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战役素材/曹魏/钟会之乱（邓艾、钟会之死）/manifest.json

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+{
+  "event": {
+    "canonicalName": "钟会之乱（邓艾、钟会之死）",
+    "aliases": ["钟会之乱·邓艾钟会之死", "钟会之乱", "成都之乱"],
+    "era": "三国·曹魏景元五年（264年；同年五月改元咸熙）",
+    "date": "264年正月；钟会正月十五日至成都、十六日起兵、十八日兵败身死，邓艾随后遇害",
+    "place": "益州成都、绵竹西",
+    "summary": "灭蜀后，钟会先促成邓艾被捕，继而在成都起兵失败；钟会与姜维死于兵变，刚被旧部救出的邓艾也与子邓忠在绵竹西被杀。"
+  },
+  "narration": {
+    "language": "zh-CN",
+    "estimatedSeconds": 89,
+    "fullText": "景元四年末，蜀汉已经投降，灭蜀的两员魏将却先争起功来。钟会忌惮邓艾，又借他在成都擅自承制封拜，密奏其有反状。景元五年正月，卫瓘趁夜先入成都，离散邓艾诸将；天明时擒下邓艾父子，装入槛车送往京师。正月十五，钟会进入成都。邓艾一去，他独统大军。可司马昭已带十万大军屯于长安，钟会知道自己已被怀疑，决定起兵：成则取天下，不成便据蜀自守。十六日，他召集魏军将领和蜀汉旧官，为太后发丧，矫称遗诏讨伐司马昭，随后关闭宫门城门，将不肯听命者囚禁。姜维想借乱复汉，劝钟会先杀北来诸将；钟会却迟疑未决。消息一夜传遍军营。十八日中午，胡渊率兵鼓噪，诸军争先攻入。箭雨和火烟中，姜维奋战而死，钟会也被乱兵杀死。邓艾旧部追上槛车把他迎回，卫瓘自知曾与钟会共同奏陷邓艾，担心他返回生变，立即派田续追击。绵竹西的冬路上，邓艾与儿子邓忠一同被杀。蜀汉覆亡后的第一个正月，两位灭蜀主将都没能走出蜀地。"
+  },
+  "scenes": [
+    {
+      "id": "01",
+      "title": "槛车征艾",
+      "timePlace": "264年正月，成都邓艾驻所",
+      "purpose": "从灭蜀后的争功转入权力清算，交代钟会先借朝廷诏命除去唯一忌惮的邓艾。",
+      "narration": "景元四年末，蜀汉已经投降，灭蜀的两员魏将却先争起功来。钟会忌惮邓艾，又借他在成都擅自承制封拜，密奏其有反状。景元五年正月，卫瓘趁夜先入成都，离散邓艾诸将；天明时擒下邓艾父子，装入槛车送往京师。",
+      "overlay": {"heading": "槛车征艾", "line": "灭蜀第一功尚未还朝，先被送上了囚车。"},
+      "people": [
+        {"name": "邓艾", "office": "曹魏太尉、灭蜀主将", "action": "被诏书以槛车征召，在成都与子一同被捕"},
+        {"name": "邓忠", "office": "邓艾之子、魏军将领", "action": "与父亲同被收捕"},
+        {"name": "卫瓘", "office": "曹魏监军、镇西军司", "action": "先入成都离散邓艾诸将，于天明擒下邓艾父子"},
+        {"name": "钟会", "office": "曹魏司徒、灭蜀主将", "action": "密奏邓艾有反状，命卫瓘先行收捕；不在本幕画面"}
+      ],
+      "image": {
+        "original": "images/01-arrest-deng-ai.png",
+        "delivery": "images/01-arrest-deng-ai.webp",
+        "alt": "冬日拂晓的成都驻所内，卫瓘监督卫士押走邓艾父子，一辆木制槛车停在雾中。",
+        "prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, first image in a consistent five-image sequence, 16:9 landscape. Primary request: The dawn arrest of Deng Ai in Chengdu in the first lunar month of 264 CE, after the conquest of Shu. Wei Guan arrives with only a small disciplined guard in a plain envoy carriage, disarms Deng Ai's officers through an imperial order, and takes Deng Ai and his adult son Deng Zhong into custody; a wooden prisoner transport cart waits behind them. Scene/backdrop: a restrained former Shu military residence inside winter Chengdu, rammed-earth walls, dark timber galleries, simple grey roof tiles, damp cold dawn mist; recently surrendered city, no battle damage spectacle. Subjects and continuity: Deng Ai is an elderly, broad-shouldered veteran with a weathered square face, greying short beard, grey-brown robe under worn dark-brown lacquered lamellar; he has just risen and is held under guard with dignity, not humiliated. Deng Zhong is a sturdy adult officer beside him. Wei Guan is a lean grave middle-aged officer in plain black-green lamellar with small bronze fittings, calmly overseeing the arrest from the foreground. Style/medium: cinematic historical realism, natural human proportions, credible third-century China, high-detail film still, restrained epic tone. Composition/framing: wide strategic composition, arrest group in the middle distance, envoy carriage and cage cart establishing the story, usable misty negative space in upper-left for later overlay; no direct eye contact with camera. Lighting/mood: cold blue-grey dawn with limited warm lantern