数字我 Digital Me:全量入库(大文件走 Git LFS)
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{
"event": {
"canonicalName": "魏灭蜀之战(邓艾钟会伐蜀·刘禅出降)",
"aliases": ["邓艾钟会灭蜀·后主出降", "魏灭蜀之战", "景元伐蜀"],
"era": "三国·曹魏景元四年/蜀汉炎兴元年",
"date": "263年秋至冬",
"place": "汉中、剑阁、阴平、江油、绵竹、成都",
"summary": "钟会主力进入汉中却受阻剑阁,邓艾由阴平险道迂回江油、击破绵竹;刘禅在成都出降,蜀汉灭亡。"
},
"narration": {
"language": "zh-CN",
"estimatedSeconds": 88,
"fullText": "景元四年秋,曹魏大举伐蜀。钟会率十余万众分道进入汉中;邓艾则由狄道向沓中,牵制姜维。阳安关失守后,姜维退守剑阁。姜维凭险把钟会大军挡在关外。魏军粮运日难,钟会一度准备退兵。邓艾却提出另一条路:从阴平穿过七百余里无人之地,绕到剑阁背后。冬十月,他率精锐凿山架桥,裹毡下坡,士卒攀木缘崖,终于抵达江油。守将马邈投降,成都门户突然洞开。诸葛瞻率军退守绵竹,拒绝邓艾劝降。魏军初战不利,随后两翼再进;诸葛瞻与黄崇、诸葛尚等战死。消息传到成都,群臣议论奔吴或走南中,谯周主张向魏投降。刘禅遣使送出玺绶,又命姜维向钟会放下兵器。邓艾抵达成都城北,刘禅率太子、诸王和群臣,面缚舆榇,来到军门。邓艾为他们解缚、焚去棺木,并约束军士不得掳掠。剑阁仍未被钟会攻破,蜀汉却已从背后被打开,就此灭亡。"
},
"scenes": [
{
"id": "01",
"title": "三路入汉中",
"timePlace": "263年秋,秦岭诸谷道与汉中",
"purpose": "交代曹魏分路伐蜀与钟会主力进入汉中的总体战局。",
"narration": "景元四年秋,曹魏大举伐蜀。钟会率十余万众分道进入汉中;邓艾则由狄道向沓中,牵制姜维。阳安关失守后,姜维退守剑阁。",
"overlay": {"heading": "三路入汉中", "line": "十余万主力穿过秦岭,先把汉中的外门推开。"},
"people": [
{"name": "钟会", "office": "曹魏镇西将军、伐蜀主力统帅", "action": "统率主力分由斜谷、骆谷、子午谷进入汉中"},
{"name": "邓艾", "office": "曹魏征西将军", "action": "由狄道进向沓中,牵制姜维;不在本幕画面"},
{"name": "姜维", "office": "蜀汉大将军", "action": "由沓中撤向剑阁;不在本幕画面"}
],
"image": {
"original": "images/01-三路入汉中.png",
"delivery": "images/01-三路入汉中.webp",
"alt": "秋雨后的秦岭山谷中,钟会在高处察看魏军与驮队沿多条山路进入汉中,远处是夯土木构关隘。",
"prompt": "Create a 16:9 cinematic historical-realism keyframe for a Chinese Three Kingdoms documentary, set in autumn 263 CE during the Cao Wei conquest of Shu. Scene: Three routes enter Hanzhong. A vast elevated view down a real, narrow Qinling mountain valley after rain. In the near right foreground stands Zhong Hui, age 38, refined narrow oval face, composed intelligent expression, neat short moustache and small goatee, wearing a dark teal commander's robe beneath restrained black-lacquered lamellar armor and a low black scholar-military cap. He studies the valley rather than posing heroically. Below him, disciplined Wei infantry columns and pack animals move in several separated files through misty roads toward a plausible Han-era rammed-earth and timber mountain pass in the far middle distance. Signal flags are simple geometric colors with no writing. The scale comes from terrain and depth, not fantasy-sized armies. Art direction: premium live-action film still, grounded archaeology-inspired Three Kingdoms clothing and armor, weathered linen, hemp, wood, muted metal, Sichuan/Qinling atmosphere, charcoal black, pine green, weathered ochre and cold blue palette with one small warm lantern accent. Volumetric fog, overcast natural light, subtle film grain, realistic