数字我 Digital Me：全量入库（大文件走 Git LFS）
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{
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"event": {
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"canonicalName": "东兴之战（丁奉雪中破魏）",
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"aliases": [
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"东兴之战",
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"东关之战",
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"诸葛恪破魏"
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],
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"era": "三国·吴建兴元年／魏嘉平四年",
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"date": "公元252年冬",
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"place": "濡须水、东兴堤与东关一带",
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"summary": "魏乘孙权新丧三路伐吴，诸葛恪集中兵力驰援东兴，丁奉率三千前锋冒雪突击，魏军大败撤退。"
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},
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"narration": {
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"language": "zh-CN",
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"estimatedSeconds": 82,
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"fullText": "吴建兴元年冬，孙权去世不久，魏国分三路南下。诸葛诞、胡遵等率步骑七万攻东兴，另有两路指向南郡和武昌。顾命太傅诸葛恪没有平均分兵，而是亲率主力赶往东兴。吴军诸将沿山路前进缓慢，丁奉认为兵贵神速，率麾下三千人脱离大队，乘船抢先到达东关。当天大雪，魏军前部置酒高会，轻视这支人数不多的吴军。丁奉命士卒脱去重甲，改持短兵，突然冲入魏营。吕据等后续部队赶到，魏军随即溃败，韩综、桓嘉等战死，撤退时浮桥拥塞，许多人落水。东兴大捷让诸葛恪威望达到顶峰，却也推高了他的自信。次年他倾国北伐合肥新城，久攻不下，士卒死伤大半，归国后不久便被杀。东兴是他最高的一刻，也是后来失控的起点。"
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},
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"scenes": [
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{
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"id": "01",
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"title": "新丧三路来攻",
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"timePlace": "公元252年冬，魏吴边境",
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"purpose": "交代孙权新丧、魏军三路南下与东兴主攻方向。",
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"narration": "孙权去世不久，魏军分三路南下。诸葛诞、胡遵等以七万步骑围向东兴。",
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"overlay": {
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"heading": "三路来攻",
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"line": "新君刚刚即位，边境先送来了一场试探国运的大战。"
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},
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"people": [
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{
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"name": "诸葛诞",
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"office": "魏镇东将军",
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"action": "与胡遵等率主力攻东兴"
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},
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{
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"name": "胡遵",
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"office": "魏征东将军",
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"action": "参与东兴方向进攻"
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},
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{
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"name": "诸葛恪",
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"office": "吴太傅、顾命大臣",
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"action": "决定亲率主力赴东兴"
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}
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],
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"image": {
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"original": "images/01-three-pronged-wei-invasion.png",
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"delivery": "images/01-three-pronged-wei-invasion.webp",
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"alt": "冬季江淮水网间魏军从不同方向推进，东兴方向军势最重，诸葛恪在吴军营中快速集结援军。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Winter 252 CE across the lower Yangtze frontier. Three distant Wei columns move through separated river-and-dike routes, with the largest under Zhuge Dan and Hu Zun toward Dongxing. In the Wu foreground, Zhuge Ke, an East Asian regent in his late forties with a sharp intelligent face and dark teal command armor, rapidly assembles relief troops. Wide strategic landscape, gray sky and reed marsh, no arrows or text overlays. Historical frame: 三国·吴建兴元年／魏嘉平四年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
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"visualInference": "三路同框与东兴方向视觉加重为战略可视化；魏三路来攻、东兴七万与诸葛恪亲赴敌有史载。"
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},
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"sources": [
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||||
"《三国志·吴书·诸葛恪传》卷六十四"
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]
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},
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{
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"id": "02",
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"title": "三千抢先",
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"timePlace": "长江至东关水路",
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"purpose": "呈现丁奉认为兵贵神速，率三千前锋先到。",
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"narration": "诸军走得太慢，丁奉主动让开山路，率三千人乘船径进，两天先到东关。",
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"overlay": {
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"heading": "三千抢先",
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"line": "援军还在山路，丁奉先把三千人送到敌军眼前。"
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},
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"people": [
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{
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"name": "丁奉",
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"office": "吴将军、前部将领",
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"action": "率麾下三千人乘船疾进"
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},
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{
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"name": "吕据、留赞、唐咨",
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"office": "吴军前部诸将",
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"action": "随后跟进接战"
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},
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{
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"name": "吴军水手",
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"office": "运输与作战人员",
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"action": "借北风举帆赶赴东关"
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}
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],
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"image": {
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"original": "images/02-ding-feng-races-ahead.png",
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"delivery": "images/02-ding-feng-races-ahead.webp",
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"alt": "寒风江面上丁奉率数十艘轻舟扬帆疾进，岸边大队仍在山路行军，东兴堤坝已在远处可见。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Fast river approach to Dongguan. Ding Feng, a sturdy East Asian veteran in his late forties wearing practical dark Wu armor, stands low in a leading boat as a strong north wind fills simple square sails. A compact flotilla carrying roughly three thousand vanguard troops moves ahead; the larger Wu army remains visibly slower on a distant mountain road. Cold spray, low winter sun, wide river composition, no oversized warships. Historical frame: 三国·吴建兴元年／魏嘉平四年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
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"visualInference": "船队数量、丁奉站位与山路大队同框为视觉补全；三千径进、乘风两日至东关见《丁奉传》。"
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||||
},
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"sources": [
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||||
"《三国志·吴书·丁奉传》卷五十五"
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]
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},
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||||
{
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||||
"id": "03",
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||||
"title": "雪中短兵",
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"timePlace": "东关魏军前营",
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"purpose": "表现大雪、魏军置酒轻敌与丁奉轻装突击。",
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"narration": "大雪覆盖东关，魏军前部还在置酒。丁奉命士卒脱去重甲、改持短兵，突然冲入营中。",