light; tense, procedural, irreversible. Color palette: ash blue, cold grey-green, dark lacquer brown, muted rust red, lantern amber; this exact palette should continue across the five scenes. Materials/textures: damp packed earth, worn hemp, weathered wood, lacquered lamellar, bronze fittings. Constraints: period-accurate late Eastern Han / Three Kingdoms clothing, armor, carts and architecture; respectful non-graphic historical violence; no readable documents or banners; no baked-in names, subtitles, calligraphy, logos or watermark. Avoid: Ming or Qing armor and buildings, winged helmets, opera costumes, feather fans, fantasy weapons, palace extravagance, firearms, explosions, blood, severed heads, modern objects, extra central heroes.",
+        "visualInference": "驻所样式、人物外貌、槛车结构、站位与拂晓雾气为可视化重构；史料明言卫瓘夜入成都、平旦入邓艾所居、擒父子置槛车。"
+      },
+      "sources": ["《三国志·魏书·邓艾传》", "《三国志·魏书·钟会传》", "《资治通鉴》卷七十八"]
+    },
+    {
+      "id": "02",
+      "title": "大军独属",
+      "timePlace": "264年正月十五日，成都",
+      "purpose": "呈现邓艾被除去后钟会独统大军，以及司马昭大军西来如何逼他立即行动。",
+      "narration": "正月十五，钟会进入成都。邓艾一去，他独统大军。可司马昭已带十万大军屯于长安，钟会知道自己已被怀疑，决定起兵：成则取天下，不成便据蜀自守。",
+      "overlay": {"heading": "大军独属", "line": "邓艾一去，钟会把灭蜀之功握成了自己的兵权。"},
+      "people": [
+        {"name": "钟会", "office": "曹魏司徒、灭蜀主将", "action": "在邓艾被收后独统大军，得知司马昭亲至长安后决意起兵"},
+        {"name": "姜维", "office": "前蜀汉大将军", "action": "利用钟会异志试图构成内乱，再图复汉"},
+        {"name": "司马昭", "office": "曹魏相国、晋公", "action": "命贾充入斜谷，自将十万屯长安；不在本幕画面"}
+      ],
+      "image": {
+        "original": "images/02-zhong-hui-decides-revolt.png",
+        "delivery": "images/02-zhong-hui-decides-revolt.webp",
+        "alt": "冬日成都军府里，钟会在地图案前读信，姜维从后注视，门外魏军列队等候。",
+        "prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, second image in the same consistent five-image 16:9 sequence. Primary request: Zhong Hui reaches Chengdu on the fifteenth day of the first lunar month, 264 CE. With Deng Ai already removed, he reads Sima Zhao's warning letter and realizes a vast army is moving toward Chang'an; he decides to rebel. Jiang Wei stands nearby, watchful and controlled, as a campaign map and command tallies show Zhong Hui now commands the main force. Scene/backdrop: captured Shu command hall in winter Chengdu, modest third-century timber structure with dark pillars, rammed-earth courtyard visible beyond, grey roof tiles and cold mist outside; stacked armor racks and disciplined troops in the far courtyard imply a huge army without crowding the room. Subjects and continuity: Zhong Hui is a slender late-thirties commander with a sharp intelligent face, narrow eyes, thin moustache, black folded headcloth, dark muted-rust command robe beneath black lacquered lamellar; he grips an opened but entirely unreadable silk letter, startled calculation turning into resolve. Jiang Wei is a tall lean early-sixties veteran with grey at the temples, trimmed beard and restrained blue-grey Shu lamellar, standing slightly behind and observing rather than theatrically whispering. No Deng Ai in this scene. Style/medium: cinematic historical realism, natural faces and proportions, high-detail film still, sober political thriller inside a credible Three Kingdoms setting. Composition/framing: wide 16:9 interior, Zhong Hui near center-right at a low map table, Jiang Wei in depth, large open doorway reveals ranks of troops; generous dim negative space on left for later overlay; no