faces, restrained tension. Wide composition with clean dark mist in the upper-left for later title overlay and readable foreground/midground/background separation. Strict exclusions: no text, no Chinese characters, no captions, no watermark, no logo, no map graphics, no Ming or Qing armor, no horned helmets, no Great Wall, no gigantic fantasy fortress, no firearms, no explosions, no anime, no illustration, no gore, no modern objects. Make the architecture and military material culture plausibly late Han / Three Kingdoms.",
"visualInference": "钟会面貌、站位、关隘外形、行军纵队的可见数量与秋雨雾气均为视觉重构;画面用多条队列象征分路进军,不当作精确地理图。",
"referenceImages": [],
"refinementPrompt": ""
},
"sources": ["《三国志·魏书·邓艾钟会传》", "《资治通鉴》卷七十八"]
},
{
"id": "02",
"title": "剑阁拒钟会",
"timePlace": "263年秋冬之交,剑阁",
"purpose": "说明姜维守住剑阁、钟会粮道日难,为邓艾改走阴平埋下转折。",
"narration": "姜维凭险把钟会大军挡在关外。魏军粮运日难,钟会一度准备退兵。邓艾却提出另一条路:从阴平穿过七百余里无人之地,绕到剑阁背后。",
"overlay": {"heading": "剑阁拒钟会", "line": "主力被挡在险关前,真正的破口却出现在背后。"},
"people": [
{"name": "姜维", "office": "蜀汉大将军", "action": "与廖化、张翼、董厥等合兵守住剑阁"},
{"name": "钟会", "office": "曹魏镇西将军", "action": "攻关不克、粮运日难,准备退还"}
],
"image": {
"original": "images/02-剑阁拒钟会.png",
"delivery": "images/02-剑阁拒钟会.webp",
"alt": "姜维立在剑阁木栅关垒上,俯视狭长谷道里受阻的魏军粮车与营阵,山雾封住远处道路。",
"prompt": "Create a new 16:9 cinematic historical-realism keyframe in the exact same visual world as the reference image. Preserve Zhong Hui's identity, face, age, dark teal robe, black lamellar armor and low black military-scholar cap. Scene: Jiang Wei holds Jian'ge. Late autumn 263 CE. A physically plausible narrow Sichuan mountain pass, with a modest late-Han timber-and-rammed-earth gate and palisade integrated into towering gray cliffs—not a later imperial fortress. In the upper-left foreground on the defensive rampart stands Jiang Wei, age 61, lean and weathered, gray-streaked short beard, calm alert eyes, wearing a plain dark green robe beneath worn Shu lamellar armor. A few disciplined Shu defenders hold spears and crossbows behind him. Far below along the pass road, Zhong Hui is recognizable beside a restrained command awning and stalled Wei supply carts; he studies the unbroken defense. The scene communicates that the main Wei army has reached Jian'ge but cannot force the pass, with a thin stretched supply line disappearing into mist. Art direction: premium live-action historical film still, archaeology-inspired late Han material culture, charcoal, pine green, cold gray and faded ochre, damp mountain air, natural overcast light, subtle film grain, realistic faces. Tense strategic stalemate rather than active combat. Wide composition, strong vertical geography, clean dark cliff and fog at upper right for later overlay. Strict exclusions: no text, no Chinese characters, no captions, no watermark, no logo, no fantasy fortress, no Great Wall battlements, no pagoda skyline, no Ming or Qing armor, no horned helmets, no firearms, no explosions, no flaming siege, no duel between Jiang Wei and Zhong Hui, no anime, no illustration, no gore.",
