被迁往共地"},
|
||||
{"name": "王贲", "office": "秦国将军", "action": "接受齐降并控制齐地"},
|
||||
{"name": "后胜", "office": "齐国相国", "action": "其主张促成齐王不战而降；降后具体结局不在本幕断言"}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-king-jian-surrenders.png",
|
||||
"delivery": "images/04-king-jian-surrenders.webp",
|
||||
"alt": "临淄宫门前，齐王建站立着向王贲递出无字木制兵符，齐军在一旁放下弓矛，双方均保持克制。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, scene 4 of the same five-image sequence, 16:9 landscape. Input images: Image 1 fixes King Jian of Qi's exact older face, graying moustache and short beard, muted deep-teal robe, and Qi court design. Images 2 and 3 fix Wang Ben's exact face, black cloak, dark late-Warring-States Qin armor, Qin troops, muted palette and cinematic realism. Preserve both identities closely. Primary request: King Jian surrenders without battle, outside the inner court of Linzi, 221 BCE. Treat this as a sober transfer of power, not a humiliation fantasy. Scene/backdrop: A broad packed-earth forecourt between a late-Warring-States rammed-earth palace platform and an open timber gate. Qi weapon racks and low chariots stand at the edges; architecture and weather match the earlier sequence. Subject: King Jian of Qi, matching Image 1, stands upright in the center with two attendants. He has removed no clothing and is not bound or kneeling. He holds a plain, unmarked wooden command tally horizontally in both hands and extends it toward Wang Ben as a visual reconstruction of surrender. Wang Ben, matching Images 2-3, stands opposite with sword sheathed and receives the moment with restrained formality, not a triumphant pose. Behind King Jian, Qi soldiers lay bows and spears neatly on woven mats and step back. Behind Wang Ben, Qin officers wait in disciplined formation. Chancellor Hou Sheng is visible several steps behind King Jian, looking down, but no bribe or punishment is shown. Style/medium: premium live-action historical film still, archaeology-inspired late-Warring-States realism, same visual world and film grain as all references. Composition/framing: balanced wide two-group composition with King Jian and Wang Ben facing each other across a narrow open space; use bodies, lowered weapons and the gate to show the end of resistance; leave clean rammed-earth wall at upper left for later overlay; different composition from scene 3. Lighting/mood: flat late-afternoon light, silence, exhaustion and finality, no cheering. Color palette: muted teal-brown Qi clothing against Qin black lacquer and umber, gray clay, pale earth. Materials/textures: rammed earth, timber, low-sheen silk, hemp, lacquered lamellae, wood weapons racks. Constraints: preserve King Jian and Wang Ben identities; no chains, no forced kneeling, no violence, no mass prostration, no readable writing; the tally handover is explicitly a non-literal visual reconstruction. Avoid: any text, Chinese characters, captions, logo, watermark, crown removal spectacle, King Jian in a cage, beheading, Qin soldiers mocking or striking Qi soldiers, grand European surrender ceremony, imperial yellow robe, dragon throne, Han/Tang/Ming/Qing armor or palace, terracotta statues as living people, samurai armor, firearms, explosions, fantasy, anime, illustration, modern objects.",
|
||||
"visualInference": "齐王建与王贲当面对交、递交兵符、齐军集中放置兵器和后胜在场均为镜头化补全；史料只明确齐王听后胜计不战，以兵降秦并被迁往共。",
|
||||
"referenceImages": ["images/01-isolated-qi-court.png（齐王建与后胜身份参照）", "images/02-wang-ben-south.png（王贲身份与秦军军具参照）", "images/03-qin-enters-linzi.png（临淄视觉世界与双方色调参照）"],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": ["《史记·田敬仲完世家》卷四十六", "《史记·秦始皇本纪》卷六"]
|
||||
},
|
||||
{
|
||||
"id": "05",
|
||||
"title": "议定帝号",
|
||||
"timePlace": "公元前221年，秦都咸阳",
|
||||
"purpose": "把齐亡置于秦初并天下、议定皇帝名号和建立郡县秩序的政治结果中。",
|
||||
"narration": "至此，战国最后一个诸侯国消失，六国尽入秦。秦王政命群臣议定新名号，取“皇”与“帝”，自称始皇帝，并把天下分为三十六郡。灭齐不是一场血战的高潮，而是几十年离盟、失备之后，最后一扇门被推开。天下由列国并争，转入秦帝国的一统秩序。",
|
||||
"overlay": {
|
||||
"heading": "天下初并",
|
||||
"line": "齐亡之后，秦王政第一次把“皇”与“帝”并为一号。"
|
||||
},
|
||||
"people": [
|
||||
{"name": "嬴政", "office": "秦王，随后称始皇帝", "action": "在六国尽灭后命群臣议帝号，最终采用“皇帝”名号"},
|
||||
{"name": "王绾", "office": "秦丞相", "action": "与群臣参与尊号议定，并在后续制度讨论中主张分封"},
|
||||
{"name": "冯劫", "office": "秦御史大夫", "action": "参与尊号议定"},
|
||||
{"name": "李斯", "office": "秦廷尉", "action": "参与尊号议定，并在郡县制讨论中反对恢复分封"}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/05-imperial-title.png",
|
||||
"delivery": "images/05-imperial-title.webp",
|
||||
"alt": "咸阳秦宫内，黑衣秦王政坐在低台上听王绾等群臣议事，六只无字文书匣排列在案前，远处渭水平原云层初开。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me historical battle story frame, scene 5 and conclusion of the same five-image sequence, 16:9 landscape. Input images: Image 1 is the exact reference for the sequence's archaeology-inspired late-Warring-States materials, Qin black-and-umber palette, restrained live-action cinematography and natural faces. Carry that world from Linzi to Qin's court at Xianyang. The surrender figures do not appear. Primary request: All under heaven is unified; the court debates the imperial title, Xianyang, after the conquest of Qi in 221 BCE. Visualize the political transition documented in the Shiji, without writing the title inside the image. Scene/backdrop: A restrained Qin audience hall on a high rammed-earth platform at Xianyang, dark timber columns, woven blinds, black lacquered beams with sparse cinnabar details, low mats and bronze lamps. Through a broad open doorway, the Wei River plain lies beneath clearing storm clouds. No later imperial palace or golden throne. Subject: Qin King Zheng, East Asian man age thirty-eight, lean strong face, high cheekbones, focused deep-set eyes, straight brows, neat moustache and short beard, sits upright on a low black-lacquered dais. He