one looks at camera. Lighting/mood: cold winter daylight through the doorway, one low amber oil lamp; contained ambition, suspicion, dangerous opportunity. Color palette: exact sequence palette of ash blue, cold grey-green, dark lacquer brown, muted rust red and limited amber. Materials/textures: rough silk letter without visible characters, bamboo tallies, wood map table, worn hemp, lacquered lamellar, damp stone and packed earth. Constraints: historically grounded late Eastern Han / Three Kingdoms clothing, armor, furniture and architecture; no readable Chinese on letter, maps or banners; no baked-in text, names, calligraphy, logos or watermark; keep Zhong Hui and Jiang Wei visually consistent for later scene. Avoid: Ming/Qing palace grandeur, ornate dragon throne, bright imperial colors, feather fans, opera costume, fantasy armor, winged helmets, modern paper maps, firearms, blood, melodramatic evil gestures.",
+        "visualInference": "军府室内、地图、兵符、来书外形、姜维站位与庭院军阵均为画面重构；不将钟会的心理活动画成可证实的私室对话。"
+      },
+      "sources": ["《三国志·魏书·钟会传》", "《资治通鉴》卷七十八"]
+    },
+    {
+      "id": "03",
+      "title": "矫诏闭门",
+      "timePlace": "264年正月十六日，成都蜀汉旧朝堂与益州官署",
+      "purpose": "呈现钟会之乱正式发动，以谎称的太后遗诏与对魏蜀官员的囚禁封闭全城。",
+      "narration": "十六日，钟会召集魏军将领和蜀汉旧官，为太后发丧，矫称遗诏讨伐司马昭，随后关闭宫门城门，将不肯听命者囚禁。姜维想借乱复汉，劝钟会先杀北来诸将；钟会却迟疑未决。",
+      "overlay": {"heading": "矫诏闭门", "line": "一纸虚构的遗诏，把成都变成一座封闭的赌局。"},
+      "people": [
+        {"name": "钟会", "office": "曹魏司徒、叛乱发动者", "action": "矫称郭太后遗诏讨司马昭，收押诸将与官员"},
+        {"name": "姜维", "office": "前蜀汉大将军", "action": "试图借钟会之乱杀北来诸将、重建蜀汉"},
+        {"name": "胡烈", "office": "魏军将领", "action": "与其他魏军将领一同被拘闭，将密告传给其子胡渊"},
+        {"name": "邱建", "office": "钟会帐下督", "action": "为胡烈求得亲兵入内送食，导致消息外泄"}
+      ],
+      "image": {
+        "original": "images/03-forged-edict-sealed-gates.png",
+        "delivery": "images/03-forged-edict-sealed-gates.webp",
+        "alt": "成都旧朝堂内，钟会手持丝书面对不安的魏蜀官员，后方守军正缓缓关上木门。",
+        "prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, third image in the same consistent five-image 16:9 sequence. Primary request: On the sixteenth day of the first lunar month, 264 CE, Zhong Hui gathers Wei protectors, commandants, cavalry-gate officers and former Shu officials in the Chengdu court hall under the pretext of mourning the recently deceased empress dowager. He presents a forged testament calling for action against Sima Zhao, forces the assembled officials to assent, then closes the palace and city gates and confines dissenting commanders. Scene/backdrop: sober former Shu audience hall in winter Chengdu, early third-century timber columns, rammed-earth walls, modest tiled roof, plain mourning drapery with absolutely no writing; heavy timber doors visibly closing in the background, guards taking positions at thresholds. Subjects and continuity: Zhong Hui, the same slender late-thirties commander with sharp face, narrow eyes, thin moustache, black folded headcloth, muted-rust robe and black lacquered lamellar, stands on a low platform holding an unmarked pale silk document. Rows of uneasy middle-aged military officials and former Shu civil officials kneel or stand below; a few are quietly redirected by armed guards toward side chambers. Jiang Wei, the same tall lean early-sixties veteran with grey temples and trimmed beard in blue-grey Shu lamellar, stands off to the side, controlled and unreadable. Style/medium: cinematic historical realism, natural proportions, high-detail film still, political confinement rather than theatrical coronation. Composition/framing: wide symmetrical 16:9 hall with Zhong Hui off-center, anxious officials across the middle ground, doors and guards telling the story in depth; clear negative space in upper right for overlay; nobody faces camera directly. Lighting/mood: cold daylight cut by closing doors, low amber lamps, claustrophobic and irreversible. Color palette: same ash blue, cold grey-green, dark lacquer brown, muted rust red and limited amber. Materials/textures: rough undyed mourning cloth, dark wood grain, packed earth, muted silk, worn lamellar and hemp robes. Constraints: period-grounded late Eastern Han / Three Kingdoms architecture, garments, official caps and armor; the silk testament and all banners/drapery must contain zero visible writing or symbols; no baked-in text, names, subtitles, calligraphy, logos or watermark; non-graphic and historically restrained. Avoid: emperor throne, dragon imagery, Ming/Qing grand palace, bright red-and-gold ceremony, opera costume, tall fantasy crowns, winged helmets, feather fans, modern paper, chains, torture, blood, modern objects.",
+        "visualInference": "座次、服饰、丧帷、丝书、关门时刻与侧室押解为多步事件的同幕压缩；郭太后未在成都，因此不画灵柩或遗体。"
+      },
+      "sources": ["《三国志·魏书·钟会传》及裴松之注引《汉晋春秋》", "《资治通鉴》卷七十八"]
+    },
+    {
+      "id": "04",
+      "title": "正月十八",
+      "timePlace": "264年正月十八日中午，成都",
+      "purpose": "以军队自发攻城呈现钟会失去控制，收束钟会与姜维之死。",
+      "narration": "消息一夜传遍军营。十八日中午，胡渊率兵鼓噪，诸军不期而动，争先攻入。有人架梯登城，有人放火，矢下如雨。姜维在钟会身边奋战而死，钟会也被乱兵杀死，蜀中劫掠死丧，数日后才稍定。",
+      "overlay": {"heading": "正月十八", "line": "鼓声一响，主将不再能指挥军队，只能被军队吞没。"},
+      "people": [
+        {"name": "胡渊", "office": "胡烈之子、魏军将领", "action": "率父兵鼓噪出营，引发诸军攻入成都囚禁区"},
+        {"name": "钟会", "office": "曹魏司徒、叛乱发动者", "action": "与姜维并肩抵抗，被乱兵杀死"},
+        {"name": "姜维", "office": "前蜀汉大将军", "action": "率钟会左右作战，杀伤数人后被杀"},
+        {"name": "卫瓘", "office": "曹魏监军", "action": "此前诈称病笃脱身，兵变后组织诸军，数日后才定乱"}
+      ],
+      "image": {
+        "original": "images/04-chengdu-mutiny.png",
+        "delivery": "images/04-chengdu-mutiny.webp",
+        "alt": "成都兵变中，魏军冲破木门、架梯越墙，钟会与姜维在烟尘和箭雨中被层层包围。",
+        "prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, fourth image in the same consistent five-image 16:9 sequence. Primary request: At noon on the eighteenth day of the first lunar month, 264 CE, Wei soldiers led by Hu Yuan surge toward the sealed Chengdu compound without waiting for a unified command. Drums sound, ladders rise, roof tiles and arrows rain into the courtyard. Inside, Zhong Hui and Jiang Wei fight with a small guard and are overwhelmed; their deaths are imminent and should be conveyed through collapsing defense and aftermath, never through gore. Scene/backdrop: winter Chengdu inner military compound, modest rammed-earth wall and dark timber galleries with grey roof tiles, one small roof fire and smoke caused by the assault, heavy gate forced open, ladders against the wall; no giant imperial palace. Subjects and continuity: Zhong Hui is the same slender late-thirties commander with sharp face, thin moustache, muted-rust robe and black lacquered lamellar, sword lowered as attackers close from multiple directions. Jiang Wei is the same tall lean early-sixties veteran with grey temples, trimmed beard and blue-grey Shu lamellar, defending beside him with a