"visualInference": "剑阁关垒的具体木构形制、姜维与魏军粮道同框、人物面貌和山雾为视觉补全;画面表达战略对峙,不主张双方统帅曾近距离相见。",
"referenceImages": ["images/01-三路入汉中.png(钟会身份、色调与视觉世界参照)"],
"refinementPrompt": ""
},
"sources": ["《三国志·魏书·邓艾钟会传》", "《资治通鉴》卷七十八"]
},
{
"id": "03",
"title": "偷渡阴平",
"timePlace": "263年冬十月,阴平至江油险道",
"purpose": "表现邓艾避开剑阁、穿越无人险道的战役决定性机动。",
"narration": "冬十月,邓艾率精锐凿山架桥,裹毡下坡,士卒攀木缘崖,终于抵达江油。守将马邈投降,成都门户突然洞开。",
"overlay": {"heading": "偷渡阴平", "line": "七百余里无人之地,把一支军队送到了剑阁背后。"},
"people": [
{"name": "邓艾", "office": "曹魏征西将军", "action": "率精锐由阴平险道迂回江油"},
{"name": "马邈", "office": "蜀汉江油守将", "action": "见魏军突至而投降;不在本幕画面"}
],
"image": {
"original": "images/03-偷渡阴平.png",
"delivery": "images/03-偷渡阴平.webp",
"alt": "冬日阴平山道上,邓艾裹着毡衣拉绳攀下斜坡,魏军士卒在雾中沿树木与岩壁鱼贯而进。",
"prompt": "Create a 16:9 cinematic historical-realism keyframe for a Chinese Three Kingdoms documentary, set in early winter 263 CE during Deng Ai's crossing of the Yinping side route. Scene: Stealing through Yinping. A terrifying but physically plausible oblique mountain descent in a remote, uninhabited Sichuan-Gansu border range. The slope is very steep yet traversable: broken gray rock, sparse cold pines, rope handlines, narrow ledges and timber footholds—not a vertical fantasy abyss. In the near foreground, Deng Ai, age 66, rugged stocky build, weathered tan face, high cheekbones, short gray beard, intense practical gaze, wears layered brown-gray wool and hemp over restrained dark lamellar armor. He is wrapped in a thick felt blanket and carefully slides down a slanted rocky chute while gripping a rope, demonstrating the descent to his men. Behind him, exhausted elite soldiers advance in single file, some clinging to trees and rope, others lowering packs; mist conceals the enormous depth. No one is falling. Art direction: premium live-action film still, grounded archaeology-inspired Three Kingdoms clothing and equipment, harsh natural cold, charcoal, stone gray, pine green and faded brown palette, soft wintry diffuse light, mountain fog, realistic faces, tactile felt and rope, subtle film grain. Heroism through endurance and logistics, not spectacle. Wide composition with clean foggy negative space at upper right for later overlay and strong diagonal movement from upper-left to lower-right. Strict exclusions: no text, no Chinese characters, no captions, no watermark, no logo, no impossible skydiving, no giant waterfall, no wing suits, no avalanche, no fantasy weapons, no Ming or Qing armor, no horned helmets, no firearms, no explosions, no anime, no illustration, no gore, no modern climbing gear.",
