数字我 Digital Me：全量入库（大文件走 Git LFS）

战役素材/吴/夷陵之战（猇亭火攻）/manifest.json

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+{
+  "event": {
+    "canonicalName": "夷陵之战（猇亭火攻）",
+    "aliases": [
+      "夷陵之战",
+      "猇亭之战",
+      "刘备伐吴"
+    ],
+    "era": "三国·蜀汉章武二年／吴黄武元年",
+    "date": "公元222年",
+    "place": "秭归、夷道、猇亭、马鞍山至白帝城一线",
+    "summary": "陆逊避开蜀军初锐，待刘备舍船就步、缘山结营后发动火攻，连破四十余营，刘备退入白帝城。"
+  },
+  "narration": {
+    "language": "zh-CN",
+    "estimatedSeconds": 86,
+    "fullText": "章武元年，刘备为夺回荆州、报关羽之败，亲率蜀军东征。孙权命陆逊为大都督，统五万人迎敌。刘备从秭归沿山推进，在夷道、猇亭一带处处结营，又派马良联络五溪诸部。蜀军初来气盛，吴将屡次请战，陆逊却坚持避其锋芒。双方相持七八个月，蜀军舍船就步，营垒散布山林，兵疲意沮。陆逊先试攻一营，确认火势可用，随即命各军持茅纵火，同时进击。蜀军四十余营接连被破，冯习、张南等战死。刘备退上马鞍山，又被吴军四面压迫，只得乘夜焚烧器械断后，退入白帝城。夷陵之败让蜀汉再无力东取荆州，也迫使蜀吴重新结盟。正史只记四十余营，不记所谓“七百里连营”；赵云白帝救主、八阵图困陆逊，也不属于这场真实战事。"
+  },
+  "scenes": [
+    {
+      "id": "01",
+      "title": "倾国东征",
+      "timePlace": "公元221至222年，秭归至夷道",
+      "purpose": "交代刘备东征、陆逊受命和沿江山地战场。",
+      "narration": "刘备称帝后亲率蜀军东下。孙权以陆逊为大都督，督朱然、潘璋、韩当等五万人迎敌。",
+      "overlay": {
+        "heading": "倾国东征",
+        "line": "荆州旧恨，把蜀汉的国力推向长江峡口。"
+      },
+      "people": [
+        {
+          "name": "刘备",
+          "office": "蜀汉皇帝",
+          "action": "亲率大军由秭归东进"
+        },
+        {
+          "name": "陆逊",
+          "office": "吴大都督、假节",
+          "action": "统率五万吴军迎战"
+        },
+        {
+          "name": "马良",
+          "office": "蜀侍中",
+          "action": "奉命联络五溪诸部"
+        }
+      ],
+      "image": {
+        "original": "images/01-liu-bei-marches-east.png",
+        "delivery": "images/01-liu-bei-marches-east.webp",
+        "alt": "长江峡口与山道间，刘备的蜀军舟船和步兵同时东进，远处吴军在陆逊指挥下据守要地。",
+        "prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Spring 222 CE along the Yangtze gorges. Liu Bei, an East Asian ruler in his early sixties with a weathered narrow face, short graying beard and practical dark ochre campaign armor under a muted imperial cloak, oversees Shu boats and infantry moving east through a steep river corridor. Far downstream, Lu Xun, a composed East Asian commander in his late thirties wearing restrained dark teal Wu armor, studies the terrain with Wu officers. No face-to-face meeting. Wide establishing landscape, river mist, wooded ridges, human-scale columns. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
+        "visualInference": "两军隔江同框、人物衣甲与具体舟队构图为视觉压缩；东征路线、陆逊统五万与马良联络五溪见史载。"
+      },
+      "sources": [
+        "《三国志·吴书·陆逊传、陆抗传》卷五十八"
+      ]
+    },
+    {
+      "id": "02",
+      "title": "相持七月",
+      "timePlace": "猇亭、夷道一带",
+      "purpose": "表现陆逊拒绝早战、蜀军舍船结营并逐渐疲惫。",
+      "narration": "蜀军缘山结营，舍船就步。吴将屡次求战，陆逊却等了七八个月，直到对手兵疲意沮。",
+      "overlay": {
+        "heading": "相持七月",
+        "line": "陆逊把最难的一仗，先交给暑热、山路和时间。"
+      },
+      "people": [
+        {
+          "name": "陆逊",
+          "office": "吴大都督",
+          "action": "拒绝趁蜀军初至时交战，等待战机"
+        },
+        {
+          "name": "刘备",
+          "office": "蜀汉皇帝",
+          "action": "在夷道、猇亭沿山结营"