polearm, exhausted but resolute. Hu Yuan's Wei troops flood through the gate and over walls; the scale and direction of the rush matter more than individual hero poses. Style/medium: cinematic historical realism, high-detail film still, natural movement, urgent but sober, historical tragedy rather than action fantasy. Composition/framing: dynamic wide 16:9 diagonal from attackers entering lower-left and over the wall toward Zhong Hui and Jiang Wei in the middle-right; arrows and smoke lead the eye; usable smoky negative space upper-right for overlay; no camera-facing poses. Lighting/mood: cold white noon diffused through smoke, muted orange flame, sudden chaos, failed coup, inescapable end. Color palette: same ash blue, cold grey-green, dark lacquer brown, muted rust red and limited amber/orange. Materials/textures: splintered timber gate, wet roof tiles, hemp banners with no marks, battered lamellar, dust and pale smoke. Constraints: accurate late Eastern Han / Three Kingdoms armor, weapons and architecture; action and consequences imply death but show no blood, wounds, severed body parts, execution or corpse close-ups; no readable signs or banners; no baked-in text, names, subtitles, calligraphy, logos or watermark; preserve Zhong Hui and Jiang Wei appearances from earlier scenes. Avoid: superhero poses, wire-fu, magical effects, fire explosions, Ming/Qing city walls or armor, opera costume, winged helmets, firearms, gore, severed heads, piles of corpses, modern objects.",
+        "visualInference": "把鼓噪、攻门、架梯、纵火、箭雨与钟会姜维之死压缩为一幅构图；人物站位、屋火规模与具体死亡瞬间不作史实还原。"
+      },
+      "sources": ["《三国志·魏书·钟会传》", "《资治通鉴》卷七十八"]
+    },
+    {
+      "id": "05",
+      "title": "绵竹西",
+      "timePlace": "264年正月十八日后，绵竹西",
+      "purpose": "交代钟会死后邓艾短暂获释却仍遭杀害，将灭蜀两主将的结局并置收束。",
+      "narration": "钟会死后，邓艾旧部追上槛车把他迎回。卫瓘自知曾与钟会共同奏陷邓艾，担心他返回生变，立即派田续追击。绵竹西的冬路上，邓艾与儿子邓忠一同被杀。蜀汉覆亡后的第一个正月，两位灭蜀主将都没能走出蜀地。",
+      "overlay": {"heading": "绵竹西", "line": "邓艾刚离开槛车，又走进一条没有归路的冬路。"},
+      "people": [
+        {"name": "邓艾", "office": "曹魏太尉、灭蜀主将", "action": "被旧部从槛车迎回后，在绵竹西被田续所部杀害"},
+        {"name": "邓忠", "office": "邓艾之子、魏军将领", "action": "与父亲同死于绵竹西"},
+        {"name": "田续", "office": "曹魏护军", "action": "受卫瓘之命追击邓艾，于绵竹西杀邓艾父子"},
+        {"name": "卫瓘", "office": "曹魏监军", "action": "因曾与钟会共陷邓艾、恐其为变，派田续袭杀；不在本幕画面"}
+      ],
+      "image": {
+        "original": "images/05-death-west-mianzhu.png",
+        "delivery": "images/05-death-west-mianzhu.webp",
+        "alt": "绵竹西的泥泞冬路上，打开的槛车停在旁边，邓艾与邓忠被持枪魏军团团围住。",
+        "prompt": "Use case: historical-scene. Asset type: Digital Me historical event story frame, fifth and final image in the same consistent five-image 16:9 sequence. Primary request: After Zhong Hui has been killed in Chengdu, Deng Ai's former soldiers catch up with the wooden prisoner cart and release him. On the winter road west of Mianzhu, Wei Guan's officer Tian Xu and an armed detachment intercept Deng Ai and his son Deng Zhong. Show the instant the veteran father and son realize they are surrounded and cannot escape; their deaths are conveyed by the closed ring of spearpoints, the abandoned cage cart, and their doomed stance, with no graphic killing. Scene/backdrop: damp winter Sichuan road west of third-century Mianzhu, low wooded hills, bare branches, reeds, cold mist, muddy ruts and a narrow timber bridge in the distance; an opened wooden cage cart stands askew behind Deng