"visualInference": "绳索、落脚点、坡度、积雪与人物具体动作属于安全且可理解的镜头化补全;不把史书的裹毡推转而下夸张成凌空坠崖。",
"referenceImages": [],
"refinementPrompt": ""
},
"sources": ["《三国志·魏书·邓艾传》", "《资治通鉴》卷七十八"]
},
{
"id": "04",
"title": "绵竹战殁",
"timePlace": "263年冬,绵竹",
"purpose": "交代成都最后一支成建制援军的败亡,以及阴平奇袭由机动转化为战略崩解。",
"narration": "诸葛瞻率军退守绵竹,拒绝邓艾劝降。魏军初战不利,随后两翼再进;诸葛瞻与黄崇、诸葛尚等战死。",
"overlay": {"heading": "绵竹战殁", "line": "成都最后的屏障,在一次重整后的进攻中崩解。"},
"people": [
{"name": "诸葛瞻", "office": "蜀汉卫将军、平尚书事", "action": "退守绵竹、拒降,战败身死"},
{"name": "诸葛尚", "office": "诸葛瞻之子", "action": "随父出战,死于绵竹"},
{"name": "黄崇", "office": "蜀汉尚书郎", "action": "激励军士力战,死于绵竹"},
{"name": "邓艾", "office": "曹魏征西将军", "action": "重新部署两翼,再战击破蜀军"}
],
"image": {
"original": "images/04-绵竹战殁.png",
"delivery": "images/04-绵竹战殁.webp",
"alt": "绵竹夯土城垒外,诸葛瞻与诸葛尚站在残破蜀军阵列前,远处邓艾在高地指挥两翼合进。",
"prompt": "Create a new 16:9 cinematic historical-realism keyframe in the exact same visual world as the reference image. Preserve Deng Ai's identity: age 66, rugged stocky build, weathered tan face, high cheekbones, short gray beard, brown-gray wool and hemp layers over dark restrained lamellar armor. Scene: The last stand at Mianzhu. Early winter 263 CE outside a modest late-Han rammed-earth and timber city outwork on the Chengdu plain beneath cold distant mountains. The battle is at its decisive final phase but remains non-graphic. In the near center-left, Zhuge Zhan, age 36, serious composed face, dark indigo robe under worn Shu lamellar armor, stands with his adult son Zhuge Shang and a compact last formation around torn plain-colored standards. Their posture shows refusal to surrender and imminent defeat; dust, abandoned shields and broken spear shafts imply battle, but no visible wounds or corpses. On a low rise at the far right, the same Deng Ai from the reference directs two converging Wei wings with a calm raised hand, not posing. Sparse smoke and winter sunlight reveal the encirclement. Art direction: premium live-action historical film still, grounded late Han military material culture, charcoal, indigo, faded ochre, cold blue-gray, one restrained dusty amber highlight, realistic faces, tactile linen, wood and lacquered lamellae, subtle film grain. Tragic and sober, not triumphant spectacle. Wide composition with clean smoky upper-left negative space for later overlay and clear geography. Strict exclusions: no text, no Chinese characters, no captions, no watermark, no logo, no famous Eight Trigrams symbols, no Zhuge Liang ghost, no gigantic palace walls, no Ming or Qing armor, no horned helmets, no firearms, no explosions, no fantasy cavalry, no anime, no illustration, no gore, no severed heads, no close-up corpses.",