wears a formal black robe with restrained dark-red edging and a simple period-plausible headpiece, no dragon embroidery and no later crown. Chancellor Wang Wan, Censor-in-chief Feng Jie and Commandant of Justice Li Si stand with other officials in a measured semicircle, presenting plain unmarked wooden and bamboo tallies that suggest reports and administrative reorganization. Their discussion, not adoration, is the action. Several sealed, unmarked document cases rest on a low table; six separate courier cases have been gathered into one orderly row as a non-literal symbol of unification. No one prostrates. Qin King Zheng looks across the whole court as he makes the final decision. Style/medium: premium live-action historical film still, archaeology-inspired late-Warring-States Qin realism, same subdued film grain and tactile materials as Image 1. Composition/framing: wide interior court tableau with the ruler modestly elevated at one side and ministers forming a deep diagonal; the six plain cases lead the eye toward the court; leave clean shadowed beams and open sky at upper left for later overlay; distinct composition from the surrender scene. Lighting/mood: storm light opening into clear evening, controlled gravity, immense consequence rather than celebratory spectacle. Color palette: black lacquer, charcoal, dark umber, restrained cinnabar, pale river sky. Materials/textures: rammed earth, aged timber, low-sheen silk, bamboo and wood tallies, bronze, woven mats. Constraints: historically plausible Qin court around 221 BCE; no readable title; the six cases are explicitly symbolic visual inference, not an archaeological claim; officials participate in debate; no military triumph parade. Avoid: any text, Chinese characters, captions, logo, watermark, visible 皇帝 calligraphy, golden dragon throne, imperial yellow, crown with hanging bead curtain, Forbidden City, Han/Tang/Ming/Qing robes or architecture, terracotta army inside court, kneeling worshippers, divine halo, giant China map, modern border map, nationalist poster style, firearms, fantasy, anime, illustration, modern objects.",
|
||||
"visualInference": "咸阳殿堂布局、群臣站位、六只文书匣、窗外渭水与云层变化为视觉重构；六匣只象征六国归秦，不代表史料记载的具体器物或仪式。",
|
||||
"referenceImages": ["images/04-king-jian-surrenders.png（只作战国末期材质、秦国色调与电影写实风格参照；不继承人物）"],
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": ["《史记·秦始皇本纪》卷六"]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "seed-music-v1:linjiu:青崖引",
|
||||
"title": "青崖引",
|
||||
"version": "建议制作 72 BPM、无主唱纯伴奏的战国终局剪辑版",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "使用项目内原创国风曲目的器乐版本；保留古琴四音动机，以低弦和克制木质打击扩展推进段，结尾加入低音编钟质感但不宣称为秦代音乐复原。旁白期间压低旋律与鼓点密度。",
|
||||
"reason": "《青崖引》的古琴短动机和逐层现代配器适合从齐廷静止、王贲南下到临淄无战的压迫感，再在议定帝号一幕扩展为宽阔但不凯旋化的终局；项目仅有曲目方案，没有可附加音频。",
|
||||
"cues": [
|
||||
{"from": "00:00", "to": "00:17", "scene": "01", "direction": "单古琴四音动机与极低环境底噪进入，礼箱和远去使者出现时不加戏剧重音。"},
|
||||
{"from": "00:17", "to": "00:35", "scene": "02", "direction": "加入低弦持续音和稀疏木质脉冲，行军队列展开时缓慢增加层次，不用英雄号角。"},
|
||||
{"from": "00:35", "to": "00:49", "scene": "03", "direction": "撤去大部分鼓点，只保留低弦和脚步般的轻脉冲，让“无人抵抗”的安静成为张力。"},
|
||||
{"from": "00:49", "to": "01:03", "scene": "04", "direction": "兵符递出时古琴主题只弹一次，随后留出一秒近静默，避免胜利欢呼。"},
|
||||
{"from": "01:03", "to": "01:26", "scene": "05", "direction": "弦乐与低音编钟质感逐层展开，议定帝号后不落在大调凯旋终止，而以宽阔长音收束。"}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{"claim": "秦王政二十六年，齐王建与后胜守西界，王贲从燕南攻齐并得齐王建；秦初并天下后议定皇帝名号、设三十六郡", "citation": "《史记·秦始皇本纪》卷六", "url": "https://zh.wikisource.org/zh-hant/史記三家註/卷006"},
|
||||
{"claim": "后胜受秦间金、齐不修战备且不助五国；秦军进入临淄无人抵抗；齐王建不战而降、迁于共，天下并于秦", "citation": "《史记·田敬仲完世家》卷四十六", "url": "https://zh.wikisource.org/zh/史記/卷046"},
|
||||
{"claim": "项目内原创曲目《青崖引》的古琴动机与现代配器说明；仓库未发现其实际音频文件", "citation": "digital-me-backend/scripts/seed-music.js"}
|
||||
],
|
||||
"blacklist": [
|
||||
"把灭齐虚构成临淄城下的惨烈决战、火攻、巷战或屠城；《史记》明确秦军进入临淄而民众无人抵抗",
|
||||
"把秦军进攻方向画成只从齐国西界正面强攻，忽略王贲从燕地南下",
|
||||
"把灭齐主将写成王翦、蒙恬、李信，或让秦王政亲自率军进入临淄；史载主将为王贲",
|
||||
"让齐王建与王贲单挑、齐王被斩首、囚车示众、当场饿死，或把后续传说画成投降现场事实",
|
||||
"把后胜收受秦间金具体化为某一场有确切时间、人物和金额的贿赂交易",
|
||||
"把齐王递交木制兵符、六只文书匣或群臣同场站位当作史料明确记载的仪式细节",
|
||||
"在齐国灭亡之前就让嬴政使用始皇帝名号，或把皇帝称号画成神授、加冕与万民匍匐",
|
||||
"把天下一统等同于现代中国版图，使用现代边界地图、国旗、民族国家宣传画或现代政治符号",
|
||||
"秦兵陶俑化、克隆脸、奇幻黑甲，或使用汉唐明清盔甲、帝王龙袍、冕旒、紫禁城、火器和可读文字",
|
||||
"为戏剧性制造齐国民众被虐待、秦军抢掠、尸山血海或胜利庆典"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,162 @@
|
||||
# 秦灭齐之战（天下一统）｜素材说明
|
||||
|
||||
- 用户原称：灭齐·天下一统一
|
||||
- 规范事件名：秦灭齐之战（天下一统）
|
||||
- 时代：战国末期、秦王政二十六年
|
||||
- 时间：公元前221年
|
||||
- 地点：齐国北境、临淄与秦都咸阳
|
||||
- 一句话结论：秦将王贲从燕地南下攻齐，齐王建听从后胜之计不战而降；齐亡后六国尽入秦，秦王政议定皇帝名号。
|
||||
|
||||
## 约 86 秒主旁白
|
||||
|
||||
公元前二二一年，韩、赵、魏、楚、燕都已亡，东方只剩齐国。齐王建在位四十余年，齐地久不受兵。相国后胜多受秦间金，宾客又劝齐王放弃合纵、不修战备。等到五国尽失，齐才发兵守西界。秦没有从西面硬攻。将军王贲自燕地南下，直入齐境。长期没有大战的齐国来不及调整，秦军最终进入临淄，百姓与守军无人抵抗。齐王建听从后胜之计，不战而降，被迁往共地；齐国被改为秦的郡县。至此，战国最后一个诸侯国消失，六国尽入秦。秦王政命群臣议定新名号，取“皇”与“帝”，自称始皇帝，并把天下分为三十六郡。灭齐不是一场血战的高潮，而是几十年离盟、失备之后，最后一扇门被推开。天下由列国并争，转入秦帝国的一统秩序。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 第一幕｜孤齐失备
|
||||
|
||||
- 时间地点：公元前221年以前，齐都临淄。
|
||||
- 叙事作用：交代齐国长期未受战火、后胜受秦影响并劝齐王远离合纵，造成战备松弛的背景。
|
||||
- 旁白：公元前二二一年，韩、赵、魏、楚、燕都已亡，东方只剩齐国。齐王建在位四十余年，齐地久不受兵。相国后胜多受秦间金，宾客又劝齐王放弃合纵、不修战备。
|
||||
- 叠字标题：孤齐失备
|
||||
- 一句短文案：四十余年不受兵，也让最后的警报来得太迟。
|
||||
- 人物标签：
|
||||
- 齐王建／齐国国君／长期维持事秦政策，未能在五国覆亡前重整合纵与战备
|
||||
- 后胜／齐国相国／多受秦间金，劝齐王不助五国、不修攻战之备
|
||||
- 秦国宾客与使者／往来齐秦的政治中介／以秦的立场影响齐廷；具体人员与单次会面不可考
|
||||
- 图片：images/01-isolated-qi-court.png、images/01-isolated-qi-court.webp
|
||||
- 画面说明：临淄齐宫内，齐王建与后胜讨论国策，远去使者与封闭礼箱只表达秦对齐廷的长期影响，不主张这是史载的某一次具体行贿现场。
|
||||
- 替代文本：临淄齐宫内，年长的齐王建立在案前望向远方，后胜在侧低声进言，守卫与远去使者处于阴影中。
|
||||
- 最终提示词摘要：公元前221年前夕的临淄齐宫，齐王建与后胜、远去秦使和闲置守卫；战国末期写实、16:9、无文字。
|
||||
- 视觉补全：齐王建与后胜同处一室、秦使离场、礼箱、守卫站位和天气均为视觉重构。
|
||||
- 史实依据：《史记·田敬仲完世家》卷四十六。
|
||||
|
||||
### 第二幕｜王贲南下
|
||||
|
||||