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"overlay": {
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"heading": "雪中短兵",
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||||
"line": "敌人在雪里饮酒，丁奉把重甲留在了身后。"
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},
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"people": [
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||||
{
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"name": "丁奉",
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"office": "吴军前锋",
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"action": "率轻装士卒突击魏营"
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},
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{
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"name": "韩综",
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"office": "魏前军督",
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"action": "在战斗中阵亡"
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},
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{
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"name": "桓嘉",
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"office": "魏将军",
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"action": "在战斗中阵亡"
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},
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{
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"name": "吴军三千前锋",
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"office": "丁奉部下",
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"action": "脱铠持短兵快速冲营"
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||||
}
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||||
],
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"image": {
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||||
"original": "images/03-snow-assault-with-short-weapons.png",
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"delivery": "images/03-snow-assault-with-short-weapons.webp",
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"alt": "大雪中的魏军前营酒宴尚未收起，丁奉率轻装吴军持短兵从堤岸冲入，双方刚开始接触。",
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"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Sudden snow assault at Dongxing. Fresh snow covers a Wei forward camp where low tables and cups show an interrupted officers’ gathering. Ding Feng, same sturdy face, leads Wu soldiers in helmets and padded winter clothing but without heavy torso armor, carrying short swords and compact shields. They burst through an outer barrier before the enemy can form. Show surprise and close movement without stabbing, blood or bodies. Wide energetic frame, wind-driven snow, no heroic slow-motion pose. Historical frame: 三国·吴建兴元年／魏嘉平四年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "宴席陈设、冲入方向与轻装细节为视觉重构；大雪、置酒高会、脱铠持短兵突击有史载。"
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||||
},
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||||
"sources": [
|
||||
"《三国志·吴书·丁奉传》卷五十五"
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]
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},
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||||
{
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"id": "04",
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||||
"title": "浮桥溃退",
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"timePlace": "东兴堤与浮桥",
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"purpose": "交代后军到达、魏军大败与胜后诸葛恪威望膨胀。",
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"narration": "吕据等后军赶到，魏军全面溃退。浮桥拥塞断裂，韩综、桓嘉等战死，东兴大捷震动吴国。",
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||||
"overlay": {
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"heading": "东兴大捷",
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"line": "雪中的胜利抬高了诸葛恪，也把他推向下一年的冒进。"
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},
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"people": [
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||||
{
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||||
"name": "诸葛恪",
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||||
"office": "吴太傅",
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||||
"action": "统主力完成解围，战后威望大增"
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||||
},
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||||
{
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||||
"name": "丁奉",
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||||
"office": "吴将军",
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||||
"action": "以前锋突击立下首功"
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},
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||||
{
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||||
"name": "魏军撤退部队",
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||||
"office": "东兴攻军",
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||||
"action": "经浮桥撤退，发生拥塞与落水"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-bridge-retreat-and-aftermath.png",
|
||||
"delivery": "images/04-bridge-retreat-and-aftermath.webp",
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||||
"alt": "风雪中的魏军经多座浮桥撤退，一座桥局部断裂，士兵相互扶持下水靠岸；吴军在堤上停止追击。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Retreat across Dongxing pontoon bridges under snow. Wei troops crowd onto several timber floating bridges; one section has partially separated, forcing soldiers to help one another through shallow icy water toward the bank. Wu forces under Ding Feng and arriving commanders hold the dike rather than massacre fugitives. Zhuge Ke observes from a rear command position. Wide aftermath, broken equipment and urgency, no drowning close-ups, corpses or gore. Historical frame: 三国·吴建兴元年／魏嘉平四年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "浮桥数量、局部断裂与吴军停止追击为克制视觉补全；魏军大败、韩综桓嘉死及浮桥溃退有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·丁奉传》卷五十五",
|
||||
"《三国志·吴书·诸葛恪传》卷六十四"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:shiting#0",
|
||||
"title": "石亭之战",
|
||||
"version": "电影级配乐·复用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "复用同属吴魏东线战役的克制低弦；雪中突击一幕加入短促鼓点，浮桥撤退后立即冷却。",
|
||||
"reason": "项目尚无东兴专属曲目；原创“石亭之战”同属吴魏东线、以耐心和突然合击取胜，最符合本战情绪，仓库中无成品音频。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:20",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器建立时代、地理与压力。"
|
||||
},
|
||||
{
|
||||
"from": "00:20",
|
||||
"to": "00:40",
|
||||
"scene": "02",
|
||||
"direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
|
||||
},
|
||||
{
|
||||
"from": "00:40",
|
||||
"to": "01:00",
|
||||
"scene": "03",
|
||||
"direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
|
||||
},
|
||||
{
|
||||
"from": "01:00",
|
||||
"to": "01:22",
|
||||
"scene": "04",
|
||||
"direction": "撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "本素材所涉东兴之战（丁奉雪中破魏）的时间、人物、行动与结局",
|
||||
"citation": "《三国志·吴书·丁奉传》卷五十五",
|
||||
"url": "https://zh.wikisource.org/wiki/三國志/卷55"
|
||||
},
|
||||
{
|
||||
"claim": "本素材所涉东兴之战（丁奉雪中破魏）的时间、人物、行动与结局",
|
||||
"citation": "《三国志·吴书·诸葛恪传》卷六十四",
|
||||
"url": "https://zh.wikisource.org/wiki/三國志/卷64"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||||
"唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲",
|
||||
"《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪",
|
||||
"血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械",
|
||||
"把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实",
|
||||
"把“大风雷电”或大雪画成诸葛恪、丁奉召来的神迹",
|
||||
"给丁奉配唐宋式陌刀、明代火器或裸身冲锋；正史只载脱铠、持短兵",
|
||||
"把魏军七万全部挤进一张近景，或用浮桥落水制造血腥灾难镜头"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,127 @@
|
||||
# 东兴之战（丁奉雪中破魏）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：东兴之战（丁奉雪中破魏）
|
||||
- 常用称呼：东兴之战、东关之战、诸葛恪破魏
|
||||
- 时代：三国·吴建兴元年／魏嘉平四年
|
||||
- 日期：公元252年冬
|
||||
- 地点：濡须水、东兴堤与东关一带
|
||||
- 一句话结论：魏乘孙权新丧三路伐吴，诸葛恪集中兵力驰援东兴，丁奉率三千前锋冒雪突击，魏军大败撤退。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
吴建兴元年冬，孙权去世不久，魏国分三路南下。诸葛诞、胡遵等率步骑七万攻东兴，另有两路指向南郡和武昌。顾命太傅诸葛恪没有平均分兵，而是亲率主力赶往东兴。吴军诸将沿山路前进缓慢，丁奉认为兵贵神速，率麾下三千人脱离大队，乘船抢先到达东关。当天大雪，魏军前部置酒高会，轻视这支人数不多的吴军。丁奉命士卒脱去重甲，改持短兵，突然冲入魏营。吕据等后续部队赶到，魏军随即溃败，韩综、桓嘉等战死，撤退时浮桥拥塞，许多人落水。东兴大捷让诸葛恪威望达到顶峰，却也推高了他的自信。次年他倾国北伐合肥新城，久攻不下，士卒死伤大半，归国后不久便被杀。东兴是他最高的一刻，也是后来失控的起点。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜新丧三路来攻
|
||||
|
||||
- 时间地点：公元252年冬，魏吴边境
|
||||
- 叙事作用：交代孙权新丧、魏军三路南下与东兴主攻方向。
|
||||
- 本幕旁白：孙权去世不久，魏军分三路南下。诸葛诞、胡遵等以七万步骑围向东兴。
|
||||
- 叠字标题：三路来攻
|
||||
- 一句短文案：新君刚刚即位，边境先送来了一场试探国运的大战。
|
||||
- 图片文件：`images/01-three-pronged-wei-invasion.png` / `images/01-three-pronged-wei-invasion.webp`