+        },
+        {
+          "name": "吴军诸将",
+          "office": "朱然、潘璋、韩当等",
+          "action": "按令守险，虽有不满仍不擅战"
+        }
+      ],
+      "image": {
+        "original": "images/02-seven-month-standoff.png",
+        "delivery": "images/02-seven-month-standoff.webp",
+        "alt": "盛夏猇亭山地中蜀军营寨沿坡分散，陆逊在对岸高地观察，吴军保持阵地不出。",
+        "prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Midsummer standoff at Xiaoting. Scattered Shu stockades and canvas shelters climb wooded slopes, supply parties laboring between them after abandoning river movement. Across a valley, Lu Xun preserves the same face and dark teal armor while calmly observing with restless Wu generals; their troops remain behind earth-and-timber defenses. Heat haze, insects and dry foliage convey time and fatigue. Wide quiet frame, no battle, no text. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
+        "visualInference": "观察高地、暑热与将领站位为视觉补全；舍船就步、处处结营、相持七八月和陆逊避锐均有史载。"
+      },
+      "sources": [
+        "《三国志·吴书·陆逊传、陆抗传》卷五十八"
+      ]
+    },
+    {
+      "id": "03",
+      "title": "火破四十余营",
+      "timePlace": "公元222年夏，猇亭蜀军营地",
+      "purpose": "呈现试攻之后的同步火攻与全线崩塌。",
+      "narration": "陆逊确认破敌之术后，命各军持一把茅纵火，同时进攻。火势一成，蜀军四十余营接连被破。",
+      "overlay": {
+        "heading": "火破连营",
+        "line": "每人一把茅，点燃的是已经疲惫的整条战线。"
+      },
+      "people": [
+        {
+          "name": "陆逊",
+          "office": "吴大都督",
+          "action": "下令各军纵火并同时进攻"
+        },
+        {
+          "name": "冯习",
+          "office": "蜀军大督",
+          "action": "败亡于战中"
+        },
+        {
+          "name": "张南",
+          "office": "蜀军前部督",
+          "action": "败亡于战中"
+        },
+        {
+          "name": "吴军诸将",
+          "office": "各部将领",
+          "action": "依令同步突击"
+        }
+      ],
+      "image": {
+        "original": "images/03-fire-breaks-forty-camps.png",
+        "delivery": "images/03-fire-breaks-forty-camps.webp",
+        "alt": "暮色山谷里多个蜀军木栅营寨先后起火，吴军从不同坡道推进，陆逊在后方高地控制节奏。",
+        "prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: The coordinated fire attack at dusk. Several separated Shu wooden stockades along a dry valley catch fire in sequence from small bundles of reeds, while Wu infantry advances from multiple slopes only after flames take hold. Lu Xun, same identity, directs from a rear ridge rather than fighting personally. Show smoke, collapsing empty barriers and soldiers evacuating, no burning people, corpses or gore. Wide kinetic 16:9 panorama, orange fire against blue-gray mountains. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
+        "visualInference": "多营同时可见、陆逊所在高地与火势传播为战术可视化；各持一把茅、火攻、同时俱攻、破四十余营见《陆逊传》。"
+      },
+      "sources": [
+        "《三国志·吴书·陆逊传、陆抗传》卷五十八"
+      ]
+    },
+    {
+      "id": "04",
+      "title": "夜退白帝",
+      "timePlace": "马鞍山至白帝城",
+      "purpose": "呈现刘备登山再败、焚器断后与蜀吴格局重置。",
+      "narration": "刘备退上马鞍山，仍被四面进逼。夜里，驿人焚烧铙铠断后，他才退入白帝城。",
+      "overlay": {
+        "heading": "夜退白帝",