- 时间地点：公元前221年，原燕地至齐国北境。
|
||||
- 叙事作用：呈现王贲不从齐国重点防守的西界硬攻，而是从已平定的燕地转向南下。
|
||||
- 旁白：等到五国尽失，齐才发兵守西界。秦没有从西面硬攻。将军王贲自燕地南下，直入齐境。
|
||||
- 叠字标题：王贲南下
|
||||
- 一句短文案：齐军守着西界，秦军却从燕地转向南下。
|
||||
- 人物标签：
|
||||
- 王贲／秦国将军／在灭燕、代之后率军从燕地南下攻齐
|
||||
- 秦军将士／参与灭齐的秦军／随王贲向齐境推进；具体兵力与编制史书未详
|
||||
- 图片：images/02-wang-ben-south.png、images/02-wang-ben-south.webp
|
||||
- 画面说明：王贲在北方平原观察南向道路，秦军步骑、弩手和辎重形成长列；不用现代地图箭头表达行军方向。
|
||||
- 替代文本：王贲骑马立在北方平原的坡地上观察南向道路，身后秦军步骑与辎重队列沿道路持续进入齐境。
|
||||
- 最终提示词摘要：王贲率秦军从原燕地南下，北方齐境平原、战国末期秦甲、步骑与辎重、16:9、无战斗、无文字。
|
||||
- 视觉补全：王贲的面貌、行军队形、侦骑、道路与季节性地表为视觉重构；具体路线、兵数和日程不可精确复原。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六。
|
||||
|
||||
### 第三幕｜临淄无战
|
||||
|
||||
- 时间地点：公元前221年，齐都临淄。
|
||||
- 叙事作用：用秦军进入临淄而无人抵抗的场面，表现齐国政治与军事准备的崩解，而非虚构攻城大战。
|
||||
- 旁白：长期没有大战的齐国来不及调整，秦军最终进入临淄，百姓与守军无人抵抗。
|
||||
- 叠字标题：临淄无战
|
||||
- 一句短文案：最后一国的都城，没有等来一场决战。
|
||||
- 人物标签：
|
||||
- 王贲／秦国将军／率秦军进入临淄，完成对齐的军事控制
|
||||
- 齐国守军／齐军与都城守卫／未组织有效抵抗；具体缴械形式为视觉补全
|
||||
- 临淄民众／齐国都城居民／面对秦军入城而未加抵抗
|
||||
- 图片：images/03-qin-enters-linzi.png、images/03-qin-enters-linzi.webp
|
||||
- 画面说明：临淄夯土城门敞开，王贲约束秦军队列，齐军兵器被集中放置，市民安静旁观；不画火攻、屠城或欢呼。
|
||||
- 替代文本：临淄夯土城门敞开，王贲步行示意秦军保持队形，齐国守卫把兵器置于一旁，民众在道路两侧沉默观看。
|
||||
- 最终提示词摘要：秦军无战进入临淄，王贲控制队形、齐军放下兵器、民众沉默；夯土城门、16:9、无血腥、无文字。
|
||||
- 视觉补全：临淄具体城门、街道、王贲下马、秦军队形与齐军缴械方式为视觉重构。
|
||||
- 史实依据：《史记·田敬仲完世家》卷四十六；《史记·秦始皇本纪》卷六。
|
||||
|
||||
### 第四幕｜齐王出降
|
||||
|
||||
- 时间地点：公元前221年，临淄。
|
||||
- 叙事作用：表现齐王建听从后胜之计不战而降、齐国政权终结，同时避免后世影视式羞辱与处刑。
|
||||
- 旁白：齐王建听从后胜之计，不战而降，被迁往共地；齐国被改为秦的郡县。
|
||||
- 叠字标题：齐王出降
|
||||
- 一句短文案：没有决战，只有最后一次交出兵权。
|
||||
- 人物标签：
|
||||
- 齐王建／齐国末代国君／听从后胜计，以军队降秦，随后被迁往共地
|
||||
- 王贲／秦国将军／接受齐降并控制齐地
|
||||
- 后胜／齐国相国／其主张促成齐王不战而降；降后具体结局不在本幕断言
|
||||
- 图片：images/04-king-jian-surrenders.png、images/04-king-jian-surrenders.webp
|
||||
- 画面说明：齐王建站立递出无字木制兵符，王贲佩剑未出鞘，双方军队分列两侧；不画锁链、跪降、囚笼或处刑。
|
||||
- 替代文本：临淄宫门前，齐王建站立着向王贲递出无字木制兵符，齐军在一旁放下弓矛，双方均保持克制。
|
||||
- 最终提示词摘要：齐王建不战出降、向王贲递交无字兵符，齐军放下弓矛；人物保持尊严、16:9、无文字。
|
||||
- 视觉补全：齐王建与王贲当面对交、递交兵符、齐军集中放置兵器和后胜在场均为镜头化补全。
|
||||
- 史实依据：《史记·田敬仲完世家》卷四十六；《史记·秦始皇本纪》卷六。
|
||||
|
||||
### 第五幕｜议定帝号
|
||||
|
||||
- 时间地点：公元前221年，秦都咸阳。
|
||||
- 叙事作用：把齐亡置于秦初并天下、议定皇帝名号和建立郡县秩序的政治结果中。
|
||||
- 旁白：至此，战国最后一个诸侯国消失，六国尽入秦。秦王政命群臣议定新名号，取“皇”与“帝”，自称始皇帝，并把天下分为三十六郡。灭齐不是一场血战的高潮，而是几十年离盟、失备之后，最后一扇门被推开。天下由列国并争，转入秦帝国的一统秩序。
|
||||
- 叠字标题：天下初并
|
||||
- 一句短文案：齐亡之后，秦王政第一次把“皇”与“帝”并为一号。
|
||||
- 人物标签：
|
||||
- 嬴政／秦王，随后称始皇帝／在六国尽灭后命群臣议帝号，最终采用“皇帝”名号
|
||||
- 王绾／秦丞相／与群臣参与尊号议定，并在后续制度讨论中主张分封
|
||||
- 冯劫／秦御史大夫／参与尊号议定
|
||||
- 李斯／秦廷尉／参与尊号议定，并在郡县制讨论中反对恢复分封
|
||||
- 图片：images/05-imperial-title.png、images/05-imperial-title.webp
|
||||
- 画面说明：秦王政与王绾、冯劫、李斯等在咸阳议事，六只无字文书匣只作为六国归秦的视觉隐喻，不主张存在这种史载仪式。
|
||||
- 替代文本：咸阳秦宫内，黑衣秦王政坐在低台上听王绾等群臣议事，六只无字文书匣排列在案前，远处渭水平原云层初开。
|
||||
- 最终提示词摘要：公元前221年咸阳秦廷议定帝号，秦王政和群臣、六只无字文书匣；黑与暗红、16:9、无加冕、无文字。
|
||||
- 视觉补全：咸阳殿堂布局、群臣站位、六只文书匣、窗外渭水与云层变化为视觉重构。
|
||||
- 史实依据：《史记·秦始皇本纪》卷六。
|
||||
|
||||
## BGM 选择
|
||||
|
||||
- 选中曲目：项目曲库种子键 `seed-music-v1:linjiu:青崖引`，《青崖引》。
|
||||
- 版本：建议制作 72 BPM、无主唱纯伴奏的“战国终局剪辑版”。
|
||||
- 项目状态：待生成／待导出；仓库当前只有原创曲目与编配说明，没有可附加的 `audioUrl` 或本地音频，素材包不附 MP3。
|
||||
- 使用方式：保留古琴四音动机，以低弦和克制木质打击扩展推进段，结尾加入低音编钟质感；这是项目内当代编配，不宣称为秦代音乐复原。
|
||||
- 选择理由：《青崖引》的古琴短动机和逐层现代配器适合从齐廷静止、王贲南下到临淄无战的压迫感，再在议定帝号一幕扩展为宽阔但不凯旋化的终局。
|
||||
|
||||
### Cue sheet
|
||||
|
||||
| 时间 | 幕次 | 剪辑方向 |
|
||||
| --- | --- | --- |
|
||||
| 00:00–00:17 | 01 | 单古琴四音动机与极低环境底噪进入，礼箱和远去使者出现时不加戏剧重音。 |
|
||||
| 00:17–00:35 | 02 | 加入低弦持续音和稀疏木质脉冲，行军队列展开时缓慢增加层次，不用英雄号角。 |
|
||||
| 00:35–00:49 | 03 | 撤去大部分鼓点，只保留低弦和脚步般的轻脉冲，让“无人抵抗”的安静成为张力。 |
|
||||
| 00:49–01:03 | 04 | 兵符递出时古琴主题只弹一次，随后留出一秒近静默，避免胜利欢呼。 |
|
||||
| 01:03–01:26 | 05 | 弦乐与低音编钟质感逐层展开，议定帝号后不落在大调凯旋终止，而以宽阔长音收束。 |
|
||||
|
||||
## 史实边界
|
||||
|
||||
### 史实依据
|
||||
|
||||
- 《史记·秦始皇本纪》卷六：秦王政二十六年，齐王建与后胜发兵守西界，王贲“从燕南攻齐”并得齐王建；秦初并天下后议定皇帝名号、分天下为三十六郡。
|
||||
- 《史记·田敬仲完世家》卷四十六：后胜多受秦间金，宾客劝齐王去合纵、不修战备；秦军进入临淄而民众无人抵抗，齐王建不战而降、迁于共，天下并于秦。
|
||||
- 项目内曲库核对：`digital-me-backend/scripts/seed-music.js` 中林九原创曲《青崖引》的古琴动机与现代配器说明；仓库未发现其实际音频文件。
|
||||
|
||||
### 可视化补全
|
||||
|
||||
- 五幕的天气、镜头站位、人物面貌、城门与宫殿形制均为视觉设计，不作为史实断言。
|
||||
- 第一幕的秦使、礼箱和同场劝说，只把长期政治影响压缩为一个可视镜头，不宣称是确切的一次行贿现场。
|
||||
- 第二幕以北方平原和南向道路表达“从燕南攻齐”；这不是精确行军地图，也不主张具体兵数和路线。
|
||||
- 第三幕以开门、守军放下兵器表达“民莫敢格”；史书没有记载图中具体城门、街道和缴械仪式。
|
||||
- 第四幕的无字木制兵符是投降的视觉隐喻；齐王建与王贲是否这样当面对交，史料未载。
|
||||
- 第五幕的六只文书匣象征六国归秦；群臣议帝号确有史载，但匣子、站位和窗外景观均为视觉重构。
|
||||
- 秦军采用可解释的战国晚期札甲、弩、木车与朴素黑褐色军具；不把兵马俑造型直接当作所有活人军服的复制模板。
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 不把灭齐虚构成临淄城下的惨烈决战、火攻、巷战或屠城。
|
||||
- 不把灭齐主将写成王翦、蒙恬或李信，也不让秦王政亲自率军进入临淄。
|
||||
- 不让齐王建与王贲单挑，不画齐王被斩首、囚车示众、当场饿死或遭公开羞辱。
|
||||
- 不把后胜受秦间金具体化为有确切时间、金额和在场人的单次交易。
|
||||
- 不在齐亡之前使用始皇帝名号，不把“皇帝”画成神授加冕或万民匍匐。
|
||||
- 不以现代中国边界地图、国旗、民族国家宣传画解释战国时代的“天下一统”。
|
||||
- 不使用汉唐明清盔甲、帝王龙袍、冕旒、紫禁城、火器、奇幻黑甲、兵马俑克隆脸或可读文字。
|
||||
|
||||
## 生成说明
|
||||
|
||||
- 图片由内置图像生成工具制作，共 5 张原始 PNG 与 5 张 WebP，统一横版 16:9。
|
||||
- 图片不烘焙人物姓名、字幕、书法、Logo 或水印，并为后期叠字保留负空间。
|
||||
- 第一幕固定齐王建与后胜，第二至第四幕固定王贲；第四幕同时继承齐王建身份，第五幕只继承秦国材质与色调。
|
||||
- 五张图的完整最终提示词保存在 `manifest.json` 的各幕 `image.prompt` 字段。
|
||||
|
||||
## 在线史料入口
|
||||
|
||||
- [《史记三家注·卷六·秦始皇本纪》](https://zh.wikisource.org/zh-hant/史記三家註/卷006)
|
||||
- [《史记·卷四十六·田敬仲完世家》](https://zh.wikisource.org/zh/史記/卷046)
|
||||
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@@ -0,0 +1,227 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "章邯骊山徒破周章",
|
||||
"aliases": [
|
||||
"章邯赦骊山徒",
|
||||
"戏之战",
|
||||
"章邯破周章"
|
||||
],
|
||||
"era": "秦二世二年冬",
|
||||
"date": "公元前208年",
|
||||
"place": "戏及咸阳东部、骊山一带",
|
||||
"summary": "周章军西至戏、逼近咸阳；少府章邯请赦骊山刑徒并授兵，率临时编成的秦军击破周章。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 79,
|
||||
"fullText": "公元前二〇八年冬，陈胜派出的周章一路向西，军队已到戏，逼近秦都咸阳。《史记》说其兵数十万，秦二世大惊，问群臣怎么办，朝堂一时无人能答。少府章邯站了出来。他原本掌管宫廷财政与官府手工业，不是统兵将领，却看见了咸阳眼前唯一还来得及动员的人：骊山刑徒。章邯请求赦免这些正在服役的囚徒，发给兵器，让他们立刻迎敌。二世大赦，使章邯统领这支临时军队。昨天还拿着土筐和工具的人，今天被编入军阵。史书没有留下戏地交战的阵形和伤亡，只记章邯击破周章，迫使其败走。这场胜利暂时解除了咸阳之危，也暴露了秦帝国已经必须靠刑徒组成最后的野战军。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "周章兵至戏",