|
||||
- 替代文本：冬季江淮水网间魏军从不同方向推进，东兴方向军势最重，诸葛恪在吴军营中快速集结援军。
|
||||
- 人物标签：
|
||||
- 诸葛诞｜魏镇东将军｜与胡遵等率主力攻东兴
|
||||
- 胡遵｜魏征东将军｜参与东兴方向进攻
|
||||
- 诸葛恪｜吴太傅、顾命大臣｜决定亲率主力赴东兴
|
||||
- 画面补全说明：三路同框与东兴方向视觉加重为战略可视化；魏三路来攻、东兴七万与诸葛恪亲赴敌有史载。
|
||||
- 史实依据：《三国志·吴书·诸葛恪传》卷六十四
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Winter 252 CE across the lower Yangtze frontier. Three distant Wei columns move through separated river-and-dike routes, with the largest under Zhuge Dan and Hu Zun toward Dongxing. In the Wu foreground, Zhuge Ke, an East Asian regent in his late forties with a sharp intelligent face and dark teal command armor, rapidly assembles relief troops. Wide strategic landscape, gray sky and reed marsh, no arrows or text overlays. Historical frame: 三国·吴建兴元年／魏嘉平四年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 02｜三千抢先
|
||||
|
||||
- 时间地点：长江至东关水路
|
||||
- 叙事作用：呈现丁奉认为兵贵神速，率三千前锋先到。
|
||||
- 本幕旁白：诸军走得太慢，丁奉主动让开山路，率三千人乘船径进，两天先到东关。
|
||||
- 叠字标题：三千抢先
|
||||
- 一句短文案：援军还在山路，丁奉先把三千人送到敌军眼前。
|
||||
- 图片文件：`images/02-ding-feng-races-ahead.png` / `images/02-ding-feng-races-ahead.webp`
|
||||
- 替代文本：寒风江面上丁奉率数十艘轻舟扬帆疾进，岸边大队仍在山路行军，东兴堤坝已在远处可见。
|
||||
- 人物标签：
|
||||
- 丁奉｜吴将军、前部将领｜率麾下三千人乘船疾进
|
||||
- 吕据、留赞、唐咨｜吴军前部诸将｜随后跟进接战
|
||||
- 吴军水手｜运输与作战人员｜借北风举帆赶赴东关
|
||||
- 画面补全说明：船队数量、丁奉站位与山路大队同框为视觉补全；三千径进、乘风两日至东关见《丁奉传》。
|
||||
- 史实依据：《三国志·吴书·丁奉传》卷五十五
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Fast river approach to Dongguan. Ding Feng, a sturdy East Asian veteran in his late forties wearing practical dark Wu armor, stands low in a leading boat as a strong north wind fills simple square sails. A compact flotilla carrying roughly three thousand vanguard troops moves ahead; the larger Wu army remains visibly slower on a distant mountain road. Cold spray, low winter sun, wide river composition, no oversized warships. Historical frame: 三国·吴建兴元年／魏嘉平四年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 03｜雪中短兵
|
||||
|
||||
- 时间地点：东关魏军前营
|
||||
- 叙事作用：表现大雪、魏军置酒轻敌与丁奉轻装突击。
|
||||
- 本幕旁白：大雪覆盖东关，魏军前部还在置酒。丁奉命士卒脱去重甲、改持短兵，突然冲入营中。
|
||||
- 叠字标题：雪中短兵
|
||||
- 一句短文案：敌人在雪里饮酒，丁奉把重甲留在了身后。
|
||||
- 图片文件：`images/03-snow-assault-with-short-weapons.png` / `images/03-snow-assault-with-short-weapons.webp`
|
||||
- 替代文本：大雪中的魏军前营酒宴尚未收起，丁奉率轻装吴军持短兵从堤岸冲入，双方刚开始接触。
|
||||
- 人物标签：
|
||||
- 丁奉｜吴军前锋｜率轻装士卒突击魏营
|
||||
- 韩综｜魏前军督｜在战斗中阵亡
|
||||
- 桓嘉｜魏将军｜在战斗中阵亡
|
||||
- 吴军三千前锋｜丁奉部下｜脱铠持短兵快速冲营
|
||||
- 画面补全说明：宴席陈设、冲入方向与轻装细节为视觉重构；大雪、置酒高会、脱铠持短兵突击有史载。
|
||||
- 史实依据：《三国志·吴书·丁奉传》卷五十五
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Sudden snow assault at Dongxing. Fresh snow covers a Wei forward camp where low tables and cups show an interrupted officers’ gathering. Ding Feng, same sturdy face, leads Wu soldiers in helmets and padded winter clothing but without heavy torso armor, carrying short swords and compact shields. They burst through an outer barrier before the enemy can form. Show surprise and close movement without stabbing, blood or bodies. Wide energetic frame, wind-driven snow, no heroic slow-motion pose. Historical frame: 三国·吴建兴元年／魏嘉平四年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 04｜浮桥溃退
|
||||
|
||||
- 时间地点：东兴堤与浮桥
|
||||
- 叙事作用：交代后军到达、魏军大败与胜后诸葛恪威望膨胀。
|
||||
- 本幕旁白：吕据等后军赶到，魏军全面溃退。浮桥拥塞断裂，韩综、桓嘉等战死，东兴大捷震动吴国。
|
||||
- 叠字标题：东兴大捷
|
||||
- 一句短文案：雪中的胜利抬高了诸葛恪，也把他推向下一年的冒进。
|
||||
- 图片文件：`images/04-bridge-retreat-and-aftermath.png` / `images/04-bridge-retreat-and-aftermath.webp`
|
||||
- 替代文本：风雪中的魏军经多座浮桥撤退，一座桥局部断裂，士兵相互扶持下水靠岸；吴军在堤上停止追击。
|
||||
- 人物标签：
|
||||
- 诸葛恪｜吴太傅｜统主力完成解围，战后威望大增
|
||||
- 丁奉｜吴将军｜以前锋突击立下首功
|
||||
- 魏军撤退部队｜东兴攻军｜经浮桥撤退，发生拥塞与落水
|
||||
- 画面补全说明：浮桥数量、局部断裂与吴军停止追击为克制视觉补全；魏军大败、韩综桓嘉死及浮桥溃退有史载。
|
||||
- 史实依据：《三国志·吴书·丁奉传》卷五十五；《三国志·吴书·诸葛恪传》卷六十四
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Retreat across Dongxing pontoon bridges under snow. Wei troops crowd onto several timber floating bridges; one section has partially separated, forcing soldiers to help one another through shallow icy water toward the bank. Wu forces under Ding Feng and arriving commanders hold the dike rather than massacre fugitives. Zhuge Ke observes from a rear command position. Wide aftermath, broken equipment and urgency, no drowning close-ups, corpses or gore. Historical frame: 三国·吴建兴元年／魏嘉平四年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:shiting#0`
|
||||
- 曲名：石亭之战
|
||||
- 版本：电影级配乐·复用无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：复用同属吴魏东线战役的克制低弦；雪中突击一幕加入短促鼓点，浮桥撤退后立即冷却。
|
||||
- 选择理由：项目尚无东兴专属曲目；原创“石亭之战”同属吴魏东线、以耐心和突然合击取胜，最符合本战情绪，仓库中无成品音频。
|
||||
- Cue sheet：
|
||||
- 00:00–00:20｜第 01 幕｜以最少配器建立时代、地理与压力。
|
||||
- 00:20–00:40｜第 02 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
|
||||
- 00:40–01:00｜第 03 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
|
||||
- 01:00–01:22｜第 04 幕｜撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《三国志·吴书·丁奉传》卷五十五：本素材所涉东兴之战（丁奉雪中破魏）的时间、人物、行动与结局（https://zh.wikisource.org/wiki/三國志/卷55）
|
||||
- 《三国志·吴书·诸葛恪传》卷六十四：本素材所涉东兴之战（丁奉雪中破魏）的时间、人物、行动与结局（https://zh.wikisource.org/wiki/三國志/卷64）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
|
||||
- 唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲
|
||||
- 《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪
|
||||
- 血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械
|
||||
- 把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实
|
||||
- 把“大风雷电”或大雪画成诸葛恪、丁奉召来的神迹
|
||||
- 给丁奉配唐宋式陌刀、明代火器或裸身冲锋；正史只载脱铠、持短兵
|
||||
- 把魏军七万全部挤进一张近景，或用浮桥落水制造血腥灾难镜头
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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@@ -0,0 +1,230 @@
|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "夷陵之战（猇亭火攻）",
|
||||
"aliases": [
|
||||
"夷陵之战",
|
||||
"猇亭之战",
|
||||
"刘备伐吴"
|
||||
],
|
||||
"era": "三国·蜀汉章武二年／吴黄武元年",
|
||||
"date": "公元222年",
|
||||
"place": "秭归、夷道、猇亭、马鞍山至白帝城一线",
|
||||
"summary": "陆逊避开蜀军初锐，待刘备舍船就步、缘山结营后发动火攻，连破四十余营，刘备退入白帝城。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 86,
|
||||
"fullText": "章武元年，刘备为夺回荆州、报关羽之败，亲率蜀军东征。孙权命陆逊为大都督，统五万人迎敌。刘备从秭归沿山推进，在夷道、猇亭一带处处结营，又派马良联络五溪诸部。蜀军初来气盛，吴将屡次请战，陆逊却坚持避其锋芒。双方相持七八个月，蜀军舍船就步，营垒散布山林，兵疲意沮。陆逊先试攻一营，确认火势可用，随即命各军持茅纵火，同时进击。蜀军四十余营接连被破，冯习、张南等战死。刘备退上马鞍山，又被吴军四面压迫，只得乘夜焚烧器械断后，退入白帝城。夷陵之败让蜀汉再无力东取荆州，也迫使蜀吴重新结盟。正史只记四十余营，不记所谓“七百里连营”；赵云白帝救主、八阵图困陆逊，也不属于这场真实战事。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "倾国东征",
|
||||
"timePlace": "公元221至222年，秭归至夷道",
|
||||
"purpose": "交代刘备东征、陆逊受命和沿江山地战场。",
|
||||
"narration": "刘备称帝后亲率蜀军东下。孙权以陆逊为大都督，督朱然、潘璋、韩当等五万人迎敌。",
|
||||
"overlay": {
|
||||
"heading": "倾国东征",
|
||||
"line": "荆州旧恨，把蜀汉的国力推向长江峡口。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "刘备",
|
||||
"office": "蜀汉皇帝",
|
||||
"action": "亲率大军由秭归东进"
|
||||
},
|
||||
{
|
||||
"name": "陆逊",
|
||||
"office": "吴大都督、假节",
|
||||
"action": "统率五万吴军迎战"
|
||||
},
|
||||
{
|
||||
"name": "马良",
|
||||
"office": "蜀侍中",
|
||||
"action": "奉命联络五溪诸部"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-liu-bei-marches-east.png",
|
||||
"delivery": "images/01-liu-bei-marches-east.webp",
|
||||
"alt": "长江峡口与山道间，刘备的蜀军舟船和步兵同时东进，远处吴军在陆逊指挥下据守要地。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Spring 222 CE along the Yangtze gorges. Liu Bei, an East Asian ruler in his early sixties with a weathered narrow face, short graying beard and practical dark ochre campaign armor under a muted imperial cloak, oversees Shu boats and infantry moving east through a steep river corridor. Far downstream, Lu Xun, a composed East Asian commander in his late thirties wearing restrained dark teal Wu armor, studies the terrain with Wu officers. No face-to-face meeting. Wide establishing landscape, river mist, wooded ridges, human-scale columns. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "两军隔江同框、人物衣甲与具体舟队构图为视觉压缩；东征路线、陆逊统五万与马良联络五溪见史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·陆逊传、陆抗传》卷五十八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "相持七月",
|
||||
"timePlace": "猇亭、夷道一带",
|
||||
"purpose": "表现陆逊拒绝早战、蜀军舍船结营并逐渐疲惫。",
|
||||
"narration": "蜀军缘山结营，舍船就步。吴将屡次求战，陆逊却等了七八个月，直到对手兵疲意沮。",
|
||||
"overlay": {
|
||||
"heading": "相持七月",
|
||||
"line": "陆逊把最难的一仗，先交给暑热、山路和时间。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "陆逊",
|
||||
"office": "吴大都督",
|
||||
"action": "拒绝趁蜀军初至时交战，等待战机"
|
||||
},
|
||||
{
|
||||
"name": "刘备",
|
||||
"office": "蜀汉皇帝",
|
||||
"action": "在夷道、猇亭沿山结营"
|
||||
},
|
||||
{
|
||||
"name": "吴军诸将",
|
||||
"office": "朱然、潘璋、韩当等",
|
||||
"action": "按令守险，虽有不满仍不擅战"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-seven-month-standoff.png",
|
||||
"delivery": "images/02-seven-month-standoff.webp",
|
||||