Ai, establishing that he had just been freed. Subjects and continuity: Deng Ai is the same elderly broad-shouldered veteran from scene one, weathered square face, greying short beard, travel-worn grey-brown robe and worn dark-brown lacquered lamellar, standing unarmed or with hands away from weapons. His sturdy adult son Deng Zhong stands close beside him. Tian Xu, a hard middle-aged officer in plain dark Wei lamellar, remains with his detachment in the middle distance; disciplined soldiers close the road from both sides. Deng Ai and Deng Zhong are dignified, exhausted, and visibly trapped, not posing heroically. Style/medium: cinematic historical realism, natural proportions, high-detail film still, mournful political tragedy, restrained and historically credible. Composition/framing: wide 16:9 road composition, opened cage cart in left middle ground, Deng Ai and son centered but small within the enclosing detachment, misty hill and empty sky provide upper-right negative space for overlay; use spear diagonals to imply the final blow without showing impact. Lighting/mood: cold late-afternoon winter light with faint amber at the horizon; bitter, exhausted, unjust end after victory. Color palette: same sequence palette of ash blue, cold grey-green, dark lacquer brown, muted rust red and very limited amber. Materials/textures: wet earth, rough hemp, weathered wood cage, dull iron spearheads, worn lacquered lamellar, winter reeds. Constraints: period-grounded late Eastern Han / Three Kingdoms clothing, armor, cart and road landscape; respectful non-graphic violence; no blood, wounds, severed heads, visible execution stroke or corpse; no readable signs or banners; no baked-in text, names, subtitles, calligraphy, logos or watermark; preserve Deng Ai and Deng Zhong from scene one. Avoid: snowy northern landscape, Ming/Qing armor or city gate, fantasy weapons, winged helmets, opera costume, heroic cavalry charge, gore, torture, ropes around necks, modern roads or carts, magical light.",
+        "visualInference": "史料只明言“遇于绵竹西，斩之”；冬路、车辙、雾气、包围阵形、人物表情与将槛车纳入同景均为不改变结局的视觉补全。"
+      },
+      "sources": ["《三国志·魏书·邓艾传》及裴松之注引《汉晋春秋》", "《资治通鉴》卷七十八"]
+    }
+  ],
+  "bgm": {
+    "catalogId": "seed-music-v1:linjiu:广陵散·今译",
+    "title": "广陵散·今译",
+    "version": "约80 BPM、无主唱纯伴奏的成都兵变剪辑版",
+    "status": "pending-export",
+    "pathOrUrl": "",
+    "usage": "纯伴奏：箫或低箫短气息、古琴主干、低音弦乐和木质打击；如果未来只有含人声版，必须使用伴奏或去人声 stem",
+    "reason": "项目说明将这首古曲改编定义为箫起头、弦乐垫底的当代配器，适合从冷静收捕和权力移交逐步推入城中兵变，再以空冷尾音收束绵竹西的结局。",
+    "cues": [
+      {"from": "00:00", "to": "00:17", "scene": "01", "direction": "低箫气息与单个古琴散音起，微弱木质声像槛车轮轴；擒下邓艾父子时加一个低音点。"},
+      {"from": "00:17", "to": "00:34", "scene": "02", "direction": "加入极低弦乐持续音，读到司马昭大军屯长安时才出现规律脉冲，不做英雄主题。"},
+      {"from": "00:34", "to": "00:51", "scene": "03", "direction": "木质打击由疏变密，大门合拢时突然收掉高频，留低频与短促管乐气声。"},
+      {"from": "00:51", "to": "01:11", "scene": "04", "direction": "十八日中午前短停半秒，随后不规则木鼓与弦乐断奏爆发；钟会、姜维之死处不起高潮，直接断拍。"},
+      {"from": "01:11", "to": "01:29", "scene": "05", "direction": "抽掉打击，只留低弦和两个疏离古琴音；都没能走出蜀地后留一秒环境空白。"}
+    ]
+  },
+  "sources": [
+    {"claim": "钟会密白邓艾有反状，卫瓘先行收邓艾，邓艾父子被置于槛车。", "citation": "《三国志·魏书·邓艾传》；《三国志·魏书·钟会传》；《资治通鉴》卷七十八"},
+    {"claim": "钟会于正月十五日至成都，十六日矫太后遗诏起兵，囚禁魏蜀官员。", "citation": "《三国志·魏书·钟会传》；《资治通鉴》卷七十八"},
+    {"claim": "正月十八日胡渊率兵鼓噪，诸军攻城，钟会与姜维死于兵变。", "citation": "《三国志·魏书·钟会传》；《资治通鉴》卷七十八"},