"visualInference": "诸葛瞻父子面貌、两翼在同一画面合进、城垒形制、山雪和战场残迹均为视觉补全;不把死亡做成血腥特写。",
"referenceImages": ["images/03-偷渡阴平.png(邓艾身份、衣甲与视觉世界参照)"],
"refinementPrompt": ""
},
"sources": ["《三国志·魏书·邓艾传》", "《三国志·蜀书·后主传》", "《资治通鉴》卷七十八"]
},
{
"id": "05",
"title": "成都出降",
"timePlace": "263年冬,成都城北",
"purpose": "以正式降礼和军纪约束收束蜀汉灭亡,避免把刘禅后来的洛阳轶事提前。",
"narration": "消息传到成都,群臣议论奔吴或走南中,谯周主张向魏投降。刘禅遣使送出玺绶,又命姜维向钟会放下兵器。邓艾抵达成都城北,刘禅率太子、诸王和群臣,面缚舆榇,来到军门。邓艾为他们解缚、焚去棺木,并约束军士不得掳掠。剑阁仍未被钟会攻破,蜀汉却已从背后被打开,就此灭亡。",
"overlay": {"heading": "后主出降", "line": "剑阁没有失守,成都却先打开了城门。"},
"people": [
{"name": "刘禅", "office": "蜀汉皇帝、后主", "action": "遣使奉玺绶,率太子、诸王与群臣出降"},
{"name": "邓艾", "office": "曹魏征西将军", "action": "受降并为刘禅等解缚、焚榇,约束军士"},
{"name": "谯周", "office": "蜀汉光禄大夫", "action": "在朝议中主张向魏投降;不在本幕画面"},
{"name": "姜维", "office": "蜀汉大将军", "action": "奉刘禅敕令向钟会军放下兵器;不在本幕画面"}
],
"image": {
"original": "images/05-成都出降.png",
"delivery": "images/05-成都出降.webp",
"alt": "成都北门外,刘禅与太子、诸王和群臣面缚站立,棺木车在侧,邓艾命军士解去绳索并保持军纪。",
"prompt": "Create a new 16:9 cinematic historical-realism keyframe in the exact same visual world as the reference image. Preserve Deng Ai's identity: age 66, rugged stocky build, weathered tan face, high cheekbones, short gray beard, brown-gray wool and hemp layers over restrained dark lamellar armor. Scene: The Later Lord surrenders at Chengdu. Winter 263 CE at the north side of a plausible late-Han Chengdu military gate, built of rammed earth and timber, with no later imperial ornament. The mood is ritualized surrender, restrained and humane. At center-left stands Liu Shan, age 56, rounder weary dignified face, wearing a plain pale-ochre court robe without crown or imperial regalia. He is not kneeling or caricatured. Behind him stand the crown prince, several princes and a group of ministers in plain robes, their hands loosely bound behind them according to surrender ritual. Beside the group is a low plain wooden coffin cart, symbolic but not macabre. At center-right, the same Deng Ai from the reference steps forward and gives a clear order to his guards to cut the bonds; one guard has begun loosening a rope, while another prepares to remove the coffin cart. Wei soldiers remain disciplined with lowered weapons and do not loot. The open gate and quiet street beyond imply the city has yielded without a sack. Art direction: premium live-action historical film