"alt": "盛夏猇亭山地中蜀军营寨沿坡分散，陆逊在对岸高地观察，吴军保持阵地不出。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Midsummer standoff at Xiaoting. Scattered Shu stockades and canvas shelters climb wooded slopes, supply parties laboring between them after abandoning river movement. Across a valley, Lu Xun preserves the same face and dark teal armor while calmly observing with restless Wu generals; their troops remain behind earth-and-timber defenses. Heat haze, insects and dry foliage convey time and fatigue. Wide quiet frame, no battle, no text. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "观察高地、暑热与将领站位为视觉补全；舍船就步、处处结营、相持七八月和陆逊避锐均有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·陆逊传、陆抗传》卷五十八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "火破四十余营",
|
||||
"timePlace": "公元222年夏，猇亭蜀军营地",
|
||||
"purpose": "呈现试攻之后的同步火攻与全线崩塌。",
|
||||
"narration": "陆逊确认破敌之术后，命各军持一把茅纵火，同时进攻。火势一成，蜀军四十余营接连被破。",
|
||||
"overlay": {
|
||||
"heading": "火破连营",
|
||||
"line": "每人一把茅，点燃的是已经疲惫的整条战线。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "陆逊",
|
||||
"office": "吴大都督",
|
||||
"action": "下令各军纵火并同时进攻"
|
||||
},
|
||||
{
|
||||
"name": "冯习",
|
||||
"office": "蜀军大督",
|
||||
"action": "败亡于战中"
|
||||
},
|
||||
{
|
||||
"name": "张南",
|
||||
"office": "蜀军前部督",
|
||||
"action": "败亡于战中"
|
||||
},
|
||||
{
|
||||
"name": "吴军诸将",
|
||||
"office": "各部将领",
|
||||
"action": "依令同步突击"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-fire-breaks-forty-camps.png",
|
||||
"delivery": "images/03-fire-breaks-forty-camps.webp",
|
||||
"alt": "暮色山谷里多个蜀军木栅营寨先后起火，吴军从不同坡道推进，陆逊在后方高地控制节奏。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: The coordinated fire attack at dusk. Several separated Shu wooden stockades along a dry valley catch fire in sequence from small bundles of reeds, while Wu infantry advances from multiple slopes only after flames take hold. Lu Xun, same identity, directs from a rear ridge rather than fighting personally. Show smoke, collapsing empty barriers and soldiers evacuating, no burning people, corpses or gore. Wide kinetic 16:9 panorama, orange fire against blue-gray mountains. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "多营同时可见、陆逊所在高地与火势传播为战术可视化；各持一把茅、火攻、同时俱攻、破四十余营见《陆逊传》。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·陆逊传、陆抗传》卷五十八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "夜退白帝",
|
||||
"timePlace": "马鞍山至白帝城",
|
||||
"purpose": "呈现刘备登山再败、焚器断后与蜀吴格局重置。",
|
||||
"narration": "刘备退上马鞍山，仍被四面进逼。夜里，驿人焚烧铙铠断后，他才退入白帝城。",
|
||||
"overlay": {
|
||||
"heading": "夜退白帝",
|
||||
"line": "一场复仇东征，最后只剩烧掉军资换来的退路。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "刘备",
|
||||
"office": "蜀汉皇帝",
|
||||
"action": "乘夜撤退，仅得入白帝城"
|
||||
},
|
||||
{
|
||||
"name": "陆逊",
|
||||
"office": "吴大都督",
|
||||
"action": "督军四面进逼后停止过度追击"
|
||||
},
|
||||
{
|
||||
"name": "蜀军驿人",
|
||||
"office": "随军人员",
|
||||
"action": "担负器械并焚毁断路"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-night-retreat-to-baidi.png",
|
||||
"delivery": "images/04-night-retreat-to-baidi.webp",
|
||||
"alt": "夜雨般的烟雾中，刘备率残军沿峡道向白帝城撤退，后方废弃器械燃烧阻断道路，吴军停在远处。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Night retreat through a narrow mountain road toward Baidi. Liu Bei, same aged face and battered ochre armor, rides among a reduced column while attendants ignite abandoned drums, armor bundles and broken carts to obstruct pursuit. Distant Wu troops halt beyond smoke rather than charging through fire. Dawn light begins over the river ahead. Somber wide frame, no heroic rescue, no magical stone maze, no bodies. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "峡道、火障规模与吴军距离为视觉补全；刘备升马鞍山后夜遁、焚铙铠断后、仅入白帝有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·陆逊传、陆抗传》卷五十八"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:yiling#0",
|
||||
"title": "夷陵之战",
|
||||
"version": "电影级配乐·建议使用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "前两幕以压抑低弦和稀疏木鼓表现长久相持；火攻只在第三幕一次爆发，终幕迅速塌回灰烬般的低频。",
|
||||
"reason": "项目内与本战直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:21",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器建立时代、地理与压力。"
|
||||
},
|
||||
{
|
||||
"from": "00:21",
|
||||
"to": "00:42",
|
||||
"scene": "02",
|
||||
"direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
|
||||
},
|
||||
{
|
||||
"from": "00:42",
|
||||
"to": "01:03",
|
||||
"scene": "03",
|
||||
"direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
|
||||
},
|
||||
{
|
||||
"from": "01:03",
|
||||
"to": "01:26",
|
||||
"scene": "04",
|
||||
"direction": "撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "本素材所涉夷陵之战（猇亭火攻）的时间、人物、行动与结局",
|
||||
"citation": "《三国志·吴书·陆逊传、陆抗传》卷五十八",
|
||||
"url": "https://zh.wikisource.org/wiki/三國志/卷58"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||||
"唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲",
|
||||
"《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪",
|
||||
"血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械",
|
||||
"把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实",
|
||||
"写成“七百里连营”；《陆逊传》明确破四十余营，但没有七百里这一正史数字",
|
||||
"画赵云在白帝城前救刘备、黄承彦八阵图困陆逊或关兴张苞复仇",
|
||||
"把陆逊的火攻画成神风、法术或预先铺满整片山林的现代燃烧装置"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,126 @@
|
||||
# 夷陵之战（猇亭火攻）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：夷陵之战（猇亭火攻）
|
||||
- 常用称呼：夷陵之战、猇亭之战、刘备伐吴
|
||||
- 时代：三国·蜀汉章武二年／吴黄武元年
|
||||
- 日期：公元222年
|
||||
- 地点：秭归、夷道、猇亭、马鞍山至白帝城一线
|
||||
- 一句话结论：陆逊避开蜀军初锐，待刘备舍船就步、缘山结营后发动火攻，连破四十余营，刘备退入白帝城。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
章武元年，刘备为夺回荆州、报关羽之败，亲率蜀军东征。孙权命陆逊为大都督，统五万人迎敌。刘备从秭归沿山推进，在夷道、猇亭一带处处结营，又派马良联络五溪诸部。蜀军初来气盛，吴将屡次请战，陆逊却坚持避其锋芒。双方相持七八个月，蜀军舍船就步，营垒散布山林，兵疲意沮。陆逊先试攻一营，确认火势可用，随即命各军持茅纵火，同时进击。蜀军四十余营接连被破，冯习、张南等战死。刘备退上马鞍山，又被吴军四面压迫，只得乘夜焚烧器械断后，退入白帝城。夷陵之败让蜀汉再无力东取荆州，也迫使蜀吴重新结盟。正史只记四十余营，不记所谓“七百里连营”；赵云白帝救主、八阵图困陆逊，也不属于这场真实战事。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜倾国东征
|
||||
|
||||
- 时间地点：公元221至222年，秭归至夷道
|
||||
- 叙事作用：交代刘备东征、陆逊受命和沿江山地战场。
|
||||
- 本幕旁白：刘备称帝后亲率蜀军东下。孙权以陆逊为大都督，督朱然、潘璋、韩当等五万人迎敌。
|
||||
- 叠字标题：倾国东征
|
||||
- 一句短文案：荆州旧恨，把蜀汉的国力推向长江峡口。
|
||||
- 图片文件：`images/01-liu-bei-marches-east.png` / `images/01-liu-bei-marches-east.webp`
|
||||
- 替代文本：长江峡口与山道间，刘备的蜀军舟船和步兵同时东进，远处吴军在陆逊指挥下据守要地。
|
||||
- 人物标签：
|
||||
- 刘备｜蜀汉皇帝｜亲率大军由秭归东进
|
||||
- 陆逊｜吴大都督、假节｜统率五万吴军迎战
|
||||
- 马良｜蜀侍中｜奉命联络五溪诸部
|
||||
- 画面补全说明：两军隔江同框、人物衣甲与具体舟队构图为视觉压缩；东征路线、陆逊统五万与马良联络五溪见史载。
|
||||
- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Spring 222 CE along the Yangtze gorges. Liu Bei, an East Asian ruler in his early sixties with a weathered narrow face, short graying beard and practical dark ochre campaign armor under a muted imperial cloak, oversees Shu boats and infantry moving east through a steep river corridor. Far downstream, Lu Xun, a composed East Asian commander in his late thirties wearing restrained dark teal Wu armor, studies the terrain with Wu officers. No face-to-face meeting. Wide establishing landscape, river mist, wooded ridges, human-scale columns. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 02｜相持七月
|
||||
|
||||
- 时间地点：猇亭、夷道一带
|
||||
- 叙事作用：表现陆逊拒绝早战、蜀军舍船结营并逐渐疲惫。
|
||||
- 本幕旁白：蜀军缘山结营，舍船就步。吴将屡次求战，陆逊却等了七八个月，直到对手兵疲意沮。
|
||||
- 叠字标题：相持七月
|
||||
- 一句短文案：陆逊把最难的一仗，先交给暑热、山路和时间。
|
||||
- 图片文件：`images/02-seven-month-standoff.png` / `images/02-seven-month-standoff.webp`
|
||||
- 替代文本：盛夏猇亭山地中蜀军营寨沿坡分散，陆逊在对岸高地观察，吴军保持阵地不出。
|
||||
- 人物标签：
|
||||
- 陆逊｜吴大都督｜拒绝趁蜀军初至时交战，等待战机
|
||||
- 刘备｜蜀汉皇帝｜在夷道、猇亭沿山结营
|
||||
- 吴军诸将｜朱然、潘璋、韩当等｜按令守险，虽有不满仍不擅战
|
||||
- 画面补全说明：观察高地、暑热与将领站位为视觉补全；舍船就步、处处结营、相持七八月和陆逊避锐均有史载。
|
||||
- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Midsummer standoff at Xiaoting. Scattered Shu stockades and canvas shelters climb wooded slopes, supply parties laboring between them after abandoning river movement. Across a valley, Lu Xun preserves the same face and dark teal armor while calmly observing with restless Wu generals; their troops remain behind earth-and-timber defenses. Heat haze, insects and dry foliage convey time and fatigue. Wide quiet frame, no battle, no text. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 03｜火破四十余营
|
||||
|
||||
- 时间地点：公元222年夏，猇亭蜀军营地
|
||||
- 叙事作用：呈现试攻之后的同步火攻与全线崩塌。
|
||||
- 本幕旁白：陆逊确认破敌之术后，命各军持一把茅纵火，同时进攻。火势一成，蜀军四十余营接连被破。
|
||||
- 叠字标题：火破连营
|
||||
- 一句短文案：每人一把茅，点燃的是已经疲惫的整条战线。
|
||||
- 图片文件：`images/03-fire-breaks-forty-camps.png` / `images/03-fire-breaks-forty-camps.webp`
|
||||
- 替代文本：暮色山谷里多个蜀军木栅营寨先后起火，吴军从不同坡道推进，陆逊在后方高地控制节奏。
|
||||
- 人物标签：
|
||||
- 陆逊｜吴大都督｜下令各军纵火并同时进攻
|
||||
- 冯习｜蜀军大督｜败亡于战中
|
||||
- 张南｜蜀军前部督｜败亡于战中
|
||||
- 吴军诸将｜各部将领｜依令同步突击
|
||||
- 画面补全说明：多营同时可见、陆逊所在高地与火势传播为战术可视化；各持一把茅、火攻、同时俱攻、破四十余营见《陆逊传》。
|
||||
- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: The coordinated fire attack at dusk. Several separated Shu wooden stockades along a dry valley catch fire in sequence from small bundles of reeds, while Wu infantry advances from multiple slopes only after flames take hold. Lu Xun, same identity, directs from a rear ridge rather than fighting personally. Show smoke, collapsing empty barriers and soldiers evacuating, no burning people, corpses or gore. Wide kinetic 16:9 panorama, orange fire against blue-gray mountains. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 04｜夜退白帝
|
||||
|
||||
- 时间地点：马鞍山至白帝城
|
||||
- 叙事作用：呈现刘备登山再败、焚器断后与蜀吴格局重置。
|
||||
- 本幕旁白：刘备退上马鞍山，仍被四面进逼。夜里，驿人焚烧铙铠断后，他才退入白帝城。
|
||||
- 叠字标题：夜退白帝
|
||||
- 一句短文案：一场复仇东征，最后只剩烧掉军资换来的退路。
|
||||
- 图片文件：`images/04-night-retreat-to-baidi.png` / `images/04-night-retreat-to-baidi.webp`
|
||||
- 替代文本：夜雨般的烟雾中，刘备率残军沿峡道向白帝城撤退，后方废弃器械燃烧阻断道路，吴军停在远处。
|
||||
- 人物标签：
|
||||
- 刘备｜蜀汉皇帝｜乘夜撤退，仅得入白帝城
|
||||
- 陆逊｜吴大都督｜督军四面进逼后停止过度追击
|
||||
- 蜀军驿人｜随军人员｜担负器械并焚毁断路
|
||||
- 画面补全说明：峡道、火障规模与吴军距离为视觉补全；刘备升马鞍山后夜遁、焚铙铠断后、仅入白帝有史载。
|
||||
- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Night retreat through a narrow mountain road toward Baidi. Liu Bei, same aged face and battered ochre armor, rides among a reduced column while attendants ignite abandoned drums, armor bundles and broken carts to obstruct pursuit. Distant Wu troops halt beyond smoke rather than charging through fire. Dawn light begins over the river ahead. Somber wide frame, no heroic rescue, no magical stone maze, no bodies. Historical frame: 三国·蜀汉章武二年／吴黄武元年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:yiling#0`
|
||||
- 曲名：夷陵之战
|
||||
- 版本：电影级配乐·建议使用无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：前两幕以压抑低弦和稀疏木鼓表现长久相持；火攻只在第三幕一次爆发，终幕迅速塌回灰烬般的低频。
|
||||
- 选择理由：项目内与本战直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。
|
||||
- Cue sheet：
|
||||
- 00:00–00:21｜第 01 幕｜以最少配器建立时代、地理与压力。
|
||||
- 00:21–00:42｜第 02 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
|
||||
- 00:42–01:03｜第 03 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
|
||||
- 01:03–01:26｜第 04 幕｜撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《三国志·吴书·陆逊传、陆抗传》卷五十八：本素材所涉夷陵之战（猇亭火攻）的时间、人物、行动与结局（https://zh.wikisource.org/wiki/三國志/卷58）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
|
||||
- 唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲
|
||||
- 《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪
|
||||
- 血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械
|
||||
- 把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实
|
||||
- 写成“七百里连营”；《陆逊传》明确破四十余营，但没有七百里这一正史数字
|
||||
- 画赵云在白帝城前救刘备、黄承彦八阵图困陆逊或关兴张苞复仇
|
||||
- 把陆逊的火攻画成神风、法术或预先铺满整片山林的现代燃烧装置
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "石亭之战（陆逊破曹休）",
|
||||
"aliases": [
|
||||
"石亭之战",
|
||||
"皖城诱敌",
|
||||
"周鲂诈降"
|
||||
],
|
||||
"era": "三国·魏太和二年／吴黄武七年",
|
||||
"date": "公元228年",
|
||||
"place": "皖县、石亭与夹石一带",
|
||||
"summary": "周鲂诈降诱曹休深入，陆逊统中军、朱桓和全琮分左右翼，在石亭击溃魏军，重创曹魏东线。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 82,
|
||||
"fullText": "吴黄武七年，鄱阳太守周鲂向魏国连续送出书信，假称受责求降，并以断发取信。魏大司马曹休相信了这场投降，率大军深入皖地。孙权随后假陆逊黄钺，命他为大都督，自统中军，以朱桓、全琮分领左右翼，三路向石亭推进。曹休进入吴境后发现受骗，却自恃兵马精多，又羞于无功退走，仍与吴军交战。陆逊三道并进，魏军大败，死伤俘获万余，车辆、马匹与军资损失极重。曹休退至夹石一带，贾逵接应才免于更大损失。回国后，曹休背疽发作而死。石亭的胜负不是来自小说式单挑，而来自一封持续多时的诈降书、一支深入敌境的军队，以及陆逊把中、左、右三路在同一时刻压上去的耐心。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "断发诈降",
|
||||
"timePlace": "公元228年，鄱阳至魏境",
|
||||
"purpose": "交代周鲂长期诈降、送书取信与曹休入皖。",
|
||||
"narration": "周鲂假称遭吴廷责难，向魏国送出降书，又以断发取信。曹休于是率军深入皖地。",
|
||||
"overlay": {
|
||||
"heading": "断发诈降",
|
||||
"line": "一束剪下的头发，让魏国大司马相信了整场投降。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "周鲂",
|
||||
"office": "吴鄱阳太守",
|
||||
"action": "伪作降书并断发取信"
|
||||
},
|
||||
{
|
||||
"name": "曹休",
|
||||
"office": "魏大司马",
|
||||
"action": "相信周鲂来降，率军深入"
|
||||
},
|
||||
{
|
||||
"name": "魏吴使者",
|
||||
"office": "往返使者",
|
||||
"action": "秘密传递书信；图中木牍不可读"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-zhou-fang-feigns-surrender.png",
|
||||
"delivery": "images/01-zhou-fang-feigns-surrender.webp",
|
||||
"alt": "昏暗官舍中周鲂把剪下的发束与封好的无字木牍交给使者，远处魏军正在渡河进入皖地。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: A restrained intelligence operation in 228 CE. Zhou Fang, an East Asian Wu official in his forties with a composed narrow face and recently shortened tied hair, hands a wrapped lock of cut hair and sealed blank-looking wooden slips to a courier inside a modest command office. Through a visual transition beyond the doorway, Cao Xiu, a broad-faced older Wei commander in dark gray armor, leads columns crossing into the Wan region. No blood, no readable letters. Cinematic wide composition with shadowed foreground and bright distant road. Historical frame: 三国·魏太和二年／吴黄武七年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "同框连接官舍与魏军入境属于时间压缩；降书、断发与曹休举众深入有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·周鲂传》卷六十",
|
||||
"《三国志·魏书·曹休传》卷九"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "黄钺授军",
|
||||
"timePlace": "吴境石亭方向",
|
||||
"purpose": "呈现孙权授陆逊黄钺、三路部署，但不画可读地图。",
|
||||
"narration": "孙权假陆逊黄钺，命他为大都督。陆逊自领中军，朱桓、全琮分居左右，两翼同时前推。",
|
||||
"overlay": {
|
||||
"heading": "三道并进",
|
||||
"line": "中军不抢快，两翼也不抢功，只等同一刻合上。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "陆逊",
|
||||
"office": "吴大都督、假黄钺",
|
||||
"action": "统中军迎击曹休"
|
||||
},
|
||||
{
|
||||
"name": "朱桓",
|
||||
"office": "吴左督",
|
||||
"action": "率左翼进军"
|
||||
},
|
||||
{
|
||||
"name": "全琮",
|
||||
"office": "吴右督",
|
||||
"action": "率右翼进军"
|
||||
},
|
||||
{
|
||||
"name": "孙权",
|
||||
"office": "吴王",
|
||||
"action": "授陆逊黄钺并亲自送行"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-yellow-axe-command.png",
|
||||
"delivery": "images/02-yellow-axe-command.webp",
|
||||
"alt": "孙权在军营把象征节制的黄钺授给陆逊，朱桓与全琮分别带队从两条山道出发。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Wu field headquarters before Shiting. Sun Quan, an East Asian ruler in his mid-forties wearing restrained dark red court-campaign robes, formally presents a ceremonial yellow-bronze command axe to Lu Xun, preserving his calm face and dark teal armor. Zhu Huan and Quan Cong depart with two clearly separate columns through left and right hill roads while the center remains formed behind Lu Xun. No readable map or banners. Wide balanced composition emphasizing three directions. Historical frame: 三国·魏太和二年／吴黄武七年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "授钺仪式的场地、三路同时入画与钺材质为视觉补全；假黄钺、大都督及三道并进见史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·陆逊传、陆抗传》卷五十八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "石亭合击",
|
||||
"timePlace": "石亭战场",
|
||||
"purpose": "呈现曹休知计仍战、吴军三路破敌的核心战斗。",
|
||||
"narration": "曹休察觉受骗，却仗着兵多不肯空手退去。陆逊中军压住正面，两翼同时进击，魏军随即崩溃。",
|
||||
"overlay": {
|
||||
"heading": "石亭合击",
|
||||
"line": "受骗不是最后一步，羞于退兵才让陷阱真正闭合。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "陆逊",
|
||||
"office": "吴大都督",
|
||||
"action": "统中军正面推进"
|
||||
},
|
||||
{
|
||||
"name": "曹休",
|
||||
"office": "魏大司马",
|
||||
"action": "知受骗后仍决战，兵败退走"
|
||||
},
|
||||
{
|
||||
"name": "朱桓、全琮",
|
||||
"office": "吴左右督",
|
||||
"action": "从两翼协同攻击"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-three-columns-break-wei.png",
|
||||
"delivery": "images/03-three-columns-break-wei.webp",
|
||||
"alt": "石亭丘陵间陆逊中军稳步推进，朱桓全琮两翼从不同谷道夹击，曹休在魏军车阵前组织撤退。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Battle of Shiting across broken hills. Lu Xun’s Wu center advances in disciplined ranks through the middle ground while two distinct wings under Zhu Huan and Quan Cong press from separate valleys. Cao Xiu, preserving his older broad face and gray armor, stands near a wagon line ordering withdrawal as formations buckle. Show abandoned shields, damaged carts and dust without bodies or gore. Wide elevated tactical view, late-afternoon bronze light. Historical frame: 三国·魏太和二年／吴黄武七年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "具体谷道、车阵与曹休手势为战术可视化；三道并进、大破曹休与其受骗后仍战有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·陆逊传、陆抗传》卷五十八",
|
||||
"《三国志·魏书·曹休传》卷九"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "夹石退路",
|
||||
"timePlace": "石亭至夹石",
|
||||
"purpose": "交代魏军损失、贾逵接应和曹休战后结局。",
|
||||
"narration": "魏军退向夹石，军资车辆多被吴军缴获。贾逵赶来接应，曹休才带残军北归，随后背疽而死。",
|
||||
"overlay": {
|
||||
"heading": "夹石退路",
|
||||
"line": "大军退了出来，大司马却没能从这场羞败里走远。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "曹休",
|
||||
"office": "魏大司马",
|
||||
"action": "败退后发背疽而死"
|
||||
},
|
||||
{
|
||||
"name": "贾逵",
|
||||
"office": "魏豫州刺史",
|
||||
"action": "率军接应退路"
|
||||
},
|
||||
{
|
||||
"name": "陆逊",
|
||||
"office": "吴大都督",
|
||||