|
||||
"timePlace": "公元前208年冬，戏与咸阳以东",
|
||||
"purpose": "建立周章军逼近秦都的速度与压力，不把“数十万”当作精确点数。",
|
||||
"narration": "周章军西入至戏，距离咸阳已经不远。秦廷第一次直接听见关东起义军逼近都城。",
|
||||
"overlay": {
|
||||
"heading": "周章兵至戏",
|
||||
"line": "关东的火，已经烧到咸阳门外。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "周章",
|
||||
"office": "陈胜所遣将领",
|
||||
"action": "率起义军西进至戏"
|
||||
},
|
||||
{
|
||||
"name": "周章军",
|
||||
"office": "反秦军",
|
||||
"action": "逼近咸阳；史载“兵数十万”"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-zhou-zhang-reaches-xi.png",
|
||||
"delivery": "images/01-zhou-zhang-reaches-xi.webp",
|
||||
"alt": "冬日黄土原上，周章站在行军队伍前观察通往咸阳的道路，反秦军由不同衣着和简陋装备的人组成，远处可见关中驿路烟尘。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Winter loess plain near Xi east of Xianyang. Zhou Zhang, a sturdy East Asian rebel commander in his forties wearing worn mixed armor and a dark cloth cloak, surveys the westward road from a low ridge. Behind him stretches a large, uneven rebel host: farmers, former conscripts and armed followers with mismatched shields, spears and supply carts, visibly formidable but not an impossible digital swarm. Distant road dust points toward the capital; no city skyline fantasy, no readable banners. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
|
||||
"visualInference": "周章外貌、军队成分、视野与行军队列为视觉重构；西至戏及“兵数十万”见史载，人数不作精确可视化。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "少府献策",
|
||||
"timePlace": "秦都咸阳，秦二世朝廷",
|
||||
"purpose": "突出章邯由少府转为领兵者的关键提议。",
|
||||
"narration": "二世问群臣“奈何”。少府章邯答：近县征兵已来不及，骊山刑徒很多，请赦免并授兵。",
|
||||
"overlay": {
|
||||
"heading": "少府献策",
|
||||
"line": "常规征兵来不及，唯一现成的人力在骊山。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "秦二世",
|
||||
"office": "皇帝",
|
||||
"action": "惊问群臣并接受章邯建议"
|
||||
},
|
||||
{
|
||||
"name": "章邯",
|
||||
"office": "少府",
|
||||
"action": "请赦骊山徒、授兵迎敌"
|
||||
},
|
||||
{
|
||||
"name": "秦廷群臣",
|
||||
"office": "公卿",
|
||||
"action": "面对周章逼近未能提出对策"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-zhang-han-proposes-pardon.png",
|
||||
"delivery": "images/02-zhang-han-proposes-pardon.webp",
|
||||
"alt": "昏暗秦廷内，章邯从沉默群臣中上前陈策，秦二世坐在上方急切注视，地上展开的只是无字木牍与军报，不出现后世地图。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Tense late-Qin court in Xianyang. Zhang Han, an alert middle-aged East Asian official in restrained dark-brown administrative robes rather than general armor, steps forward from a line of silent ministers and addresses Qin Er Shi. The young emperor sits rigidly on a modest raised platform in austere robes, alarm visible without caricature. An attendant holds sealed wooden reports with no visible writing; empty rammed-earth wall and shadow dominate the frame. Political emergency, no ornate Forbidden City grandeur. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
|
||||
"visualInference": "人物神态、朝堂空间与军报道具为视觉补全；二世问计、群臣无对、章邯请赦授兵有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "刑徒授兵",
|
||||
"timePlace": "骊山役所",
|
||||
"purpose": "把大赦与临时编军呈现为制度性转换，不浪漫化刑徒处境。",
|
||||
"narration": "赦令下达。骊山刑徒放下土筐和工具，领取盾矛，在秦吏监督下匆忙编伍。",
|
||||
"overlay": {
|
||||
"heading": "刑徒授兵",
|
||||
"line": "赦免不是回家，而是把工具换成兵器。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "章邯",
|
||||
"office": "少府、临时领军者",
|
||||
"action": "组织刑徒授兵编伍"
|
||||
},
|
||||
{
|
||||
"name": "骊山刑徒",
|
||||
"office": "服役囚徒",
|
||||
"action": "获赦后被授兵迎战周章"
|
||||
},
|
||||
{
|
||||
"name": "秦吏",
|
||||
"office": "役所与军队管理人员",
|
||||
"action": "核验并组织发放兵器；具体流程为视觉重构"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-convicts-receive-arms.png",
|
||||
"delivery": "images/03-convicts-receive-arms.webp",
|
||||
"alt": "骊山脚下的役所空地上，疲惫刑徒排队放下土筐、领取盾和矛，章邯已换上实用甲胄在一旁组织，陵园只以远处土木工地暗示。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Open work yard at the foot of Lishan. Exhausted adult convicts in worn hemp clothing set down earth baskets, wooden shovels and carrying poles, then receive practical shields and spears from Qin storekeepers; show uncertainty, fatigue and coercion rather than celebratory enlistment. Zhang Han now wears simple functional lacquered armor over official clothing and organizes rough files with a few officers. The imperial tomb works are only distant earthworks and scaffolds, never a fantasy mausoleum or visible terracotta army. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
|
||||
"visualInference": "授兵流程、刑徒衣着、章邯换甲及工地形态为视觉补全；赦骊山徒、授兵、使章邯将有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "破军而走",
|
||||
"timePlace": "戏附近，交战后段",
|
||||
"purpose": "忠实呈现“击破周章军而走”，避免编造战术细节与夸张屠杀。",
|
||||
"narration": "章邯率临时编成的秦军迎战。周章军被击破向东败走，咸阳的危机暂时解除。",
|
||||
"overlay": {
|
||||
"heading": "破军而走",
|
||||
"line": "秦赢回了时间，也暴露了自己还能动用什么。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "章邯",
|
||||
"office": "秦军将领",
|
||||
"action": "率骊山徒组成的军队击破周章"
|
||||
},
|
||||
{
|
||||
"name": "周章",
|
||||
"office": "反秦将领",
|
||||
"action": "军败后撤；本幕不延伸其后续结局"
|
||||
},
|
||||
{
|
||||
"name": "骊山徒军",
|
||||
"office": "秦军临时兵员",
|
||||
"action": "参与交战并取得胜势"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-rebels-retreat-from-xi.png",
|
||||
"delivery": "images/04-rebels-retreat-from-xi.webp",
|
||||
"alt": "戏附近尘土弥漫的战场上，章邯指挥刚编成的盾矛军稳住阵线，周章军向远处有序转为溃退，地面有丢弃器械但不见尸山。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Late phase of fighting near Xi on a dusty winter plain. Zhang Han, matching scene 03, directs a rough but holding Qin shield-and-spear line made from newly armed convicts. In the middle distance Zhou Zhang, matching scene 01, turns his fragmented forces eastward into retreat; broken carts, dropped shields and snapped spear shafts show collapse without gore. Avoid depicting a specific undocumented trick, formation or duel. Wide oblique view, capital-safe relief mixed with exhaustion, quiet sky for overlay. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