still, archaeology-inspired late Han dress and architecture, charcoal, faded ochre, muted brown, cold winter blue with a subtle warm light from within the gate, realistic faces and emotional restraint, natural low-angle light, subtle film grain. Wide balanced composition with clean misty upper-center space for later overlay. Convey the fall of a state through posture and ceremony, not humiliation. Strict exclusions: no text, no Chinese characters, no captions, no watermark, no logo, no kneeling or crawling buffoon, no drinking banquet, no 乐不思蜀 scene, no Zhong Hui present, no execution, no threat, no giant ornate palace, no Ming or Qing costume, no dragon throne, no horned helmets, no firearms, no explosions, no anime, no illustration, no gore.",
"visualInference": "刘禅、太子诸王与群臣的具体人数和面貌、棺车式样、解缚瞬间、城门布局与光线为视觉重构;不把降礼解释为后世戏剧化羞辱。",
"referenceImages": ["images/03-偷渡阴平.png(邓艾身份、衣甲与视觉世界参照)"],
"refinementPrompt": ""
},
"sources": ["《三国志·魏书·邓艾传》", "《三国志·蜀书·后主传》", "《资治通鉴》卷七十八"]
}
],
"bgm": {
"catalogId": "seed-music-v1:chenyu:潮汐骨架",
"title": "潮汐骨架",
"version": "建议制作 76 BPM、无主唱纯伴奏的历史剪辑版",
"status": "pending-export",
"pathOrUrl": "",
"usage": "保留原曲单一动机从轻到满、再逐层退去的结构;历史剪辑版以低弦、埙或低箫气声、堂鼓和木质打击替代强失真吉他,旁白期间整体下压。",
"reason": "项目曲目本身是无歌词器乐,结构从轻起、层层堆叠、涨满后回落,能覆盖汉中进军、剑阁受阻、阴平突进、绵竹决战到成都降礼的完整战局弧线。",
"cues": [
{"from": "00:00", "to": "00:17", "scene": "01", "direction": "单一低弦动机和远风起,行军纵队展开时加入木质脉冲,不做凯旋节奏。"},
{"from": "00:17", "to": "00:35", "scene": "02", "direction": "低音持续音收紧,极轻堂鼓表现粮道压力;提到另一条路时短暂抽空。"},
{"from": "00:35", "to": "00:53", "scene": "03", "direction": "脉冲加密但控制音量,以绳索摩擦感的木质打击推动攀降;江油投降处骤停半拍。"},
{"from": "00:53", "to": "01:09", "scene": "04", "direction": "全曲最满但不用英雄号角,低弦与鼓形成两翼合进;战死后迅速撤掉鼓组。"},
{"from": "01:09", "to": "01:28", "scene": "05", "direction": "只留最初动机、低箫气声和少量环境声,解缚后逐层退去,灭亡一句落在自然尾音上。"}
]
},
"sources": [
{"claim": "钟会进入汉中、剑阁受阻;邓艾提议阴平迂回、裹毡下险、江油受降、绵竹再战与成都受降", "citation": "《三国志·魏书·邓艾钟会传》卷二十八", "url": "https://zh.wikisource.org/wiki/三國志/卷28"},
{"claim": "魏分路伐蜀、诸葛瞻败于绵竹、谯周劝降与刘禅面缚舆榇出诣军门", "citation": "《三国志·蜀书·后主传》卷三十三", "url": "https://zh.wikisource.org/wiki/三國志/卷33"},
{"claim": "三路兵力与路线、阳安关失守、剑阁相持、阴平七百余里、绵竹战局和成都降礼", "citation": "《资治通鉴》卷七十八", "url": "https://zh.wikisource.org/zh/資治通鑑/卷078"},
{"claim": "项目内《潮汐骨架》曲目、器乐属性与创作说明;仓库无实际音频", "citation": "digital-me-backend/scripts/seed-music.js"}
],
"blacklist": [
"把“乐不思蜀”的洛阳轶事提前到成都出降现场",
"钟会亲自在成都受降,或钟会与刘禅在城门会面",
"邓艾从完全垂直的绝壁凌空飞降、士卒集体坠崖或以油锅开路",
"姜维与钟会单挑、剑阁大火攻或钟会正面攻破剑阁",
"诸葛亮显灵、木像守剑阁、八阵图困住魏军",
"把刘禅画成跪爬、醉饮或嬉笑的丑角",
"把钟会后来的成都叛乱、邓艾被收押与二人之死并入灭蜀主线",
"明清盔甲、明清宫城、龙袍定型、京剧脸谱、火药爆炸、现代攀岩装备或可读旗号"
]
}
@@ -0,0 +1,164 @@
# 魏灭蜀之战(邓艾钟会伐蜀·刘禅出降)|素材说明
- 用户原称:邓艾钟会灭蜀·后主出降
- 规范事件名:魏灭蜀之战(邓艾钟会伐蜀·刘禅出降)