"action": "振旅回师，受孙权殊礼"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-retreat-through-jiashi.png",
|
||||
"delivery": "images/04-retreat-through-jiashi.webp",
|
||||
"alt": "狭窄夹石道中魏军残部在贾逵接应下撤退，后方吴军收取遗弃车辆与马匹，曹休神情疲惫。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Aftermath in the narrow Jiashi route. Jia Kui’s fresh Wei troops secure a passage as Cao Xiu, same identity but exhausted, rides with a reduced column past abandoned wagons and riderless horses. Wu soldiers remain at a respectful distance collecting supplies rather than slaughtering fugitives. Cold evening rain begins. Wide somber frame, no visible illness lesion, no corpses, no triumphal posing. Historical frame: 三国·魏太和二年／吴黄武七年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "夹石道路形态、接应距离与雨势为视觉补全；贾逵接应、魏军丧失军资及曹休后发背疽薨有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·魏书·曹休传》卷九",
|
||||
"《三国志·吴书·陆逊传、陆抗传》卷五十八"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:shiting#0",
|
||||
"title": "石亭之战",
|
||||
"version": "电影级配乐·建议使用无主唱器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "以前半段克制留白承托诈降和诱敌，决战只增加低鼓与铜管，不做英雄独奏；曹休退兵后迅速转冷。",
|
||||
"reason": "项目内与本战直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:20",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器建立时代、地理与压力。"
|
||||
},
|
||||
{
|
||||
"from": "00:20",
|
||||
"to": "00:40",
|
||||
"scene": "02",
|
||||
"direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
|
||||
},
|
||||
{
|
||||
"from": "00:40",
|
||||
"to": "01:00",
|
||||
"scene": "03",
|
||||
"direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
|
||||
},
|
||||
{
|
||||
"from": "01:00",
|
||||
"to": "01:22",
|
||||
"scene": "04",
|
||||
"direction": "撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "本素材所涉石亭之战（陆逊破曹休）的时间、人物、行动与结局",
|
||||
"citation": "《三国志·吴书·周鲂传》卷六十",
|
||||
"url": "https://zh.wikisource.org/wiki/三國志/卷60"
|
||||
},
|
||||
{
|
||||
"claim": "本素材所涉石亭之战（陆逊破曹休）的时间、人物、行动与结局",
|
||||
"citation": "《三国志·吴书·陆逊传、陆抗传》卷五十八",
|
||||
"url": "https://zh.wikisource.org/wiki/三國志/卷58"
|
||||
},
|
||||
{
|
||||
"claim": "本素材所涉石亭之战（陆逊破曹休）的时间、人物、行动与结局",
|
||||
"citation": "《三国志·魏书·曹休传》卷九",
|
||||
"url": "https://zh.wikisource.org/wiki/三國志/卷09"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||||
"唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲",
|
||||
"《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪",
|
||||
"血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械",
|
||||
"把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实",
|
||||
"把周鲂断发画成自残血腥特写；只表现断发后的发束与使者",
|
||||
"把曹休写成从头到尾明知是计仍故意入局；史载其后知受骗但恃众且耻于退",
|
||||
"虚构陆逊与曹休阵前单挑、神机地图或现代伏击箭头"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,128 @@
|
||||
# 石亭之战（陆逊破曹休）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：石亭之战（陆逊破曹休）
|
||||
- 常用称呼：石亭之战、皖城诱敌、周鲂诈降
|
||||
- 时代：三国·魏太和二年／吴黄武七年
|
||||
- 日期：公元228年
|
||||
- 地点：皖县、石亭与夹石一带
|
||||
- 一句话结论：周鲂诈降诱曹休深入，陆逊统中军、朱桓和全琮分左右翼，在石亭击溃魏军，重创曹魏东线。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
吴黄武七年，鄱阳太守周鲂向魏国连续送出书信，假称受责求降，并以断发取信。魏大司马曹休相信了这场投降，率大军深入皖地。孙权随后假陆逊黄钺，命他为大都督，自统中军，以朱桓、全琮分领左右翼，三路向石亭推进。曹休进入吴境后发现受骗，却自恃兵马精多，又羞于无功退走，仍与吴军交战。陆逊三道并进，魏军大败，死伤俘获万余，车辆、马匹与军资损失极重。曹休退至夹石一带，贾逵接应才免于更大损失。回国后，曹休背疽发作而死。石亭的胜负不是来自小说式单挑，而来自一封持续多时的诈降书、一支深入敌境的军队，以及陆逊把中、左、右三路在同一时刻压上去的耐心。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜断发诈降
|
||||
|
||||
- 时间地点：公元228年，鄱阳至魏境
|
||||
- 叙事作用：交代周鲂长期诈降、送书取信与曹休入皖。
|
||||
- 本幕旁白：周鲂假称遭吴廷责难，向魏国送出降书，又以断发取信。曹休于是率军深入皖地。
|
||||
- 叠字标题：断发诈降
|
||||
- 一句短文案：一束剪下的头发，让魏国大司马相信了整场投降。
|
||||
- 图片文件：`images/01-zhou-fang-feigns-surrender.png` / `images/01-zhou-fang-feigns-surrender.webp`
|
||||
- 替代文本：昏暗官舍中周鲂把剪下的发束与封好的无字木牍交给使者，远处魏军正在渡河进入皖地。
|
||||
- 人物标签：
|
||||
- 周鲂｜吴鄱阳太守｜伪作降书并断发取信
|
||||
- 曹休｜魏大司马｜相信周鲂来降，率军深入
|
||||
- 魏吴使者｜往返使者｜秘密传递书信；图中木牍不可读
|
||||
- 画面补全说明：同框连接官舍与魏军入境属于时间压缩；降书、断发与曹休举众深入有史载。
|
||||
- 史实依据：《三国志·吴书·周鲂传》卷六十；《三国志·魏书·曹休传》卷九
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: A restrained intelligence operation in 228 CE. Zhou Fang, an East Asian Wu official in his forties with a composed narrow face and recently shortened tied hair, hands a wrapped lock of cut hair and sealed blank-looking wooden slips to a courier inside a modest command office. Through a visual transition beyond the doorway, Cao Xiu, a broad-faced older Wei commander in dark gray armor, leads columns crossing into the Wan region. No blood, no readable letters. Cinematic wide composition with shadowed foreground and bright distant road. Historical frame: 三国·魏太和二年／吴黄武七年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 02｜黄钺授军
|
||||
|
||||
- 时间地点：吴境石亭方向
|
||||
- 叙事作用：呈现孙权授陆逊黄钺、三路部署，但不画可读地图。
|
||||
- 本幕旁白：孙权假陆逊黄钺，命他为大都督。陆逊自领中军，朱桓、全琮分居左右，两翼同时前推。
|
||||
- 叠字标题：三道并进
|
||||
- 一句短文案：中军不抢快，两翼也不抢功，只等同一刻合上。
|
||||
- 图片文件：`images/02-yellow-axe-command.png` / `images/02-yellow-axe-command.webp`
|
||||
- 替代文本：孙权在军营把象征节制的黄钺授给陆逊，朱桓与全琮分别带队从两条山道出发。
|
||||
- 人物标签：
|
||||
- 陆逊｜吴大都督、假黄钺｜统中军迎击曹休
|
||||
- 朱桓｜吴左督｜率左翼进军
|
||||
- 全琮｜吴右督｜率右翼进军
|
||||
- 孙权｜吴王｜授陆逊黄钺并亲自送行
|
||||
- 画面补全说明：授钺仪式的场地、三路同时入画与钺材质为视觉补全；假黄钺、大都督及三道并进见史载。
|
||||
- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Wu field headquarters before Shiting. Sun Quan, an East Asian ruler in his mid-forties wearing restrained dark red court-campaign robes, formally presents a ceremonial yellow-bronze command axe to Lu Xun, preserving his calm face and dark teal armor. Zhu Huan and Quan Cong depart with two clearly separate columns through left and right hill roads while the center remains formed behind Lu Xun. No readable map or banners. Wide balanced composition emphasizing three directions. Historical frame: 三国·魏太和二年／吴黄武七年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 03｜石亭合击
|
||||
|
||||
- 时间地点：石亭战场
|
||||
- 叙事作用：呈现曹休知计仍战、吴军三路破敌的核心战斗。
|
||||
- 本幕旁白：曹休察觉受骗，却仗着兵多不肯空手退去。陆逊中军压住正面，两翼同时进击，魏军随即崩溃。
|
||||
- 叠字标题：石亭合击
|
||||
- 一句短文案：受骗不是最后一步，羞于退兵才让陷阱真正闭合。
|
||||
- 图片文件：`images/03-three-columns-break-wei.png` / `images/03-three-columns-break-wei.webp`
|
||||
- 替代文本：石亭丘陵间陆逊中军稳步推进，朱桓全琮两翼从不同谷道夹击，曹休在魏军车阵前组织撤退。
|
||||
- 人物标签：
|
||||
- 陆逊｜吴大都督｜统中军正面推进
|
||||
- 曹休｜魏大司马｜知受骗后仍决战，兵败退走
|
||||
- 朱桓、全琮｜吴左右督｜从两翼协同攻击
|
||||
- 画面补全说明：具体谷道、车阵与曹休手势为战术可视化；三道并进、大破曹休与其受骗后仍战有史载。
|
||||
- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八；《三国志·魏书·曹休传》卷九
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Battle of Shiting across broken hills. Lu Xun’s Wu center advances in disciplined ranks through the middle ground while two distinct wings under Zhu Huan and Quan Cong press from separate valleys. Cao Xiu, preserving his older broad face and gray armor, stands near a wagon line ordering withdrawal as formations buckle. Show abandoned shields, damaged carts and dust without bodies or gore. Wide elevated tactical view, late-afternoon bronze light. Historical frame: 三国·魏太和二年／吴黄武七年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 04｜夹石退路
|
||||
|
||||
- 时间地点：石亭至夹石
|
||||
- 叙事作用：交代魏军损失、贾逵接应和曹休战后结局。
|
||||
- 本幕旁白：魏军退向夹石，军资车辆多被吴军缴获。贾逵赶来接应，曹休才带残军北归，随后背疽而死。
|
||||
- 叠字标题：夹石退路
|
||||
- 一句短文案：大军退了出来，大司马却没能从这场羞败里走远。
|
||||
- 图片文件：`images/04-retreat-through-jiashi.png` / `images/04-retreat-through-jiashi.webp`
|
||||
- 替代文本：狭窄夹石道中魏军残部在贾逵接应下撤退，后方吴军收取遗弃车辆与马匹，曹休神情疲惫。
|
||||
- 人物标签：
|
||||
- 曹休｜魏大司马｜败退后发背疽而死
|
||||
- 贾逵｜魏豫州刺史｜率军接应退路
|
||||
- 陆逊｜吴大都督｜振旅回师，受孙权殊礼
|
||||
- 画面补全说明：夹石道路形态、接应距离与雨势为视觉补全；贾逵接应、魏军丧失军资及曹休后发背疽薨有史载。
|
||||
- 史实依据：《三国志·魏书·曹休传》卷九；《三国志·吴书·陆逊传、陆抗传》卷五十八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Aftermath in the narrow Jiashi route. Jia Kui’s fresh Wei troops secure a passage as Cao Xiu, same identity but exhausted, rides with a reduced column past abandoned wagons and riderless horses. Wu soldiers remain at a respectful distance collecting supplies rather than slaughtering fugitives. Cold evening rain begins. Wide somber frame, no visible illness lesion, no corpses, no triumphal posing. Historical frame: 三国·魏太和二年／吴黄武七年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:shiting#0`
|
||||
- 曲名：石亭之战
|
||||
- 版本：电影级配乐·建议使用无主唱器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：以前半段克制留白承托诈降和诱敌，决战只增加低鼓与铜管，不做英雄独奏；曹休退兵后迅速转冷。
|
||||
- 选择理由：项目内与本战直接绑定的原创音乐方案；仓库中未发现可直接附加的成品音频。
|
||||
- Cue sheet：
|
||||
- 00:00–00:20｜第 01 幕｜以最少配器建立时代、地理与压力。
|
||||
- 00:20–00:40｜第 02 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
|
||||
- 00:40–01:00｜第 03 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
|
||||
- 01:00–01:22｜第 04 幕｜撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《三国志·吴书·周鲂传》卷六十：本素材所涉石亭之战（陆逊破曹休）的时间、人物、行动与结局（https://zh.wikisource.org/wiki/三國志/卷60）
|
||||
- 《三国志·吴书·陆逊传、陆抗传》卷五十八：本素材所涉石亭之战（陆逊破曹休）的时间、人物、行动与结局（https://zh.wikisource.org/wiki/三國志/卷58）