+        "line": "一场复仇东征，最后只剩烧掉军资换来的退路。"
+      },
+      "people": [
+        {
+          "name": "刘备",
+          "office": "蜀汉皇帝",
+          "action": "乘夜撤退，仅得入白帝城"
+        },
+        {
+          "name": "陆逊",
+          "office": "吴大都督",
+          "action": "督军四面进逼后停止过度追击"
+        },
+        {
+          "name": "蜀军驿人",
+          "office": "随军人员",
+          "action": "担负器械并焚毁断路"
+        }
+      ],
+      "image": {
+        "original": "images/04-night-retreat-to-baidi.png",
+        "delivery": "images/04-night-retreat-to-baidi.webp",
+        "alt": "夜雨般的烟雾中，刘备率残军沿峡道向白帝城撤退，后方废弃器械燃烧阻断道路，吴军停在远处。",
+        "prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Night retreat through a narrow mountain road toward Baidi. Liu Bei, same aged face and battered ochre armor, rides among a reduced column while attendants ignite abandoned drums, armor bundles and broken carts to obstruct pursuit. Distant Wu troops halt beyond smoke rather than charging through fire. Dawn light begins over the river ahead. Somber wide frame, no heroic rescue, no magical stone maze, no bodies. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
+        "visualInference": "峡道、火障规模与吴军距离为视觉补全；刘备升马鞍山后夜遁、焚铙铠断后、仅入白帝有史载。"
+      },
+      "sources": [
+        "《三国志·吴书·陆逊传、陆抗传》卷五十八"
+      ]
+    }
+  ],
+  "bgm": {
+    "catalogId": "zhanzhen:yiling#0",
+    "title": "夷陵之战",
+    "version": "电影级配乐·建议使用无主唱器乐 stem",
+    "status": "pending-export",
+    "usage": "前两幕以压抑低弦和稀疏木鼓表现长久相持；火攻只在第三幕一次爆发，终幕迅速塌回灰烬般的低频。",
+    "reason": "项目内与本战直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。",
+    "pathOrUrl": "",
+    "cues": [
+      {
+        "from": "00:00",
+        "to": "00:21",
+        "scene": "01",
+        "direction": "以最少配器建立时代、地理与压力。"
+      },
+      {
+        "from": "00:21",
+        "to": "00:42",
+        "scene": "02",
+        "direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
+      },
+      {
+        "from": "00:42",
+        "to": "01:03",
+        "scene": "03",
+        "direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
+      },
+      {
+        "from": "01:03",
+        "to": "01:26",
+        "scene": "04",
+        "direction": "撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。"
+      }
+    ]
+  },
+  "sources": [
+    {
+      "claim": "本素材所涉夷陵之战（猇亭火攻）的时间、人物、行动与结局",
+      "citation": "《三国志·吴书·陆逊传、陆抗传》卷五十八",
+      "url": "https://zh.wikisource.org/wiki/三國志/卷58"
+    }
+  ],
+  "blacklist": [
+    "现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
+    "唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲",
+    "《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪",
+    "血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械",
+    "把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实",
+    "写成“七百里连营”；《陆逊传》明确破四十余营，但没有七百里这一正史数字",
+    "画赵云在白帝城前救刘备、黄承彦八阵图困陆逊或关兴张苞复仇",
+    "把陆逊的火攻画成神风、法术或预先铺满整片山林的现代燃烧装置"
+  ]
+}

战役素材/吴/夷陵之战（猇亭火攻）/素材说明.md

@@ -0,0 +1,126 @@
+# 夷陵之战（猇亭火攻）｜素材说明