|
||||
"visualInference": "阵线形态、撤退方向、交战器械与两将同框为视觉推演；史料只明确章邯击破周章军而走。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:julu#1",
|
||||
"title": "巨鹿之战",
|
||||
"version": "王离版·仅取无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "只复用下沉的大提琴、低频与稀疏打击层，删除王离歌词与巨鹿专属声场；第二幕短暂收空，第三幕加入粗粝节奏，结尾不作胜利凯歌。",
|
||||
"reason": "项目尚无周章之战专属曲；王离版属于项目自生成的秦末军团主题，其下沉质感能连接“临时续命”与后续巨鹿崩解，仓库内暂无成品音频。",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:20",
|
||||
"scene": "01",
|
||||
"direction": "低频压迫建立逼都危机。"
|
||||
},
|
||||
{
|
||||
"from": "00:20",
|
||||
"to": "00:40",
|
||||
"scene": "02",
|
||||
"direction": "撤去鼓点，以一条低弦托住朝堂问答。"
|
||||
},
|
||||
{
|
||||
"from": "00:40",
|
||||
"to": "01:00",
|
||||
"scene": "03",
|
||||
"direction": "加入木质敲击和不整齐行军节拍。"
|
||||
},
|
||||
{
|
||||
"from": "01:00",
|
||||
"to": "01:19",
|
||||
"scene": "04",
|
||||
"direction": "短促加强后迅速下坠，提示这只是暂时解围。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "周章西至戏、二世问计、章邯请赦骊山徒授兵并击破周章",
|
||||
"citation": "《史记·秦始皇本纪》卷六",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷006"
|
||||
},
|
||||
{
|
||||
"claim": "周章为陈胜所遣将领及其西进背景",
|
||||
"citation": "《史记·陈涉世家》卷四十八",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷048"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把少府章邯画成一开始就是世袭大将；他以少府身份献策并由此领军",
|
||||
"把骊山刑徒浪漫化为自愿效忠、整齐精锐，或画成秦始皇陵兵马俑复活",
|
||||
"虚构戏地精确阵形、伏击计谋、单挑、双方伤亡和一日内完整战斗过程",
|
||||
"把周章在后续战败后的结局直接画进本次“破军而走”现场",
|
||||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||||
"后世盔甲建筑、龙袍冕旒、火器爆炸、玄幻法术、克隆脸或血腥尸山"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,133 @@
|
||||
# 章邯骊山徒破周章｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：章邯骊山徒破周章
|
||||
- 常用称呼：章邯赦骊山徒、戏之战、章邯破周章
|
||||
- 时代：秦二世二年冬
|
||||
- 日期：公元前208年
|
||||
- 地点：戏及咸阳东部、骊山一带
|
||||
- 一句话结论：周章军西至戏、逼近咸阳；少府章邯请赦骊山刑徒并授兵，率临时编成的秦军击破周章。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
公元前二〇八年冬，陈胜派出的周章一路向西，军队已到戏，逼近秦都咸阳。《史记》说其兵数十万，秦二世大惊，问群臣怎么办，朝堂一时无人能答。少府章邯站了出来。他原本掌管宫廷财政与官府手工业，不是统兵将领，却看见了咸阳眼前唯一还来得及动员的人：骊山刑徒。章邯请求赦免这些正在服役的囚徒，发给兵器，让他们立刻迎敌。二世大赦，使章邯统领这支临时军队。昨天还拿着土筐和工具的人，今天被编入军阵。史书没有留下戏地交战的阵形和伤亡，只记章邯击破周章，迫使其败走。这场胜利暂时解除了咸阳之危，也暴露了秦帝国已经必须靠刑徒组成最后的野战军。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜周章兵至戏
|
||||
|
||||
- 时间地点：公元前208年冬，戏与咸阳以东
|
||||
- 本幕作用：建立周章军逼近秦都的速度与压力，不把“数十万”当作精确点数。
|
||||
- 分幕旁白：周章军西入至戏，距离咸阳已经不远。秦廷第一次直接听见关东起义军逼近都城。
|
||||
- 页面标题：周章兵至戏
|
||||
- 页面短句：关东的火，已经烧到咸阳门外。
|
||||
- PNG：`images/01-zhou-zhang-reaches-xi.png`
|
||||
- WebP：`images/01-zhou-zhang-reaches-xi.webp`
|
||||
- 替代文本：冬日黄土原上，周章站在行军队伍前观察通往咸阳的道路，反秦军由不同衣着和简陋装备的人组成，远处可见关中驿路烟尘。
|
||||
- 视觉推演边界：周章外貌、军队成分、视野与行军队列为视觉重构；西至戏及“兵数十万”见史载，人数不作精确可视化。
|
||||
- 人物：周章（陈胜所遣将领；率起义军西进至戏）；周章军（反秦军；逼近咸阳；史载“兵数十万”）
|
||||
- 史料：《史记·秦始皇本纪》卷六
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Winter loess plain near Xi east of Xianyang. Zhou Zhang, a sturdy East Asian rebel commander in his forties wearing worn mixed armor and a dark cloth cloak, surveys the westward road from a low ridge. Behind him stretches a large, uneven rebel host: farmers, former conscripts and armed followers with mismatched shields, spears and supply carts, visibly formidable but not an impossible digital swarm. Distant road dust points toward the capital; no city skyline fantasy, no readable banners. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
### 02｜少府献策
|
||||
|
||||
- 时间地点：秦都咸阳，秦二世朝廷
|
||||
- 本幕作用：突出章邯由少府转为领兵者的关键提议。
|
||||
- 分幕旁白：二世问群臣“奈何”。少府章邯答：近县征兵已来不及，骊山刑徒很多，请赦免并授兵。
|
||||
- 页面标题：少府献策
|
||||
- 页面短句：常规征兵来不及，唯一现成的人力在骊山。
|
||||
- PNG：`images/02-zhang-han-proposes-pardon.png`
|
||||
- WebP：`images/02-zhang-han-proposes-pardon.webp`
|
||||
- 替代文本：昏暗秦廷内，章邯从沉默群臣中上前陈策，秦二世坐在上方急切注视，地上展开的只是无字木牍与军报，不出现后世地图。
|
||||
- 视觉推演边界：人物神态、朝堂空间与军报道具为视觉补全；二世问计、群臣无对、章邯请赦授兵有史载。
|
||||
- 人物：秦二世（皇帝；惊问群臣并接受章邯建议）；章邯（少府；请赦骊山徒、授兵迎敌）；秦廷群臣（公卿；面对周章逼近未能提出对策）
|
||||
- 史料：《史记·秦始皇本纪》卷六
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Tense late-Qin court in Xianyang. Zhang Han, an alert middle-aged East Asian official in restrained dark-brown administrative robes rather than general armor, steps forward from a line of silent ministers and addresses Qin Er Shi. The young emperor sits rigidly on a modest raised platform in austere robes, alarm visible without caricature. An attendant holds sealed wooden reports with no visible writing; empty rammed-earth wall and shadow dominate the frame. Political emergency, no ornate Forbidden City grandeur. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
### 03｜刑徒授兵
|
||||
|
||||
- 时间地点：骊山役所
|
||||
- 本幕作用：把大赦与临时编军呈现为制度性转换，不浪漫化刑徒处境。
|
||||
- 分幕旁白：赦令下达。骊山刑徒放下土筐和工具，领取盾矛，在秦吏监督下匆忙编伍。
|
||||
- 页面标题：刑徒授兵
|
||||
- 页面短句：赦免不是回家，而是把工具换成兵器。
|
||||
- PNG：`images/03-convicts-receive-arms.png`
|
||||
- WebP：`images/03-convicts-receive-arms.webp`
|
||||
- 替代文本：骊山脚下的役所空地上，疲惫刑徒排队放下土筐、领取盾和矛，章邯已换上实用甲胄在一旁组织，陵园只以远处土木工地暗示。
|
||||
- 视觉推演边界：授兵流程、刑徒衣着、章邯换甲及工地形态为视觉补全；赦骊山徒、授兵、使章邯将有史载。
|
||||
- 人物：章邯（少府、临时领军者；组织刑徒授兵编伍）；骊山刑徒（服役囚徒；获赦后被授兵迎战周章）；秦吏（役所与军队管理人员；核验并组织发放兵器；具体流程为视觉重构）
|
||||
- 史料：《史记·秦始皇本纪》卷六
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Open work yard at the foot of Lishan. Exhausted adult convicts in worn hemp clothing set down earth baskets, wooden shovels and carrying poles, then receive practical shields and spears from Qin storekeepers; show uncertainty, fatigue and coercion rather than celebratory enlistment. Zhang Han now wears simple functional lacquered armor over official clothing and organizes rough files with a few officers. The imperial tomb works are only distant earthworks and scaffolds, never a fantasy mausoleum or visible terracotta army. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
### 04｜破军而走
|
||||
|