|
||||
- 《三国志·魏书·曹休传》卷九：本素材所涉石亭之战（陆逊破曹休）的时间、人物、行动与结局（https://zh.wikisource.org/wiki/三國志/卷09）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
|
||||
- 唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲
|
||||
- 《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪
|
||||
- 血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械
|
||||
- 把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实
|
||||
- 把周鲂断发画成自残血腥特写；只表现断发后的发束与使者
|
||||
- 把曹休写成从头到尾明知是计仍故意入局；史载其后知受骗但恃众且耻于退
|
||||
- 虚构陆逊与曹休阵前单挑、神机地图或现代伏击箭头
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
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|
||||
{
|
||||
"event": {
|
||||
"canonicalName": "西陵之战（陆抗平步阐）",
|
||||
"aliases": [
|
||||
"西陵之战",
|
||||
"步阐之乱",
|
||||
"陆抗平西陵"
|
||||
],
|
||||
"era": "三国·吴凤凰元年／晋泰始八年",
|
||||
"date": "公元272年",
|
||||
"place": "西陵城、江陵与乐乡一带",
|
||||
"summary": "步阐惧祸据西陵降晋，陆抗一面围城、一面筑围抵御晋援，最终击退外援、攻克西陵，平定叛乱。"
|
||||
},
|
||||
"narration": {
|
||||
"language": "zh-CN",
|
||||
"estimatedSeconds": 84,
|
||||
"fullText": "吴凤凰元年，西陵督步阐被征召入朝。孙皓多疑，步阐害怕入朝遭祸，于是拒绝调令，据西陵城降晋，并把兄子送往洛阳为质。晋国受降后，任命步阐为都督西陵诸军事，又派杨肇等军前来接应。吴乐乡都督陆抗迅速出兵。他没有立刻强攻城池，而是先在西陵外围筑起长围：内困步阐，外拒晋军。部将认为城中兵少，应先攻城；陆抗坚持，如果援军先到，内外夹击，吴军就会失去主动。长围完成后，晋军数次来攻。陆抗根据各部强弱调换守将，击破最薄弱的一段；晋军撤退，西陵也失去外援。最终吴军攻克西陵，步阐和同谋被处死，史书并记其数十家遭夷三族。陆抗没有因胜利纵兵报复，反而依旧按旧制安抚城内。两年后陆抗去世，再过六年，东吴灭亡。西陵是吴国最后一场名将之胜。"
|
||||
},
|
||||
"scenes": [
|
||||
{
|
||||
"id": "01",
|
||||
"title": "一纸征召",
|
||||
"timePlace": "公元272年，西陵城",
|
||||
"purpose": "交代步阐因征召惧祸、据城降晋。",
|
||||
"narration": "孙皓征步阐入朝。步阐害怕离开兵权后遭祸，拒绝调令，据西陵城降晋。",
|
||||
"overlay": {
|
||||
"heading": "一纸征召",
|
||||
"line": "调令要他离开西陵，他却把整座城送给了晋国。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "步阐",
|
||||
"office": "吴西陵督",
|
||||
"action": "拒绝入朝，据城降晋"
|
||||
},
|
||||
{
|
||||
"name": "孙皓",
|
||||
"office": "吴皇帝",
|
||||
"action": "下诏征步阐入朝；不在战场"
|
||||
},
|
||||
{
|
||||
"name": "步玑、步璿",
|
||||
"office": "步阐兄子",
|
||||
"action": "被送往洛阳为质"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/01-bu-chan-defects-with-xiling.png",
|
||||
"delivery": "images/01-bu-chan-defects-with-xiling.webp",
|
||||
"alt": "西陵城楼内步阐把吴军印信收起，派使者带着家族子弟和封好的无字木牍北上，城门开始戒备。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: The defection of Xiling in 272 CE. Bu Chan, an East Asian frontier governor in his forties with an anxious square face and dark brown Wu armor, seals away Wu insignia and gives blank-looking wooden slips to a courier while two young adult relatives prepare to depart north as hostages. Outside, Xiling’s rammed-earth and timber gates close under nervous guards. No readable decree, no melodramatic kneeling. Wide interior-to-gate composition, autumn haze. Historical frame: 三国·吴凤凰元年／晋泰始八年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "收印、送质与关城同框为视觉压缩；受征不应、据城降晋并送兄子为质有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·陆逊传、陆抗传》卷五十八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "02",
|
||||
"title": "先筑长围",
|
||||
"timePlace": "西陵城外",
|
||||
"purpose": "呈现陆抗先筑围、内困叛城外拒晋援的关键决策。",
|
||||
"narration": "陆抗赶到西陵，没有急着攻城，而是先筑长围：围里困住步阐，围外挡住晋军。",
|
||||
"overlay": {
|
||||
"heading": "先筑长围",
|
||||
"line": "同一道墙，一面朝向叛城，一面朝向援军。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "陆抗",
|
||||
"office": "吴乐乡都督",
|
||||
"action": "统军围取西陵并抵御晋援"
|
||||
},
|
||||
{
|
||||
"name": "吴军诸将",
|
||||
"office": "陆抗部将",
|
||||
"action": "依令抢筑内外两面的工事"
|
||||
},
|
||||
{
|
||||
"name": "步阐",
|
||||
"office": "西陵守方",
|
||||
"action": "等待晋军接应"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/02-lu-kang-builds-double-front.png",
|
||||
"delivery": "images/02-lu-kang-builds-double-front.webp",
|
||||
"alt": "西陵城外吴军修筑环形土垒与木栅，工事一面监视城墙，一面面向远处晋军来路，陆抗巡视。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Construction of the double-front siege line outside Xiling. Lu Kang, an East Asian commander in his mid-forties with a calm long face, trimmed beard and restrained dark green Wu armor, walks along a rapidly built ring of earthworks and timber palisades. One face points inward toward the rebel city; the other faces open country where Jin relief columns may appear. Engineers, baskets and timber are shown realistically. Wide overhead-oblique composition, no impossible complete circular wall. Historical frame: 三国·吴凤凰元年／晋泰始八年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "工事剖面、陆抗巡视与晋军来路为战术可视化；先筑围、内困步阐外拒晋援有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·陆逊传、陆抗传》卷五十八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "03",
|
||||
"title": "内外围城",
|
||||
"timePlace": "西陵与江陵之间",
|
||||
"purpose": "表现晋援到达、陆抗调换守将并击退外军。",
|
||||
"narration": "晋将杨肇等来援，吴将急于强攻城池。陆抗稳住长围，又调换薄弱地段守将，晋军攻不进来。",
|
||||
"overlay": {
|
||||
"heading": "内外围城",
|
||||
"line": "叛城在身后，援军在眼前，陆抗把两场仗压在一条防线上。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "陆抗",
|
||||
"office": "吴军主帅",
|
||||
"action": "统筹围城与阻援并调换守将"
|
||||
},
|
||||
{
|
||||
"name": "杨肇",
|
||||
"office": "晋军援将",
|
||||
"action": "率军救援西陵后撤退"
|
||||
},
|
||||
{
|
||||
"name": "朱乔、俞赞",
|
||||
"office": "吴军将领",
|
||||
"action": "守备能力不同，受陆抗调整部署"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/03-hold-city-and-repel-relief.png",
|
||||
"delivery": "images/03-hold-city-and-repel-relief.webp",
|
||||
"alt": "西陵外围长垒上吴军同时防备城内突围和城外晋军进攻，陆抗把精锐调向一处薄弱山口。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Two-front pressure at Xiling. On a long but modest earth rampart, Wu defenders face Jin relief troops advancing from open ground while reserve units watch the rebel city behind them. Lu Kang, same identity, calmly shifts a stronger detachment toward a vulnerable hill segment as Yang Zhao’s Jin line tests the works. Clear foreground-middle-background logic, overcast late autumn, damaged shields but no bodies or gore. Historical frame: 三国·吴凤凰元年／晋泰始八年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "具体薄弱山口、调兵时刻与两面同框为视觉重构；陆抗知部将短处并换守、晋军攻围不克见史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·陆逊传、陆抗传》卷五十八"
|
||||
]
|
||||
},
|
||||
{
|
||||
"id": "04",
|
||||
"title": "克复西陵",
|
||||
"timePlace": "公元272年末，西陵城",
|
||||
"purpose": "交代晋援退走、城破、平叛与吴国晚景。",
|
||||
"narration": "晋军退走，西陵失去外援。陆抗攻克城池，平定步阐之乱，却没有纵兵扰民。",
|
||||
"overlay": {
|
||||
"heading": "克复西陵",
|
||||
"line": "城收回来了，但东吴真正能守住天下的时间已经不多。"
|
||||
},
|
||||
"people": [
|
||||
{
|
||||
"name": "陆抗",
|
||||
"office": "吴乐乡都督",
|
||||
"action": "攻克西陵并约束军纪"
|
||||
},
|
||||
{
|
||||
"name": "步阐",
|
||||
"office": "叛降的西陵督",
|
||||
"action": "城破后被处死"
|
||||
},
|
||||
{
|
||||
"name": "西陵军民",
|
||||
"office": "城内人员",
|
||||
"action": "在政权恢复后按旧制安置"
|
||||
}
|
||||
],
|
||||
"image": {
|
||||
"original": "images/04-xiling-falls-last-wu-victory.png",
|
||||
"delivery": "images/04-xiling-falls-last-wu-victory.webp",
|
||||
"alt": "西陵城门打开，陆抗率军有序入城并约束士卒，步阐被解除兵器押走，百姓从门后观望。",
|
||||
"prompt": "Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Orderly recovery of Xiling. The city gate opens as Lu Kang, same calm face and dark green armor, enters with disciplined Wu troops who keep weapons lowered and stay in formation. Bu Chan is disarmed and escorted away without depicting execution; civilians watch cautiously from doorways. Damaged earth walls and late-autumn leaves suggest a hard siege. Wide restrained final frame, no triumphal parade, no punishment scene. Historical frame: 三国·吴凤凰元年／晋泰始八年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.",
|
||||
"visualInference": "入城秩序、押解与百姓观望为克制视觉补全；城克、步阐伏诛及陆抗按旧制处置有史载。"
|
||||
},
|
||||
"sources": [
|
||||
"《三国志·吴书·陆逊传、陆抗传》卷五十八"
|
||||
]
|
||||
}
|
||||
],
|
||||
"bgm": {
|
||||
"catalogId": "zhanzhen:yiling#2",
|
||||
"title": "夷陵之战",
|
||||
"version": "陆逊视角·建议使用去人声器乐 stem",
|
||||
"status": "pending-export",
|
||||
"usage": "保留克制、耐心和暗色节拍，去掉陆逊歌词与人声；筑围阶段不抬高情绪，破援与克城仅做一次短促上扬。",
|
||||
"reason": "项目尚无西陵专属曲目；同一地理战区、陆氏父子相承且都以耐心破敌，“夷陵之战”陆逊视角最贴近，仓库中无成品音频。",
|
||||
"pathOrUrl": "",
|
||||
"cues": [
|
||||
{
|
||||
"from": "00:00",
|
||||
"to": "00:21",
|
||||
"scene": "01",
|
||||
"direction": "以最少配器建立时代、地理与压力。"
|
||||
},
|
||||
{
|
||||
"from": "00:21",
|
||||
"to": "00:42",
|
||||
"scene": "02",
|
||||
"direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
|
||||
},
|
||||
{
|
||||
"from": "00:42",
|
||||
"to": "01:03",
|
||||
"scene": "03",
|
||||
"direction": "随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。"
|
||||
},
|
||||
{
|
||||
"from": "01:03",
|
||||
"to": "01:24",
|
||||
"scene": "04",
|
||||
"direction": "撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。"
|
||||
}
|
||||
]
|
||||
},
|
||||
"sources": [
|
||||
{
|
||||
"claim": "本素材所涉西陵之战（陆抗平步阐）的时间、人物、行动与结局",
|
||||
"citation": "《三国志·吴书·陆逊传、陆抗传》卷五十八",