+
+## 事件边界
+
+- 规范事件名：夷陵之战（猇亭火攻）
+- 常用称呼：夷陵之战、猇亭之战、刘备伐吴
+- 时代：三国·蜀汉章武二年／吴黄武元年
+- 日期：公元222年
+- 地点：秭归、夷道、猇亭、马鞍山至白帝城一线
+- 一句话结论：陆逊避开蜀军初锐，待刘备舍船就步、缘山结营后发动火攻，连破四十余营，刘备退入白帝城。
+
+## 60–90 秒主旁白
+
+章武元年，刘备为夺回荆州、报关羽之败，亲率蜀军东征。孙权命陆逊为大都督，统五万人迎敌。刘备从秭归沿山推进，在夷道、猇亭一带处处结营，又派马良联络五溪诸部。蜀军初来气盛，吴将屡次请战，陆逊却坚持避其锋芒。双方相持七八个月，蜀军舍船就步，营垒散布山林，兵疲意沮。陆逊先试攻一营，确认火势可用，随即命各军持茅纵火，同时进击。蜀军四十余营接连被破，冯习、张南等战死。刘备退上马鞍山，又被吴军四面压迫，只得乘夜焚烧器械断后，退入白帝城。夷陵之败让蜀汉再无力东取荆州，也迫使蜀吴重新结盟。正史只记四十余营，不记所谓“七百里连营”；赵云白帝救主、八阵图困陆逊，也不属于这场真实战事。
+
+## 分幕素材
+
+### 01｜倾国东征
+
+- 时间地点：公元221至222年，秭归至夷道
+- 叙事作用：交代刘备东征、陆逊受命和沿江山地战场。
+- 本幕旁白：刘备称帝后亲率蜀军东下。孙权以陆逊为大都督，督朱然、潘璋、韩当等五万人迎敌。
+- 叠字标题：倾国东征
+- 一句短文案：荆州旧恨，把蜀汉的国力推向长江峡口。
+- 图片文件：`images/01-liu-bei-marches-east.png` / `images/01-liu-bei-marches-east.webp`
+- 替代文本：长江峡口与山道间，刘备的蜀军舟船和步兵同时东进，远处吴军在陆逊指挥下据守要地。
+- 人物标签：
+  - 刘备｜蜀汉皇帝｜亲率大军由秭归东进
+  - 陆逊｜吴大都督、假节｜统率五万吴军迎战
+  - 马良｜蜀侍中｜奉命联络五溪诸部
+- 画面补全说明：两军隔江同框、人物衣甲与具体舟队构图为视觉压缩；东征路线、陆逊统五万与马良联络五溪见史载。
+- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
+- 最终生成提示词：
+
+> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Spring 222 CE along the Yangtze gorges. Liu Bei, an East Asian ruler in his early sixties with a weathered narrow face, short graying beard and practical dark ochre campaign armor under a muted imperial cloak, oversees Shu boats and infantry moving east through a steep river corridor. Far downstream, Lu Xun, a composed East Asian commander in his late thirties wearing restrained dark teal Wu armor, studies the terrain with Wu officers. No face-to-face meeting. Wide establishing landscape, river mist, wooded ridges, human-scale columns. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
+
+### 02｜相持七月
+
+- 时间地点：猇亭、夷道一带
+- 叙事作用：表现陆逊拒绝早战、蜀军舍船结营并逐渐疲惫。
+- 本幕旁白：蜀军缘山结营，舍船就步。吴将屡次求战，陆逊却等了七八个月，直到对手兵疲意沮。
+- 叠字标题：相持七月
+- 一句短文案：陆逊把最难的一仗，先交给暑热、山路和时间。
+- 图片文件：`images/02-seven-month-standoff.png` / `images/02-seven-month-standoff.webp`
+- 替代文本：盛夏猇亭山地中蜀军营寨沿坡分散，陆逊在对岸高地观察，吴军保持阵地不出。
+- 人物标签：
+  - 陆逊｜吴大都督｜拒绝趁蜀军初至时交战，等待战机
+  - 刘备｜蜀汉皇帝｜在夷道、猇亭沿山结营
+  - 吴军诸将｜朱然、潘璋、韩当等｜按令守险，虽有不满仍不擅战
+- 画面补全说明：观察高地、暑热与将领站位为视觉补全；舍船就步、处处结营、相持七八月和陆逊避锐均有史载。
+- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
+- 最终生成提示词：
+
+> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Midsummer standoff at Xiaoting. Scattered Shu stockades and canvas shelters climb wooded slopes, supply parties laboring between them after abandoning river movement. Across a valley, Lu Xun preserves the same face and dark teal armor while calmly observing with restless Wu generals; their troops remain behind earth-and-timber defenses. Heat haze, insects and dry foliage convey time and fatigue. Wide quiet frame, no battle, no text. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
+
+### 03｜火破四十余营
+
+- 时间地点：公元222年夏，猇亭蜀军营地
+- 叙事作用：呈现试攻之后的同步火攻与全线崩塌。
+- 本幕旁白：陆逊确认破敌之术后，命各军持一把茅纵火，同时进攻。火势一成，蜀军四十余营接连被破。
+- 叠字标题：火破连营
+- 一句短文案：每人一把茅，点燃的是已经疲惫的整条战线。
+- 图片文件：`images/03-fire-breaks-forty-camps.png` / `images/03-fire-breaks-forty-camps.webp`
+- 替代文本：暮色山谷里多个蜀军木栅营寨先后起火，吴军从不同坡道推进，陆逊在后方高地控制节奏。