+    {"claim": "钟会死后，邓艾旧部追出槛车迎还，卫瓘遣田续等追击，邓艾与邓忠遇害于绵竹西。", "citation": "《三国志·魏书·邓艾传》及裴松之注引《汉晋春秋》；《资治通鉴》卷七十八"},
+    {"claim": "成都乱后军众抄掠，死丧狼藉，数日乃安集。", "citation": "《三国志·蜀书·后主传》；《资治通鉴》卷七十八"}
+  ],
+  "blacklist": [
+    "不把邓艾确已谋反写成史实；只写钟会等奏其有反状、朝廷以槛车征召",
+    "不画邓艾与钟会单挑、对质或同场被杀",
+    "不画钟会登基、称帝、戴冕或穿龙袍",
+    "不画郭太后遗体或灵柩出现在成都",
+    "不把姜维剖腹胆大如斗之类血腥异闻做成画面，不复制秘信全文或戏剧台词",
+    "不画诸葛亮显灵、锦囊定计或其他三国演义式神异介入",
+    "不出现晋朝皇帝、国号或帝制旗号；264年西晋尚未取代曹魏",
+    "不编造超出史书明载的精确兵力，画面不按数字机械复原军阵",
+    "不使用明清盔甲、明清宫城、戏曲脸谱、翼状头盔、火药爆炸、现代马车、奇幻武器或血腥特写"
+  ]
+}

战役素材/曹魏/钟会之乱（邓艾、钟会之死）/素材说明.md

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+# 钟会之乱（邓艾、钟会之死）｜素材说明
+
+- 用户原称：钟会之乱·邓艾钟会之死
+- 规范事件名：钟会之乱（邓艾、钟会之死）
+- 时代：三国·曹魏景元五年（264年；同年五月改元咸熙）
+- 时间：264年正月；钟会于正月十五日至成都、十六日起兵、十八日兵败身死，邓艾随后遇害
+- 地点：益州成都、绵竹西
+- 一句话结论：灭蜀后，钟会先促成邓艾被捕，继而在成都起兵失败；钟会与姜维死于兵变，刚被旧部救出的邓艾也与子邓忠在绵竹西被杀。
+
+## 约 89 秒主旁白
+
+景元四年末，蜀汉已经投降，灭蜀的两员魏将却先争起功来。钟会忌惮邓艾，又借他在成都擅自承制封拜，密奏其有反状。景元五年正月，卫瓘趁夜先入成都，离散邓艾诸将；天明时擒下邓艾父子，装入槛车送往京师。正月十五，钟会进入成都。邓艾一去，他独统大军。可司马昭已带十万大军屯于长安，钟会知道自己已被怀疑，决定起兵：成则取天下，不成便据蜀自守。十六日，他召集魏军将领和蜀汉旧官，为太后发丧，矫称遗诏讨伐司马昭，随后关闭宫门城门，将不肯听命者囚禁。姜维想借乱复汉，劝钟会先杀北来诸将；钟会却迟疑未决。消息一夜传遍军营。十八日中午，胡渊率兵鼓噪，诸军争先攻入。箭雨和火烟中，姜维奋战而死，钟会也被乱兵杀死。邓艾旧部追上槛车把他迎回，卫瓘自知曾与钟会共同奏陷邓艾，担心他返回生变，立即派田续追击。绵竹西的冬路上，邓艾与儿子邓忠一同被杀。蜀汉覆亡后的第一个正月，两位灭蜀主将都没能走出蜀地。
+
+## 分幕素材
+
+### 第一幕｜槛车征艾
+
+- 时间地点：264年正月，成都邓艾驻所
+- 叙事作用：从灭蜀后的争功转入权力清算，交代钟会先借朝廷诏命除去唯一忌惮的邓艾。
+- 旁白：景元四年末，蜀汉已经投降，灭蜀的两员魏将却先争起功来。钟会忌惮邓艾，又借他在成都擅自承制封拜，密奏其有反状。景元五年正月，卫瓘趁夜先入成都，离散邓艾诸将；天明时擒下邓艾父子，装入槛车送往京师。
+- 叠字标题：槛车征艾
+- 一句短文案：灭蜀第一功尚未还朝，先被送上了囚车。
+- 人物标签：
+  - 邓艾／曹魏太尉、灭蜀主将／被诏书以槛车征召，在成都与子一同被捕
+  - 邓忠／邓艾之子、魏军将领／与父亲同被收捕
+  - 卫瓘／曹魏监军、镇西军司／先入成都离散邓艾诸将，于天明擒下邓艾父子
+  - 钟会／曹魏司徒、灭蜀主将／密奏邓艾有反状，命卫瓘先行收捕；不在本幕画面
+- 图片：`images/01-arrest-deng-ai.png`、`images/01-arrest-deng-ai.webp`
+- 画面说明：冬日拂晓，卫瓘率少量卫士进入邓艾在成都的驻所；邓艾与邓忠被押向等候的木制槛车，周围魏军已经放下兵器。
+- 替代文本：冬日拂晓的成都驻所内，卫瓘监督卫士押走邓艾父子，一辆木制槛车停在雾中。
+- 最终提示词摘要：264年正月成都拂晓，卫瓘收捕邓艾父子，木制槛车在后；三国写实、16:9、无文字、无血腥。
+- 视觉补全：驻所样式、人物外貌、槛车结构、站位与拂晓雾气为可视化重构；史料明言卫瓘夜入成都、平旦入邓艾所居、擒父子置槛车。
+- 史实依据：《三国志·魏书·邓艾传》；《三国志·魏书·钟会传》；《资治通鉴》卷七十八。
+
+### 第二幕｜大军独属
+
+- 时间地点：264年正月十五日，成都
+- 叙事作用：呈现邓艾被除去后钟会独统大军，以及司马昭大军西来如何逼他立即行动。
+- 旁白：正月十五，钟会进入成都。邓艾一去，他独统大军。可司马昭已带十万大军屯于长安，钟会知道自己已被怀疑，决定起兵：成则取天下，不成便据蜀自守。
+- 叠字标题：大军独属
+- 一句短文案：邓艾一去，钟会把灭蜀之功握成了自己的兵权。
+- 人物标签：
+  - 钟会／曹魏司徒、灭蜀主将／在邓艾被收后独统大军，得知司马昭亲至长安后决意起兵
+  - 姜维／前蜀汉大将军／利用钟会异志试图构成内乱，再图复汉
+  - 司马昭／曹魏相国、晋公／命贾充入斜谷，自将十万屯长安；不在本幕画面
+- 图片：`images/02-zhong-hui-decides-revolt.png`、`images/02-zhong-hui-decides-revolt.webp`
+- 画面说明：钟会在成都军府展开司马昭来书，简朴地图与兵符摆在案上；姜维站在其后观察，庭院远处是钟会所统魏军。
+- 替代文本：冬日成都军府里，钟会在地图案前读信，姜维从后注视，门外魏军列队等候。
+- 最终提示词摘要：钟会进成都后独统大军，在姜维面前读到司马昭西来书信，决意起兵；政治惊悚、16:9、无可读文字。
+- 视觉补全：军府室内、地图、兵符、来书外形、姜维站位与庭院军阵均为画面重构；不将钟会的心理活动画成可证实的私室对话。
+- 史实依据：《三国志·魏书·钟会传》；《资治通鉴》卷七十八。
+
+### 第三幕｜矫诏闭门
+
+- 时间地点：264年正月十六日，成都蜀汉旧朝堂与益州官署
+- 叙事作用：呈现钟会之乱正式发动，以谎称的太后遗诏与对魏蜀官员的囚禁封闭全城。
+- 旁白：十六日，钟会召集魏军将领和蜀汉旧官，为太后发丧，矫称遗诏讨伐司马昭，随后关闭宫门城门，将不肯听命者囚禁。姜维想借乱复汉，劝钟会先杀北来诸将；钟会却迟疑未决。
+- 叠字标题：矫诏闭门
+- 一句短文案：一纸虚构的遗诏，把成都变成一座封闭的赌局。
+- 人物标签：
+  - 钟会／曹魏司徒、叛乱发动者／矫称郭太后遗诏讨司马昭，收押诸将与官员
+  - 姜维／前蜀汉大将军／试图借钟会之乱杀北来诸将、重建蜀汉
+  - 胡烈／魏军将领／与其他魏军将领一同被拘闭，将密告传给其子胡渊
+  - 邱建／钟会帐下督／为胡烈求得亲兵入内送食，导致消息外泄
+- 图片：`images/03-forged-edict-sealed-gates.png`、`images/03-forged-edict-sealed-gates.webp`
+- 画面说明：简朴的蜀汉旧朝堂里，钟会举起无字丝书，官员们被迫聚集；背景里守军正在关闭厚重木门，一些人被引向侧室囚禁。
+- 替代文本：成都旧朝堂内，钟会手持丝书面对不安的魏蜀官员，后方守军正缓缓关上木门。
+- 最终提示词摘要：264年正月十六成都，钟会以矫诏发动叛乱，魏蜀官员被囚、宫门关闭；压抑写实、16:9、丝书无字。
+- 视觉补全：座次、服饰、丧帷、丝书、关门时刻与侧室押解为多步事件的同幕压缩；郭太后未在成都，因此不画灵柩或遗体。
+- 史实依据：《三国志·魏书·钟会传》及裴松之注引《汉晋春秋》；《资治通鉴》卷七十八。
+
+### 第四幕｜正月十八
+
+- 时间地点：264年正月十八日中午，成都
+- 叙事作用：以军队自发攻城呈现钟会失去控制，收束钟会与姜维之死。