- 时代:三国·曹魏景元四年/蜀汉炎兴元年(263年)
- 时间:263年秋至冬
- 地点:汉中、剑阁、阴平、江油、绵竹、成都
- 一句话结论:钟会主力进入汉中却受阻剑阁,邓艾由阴平险道迂回江油、击破绵竹;刘禅在成都出降,蜀汉灭亡。
## 约 88 秒主旁白
景元四年秋,曹魏大举伐蜀。钟会率十余万众分道进入汉中;邓艾则由狄道向沓中,牵制姜维。阳安关失守后,姜维退守剑阁。姜维凭险把钟会大军挡在关外。魏军粮运日难,钟会一度准备退兵。邓艾却提出另一条路:从阴平穿过七百余里无人之地,绕到剑阁背后。冬十月,他率精锐凿山架桥,裹毡下坡,士卒攀木缘崖,终于抵达江油。守将马邈投降,成都门户突然洞开。诸葛瞻率军退守绵竹,拒绝邓艾劝降。魏军初战不利,随后两翼再进;诸葛瞻与黄崇、诸葛尚等战死。消息传到成都,群臣议论奔吴或走南中,谯周主张向魏投降。刘禅遣使送出玺绶,又命姜维向钟会放下兵器。邓艾抵达成都城北,刘禅率太子、诸王和群臣,面缚舆榇,来到军门。邓艾为他们解缚、焚去棺木,并约束军士不得掳掠。剑阁仍未被钟会攻破,蜀汉却已从背后被打开,就此灭亡。
## 分幕素材
### 第一幕|三路入汉中
- 时间地点:263年秋,秦岭诸谷道与汉中。
- 叙事作用:交代曹魏分路伐蜀与钟会主力进入汉中的总体战局。
- 旁白:景元四年秋,曹魏大举伐蜀。钟会率十余万众分道进入汉中;邓艾则由狄道向沓中,牵制姜维。阳安关失守后,姜维退守剑阁。
- 叠字标题:三路入汉中
- 一句短文案:十余万主力穿过秦岭,先把汉中的外门推开。
- 人物标签:
- 钟会/曹魏镇西将军、伐蜀主力统帅/统率主力分由斜谷、骆谷、子午谷进入汉中
- 邓艾/曹魏征西将军/由狄道进向沓中,牵制姜维;不在本幕画面
- 姜维/蜀汉大将军/由沓中撤向剑阁;不在本幕画面
- 图片:images/01-三路入汉中.png、images/01-三路入汉中.webp
- 画面说明:秋雨后的秦岭山谷中,钟会立在高处观察魏军、驮队与粮秣沿多条山路进入汉中,远处是克制的夯土木构关隘。
- 替代文本:秋雨后的秦岭山谷中,钟会在高处察看魏军与驮队沿多条山路进入汉中,远处是夯土木构关隘。
- 最终提示词摘要:263年秋秦岭狭谷,钟会观察主力和驮队分路入汉中;东汉末三国衣甲、山雾写实、16:9、无文字。
- 视觉补全:钟会面貌、站位、关隘外形、纵队可见数量与秋雨雾气均为视觉重构;多条队列只象征分路进军,不当作精确地理图。
- 史实依据:《三国志·魏书·邓艾钟会传》;《资治通鉴》卷七十八。
### 第二幕|剑阁拒钟会
- 时间地点:263年秋冬之交,剑阁。
- 叙事作用:说明姜维守住剑阁、钟会粮道日难,为邓艾改走阴平埋下转折。
- 旁白:姜维凭险把钟会大军挡在关外。魏军粮运日难,钟会一度准备退兵。邓艾却提出另一条路:从阴平穿过七百余里无人之地,绕到剑阁背后。
- 叠字标题:剑阁拒钟会
- 一句短文案:主力被挡在险关前,真正的破口却出现在背后。
- 人物标签:
- 姜维/蜀汉大将军/与廖化、张翼、董厥等合兵守住剑阁
- 钟会/曹魏镇西将军/攻关不克、粮运日难,准备退还
- 图片:images/02-剑阁拒钟会.png、images/02-剑阁拒钟会.webp
- 画面说明:姜维立在依山而建的木栅关垒上,俯视谷道里受阻的魏军粮车与营阵;人物与漫长道路的比例突出战略僵局。
- 替代文本:姜维立在剑阁木栅关垒上,俯视狭长谷道里受阻的魏军粮车与营阵,山雾封住远处道路。
- 最终提示词摘要:剑阁夯土木栅关垒,姜维守险,谷道里魏军粮车与营阵受阻;用险要地形表现对峙,16:9、无决斗、无文字。
- 视觉补全:关垒具体木构、姜维与魏军粮道同框、人物面貌和山雾为视觉补全;画面不主张双方统帅曾近距离相见。
- 史实依据:《三国志·魏书·邓艾钟会传》;《资治通鉴》卷七十八。
### 第三幕|偷渡阴平
- 时间地点:263年冬十月,阴平至江油险道。
- 叙事作用:表现邓艾避开剑阁、穿越无人险道的战役决定性机动。
- 旁白:冬十月,邓艾率精锐凿山架桥,裹毡下坡,士卒攀木缘崖,终于抵达江油。守将马邈投降,成都门户突然洞开。
- 叠字标题:偷渡阴平
- 一句短文案:七百余里无人之地,把一支军队送到了剑阁背后。
- 人物标签:
- 邓艾/曹魏征西将军/率精锐由阴平险道迂回江油
- 马邈/蜀汉江油守将/见魏军突至而投降;不在本幕画面
- 图片:images/03-偷渡阴平.png、images/03-偷渡阴平.webp
- 画面说明:阴平山道不是奇幻垂直绝壁,而是极陡、可借树木和绳索通行的斜坡;邓艾裹毡攀降,士卒单列缘崖而进。
- 替代文本:冬日阴平山道上,邓艾裹着毡衣拉绳攀下斜坡,魏军士卒在雾中沿树木与岩壁鱼贯而进。
- 最终提示词摘要:263年冬阴平险道,邓艾裹毡借绳攀下陡坡,精锐沿树木岩壁鱼贯前进;冷峻写实、16:9、无坠崖奇观、无文字。
- 视觉补全:绳索、落脚点、坡度、积雪与人物具体动作属于安全且可理解的镜头化补全;不把“以毡自裹,推转而下”夸张成凌空坠崖。
- 史实依据:《三国志·魏书·邓艾传》;《资治通鉴》卷七十八。
### 第四幕|绵竹战殁
- 时间地点:263年冬,绵竹。
- 叙事作用:交代成都最后一支成建制援军的败亡,以及阴平奇袭由机动转化为战略崩解。
- 旁白:诸葛瞻率军退守绵竹,拒绝邓艾劝降。魏军初战不利,随后两翼再进;诸葛瞻与黄崇、诸葛尚等战死。
- 叠字标题:绵竹战殁
- 一句短文案:成都最后的屏障,在一次重整后的进攻中崩解。
- 人物标签:
- 诸葛瞻/蜀汉卫将军、平尚书事/退守绵竹、拒降,战败身死
- 诸葛尚/诸葛瞻之子/随父出战,死于绵竹
- 黄崇/蜀汉尚书郎/激励军士力战,死于绵竹
- 邓艾/曹魏征西将军/重新部署两翼,再战击破蜀军
- 图片:images/04-绵竹战殁.png、images/04-绵竹战殁.webp
- 画面说明:诸葛瞻父子与残余蜀军保持最后阵列,邓艾在侧后高地指挥合进;以破旗、弃盾和尘烟表现败局,不直接展示尸体。
- 替代文本:绵竹夯土城垒外,诸葛瞻与诸葛尚站在残破蜀军阵列前,远处邓艾在高地指挥两翼合进。
- 最终提示词摘要:绵竹城外最后阵列,诸葛瞻父子拒降,邓艾指挥两翼再进;悲剧性历史写实、16:9、无血腥、无文字。