||||
- 时间地点：戏附近，交战后段
|
||||
- 本幕作用：忠实呈现“击破周章军而走”，避免编造战术细节与夸张屠杀。
|
||||
- 分幕旁白：章邯率临时编成的秦军迎战。周章军被击破向东败走，咸阳的危机暂时解除。
|
||||
- 页面标题：破军而走
|
||||
- 页面短句：秦赢回了时间，也暴露了自己还能动用什么。
|
||||
- PNG：`images/04-rebels-retreat-from-xi.png`
|
||||
- WebP：`images/04-rebels-retreat-from-xi.webp`
|
||||
- 替代文本：戏附近尘土弥漫的战场上，章邯指挥刚编成的盾矛军稳住阵线，周章军向远处有序转为溃退，地面有丢弃器械但不见尸山。
|
||||
- 视觉推演边界：阵线形态、撤退方向、交战器械与两将同框为视觉推演；史料只明确章邯击破周章军而走。
|
||||
- 人物：章邯（秦军将领；率骊山徒组成的军队击破周章）；周章（反秦将领；军败后撤；本幕不延伸其后续结局）；骊山徒军（秦军临时兵员；参与交战并取得胜势）
|
||||
- 史料：《史记·秦始皇本纪》卷六
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Late phase of fighting near Xi on a dusty winter plain. Zhang Han, matching scene 03, directs a rough but holding Qin shield-and-spear line made from newly armed convicts. In the middle distance Zhou Zhang, matching scene 01, turns his fragmented forces eastward into retreat; broken carts, dropped shields and snapped spear shafts show collapse without gore. Avoid depicting a specific undocumented trick, formation or duel. Wide oblique view, capital-safe relief mixed with exhaustion, quiet sky for overlay. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
## BGM 选曲
|
||||
|
||||
- 项目曲目：`zhanzhen:julu#1`｜巨鹿之战｜王离版·仅取无主唱器乐 stem
|
||||
- 状态：pending-export
|
||||
- 用法：只复用下沉的大提琴、低频与稀疏打击层，删除王离歌词与巨鹿专属声场；第二幕短暂收空，第三幕加入粗粝节奏，结尾不作胜利凯歌。
|
||||
- 选择理由：项目尚无周章之战专属曲；王离版属于项目自生成的秦末军团主题，其下沉质感能连接“临时续命”与后续巨鹿崩解，仓库内暂无成品音频。
|
||||
- 音频路径或 URL：仓库暂缺，待导出
|
||||
|
||||
| 时间 | 分幕 | 编排 |
|
||||
|---|---|---|
|
||||
| 00:00–00:20 | 01 | 低频压迫建立逼都危机。 |
|
||||
| 00:20–00:40 | 02 | 撤去鼓点，以一条低弦托住朝堂问答。 |
|
||||
| 00:40–01:00 | 03 | 加入木质敲击和不整齐行军节拍。 |
|
||||
| 01:00–01:19 | 04 | 短促加强后迅速下坠，提示这只是暂时解围。 |
|
||||
|
||||
## 史料来源
|
||||
|
||||
- 周章西至戏、二世问计、章邯请赦骊山徒授兵并击破周章：[《史记·秦始皇本纪》卷六](https://zh.wikisource.org/zh-hans/史记/卷006)
|
||||
- 周章为陈胜所遣将领及其西进背景：[《史记·陈涉世家》卷四十八](https://zh.wikisource.org/zh-hans/史记/卷048)
|
||||
|
||||
## 禁区与误读防护
|
||||
|
||||
- 把少府章邯画成一开始就是世袭大将；他以少府身份献策并由此领军
|
||||
- 把骊山刑徒浪漫化为自愿效忠、整齐精锐，或画成秦始皇陵兵马俑复活
|
||||
- 虚构戏地精确阵形、伏击计谋、单挑、双方伤亡和一日内完整战斗过程
|
||||
- 把周章在后续战败后的结局直接画进本次“破军而走”现场
|
||||
- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
|
||||
- 后世盔甲建筑、龙袍冕旒、火器爆炸、玄幻法术、克隆脸或血腥尸山
|
||||
|
||||
## 交付检查
|
||||
|
||||
- [x] 每幕 PNG 原图存在且为 16:9
|
||||
- [x] 每幕 WebP 交付图存在且为 16:9
|
||||
- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
|
||||
- [ ] BGM 已导出并填写可用路径
|
||||
- [x] `manifest.json` 与本说明中的文件名全部校验通过
|
||||
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@@ -0,0 +1,207 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "蒙恬北击匈奴（略取河南地）",
|
||||
"aliases": [
|
||||
"蒙恬北击胡",
|
||||
"蒙恬略取河南地",
|
||||
"秦北击匈奴"
|
||||
],
|
||||
"era": "秦始皇三十二年",
|
||||
"date": "公元前215年",
|
||||
"place": "秦帝国北部边地与河南地（今河套一带）",
|
||||
"summary": "秦始皇因“亡秦者胡也”命蒙恬发兵三十万北击匈奴，秦军略取河南地。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 76,
|
||||
"fullText": "公元前二一五年，燕人卢生从海上归来，献上一句“亡秦者胡也”。秦始皇把“胡”理解为北方匈奴，于是命蒙恬发兵三十万北上。对普通戍卒而言，他们未必听过那句谶语，只知道军令已下，要离开关中，穿过干旱的北地。蒙恬率军向河南地推进，把匈奴势力逐出黄河河套以南地区。《史记》只留下“北击胡，略取河南地”九个字，没有记录一场可以被命名的决战，也没有给出双方伤亡。真正改变边疆的，是大军、粮车和戍守体系持续向北移动。秦在北线赢得了土地，却也把三十万人的劳役与补给压在帝国最远的边缘。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "谶语入宫",
|
||||
"timePlace": "公元前215年，秦都咸阳",
|
||||
"purpose": "交代北征决策的史书记载，不把谶语表现成神迹。",
|
||||
"narration": "卢生献上“亡秦者胡也”。始皇把“胡”理解为匈奴，北征由此发端。",
|
||||
"overlay": {
|
||||
"heading": "谶语入宫",
|
||||
"line": "一句含混的话，被读成了三十万人的军令。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "秦始皇",
|
||||
"office": "皇帝",
|
||||
"action": "听取图书之语，决定北击匈奴"
|
||||
},
|
||||
{
|
||||
"name": "卢生",
|
||||
"office": "燕人方士",
|
||||
"action": "奏录图书“亡秦者胡也”"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-prophecy-at-court.png",
|
||||
"delivery": "images/01-prophecy-at-court.webp",
|
||||
"alt": "咸阳一座克制的秦代殿室内，卢生呈上一卷竹简，秦始皇与群臣审视，窗外是冷灰天光，没有发光文字或神异景象。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Interior of a restrained late-Qin audience hall in Xianyang. Lu Sheng, a travel-worn middle-aged East Asian man in plain hemp and dark robe, presents a closed bamboo-slip bundle with both hands; no writing is visible. Qin Shi Huang, mature East Asian ruler in austere black-brown court robes and a simple period-appropriate headpiece, studies him from a low raised platform while a few officials stand apart. Cold daylight enters from one side, leaving calm negative space on a rammed-earth wall; political unease, not supernatural spectacle. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
|
||||
"visualInference": "人物站位、殿室形制、竹简封闭状态与冷光为视觉重构；史料只载卢生奏图书及其语。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "三十万北上",
|
||||
"timePlace": "秦始皇三十二年，关中通往北地的道路",
|
||||
"purpose": "把“发兵三十万”落到征发、运输与普通士卒身上。",
|
||||
"narration": "蒙恬奉命发兵三十万。人马与粮车沿北地道路拉成长线，军令离宫廷越来越远。",
|
||||
"overlay": {
|
||||
"heading": "三十万北上",
|
||||
"line": "史书写的是数字，路上走的是一个个具体的人。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "蒙恬",
|
||||
"office": "秦将军",
|
||||
"action": "统率北征军"
|
||||
},
|
||||
{
|
||||
"name": "秦军戍卒",
|
||||
"office": "征发士卒",
|
||||
"action": "随军北上并承担行军、护粮与戍守"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-army-marches-north.png",
|
||||
"delivery": "images/02-army-marches-north.webp",
|
||||
"alt": "黄土高地的长坡上，蒙恬在前景观察北上队伍，秦军步卒、骑兵与粮车分层延伸到远处，人数庞大但比例真实。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Vast but physically plausible northbound Qin column crossing a dry loess ridge. Meng Tian, a weathered East Asian commander in his forties with tied hair, short moustache, dark lacquered lamellar armor and plain brown-black cloak, watches from a foreground rise. Infantry files, modest cavalry, pack animals and wooden grain carts follow separate tracks into the middle distance; emphasize logistics and fatigue rather than a parade. Pale open sky provides overlay space. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
|