|
||||
"url": "https://zh.wikisource.org/wiki/三國志/卷58"
|
||||
}
|
||||
],
|
||||
"blacklist": [
|
||||
"现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗",
|
||||
"唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲",
|
||||
"《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪",
|
||||
"血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械",
|
||||
"把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实",
|
||||
"把西陵之战画成吴晋两国正式全面战争；核心是步阐叛降、晋军接应与陆抗平叛拒援",
|
||||
"用血腥场面表现步阐与数十家夷三族；只在文字中交代",
|
||||
"把陆抗画成陆逊的年轻复制脸或使用羽扇法师形象；应是独立的晚年吴将"
|
||||
]
|
||||
}
|
||||
@@ -0,0 +1,125 @@
|
||||
# 西陵之战（陆抗平步阐）｜素材说明
|
||||
|
||||
## 事件边界
|
||||
|
||||
- 规范事件名：西陵之战（陆抗平步阐）
|
||||
- 常用称呼：西陵之战、步阐之乱、陆抗平西陵
|
||||
- 时代：三国·吴凤凰元年／晋泰始八年
|
||||
- 日期：公元272年
|
||||
- 地点：西陵城、江陵与乐乡一带
|
||||
- 一句话结论：步阐惧祸据西陵降晋，陆抗一面围城、一面筑围抵御晋援，最终击退外援、攻克西陵，平定叛乱。
|
||||
|
||||
## 60–90 秒主旁白
|
||||
|
||||
吴凤凰元年，西陵督步阐被征召入朝。孙皓多疑，步阐害怕入朝遭祸，于是拒绝调令，据西陵城降晋，并把兄子送往洛阳为质。晋国受降后，任命步阐为都督西陵诸军事，又派杨肇等军前来接应。吴乐乡都督陆抗迅速出兵。他没有立刻强攻城池，而是先在西陵外围筑起长围：内困步阐，外拒晋军。部将认为城中兵少，应先攻城；陆抗坚持，如果援军先到，内外夹击，吴军就会失去主动。长围完成后，晋军数次来攻。陆抗根据各部强弱调换守将，击破最薄弱的一段；晋军撤退，西陵也失去外援。最终吴军攻克西陵，步阐和同谋被处死，史书并记其数十家遭夷三族。陆抗没有因胜利纵兵报复，反而依旧按旧制安抚城内。两年后陆抗去世，再过六年，东吴灭亡。西陵是吴国最后一场名将之胜。
|
||||
|
||||
## 分幕素材
|
||||
|
||||
### 01｜一纸征召
|
||||
|
||||
- 时间地点：公元272年，西陵城
|
||||
- 叙事作用：交代步阐因征召惧祸、据城降晋。
|
||||
- 本幕旁白：孙皓征步阐入朝。步阐害怕离开兵权后遭祸，拒绝调令，据西陵城降晋。
|
||||
- 叠字标题：一纸征召
|
||||
- 一句短文案：调令要他离开西陵，他却把整座城送给了晋国。
|
||||
- 图片文件：`images/01-bu-chan-defects-with-xiling.png` / `images/01-bu-chan-defects-with-xiling.webp`
|
||||
- 替代文本：西陵城楼内步阐把吴军印信收起，派使者带着家族子弟和封好的无字木牍北上，城门开始戒备。
|
||||
- 人物标签：
|
||||
- 步阐｜吴西陵督｜拒绝入朝，据城降晋
|
||||
- 孙皓｜吴皇帝｜下诏征步阐入朝；不在战场
|
||||
- 步玑、步璿｜步阐兄子｜被送往洛阳为质
|
||||
- 画面补全说明：收印、送质与关城同框为视觉压缩；受征不应、据城降晋并送兄子为质有史载。
|
||||
- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 01 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: The defection of Xiling in 272 CE. Bu Chan, an East Asian frontier governor in his forties with an anxious square face and dark brown Wu armor, seals away Wu insignia and gives blank-looking wooden slips to a courier while two young adult relatives prepare to depart north as hostages. Outside, Xiling’s rammed-earth and timber gates close under nervous guards. No readable decree, no melodramatic kneeling. Wide interior-to-gate composition, autumn haze. Historical frame: 三国·吴凤凰元年／晋泰始八年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 02｜先筑长围
|
||||
|
||||
- 时间地点：西陵城外
|
||||
- 叙事作用：呈现陆抗先筑围、内困叛城外拒晋援的关键决策。
|
||||
- 本幕旁白：陆抗赶到西陵，没有急着攻城，而是先筑长围：围里困住步阐，围外挡住晋军。
|
||||
- 叠字标题：先筑长围
|
||||
- 一句短文案：同一道墙，一面朝向叛城，一面朝向援军。
|
||||
- 图片文件：`images/02-lu-kang-builds-double-front.png` / `images/02-lu-kang-builds-double-front.webp`
|
||||
- 替代文本：西陵城外吴军修筑环形土垒与木栅，工事一面监视城墙，一面面向远处晋军来路，陆抗巡视。
|
||||
- 人物标签：
|
||||
- 陆抗｜吴乐乡都督｜统军围取西陵并抵御晋援
|
||||
- 吴军诸将｜陆抗部将｜依令抢筑内外两面的工事
|
||||
- 步阐｜西陵守方｜等待晋军接应
|
||||
- 画面补全说明：工事剖面、陆抗巡视与晋军来路为战术可视化；先筑围、内困步阐外拒晋援有史载。
|
||||
- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 02 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Construction of the double-front siege line outside Xiling. Lu Kang, an East Asian commander in his mid-forties with a calm long face, trimmed beard and restrained dark green Wu armor, walks along a rapidly built ring of earthworks and timber palisades. One face points inward toward the rebel city; the other faces open country where Jin relief columns may appear. Engineers, baskets and timber are shown realistically. Wide overhead-oblique composition, no impossible complete circular wall. Historical frame: 三国·吴凤凰元年／晋泰始八年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 03｜内外围城
|
||||
|
||||
- 时间地点：西陵与江陵之间
|
||||
- 叙事作用：表现晋援到达、陆抗调换守将并击退外军。
|
||||
- 本幕旁白：晋将杨肇等来援，吴将急于强攻城池。陆抗稳住长围，又调换薄弱地段守将，晋军攻不进来。
|
||||
- 叠字标题：内外围城
|
||||
- 一句短文案：叛城在身后，援军在眼前，陆抗把两场仗压在一条防线上。
|
||||
- 图片文件：`images/03-hold-city-and-repel-relief.png` / `images/03-hold-city-and-repel-relief.webp`
|
||||
- 替代文本：西陵外围长垒上吴军同时防备城内突围和城外晋军进攻，陆抗把精锐调向一处薄弱山口。
|
||||
- 人物标签：
|
||||
- 陆抗｜吴军主帅｜统筹围城与阻援并调换守将
|
||||
- 杨肇｜晋军援将｜率军救援西陵后撤退
|
||||
- 朱乔、俞赞｜吴军将领｜守备能力不同，受陆抗调整部署
|
||||
- 画面补全说明：具体薄弱山口、调兵时刻与两面同框为视觉重构；陆抗知部将短处并换守、晋军攻围不克见史载。
|
||||
- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 03 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Two-front pressure at Xiling. On a long but modest earth rampart, Wu defenders face Jin relief troops advancing from open ground while reserve units watch the rebel city behind them. Lu Kang, same identity, calmly shifts a stronger detachment toward a vulnerable hill segment as Yang Zhao’s Jin line tests the works. Clear foreground-middle-background logic, overcast late autumn, damaged shields but no bodies or gore. Historical frame: 三国·吴凤凰元年／晋泰始八年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
### 04｜克复西陵
|
||||
|
||||
- 时间地点：公元272年末，西陵城
|
||||
- 叙事作用：交代晋援退走、城破、平叛与吴国晚景。
|
||||
- 本幕旁白：晋军退走，西陵失去外援。陆抗攻克城池，平定步阐之乱，却没有纵兵扰民。
|
||||
- 叠字标题：克复西陵
|
||||
- 一句短文案：城收回来了，但东吴真正能守住天下的时间已经不多。
|
||||
- 图片文件：`images/04-xiling-falls-last-wu-victory.png` / `images/04-xiling-falls-last-wu-victory.webp`
|
||||
- 替代文本：西陵城门打开，陆抗率军有序入城并约束士卒，步阐被解除兵器押走，百姓从门后观望。
|
||||
- 人物标签：
|
||||
- 陆抗｜吴乐乡都督｜攻克西陵并约束军纪
|
||||
- 步阐｜叛降的西陵督｜城破后被处死
|
||||
- 西陵军民｜城内人员｜在政权恢复后按旧制安置
|
||||
- 画面补全说明：入城秩序、押解与百姓观望为克制视觉补全；城克、步阐伏诛及陆抗按旧制处置有史载。
|
||||
- 史实依据：《三国志·吴书·陆逊传、陆抗传》卷五十八
|
||||
- 最终生成提示词：
|
||||
|
||||
> Use case: historical-scene. Asset type: Digital Me Three Kingdoms battle story frame, scene 04 of 4, 16:9 landscape. Input image: use the provided existing Digital Me historical still only as a reference for low-saturation live-action cinematic realism, tactile materials, natural faces, historical restraint and overlay-friendly negative space; do not copy its exact people, armor or composition. Primary request: Orderly recovery of Xiling. The city gate opens as Lu Kang, same calm face and dark green armor, enters with disciplined Wu troops who keep weapons lowered and stay in formation. Bu Chan is disarmed and escorted away without depicting execution; civilians watch cautiously from doorways. Damaged earth walls and late-autumn leaves suggest a hard siege. Wide restrained final frame, no triumphal parade, no punishment scene. Historical frame: 三国·吴凤凰元年／晋泰始八年; strictly use third-century late-Han/Wei-Jin material culture appropriate to Wei, Shu or Wu. Style/medium: premium live-action Chinese historical film still, archaeology-inspired realism, subtle film grain, physically plausible terrain and army scale. Materials: rammed earth, aged timber, hemp, low-sheen silk, leather, lacquered lamellar armor, simple wood-and-iron wagons and river craft; worn functional campaign clothing, never opera-pageant luxury. Composition: cinematic wide frame with distinct foreground, middle ground and background; preserve a quiet area of sky, water, wall or earth for later webpage overlay; use a different camera position for every scene. Constraints: no baked-in text, names, subtitles, readable banners, logo or watermark; preserve recurring character identity within each battle; express violence through movement, damaged equipment and consequence, never gore. Avoid: 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗；唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲；《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪；血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械；把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实.
|
||||
|
||||
## BGM
|
||||
|
||||
- 曲库 ID：`zhanzhen:yiling#2`
|
||||
- 曲名：夷陵之战
|
||||
- 版本：陆逊视角·建议使用去人声器乐 stem
|
||||
- 音频状态：pending-export（仓库中没有可直接附加的本曲音频）
|
||||
- 使用方式：保留克制、耐心和暗色节拍，去掉陆逊歌词与人声；筑围阶段不抬高情绪，破援与克城仅做一次短促上扬。
|
||||
- 选择理由：项目尚无西陵专属曲目；同一地理战区、陆氏父子相承且都以耐心破敌，“夷陵之战”陆逊视角最贴近，仓库中无成品音频。
|
||||
- Cue sheet：
|
||||
- 00:00–00:21｜第 01 幕｜以最少配器建立时代、地理与压力。
|
||||
- 00:21–00:42｜第 02 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
|
||||
- 00:42–01:03｜第 03 幕｜随行动推进增加一层节奏，旁白期间保持器乐稀疏，避免压住人声。
|
||||
- 01:03–01:24｜第 04 幕｜撤去主鼓点，以风、水、低弦或单一金石音收束，不作大调凯旋。
|
||||
|
||||
## 史实、补全与禁用元素
|
||||
|
||||
### 主要来源
|
||||
|
||||
- 《三国志·吴书·陆逊传、陆抗传》卷五十八：本素材所涉西陵之战（陆抗平步阐）的时间、人物、行动与结局（https://zh.wikisource.org/wiki/三國志/卷58）
|
||||
|
||||
### 禁用元素
|
||||
|
||||
- 现代文字、字幕、书法、地图箭头、Logo、水印或可读军旗
|
||||
- 唐宋明清盔甲、明清城墙、龙袍冕旒、火器爆炸、欧洲板甲或日本武士甲
|
||||
- 《三国演义》定型造型与小说桥段：羽扇纶巾军师套装、青龙偃月刀式夸张兵器、单挑擂台、法术与神怪
|
||||
- 血腥尸山、断肢特写、克隆脸军团、游戏皮肤式夸张铠甲或不合时代的巨型攻城器械
|
||||
- 把史书未明载的对话、精确阵形、天气、私密心理或兵力数字写成确定事实
|
||||
- 把西陵之战画成吴晋两国正式全面战争；核心是步阐叛降、晋军接应与陆抗平叛拒援
|
||||
- 用血腥场面表现步阐与数十家夷三族；只在文字中交代
|
||||
- 把陆抗画成陆逊的年轻复制脸或使用羽扇法师形象；应是独立的晚年吴将
|
||||
|
||||
图片均为叙事用视觉重构，不作为服饰、建筑或军阵细节的考古复原结论。
|
||||
Reference in New Issue
Block a user