+- 旁白：消息一夜传遍军营。十八日中午，胡渊率兵鼓噪，诸军不期而动，争先攻入。有人架梯登城，有人放火，矢下如雨。姜维在钟会身边奋战而死，钟会也被乱兵杀死，蜀中劫掠死丧，数日后才稍定。
+- 叠字标题：正月十八
+- 一句短文案：鼓声一响，主将不再能指挥军队，只能被军队吞没。
+- 人物标签：
+  - 胡渊／胡烈之子、魏军将领／率父兵鼓噪出营，引发诸军攻入成都囚禁区
+  - 钟会／曹魏司徒、叛乱发动者／与姜维并肩抵抗，被乱兵杀死
+  - 姜维／前蜀汉大将军／率钟会左右作战，杀伤数人后被杀
+  - 卫瓘／曹魏监军／此前诈称病笃脱身，兵变后组织诸军，数日后才定乱
+- 图片：`images/04-chengdu-mutiny.png`、`images/04-chengdu-mutiny.webp`
+- 画面说明：成都内院木门被撞开，魏军从门口和墙梯同时涌入，屋顶火烟与箭雨压下；钟会和姜维在少量护卫中陷入合围。
+- 替代文本：成都兵变中，魏军冲破木门、架梯越墙，钟会与姜维在烟尘和箭雨中被层层包围。
+- 最终提示词摘要：264年正月十八成都兵变，胡渊所部与魏军攻门登城，钟会姜维被包围；动作暗示结局，无血腥特写。
+- 视觉补全：把鼓噪、攻门、架梯、纵火、箭雨与钟会姜维之死压缩为一幅构图；人物站位、屋火规模与具体死亡瞬间不作史实还原。
+- 史实依据：《三国志·魏书·钟会传》；《资治通鉴》卷七十八。
+
+### 第五幕｜绵竹西
+
+- 时间地点：264年正月十八日后，绵竹西
+- 叙事作用：交代钟会死后邓艾短暂获释却仍遭杀害，将灭蜀两主将的结局并置收束。
+- 旁白：钟会死后，邓艾旧部追上槛车把他迎回。卫瓘自知曾与钟会共同奏陷邓艾，担心他返回生变，立即派田续追击。绵竹西的冬路上，邓艾与儿子邓忠一同被杀。蜀汉覆亡后的第一个正月，两位灭蜀主将都没能走出蜀地。
+- 叠字标题：绵竹西
+- 一句短文案：邓艾刚离开槛车，又走进一条没有归路的冬路。
+- 人物标签：
+  - 邓艾／曹魏太尉、灭蜀主将／被旧部从槛车迎回后，在绵竹西被田续所部杀害
+  - 邓忠／邓艾之子、魏军将领／与父亲同死于绵竹西
+  - 田续／曹魏护军／受卫瓘之命追击邓艾，于绵竹西杀邓艾父子
+  - 卫瓘／曹魏监军／因曾与钟会共陷邓艾、恐其为变，派田续袭杀；不在本幕画面
+- 图片：`images/05-death-west-mianzhu.png`、`images/05-death-west-mianzhu.webp`
+- 画面说明：潮湿雾冷的绵竹西冬路上，被打开的槛车留在身后，邓艾与邓忠被田续所部成环包围，枪锋交错暗示无可避免的结局。
+- 替代文本：绵竹西的泥泞冬路上，打开的槛车停在旁边，邓艾与邓忠被持枪魏军团团围住。
+- 最终提示词摘要：钟会死后，邓艾父子在绵竹西被田续所部包围，身后是打开的槛车；悲剧写实、16:9、无血腥杀戮。
+- 视觉补全：史料只明言“遇于绵竹西，斩之”；冬路、车辙、雾气、包围阵形、人物表情与将槛车纳入同景均为不改变结局的视觉补全。
+- 史实依据：《三国志·魏书·邓艾传》及裴松之注引《汉晋春秋》；《资治通鉴》卷七十八。
+
+## BGM 选择
+
+- 选中曲目：项目曲库种子键 `seed-music-v1:linjiu:广陵散·今译`《广陵散·今译》
+- 版本：建议制作约 80 BPM、无主唱纯伴奏的“成都兵变剪辑版”
+- 项目状态：待生成／待导出；仓库当前只有曲目与创作说明，没有 `audioUrl` 或对应本地音频，本素材包不附 MP3。
+- 使用方式：以箫或低箫的短气息开场，保留古琴主干，低音弦乐与木质打击逐段加压；不使用主唱。若将来只导出含人声版本，必须改用伴奏或去人声 stem。
+- 选择理由：项目说明已将这首古曲改编定义为“箫起头、弦乐垫底”的当代配器，比更舒缓的《青崖引》更适合从冷静收捕、权力移交逐步推入城中兵变，又能在绵竹西以空冷尾音收束。
+
+### Cue sheet
+
+| 时间 | 幕次 | 剪辑方向 |
+| --- | --- | --- |
+| 00:00–00:17 | 01 | 低箫气息与单个古琴散音起，微弱木质声像槛车轮轴；“擒下邓艾父子”时加一个低音点。 |
+| 00:17–00:34 | 02 | 加入极低弦乐持续音，读到司马昭大军屯长安时才出现规律脉冲，不做英雄主题。 |
+| 00:34–00:51 | 03 | 木质打击由疏变密，大门合拢时突然收掉高频，留低频与短促管乐气声。 |
+| 00:51–01:11 | 04 | “十八日中午”前短停半秒，随后不规则木鼓与弦乐断奏爆发；钟会、姜维之死处不起高潮，直接断拍。 |
+| 01:11–01:29 | 05 | 抽掉打击，只留低弦和两个疏离古琴音；“都没能走出蜀地”后留一秒环境空白。 |
+
+## 史实边界
+
+### 史实依据
+
+- 《三国志·魏书·钟会传》：钟会密白邓艾有反状、卫瓘先行收邓艾、钟会独统大众后谋反、正月十五日至成都、十六日矫诏囚官、十八日兵变及钟会姜维之死。
+- 《三国志·魏书·邓艾传》：邓艾之承制封拜与遭众将白为“悖逆”，槛车征还，钟会死后邓艾被旧部迎回，又在绵竹西与子邓忠俱死。
+- 《资治通鉴》卷七十八：卫瓘夜入成都、平旦擒邓艾父子；钟会所统与司马昭西来；十六日囚禁众官；十八日胡渊与诸军攻城、登梯、纵火、矢下如雨；邓艾父子遇害于绵竹西。
+- 《三国志·蜀书·后主传》：邓艾被收、钟会至成都作乱、蜀中军众抄掠死丧狼藉、数日乃安集。
+- 项目内曲库核对：`digital-me-backend/scripts/seed-music.js` 中 `linjiu / 广陵散·今译` 曲目方案；仓库未发现该曲对应音频文件。
+
+### 可视化补全
+
+- 五幕的冬日雾气、时辰光线、人物面貌、衣甲细节、站位、军府与道路样式均为视觉设计，不作为史实断言。
+- 成都建筑统一采用东汉末至三国时期可解释的夿土、深色木构与灰瓦，不使用明清宫殿或城楼。
+- 第四幕把数个先后动作压缩为同一攻入瞬间；第五幕把旧部迎还与绵竹西被截串在同一画面中，以打开的槛车交代前事。
+- 图像不表现连续血腥杀戮，只用动作、包围、兵器与后果暗示人物结局。
+
+### 禁用元素
+
+- 不把邓艾“确已谋反”写成史实；可确认的是钟会等奏其有反状、朝廷以槛车征召。
+- 不画邓艾与钟会单挑、对质或同场被杀；两人之死地与先后均不同。
+- 不画钟会登基、称帝、戴冕或穿龙袍；他的起兵三日即败，未建立新朝。
+- 不画郭太后遗体或灵柩在成都；钟会只是借发丧矫称遗诏。
+- 不把姜维“剖腹胆大如斗”之类后世血腥异闻做成画面，也不复制秘信全文或戏剧台词。
+- 不画诸葛亮显灵、锦囊定计或其他《三国演义》式神异介入。
+- 不出现“晋朝”皇帝、国号或帝制旗号；264年司马昭是魏相国、晋公，西晋尚未取代曹魏。
+- 不编造超出史书明载的精确兵力，画面不按数字机械复原军阵；不使用明清盔甲、明清宫城、戏曲脸谱、翼状头盔、火药爆炸、现代马车或奇幻武器。
+
+## 生成说明
+
+- 图片由内置图像生成工具制作，共 5 张原始 PNG 与 5 张 WebP，全部为 1672×941 横版（约 16:9）。
+- 图片不烘焙人物姓名、字幕、书法、Logo 或水印，并为后期叠字保留负空间。
+- 五张图的最终完整提示词保存在 `manifest.json` 各幕 `image.prompt` 字段。
+
+## 在线史料入口
+
+- [《三国志·魏书·钟会传》](https://ctext.org/text.pl?if=gb&node=603245)
+- [《三国志·魏书·邓艾传》](https://ctext.org/text.pl?if=gb&node=603228)
+- [《资治通鉴》卷七十八](https://zh.wikisource.org/zh-hans/資治通鑑/卷078)
+- [《三国志·蜀书·后主传》](https://zh.wikisource.org/zh-hans/三國志_(四庫全書本)/蜀志/卷03)