||||
"visualInference": "具体路线、队列编组、蒙恬外貌与粮车层次为视觉补全；“三十万”与蒙恬统兵有史载。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "北击于河",
|
||||
"timePlace": "河南地南缘，黄河沿岸",
|
||||
"purpose": "呈现北击行动，但不虚构某场有名称、有精确阵形的决战。",
|
||||
"narration": "北线没有留下单一决战的名字。秦军沿河推进，迫使匈奴骑队向北撤离。",
|
||||
"overlay": {
|
||||
"heading": "北击于河",
|
||||
"line": "不是一场被命名的大会战，而是一条战线持续北移。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "蒙恬",
|
||||
"office": "秦将军",
|
||||
"action": "指挥秦军沿河南地推进"
|
||||
},
|
||||
{
|
||||
"name": "匈奴骑队",
|
||||
"office": "北方游牧武装",
|
||||
"action": "在秦军推进压力下向北转移；具体首领不明"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-drive-across-the-river-loop.png",
|
||||
"delivery": "images/03-drive-across-the-river-loop.webp",
|
||||
"alt": "黄河弯道旁的开阔草原上，秦军盾弩阵稳步推进，远处匈奴骑队转向北方，蒙恬从侧后方观察，不表现虚构单挑。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Wide Yellow River bend and open grassland at the southern edge of the Ordos loop. Qin crossbowmen and shield infantry advance in disciplined, human-scale groups while a distant Xiongnu mounted formation turns away across higher ground, preserving mobility rather than charging theatrically. Meng Tian, matching scene 02, observes from the flank beside aides. Dust, cold wind, no named duel, no giant clash, no readable standards. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
|
||||
"visualInference": "黄河视角、兵种配置、骑队撤离方向与同框关系为合理视觉推演；史料仅载北击胡、略取河南地。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "河南地易手",
|
||||
"timePlace": "战后，河南地",
|
||||
"purpose": "以驻防与补给收束“略取河南地”，提示边功伴随长期成本。",
|
||||
"narration": "秦军略取河南地。新营垒和粮道留在河套，而北征的代价也从战场转成了长期戍守。",
|
||||
"overlay": {
|
||||
"heading": "河南地易手",
|
||||
"line": "土地向北扩了一段，补给线也被拉长了一段。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "蒙恬",
|
||||
"office": "秦将军",
|
||||
"action": "主持新占地区的军队部署"
|
||||
},
|
||||
{
|
||||
"name": "秦军戍卒与民夫",
|
||||
"office": "边地驻防及运输人员",
|
||||
"action": "修整营垒、转运粮草；具体编制不明"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-henan-land-held.png",
|
||||
"delivery": "images/04-henan-land-held.webp",
|
||||
"alt": "河套暮色中，一座朴素秦军营垒正在搭建，戍卒修补栅栏、民夫卸下粮袋，蒙恬远望黄河与北方草地，没有凯旋仪式。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Quiet dusk after the campaign in the Henan lands. A modest Qin frontier encampment of timber palisades, earthworks and low tents takes shape beside the river plain. Soldiers repair defenses while laborers unload grain sacks from wooden carts; tired horses drink nearby. Meng Tian, same identity, stands on an earth bank facing the northern grassland, with no triumphal pose. Warm last light under a large subdued sky, the cost of holding territory visible in routine work. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.",
|
||||
"visualInference": "营垒、粮运、暮色与蒙恬远望为视觉补全；“略取河南地”是史实，具体驻防画面不作制度细节断言。",
|
||||
"refinementPrompt": ""
|
||||
},
|
||||
"sources": [
|
||||
"《史记·秦始皇本纪》卷六"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:baideng#0",
|
||||
"title": "白登之围",
|
||||
"version": "电影级配乐·仅取无主唱草原器乐 stem",
|
||||
"status": "pending-export",
|
||||
"pathOrUrl": "",
|
||||
"usage": "保留低沉草原长音、风声质感与稀疏鼓点，删除全部歌词、人物主题和“白登”专属声音；第三幕略加强节奏，结尾回到补给与戍守的冷静。",
|
||||
"reason": "项目尚无蒙恬北征专属曲；此曲属于项目自生成的北方草原战事音乐，抽取无主唱器乐层后可复用，仓库内暂无成品音频。",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:19",
|
||||
"scene": "01",
|
||||
"direction": "极低配器，避免把谶语神秘化。"
|
||||
},
|
||||
{
|
||||
"from": "00:19",
|
||||
"to": "00:38",
|
||||
"scene": "02",
|
||||
"direction": "加入行军脉冲，突出漫长队列与补给。"
|
||||
},
|
||||
{
|
||||
"from": "00:38",
|
||||
"to": "00:57",
|
||||
"scene": "03",
|
||||
"direction": "短促加强节奏，不做英雄式爆点。"
|
||||
},
|
||||
{
|
||||
"from": "00:57",
|
||||
"to": "01:16",
|
||||
"scene": "04",
|
||||
"direction": "撤去主鼓，仅留低弦、风感和稀疏金石音。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "卢生奏“亡秦者胡也”、始皇命蒙恬发兵三十万北击胡并略取河南地",
|
||||
"citation": "《史记·秦始皇本纪》卷六",
|
||||
"url": "https://zh.wikisource.org/zh-hans/史记/卷006"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"把谶语画成发光神书、天降文字或确定预言；它只是史书记载中的政治触发点",
|
||||
"虚构一场有名称、精确日期、精确伤亡或单挑过程的“河南地决战”",
|
||||
"把秦军三十万理解为单个镜头必须出现三十万人，或给匈奴编造对等精确兵力",
|
||||
"把“河南地”误解为今天河南省；此处指黄河河套以南地区",
|
||||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||||
"秦兵陶俑化、克隆脸、玄幻黑甲、后世盔甲建筑、火器爆炸或血腥尸山"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,132 @@
|
||||
# 蒙恬北击匈奴（略取河南地）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：蒙恬北击匈奴（略取河南地）
|
||||
- 常用称呼：蒙恬北击胡、蒙恬略取河南地、秦北击匈奴
|
||||
- 时代：秦始皇三十二年
|
||||
- 日期：公元前215年
|
||||
- 地点：秦帝国北部边地与河南地（今河套一带）
|
||||
- 一句话结论：秦始皇因“亡秦者胡也”命蒙恬发兵三十万北击匈奴，秦军略取河南地。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
公元前二一五年，燕人卢生从海上归来，献上一句“亡秦者胡也”。秦始皇把“胡”理解为北方匈奴，于是命蒙恬发兵三十万北上。对普通戍卒而言，他们未必听过那句谶语，只知道军令已下，要离开关中，穿过干旱的北地。蒙恬率军向河南地推进，把匈奴势力逐出黄河河套以南地区。《史记》只留下“北击胡，略取河南地”九个字，没有记录一场可以被命名的决战，也没有给出双方伤亡。真正改变边疆的，是大军、粮车和戍守体系持续向北移动。秦在北线赢得了土地，却也把三十万人的劳役与补给压在帝国最远的边缘。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜谶语入宫
|
||||
|
||||
- 时间地点：公元前215年，秦都咸阳
|
||||
- 本幕作用：交代北征决策的史书记载，不把谶语表现成神迹。
|
||||
- 分幕旁白：卢生献上“亡秦者胡也”。始皇把“胡”理解为匈奴，北征由此发端。
|
||||
- 页面标题：谶语入宫
|
||||
- 页面短句：一句含混的话，被读成了三十万人的军令。
|
||||
- PNG：`images/01-prophecy-at-court.png`
|
||||
- WebP：`images/01-prophecy-at-court.webp`
|
||||
- 替代文本：咸阳一座克制的秦代殿室内，卢生呈上一卷竹简，秦始皇与群臣审视，窗外是冷灰天光，没有发光文字或神异景象。
|
||||
- 视觉推演边界：人物站位、殿室形制、竹简封闭状态与冷光为视觉重构；史料只载卢生奏图书及其语。
|
||||
- 人物：秦始皇（皇帝；听取图书之语，决定北击匈奴）；卢生（燕人方士；奏录图书“亡秦者胡也”）
|
||||
- 史料：《史记·秦始皇本纪》卷六
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Interior of a restrained late-Qin audience hall in Xianyang. Lu Sheng, a travel-worn middle-aged East Asian man in plain hemp and dark robe, presents a closed bamboo-slip bundle with both hands; no writing is visible. Qin Shi Huang, mature East Asian ruler in austere black-brown court robes and a simple period-appropriate headpiece, studies him from a low raised platform while a few officials stand apart. Cold daylight enters from one side, leaving calm negative space on a rammed-earth wall; political unease, not supernatural spectacle. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