+- 人物标签：
+  - 陆逊｜吴大都督｜下令各军纵火并同时进攻
+  - 冯习｜蜀军大督｜败亡于战中
+  - 张南｜蜀军前部督｜败亡于战中
+  - 吴军诸将｜各部将领｜依令同步突击
+- 画面补全说明：多营同时可见、陆逊所在高地与火势传播为战术可视化；各持一把茅、火攻、同时俱攻、破四十余营见《陆逊传》。
+- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
+- 最终生成提示词：
+
+> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: The coordinated fire attack at dusk. Several separated Shu wooden stockades along a dry valley catch fire in sequence from small bundles of reeds, while Wu infantry advances from multiple slopes only after flames take hold. Lu Xun, same identity, directs from a rear ridge rather than fighting personally. Show smoke, collapsing empty barriers and soldiers evacuating, no burning people, corpses or gore. Wide kinetic 16:9 panorama, orange fire against blue-gray mountains. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
+
+### 04｜夜退白帝
+
+- 时间地点：马鞍山至白帝城
+- 叙事作用：呈现刘备登山再败、焚器断后与蜀吴格局重置。
+- 本幕旁白：刘备退上马鞍山，仍被四面进逼。夜里，驿人焚烧铙铠断后，他才退入白帝城。
+- 叠字标题：夜退白帝
+- 一句短文案：一场复仇东征，最后只剩烧掉军资换来的退路。
+- 图片文件：`images/04-night-retreat-to-baidi.png` / `images/04-night-retreat-to-baidi.webp`
+- 替代文本：夜雨般的烟雾中，刘备率残军沿峡道向白帝城撤退，后方废弃器械燃烧阻断道路，吴军停在远处。
+- 人物标签：
+  - 刘备｜蜀汉皇帝｜乘夜撤退，仅得入白帝城
+  - 陆逊｜吴大都督｜督军四面进逼后停止过度追击
+  - 蜀军驿人｜随军人员｜担负器械并焚毁断路
+- 画面补全说明：峡道、火障规模与吴军距离为视觉补全；刘备升马鞍山后夜遁、焚铙铠断后、仅入白帝有史载。
+- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
+- 最终生成提示词：
+
+> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Night retreat through a narrow mountain road toward Baidi. Liu Bei, same aged face and battered ochre armor, rides among a reduced column while attendants ignite abandoned drums, armor bundles and broken carts to obstruct pursuit. Distant Wu troops halt beyond smoke rather than charging through fire. Dawn light begins over the river ahead. Somber wide frame, no heroic rescue, no magical stone maze, no bodies. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
+
+## BGM
+
+- 曲库 ID：`zhanzhen:yiling#0`
+- 曲名：夷陵之战
+- 版本：电影级配乐·建议使用无主唱器乐 stem
+- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
+- 使用方式：前两幕以压抑低弦和稀疏木鼓表现长久相持；火攻只在第三幕一次爆发，终幕迅速塌回灰烬般的低频。
+- 选择理由：项目内与本战直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。
+- Cue sheet：
+  - 00:00–00:21｜第 01 幕｜以最少配器建立时代、地理与压力。
+  - 00:21–00:42｜第 02 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
+  - 00:42–01:03｜第 03 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
+  - 01:03–01:26｜第 04 幕｜撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。
+
+## 史实、补全与禁用元素
+
+### 主要来源
+
+- 《三国志·吴书·陆逊传、陆抗传》卷五十八：本素材所涉夷陵之战（猇亭火攻）的时间、人物、行动与结局（https://zh.wikisource.org/wiki/三國志/卷58）
+
+### 禁用元素
+
+- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
+- 唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲
+- 《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪
+- 血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械
+- 把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实
+- 写成“七百里连营”；《陆逊传》明确破四十余营，但没有七百里这一正史数字
+- 画赵云在白帝城前救刘备、黄承彦八阵图困陆逊或关兴张苞复仇
+- 把陆逊的火攻画成神风、法术或预先铺满整片山林的现代燃烧装置
+
+图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。