- 视觉补全:诸葛瞻父子面貌、两翼同框、城垒形制、山雪和战场残迹均为视觉补全;不把战死做成血腥特写。
- 史实依据:《三国志·魏书·邓艾传》;《三国志·蜀书·后主传》;《资治通鉴》卷七十八。
### 第五幕|成都出降
- 时间地点:263年冬,成都城北。
- 叙事作用:以正式降礼和军纪约束收束蜀汉灭亡,避免把刘禅后来的洛阳轶事提前。
- 旁白:消息传到成都,群臣议论奔吴或走南中,谯周主张向魏投降。刘禅遣使送出玺绶,又命姜维向钟会放下兵器。邓艾抵达成都城北,刘禅率太子、诸王和群臣,面缚舆榇,来到军门。邓艾为他们解缚、焚去棺木,并约束军士不得掳掠。剑阁仍未被钟会攻破,蜀汉却已从背后被打开,就此灭亡。
- 叠字标题:后主出降
- 一句短文案:剑阁没有失守,成都却先打开了城门。
- 人物标签:
- 刘禅/蜀汉皇帝、后主/遣使奉玺绶,率太子、诸王与群臣出降
- 邓艾/曹魏征西将军/受降并为刘禅等解缚、焚榇,约束军士
- 谯周/蜀汉光禄大夫/在朝议中主张向魏投降;不在本幕画面
- 姜维/蜀汉大将军/奉刘禅敕令向钟会军放下兵器;不在本幕画面
- 图片:images/05-成都出降.png、images/05-成都出降.webp
- 画面说明:刘禅、太子诸王与群臣依降礼面缚立在城门外,棺木车在侧;邓艾正命士卒解去束缚,魏军持械下垂、无人掳掠。
- 替代文本:成都北门外,刘禅与太子、诸王和群臣面缚站立,棺木车在侧,邓艾命军士解去绳索并保持军纪。
- 最终提示词摘要:成都北门降礼,刘禅与群臣面缚舆榇,邓艾命人解缚并约束军士;克制庄重、16:9、无丑化、无文字。
- 视觉补全:刘禅等人的具体人数和面貌、棺车式样、解缚瞬间、城门布局与光线为视觉重构;不把降礼解释为后世戏剧化羞辱。
- 史实依据:《三国志·魏书·邓艾传》;《三国志·蜀书·后主传》;《资治通鉴》卷七十八。
## BGM 选择
- 选中曲目:项目曲库种子键 seed-music-v1:chenyu:潮汐骨架,《潮汐骨架》。
- 版本:建议制作 76 BPM、无主唱纯伴奏的“魏灭蜀历史剪辑版”。
- 项目状态:待生成/待导出;仓库当前只有曲目与创作说明,没有 audioUrl 或本地音频,素材包不附 MP3。
- 使用方式:保留原曲“单一动机从轻到满、再逐层退去”的结构;历史剪辑版以低弦、埙或低箫气声、堂鼓和木质打击替代强失真吉他,旁白期间整体下压。
- 选择理由:该项目曲目本身是无歌词器乐,能覆盖汉中进军、剑阁受阻、阴平突进、绵竹决战到成都降礼的完整战局弧线;回落结构也适合国家灭亡后的冷收束。
### Cue sheet
| 时间 | 幕次 | 剪辑方向 |
| --- | --- | --- |
| 00:00–00:17 | 01 | 单一低弦动机和远风起,行军纵队展开时加入木质脉冲,不做凯旋节奏。 |
| 00:17–00:35 | 02 | 低音持续音收紧,极轻堂鼓表现粮道压力;提到“另一条路”时短暂抽空。 |
| 00:35–00:53 | 03 | 脉冲加密但控制音量,以绳索摩擦感的木质打击推动攀降;江油投降处骤停半拍。 |
| 00:53–01:09 | 04 | 全曲最满但不用英雄号角,低弦与鼓形成两翼合进;战死后迅速撤掉鼓组。 |
| 01:09–01:28 | 05 | 只留最初动机、低箫气声和少量环境声,解缚后逐层退去,灭亡一句落在自然尾音上。 |
## 史实边界
### 史实依据
- 《三国志·魏书·邓艾钟会传》:钟会进入汉中却受阻剑阁;邓艾提出阴平迂回,率军穿越七百余里无人之地,裹毡下险,受降江油,再战绵竹,并在成都受降。
- 《三国志·蜀书·后主传》:魏军分路伐蜀、诸葛瞻败亡、谯周劝降、刘禅奉玺绶与“面缚舆榇”出诣军门。
- 《资治通鉴》卷七十八:补足三路兵力和路线、阳安关失守、姜维守剑阁、钟会粮道困境、绵竹战局与成都降礼的连续时间线。
- 项目内曲库核对:digital-me-backend/scripts/seed-music.js 中 chenyu / 潮汐骨架曲目方案;仓库未发现该曲目的实际音频文件。
### 可视化补全
- 五幕的天气、时辰、镜头站位、关隘与城门样式、人物面貌均为视觉设计,不作为史实断言。
- 人物和建筑统一采用东汉末年至三国时期可解释的布袍、札甲、夯土、木构与山地运输,不使用明清造型。
- 第二幕将守关、粮运日难与下方魏营压缩在同一幅空间构图中,强调战略阻滞。
- 第三幕以可攀援的陡斜坡表达史载险途;绳索是便于读图的视觉补全,不等于确证当时装备。
- 第四幕把邓艾两翼再进和诸葛瞻父子最后阵列压缩在同一时刻,不展示血腥死亡。
- 第五幕表现“解缚”正在发生;人数以群像代表史载太子、诸王和群臣,不按六十余人逐一复原。
### 禁用元素
- 不把“乐不思蜀”的洛阳轶事提前到成都出降现场。
- 不画钟会亲自在成都受降;刘禅出降的直接受降者是先抵成都的邓艾。
- 不画邓艾从完全垂直的绝壁凌空飞降、士卒集体坠崖或“油锅开路”等传奇化场面。
- 不画姜维与钟会单挑、剑阁大火攻或钟会正面攻破剑阁;史实结果恰是剑阁仍守而成都先降。
- 不画诸葛亮显灵、木像守关、八阵图困魏军等神异桥段。
- 不把刘禅画成跪爬、醉饮或嬉笑的丑角;本幕只表现正式降礼。
- 不把钟会后来的成都叛乱、邓艾被收押与二人之死并入本次灭蜀主线。
- 不使用明清盔甲、明清宫城、龙袍定型、京剧脸谱、火药爆炸、现代攀岩装备或可读旗号。
## 生成说明
- 图片由内置图像生成工具制作,共 5 张原始 PNG 与 5 张 WebP,统一横版 16:9。
- 图片不烘焙人物姓名、字幕、书法、Logo 或水印,并为后期叠字保留负空间。
- 钟会在第一、二幕保持同一视觉世界;邓艾在第三至第五幕使用同一角色参考。
- 五张图的最终完整提示词保存在 manifest.json 的各幕 image.prompt 字段。
## 在线史料入口
- [《三国志·卷二十八·邓艾钟会传》](https://zh.wikisource.org/wiki/三國志/卷28)
- [《三国志·卷三十三·后主传》](https://zh.wikisource.org/wiki/三國志/卷33)
- [《资治通鉴·卷七十八》](https://zh.wikisource.org/zh/資治通鑑/卷078)