### 02｜三十万北上
|
||||
|
||||
- 时间地点：秦始皇三十二年，关中通往北地的道路
|
||||
- 本幕作用：把“发兵三十万”落到征发、运输与普通士卒身上。
|
||||
- 分幕旁白：蒙恬奉命发兵三十万。人马与粮车沿北地道路拉成长线，军令离宫廷越来越远。
|
||||
- 页面标题：三十万北上
|
||||
- 页面短句：史书写的是数字，路上走的是一个个具体的人。
|
||||
- PNG：`images/02-army-marches-north.png`
|
||||
- WebP：`images/02-army-marches-north.webp`
|
||||
- 替代文本：黄土高地的长坡上，蒙恬在前景观察北上队伍，秦军步卒、骑兵与粮车分层延伸到远处，人数庞大但比例真实。
|
||||
- 视觉推演边界：具体路线、队列编组、蒙恬外貌与粮车层次为视觉补全；“三十万”与蒙恬统兵有史载。
|
||||
- 人物：蒙恬（秦将军；统率北征军）；秦军戍卒（征发士卒；随军北上并承担行军、护粮与戍守）
|
||||
- 史料：《史记·秦始皇本纪》卷六
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Vast but physically plausible northbound Qin column crossing a dry loess ridge. Meng Tian, a weathered East Asian commander in his forties with tied hair, short moustache, dark lacquered lamellar armor and plain brown-black cloak, watches from a foreground rise. Infantry files, modest cavalry, pack animals and wooden grain carts follow separate tracks into the middle distance; emphasize logistics and fatigue rather than a parade. Pale open sky provides overlay space. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
### 03｜北击于河
|
||||
|
||||
- 时间地点：河南地南缘，黄河沿岸
|
||||
- 本幕作用：呈现北击行动，但不虚构某场有名称、有精确阵形的决战。
|
||||
- 分幕旁白：北线没有留下单一决战的名字。秦军沿河推进，迫使匈奴骑队向北撤离。
|
||||
- 页面标题：北击于河
|
||||
- 页面短句：不是一场被命名的大会战，而是一条战线持续北移。
|
||||
- PNG：`images/03-drive-across-the-river-loop.png`
|
||||
- WebP：`images/03-drive-across-the-river-loop.webp`
|
||||
- 替代文本：黄河弯道旁的开阔草原上，秦军盾弩阵稳步推进，远处匈奴骑队转向北方，蒙恬从侧后方观察，不表现虚构单挑。
|
||||
- 视觉推演边界：黄河视角、兵种配置、骑队撤离方向与同框关系为合理视觉推演；史料仅载北击胡、略取河南地。
|
||||
- 人物：蒙恬（秦将军；指挥秦军沿河南地推进）；匈奴骑队（北方游牧武装；在秦军推进压力下向北转移；具体首领不明）
|
||||
- 史料：《史记·秦始皇本纪》卷六
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Wide Yellow River bend and open grassland at the southern edge of the Ordos loop. Qin crossbowmen and shield infantry advance in disciplined, human-scale groups while a distant Xiongnu mounted formation turns away across higher ground, preserving mobility rather than charging theatrically. Meng Tian, matching scene 02, observes from the flank beside aides. Dust, cold wind, no named duel, no giant clash, no readable standards. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
### 04｜河南地易手
|
||||
|
||||
- 时间地点：战后，河南地
|
||||
- 本幕作用：以驻防与补给收束“略取河南地”，提示边功伴随长期成本。
|
||||
- 分幕旁白：秦军略取河南地。新营垒和粮道留在河套，而北征的代价也从战场转成了长期戍守。
|
||||
- 页面标题：河南地易手
|
||||
- 页面短句：土地向北扩了一段，补给线也被拉长了一段。
|
||||
- PNG：`images/04-henan-land-held.png`
|
||||
- WebP：`images/04-henan-land-held.webp`
|
||||
- 替代文本：河套暮色中，一座朴素秦军营垒正在搭建，戍卒修补栅栏、民夫卸下粮袋，蒙恬远望黄河与北方草地，没有凯旋仪式。
|
||||
- 视觉推演边界：营垒、粮运、暮色与蒙恬远望为视觉补全；“略取河南地”是史实，具体驻防画面不作制度细节断言。
|
||||
- 人物：蒙恬（秦将军；主持新占地区的军队部署）；秦军戍卒与民夫（边地驻防及运输人员；修整营垒、转运粮草；具体编制不明）
|
||||
- 史料：《史记·秦始皇本纪》卷六
|
||||
|
||||
生成提示词：
|
||||
|
||||
```text
|
||||
Use case: historical-scene. Asset type: Digital Me late-Qin battle story frame, 16:9 landscape. Primary request: Quiet dusk after the campaign in the Henan lands. A modest Qin frontier encampment of timber palisades, earthworks and low tents takes shape beside the river plain. Soldiers repair defenses while laborers unload grain sacks from wooden carts; tired horses drink nearby. Meng Tian, same identity, stands on an earth bank facing the northern grassland, with no triumphal pose. Warm last light under a large subdued sky, the cost of holding territory visible in routine work. Style/medium: premium live-action Chinese historical film still, archaeology-inspired late-Qin realism, subtle film grain, physically plausible human and terrain scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, wooden carts, bronze and iron tools; Qin equipment uses black, dark umber and restrained cinnabar, never fantasy all-black armor. Composition: cinematic 16:9 landscape with clear foreground, middle ground and background; leave a quiet area of sky, earth, wall or water for later webpage overlay; use natural faces and distinct silhouettes. Constraints: no baked-in text, readable banners, names, subtitles, logo or watermark; violence through movement, damaged equipment and consequences, never gore. Avoid: terracotta statues as living soldiers, clone-face armies, Han/Tang/Song/Ming/Qing armor or architecture, imperial yellow dragon robes, bead-curtain crowns, Forbidden City, modern maps, UI arrows, firearms, cannons, explosions, samurai armor, European plate armor, fantasy creatures, magic or anime.
|
||||
```
|
||||
|
||||
## BGM 选曲
|
||||
|
||||
- 项目曲目：`zhanzhen:baideng#0`｜白登之围｜电影级配乐·仅取无主唱草原器乐 stem
|
||||
- 状态：pending-export
|
||||
- 用法：保留低沉草原长音、风声质感与稀疏鼓点，删除全部歌词、人物主题和“白登”专属声音；第三幕略加强节奏，结尾回到补给与戍守的冷静。
|
||||
- 选择理由：项目尚无蒙恬北征专属曲；此曲属于项目自生成的北方草原战事音乐，抽取无主唱器乐层后可复用，仓库内暂无成品音频。
|
||||
- 音频路径或 URL：仓库暂缺，待导出
|
||||
|
||||
| 时间 | 分幕 | 编排 |
|
||||
|---|---|---|
|
||||
| 00:00–00:19 | 01 | 极低配器，避免把谶语神秘化。 |
|
||||
| 00:19–00:38 | 02 | 加入行军脉冲，突出漫长队列与补给。 |
|
||||
| 00:38–00:57 | 03 | 短促加强节奏，不做英雄式爆点。 |
|
||||
| 00:57–01:16 | 04 | 撤去主鼓，仅留低弦、风感和稀疏金石音。 |
|
||||
|
||||
## 史料来源
|
||||
|
||||
- 卢生奏“亡秦者胡也”、始皇命蒙恬发兵三十万北击胡并略取河南地：[《史记·秦始皇本纪》卷六](https://zh.wikisource.org/zh-hans/史记/卷006)
|
||||
|
||||
## 禁区与误读防护
|
||||
|
||||
- 把谶语画成发光神书、天降文字或确定预言；它只是史书记载中的政治触发点
|
||||
- 虚构一场有名称、精确日期、精确伤亡或单挑过程的“河南地决战”
|
||||
- 把秦军三十万理解为单个镜头必须出现三十万人，或给匈奴编造对等精确兵力
|
||||
- 把“河南地”误解为今天河南省；此处指黄河河套以南地区
|
||||
- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
|
||||
- 秦兵陶俑化、克隆脸、玄幻黑甲、后世盔甲建筑、火器爆炸或血腥尸山
|
||||
|
||||
## 交付检查
|
||||
|
||||
- [x] 每幕 PNG 原图存在且为 16:9
|
||||
- [x] 每幕 WebP 交付图存在且为 16:9
|
||||
- [x] 旁白、页面文案、人物标签、提示词、视觉推演和史料齐全
|
||||
- [ ] BGM 已导出并填写可用路径
|
||||
- [x] `manifest.json` 与本说明中的文件名全部校验通过
|
||||
Reference in New Issue
Block a user